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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bring It All - Percussion 1
Non classifié
376
Piano & claviers
Piano Facile
138
Piano, Voix
115
Piano seul
56
Instruments en Do
26
Piano, Voix et Guitare
25
Orgue
7
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
2 Pianos, 4 mains
2
2 Pianos, 8 mains
2
Clavecin
1
Accordéon
1
+ 9 instrumentations
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Guitares
Guitare
18
Guitare notes et tablatures
11
Guitare (partie séparée)
8
Basse electrique
6
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Ensemble de guitares
1
+ 3 instrumentations
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Voix
Chorale SATB
21
Pack Instrumental pour Chorale
14
Chorale 3 parties
13
Voix Soprano, Piano
8
Chorale 2 parties
7
Chorale SSAA
7
Chorale TTBB
7
Chorale Unison
2
Voix Alto, Piano
2
Voix Baryton, Piano
1
Voix basse, Piano
1
+ 6 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Clarinette et Piano
50
Clarinette
44
Flûte traversière
40
Hautbois, Piano (duo)
38
2 Saxophones (duo)
35
Flûte traversière et Piano
32
2 Flûtes traversières (duo)
31
Saxophone (partie séparée)
26
Ensemble de saxophones
23
Hautbois (partie séparée)
20
Hautbois
18
Quatuor de Saxophones: 4 saxophones
15
3 Saxophones (trio)
11
Ensemble de Clarinettes
11
Quatuor de Flûtes : 4 flûtes
10
2 Clarinettes (duo)
10
Saxophone Alto
9
Quatuor de Clarinettes: 4 clarinettes
9
2 Hautbois (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Flute (partie séparée)
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
5
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
5
Ensemble de Flûtes
5
Cor anglais, Piano
5
Flûte, Clarinette (duo)
5
Flûte, Violon, Piano
4
Flûte, Basson et Piano
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois, Basson
4
Saxophone Baryton, Piano
4
Saxophone Tenor
4
Flûte, Hautbois, Clarinette (trio)
3
Ensemble De Flûte à bec
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette et Basson
3
Clarinette et Alto
2
Clarinette, Violon (duo)
2
Saxophone Soprano et Piano
2
Clarinette Basse, Piano
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois (duo)
1
Clarinette, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
5 Flûtes à bec
1
Cor Anglais
1
Flûte, Violoncelle
1
Ocarina
1
Flûte, Alto (duo)
1
Clarinette, Tuba
1
Flûte, Trompette (duo)
1
Flûte, Tuba (duo)
1
Hautbois et alto (duo)
1
Hautbois, Basson (duo)
1
4 Hautbois
1
Hautbois, Trompette (duo)
1
2 Flûte à bec (duo)
1
Hautbois, violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Trombone (duo)
1
Flûte à bec Soprano
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Trombone (duo)
1
Hautbois, trombone (duo)
1
Clarinette, Contrebasse (duo)
1
+ 68 instrumentations
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Cuivres
Tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Cor
29
Trombone
29
Cor et Piano
23
Trombone et Piano
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trombone (partie séparée)
14
Trompette
13
Trompette (partie séparée)
10
2 Trompettes (duo)
10
2 Trombones (duo)
9
Tuba et Piano
9
2 Cors (duo)
9
Trompette, Piano
8
Ensemble de Trombones
7
Cor anglais, Piano
5
2 Tubas (duo)
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 trombones
3
Ensemble de Trompettes
3
Tuba et Orgue
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
3 Trompettes (trio)
1
Ensemble de Cors
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Violon (duo)
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violoncelle, Piano
41
Violoncelle
36
Alto, Piano
28
Violon
22
Contre Basse
21
Violon et Piano
19
2 Violons (duo)
19
Contrebasse, Piano (duo)
18
2 Violoncelles (duo)
15
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
13
2 Altos (duo)
11
Alto seul
10
Violon, Alto (duo)
8
Violoncelle, Contrebasse (duo)
7
2 Contrebasses (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto (partie séparée)
5
Ensemble de Violons
4
Alto, Violoncelle (duo)
4
Ensemble d'Altos
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
4
Violon, Basson (duo)
3
Harpe
3
Violon (partie séparée)
3
2 Harpes (duo)
2
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Tuba (duo)
1
Flûte, Contrebasse (duo)
1
+ 33 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
169
Ensemble de cuivres
28
Orchestre à Cordes
13
Orchestre
10
Jazz combo
6
Ensemble Jazz
5
Orchestre de chambre
4
Marimba
3
Cloches
3
Batterie (partie séparée)
2
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Bring It All - Percussion 1
Clarinette Basse, Piano
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic ...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
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