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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Cat
Non classifié
9 259
Piano & claviers
Piano seul
31 218
Piano grosses notes
3 342
Accordéon
2 731
Orgue
2 599
Piano Facile
1 995
Piano, Voix
1 476
Piano, Voix et Guitare
1 451
Instruments en Do
424
1 Piano, 4 mains
239
Accompagnement Piano
198
Piano Trio: piano, violon, violoncelle
103
Clavier
60
2 Pianos, 4 mains
50
Piano Quatuor: piano, violon, alto, violoncelle
30
Piano (partie séparée)
28
Clavecin
26
Orgue, Trompette (duo)
11
Orgue, Piano (duo)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Ligne De Mélodie, Piano
4
1 Piano, 6 mains
3
2 Pianos, 8 mains
3
2 Orgues (duo)
2
Ensemble d'Accordéons
1
2 Accordéons
1
Accordéon, Voix
1
Instrument seul et Orgue
1
+ 23 instrumentations
Retracter
Guitares
Guitare
5 346
Basse electrique
3 927
Guitare notes et tablatures
1 625
Ukulele
530
Paroles et Accords
443
Ligne De Mélodie, (Paroles) et Accords
280
2 Guitares (duo)
69
Guitare (partie séparée)
53
4 Guitares (Quatuor)
23
Dulcimer
17
Mandoline
14
Banjo
12
Ensemble de guitares
12
3 Guitares (trio)
9
Mandoline, Guitare (duo)
6
Piano, Guitare (duo)
6
Ukulele Baryton
3
Guitare Pedal Steel
2
Ensemble de Ukulélés
2
Partitions De Groupes
1
Dobro
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
+ 18 instrumentations
Retracter
Voix
Voix seule
5 886
Chorale SATB
2 299
Chorale 3 parties
821
Chorale 2 parties
460
Chorale Unison
282
Chorale TTBB
282
Voix duo, Piano
218
Chorale SSAA
209
Voix Soprano, Piano
77
Voix Tenor, Piano
54
Voix duo
51
Chorale
45
Voix Baryton, Piano
37
Pack Instrumental pour Chorale
36
Voix Alto, Piano
27
Voix haute
27
Voix basse, Piano
18
Voix moyenne, Piano
17
Chorale SSAATTBB
13
Voix Tenor
7
Chorale SSATB
7
Voix Soprano
5
Chorale SSAB a cappella
3
Chorale SSATTB
3
Voix basse
2
Soli, choeur mixte et accompagnement
2
Voix, Guitare
2
Chorale SATBB
1
Voix Soprano, Orchestre
1
Chorale SATTBB A Cappella
1
Chorale SSAATB
1
Chorale, Orgue
1
+ 27 instrumentations
Retracter
Vents
Saxophone
18 042
Flûte traversière
8 388
Clarinette
7 773
Saxophone Alto
1 504
Saxophone Tenor
1 406
Flûte à Bec
1 231
Hautbois
837
Flûte traversière et Piano
654
Saxophone Soprano
627
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
554
Quatuor de Saxophones: 4 saxophones
541
Clarinette et Piano
507
Hautbois, Piano (duo)
458
Flûte, Hautbois, Clarinette, Basson
418
Saxophone Alto et Piano
388
2 Saxophones (duo)
346
Quatuor de Clarinettes: 4 clarinettes
308
Flûte à bec Soprano
306
2 Flûtes traversières (duo)
303
Quintette de Saxophone: 5 saxophones
300
Saxophone Tenor et Piano
277
Saxophone (partie séparée)
276
Ocarina
269
2 Clarinettes (duo)
213
Flûte à bec Alto
211
Saxophone Baryton, Piano
173
Quatuor de Flûtes : 4 flûtes
155
Hautbois (partie séparée)
153
Saxophone Soprano et Piano
150
3 Saxophones (trio)
144
3 Clarinettes (trio)
131
Ensemble de Clarinettes
129
Clarinette (partie séparée)
100
Trio de Flûtes: 3 flûtes
92
Flûte, Clarinette (duo)
90
Quintette de Clarinettes: 5 clarinettes
85
Ensemble de saxophones
85
2 Hautbois (duo)
79
2 Flûte à bec (duo)
79
Ensemble de Flûtes
73
Clarinette Basse, Piano
71
Flute (partie séparée)
64
Flûte, Hautbois, Clarinette (trio)
62
Cor anglais, Piano
62
Flûte, Clarinette et Basson
61
Hautbois, Clarinette (duo)
55
Saxophone Baryton
52
Hautbois, Clarinette, Basson (trio d'anches)
50
Clarinette, Basson (duo)
48
Quintette de Flûte : 5 flûtes
46
Hautbois, Basson (duo)
42
Quatuor de Flûtes à bec
40
Ensemble De Flûte à bec
36
Flûte à bec Alto, Piano
35
Clarinette, Violon (duo)
33
Flûte et Guitare
32
Flûte, Violoncelle
29
Flûte, Hautbois (duo)
26
Flûte, Violon
26
Cor Anglais
25
Hautbois, Violoncelle
22
Saxophone, Clarinette (duo)
22
Hautbois, Flûte
22
Flûte, Hautbois, Basson
21
Clarinette, Violoncelle (duo)
21
Flûte, Alto (duo)
19
Clarinette, Guitare (duo)
19
Flûte à bec Tenor
19
Flûte, Violon, Piano
19
Flûte, Hautbois, Piano (trio)
18
3 Flûtes à bec (trio)
17
Harmonica
17
Flûte, Basson et Piano
15
Clarinette et Alto
14
Clarinette, Trompette (duo)
14
Flûte, Saxophone (duo)
13
5 Flûtes à bec
12
2 Clarinettes, Basson
11
Flûte à bec Soprano, Piano
10
Flûte, Violon et Violoncelle
10
Hautbois et alto (duo)
10
Piccolo
9
Flûte, Trompette (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Hautbois, violon (duo)
9
Clarinette Basse
8
Piccolo, Piano
8
Instruments en Mib
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte, Clarinette, Piano (trio)
7
Flute, harpe et violon
7
2 Flûtes traversières, Piano
7
Clarinette, Harpe (duo)
6
2 Saxophones, Piano
6
Flûte à Bec, Piano
5
Flûte, Violon, Violoncelle et Piano
5
Clarinette, Trombone (duo)
5
3 Hautbois
5
Clarinette, Violoncelle, Piano (trio)
5
Saxophone et Guitare
4
Clarinette, Orgue
4
Ensemble à vent
4
Flûte, Trombone (duo)
4
Saxophone et Orgue
4
Flûte et Trio à cordes
4
Flûte, Harpe et Violoncelle
3
Hautbois, Harpe
3
2 Clarinettes, Piano
3
Flûte traversière, Basse continue
3
Flûte, alto et harpe
3
Flûte traversière, Orgue (duo)
3
Hautbois, Basson et Piano
2
Clarinette, Basson, Piano (trio)
2
Hautbois, trombone (duo)
2
Flûte à bec, Guitare (duo)
2
Clarinette, trompette et piano
2
Cor anglais, Guitare (duo)
2
4 Hautbois
2
Hautbois, Violon, Piano
2
Flûte, Alto et Violoncelle
2
Hautbois, Guitare (duo)
2
Flûte, trombone et piano
2
Clarinette, Contrebasse (duo)
2
Clarinette, Tuba
2
Clarinette, Alto et Piano (trio)
1
Flûte de Pan
1
Flûte, Tuba (duo)
1
Flûte, Alto et Piano
1
Saxophone et Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec, Piano
1
Flûte à bec Alto, Basse continue
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Flûte traversière, Orchestre
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes, Basse continue
1
Hautbois, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
+ 134 instrumentations
Retracter
Cuivres
Trompette
6 892
Trombone
6 368
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
896
Cor
733
Tuba
486
Trompette, Piano
463
Euphonium
423
Trombone et Piano
391
Cor et Piano
317
Tuba et Piano
238
Quatuor de Cuivres : 2 trompettes, trombone, tuba
223
Trombone (partie séparée)
205
Trompette (partie séparée)
181
2 Trompettes (duo)
146
Quatuor de Cuivres: 2 trompettes, Cor, trombone
134
Quatuor de Cuivres
124
Euphonium, Piano (duo)
111
2 Trombones (duo)
84
Quatuor de cuivres: 4 trombones
71
Trompette, Trombone (duo)
69
2 Cors (duo)
65
Cor anglais, Piano
62
Cor (partie séparée)
62
Tuba (partie séparée)
42
Ensemble de Trombones
37
Quatuor de cuivres: 4 cors
31
2 Tubas (duo)
28
Cor Anglais
25
3 Trombones (trio)
21
Quatuor de cuivres: 4 trompettes
21
Trompette, Cor (duo)
18
Ensemble de Trompettes
18
Trompette, Saxophone (duo)
17
4 Tubas
17
Ensemble de Cors
15
Trio de Cuivres
14
Trombone basse
13
2 Euphoniums et 2 Tubas
13
3 Tubas (trio)
10
Trombone basse et Piano
10
Instruments en Sib
9
Trombone, Cor (duo)
8
Bass Clef Instruments
8
3 Trompettes (trio)
8
Trompette, Violoncelle (duo)
6
Cornet A Pistons
6
Trompette, Basson (duo)
6
Trompette et Guitare
6
Cor, Violoncelle (duo)
5
Trompette, Tuba (duo)
3
Cor et Harpe
3
Trompette, violon (duo)
3
Cor, Tuba (duo)
3
Tuba et Orgue
3
Euphonium, Tuba (duo)
3
2 Euphoniums (duo)
3
4 Euphoniums
2
Instruments en Fa
2
Trombone, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Harpe
2
Tuba ou Euphonium ou Saxhorn
2
Cor et Basson (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
2 Cors, Piano
1
3 Cors (trio)
1
Ensemble de Tubas
1
Trombone et orchestre
1
Cornet et orchestre
1
2 Trombones, Piano
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Cor anglais et Harpe (duo)
1
+ 71 instrumentations
Retracter
Cordes
Violon
5 079
Violoncelle
3 391
Alto seul
2 692
Quatuor à cordes: 2 violons, alto, violoncelle
1 840
Violon et Piano
858
Violoncelle, Piano
545
Contre Basse
466
Alto, Piano
463
Harpe
351
Violon, Violoncelle (duo)
249
2 Violons (duo)
238
Trio à Cordes: violon, alto, violoncelle
234
2 Violoncelles (duo)
199
Contrebasse, Piano (duo)
189
Violon (partie séparée)
161
Quintette à cordes: 2 violons, alto, violoncelle, basse
150
Violon, Alto (duo)
137
2 Altos (duo)
124
Trio à Cordes: 2 violons, violoncelle
106
Alto (partie séparée)
90
Contrebasse (partie séparée)
83
Alto, Violoncelle (duo)
55
Trio à cordes: 3 violins
54
4 Violoncelles
54
2 Contrebasses (duo)
39
Trio à Cordes: 3 violoncelles
37
Piano Trio: Violon, Alto, Piano
35
Violon, Basson (duo)
32
Violoncelle (partie séparée)
31
Violon, Guitare (duo)
30
Quatuor à cordes: 4 violons
24
Trio à cordes: 3 altos
23
2 Harpes (duo)
23
Trio à Cordes: 2 violons, alto
22
Harpe, Flûte (duo)
21
Quatuor à cordes : 4 altos
19
Violoncelle , Guitare (duo)
19
2 Violons, Piano
16
Quintette à cordes: 2 violons, 2 altos, violoncelle
16
Violoncelle, Contrebasse (duo)
14
Harpe, Violon (duo)
12
Quintette à cordes : 2 violons, alto et 2 violoncelles
10
Alto, Guitare (duo)
10
Alto et Basson
8
Violon, Clarinette, Piano (trio)
8
Harpe, Voix
8
Trio à cordes
7
Ensemble d'Altos
7
Ensemble de Violons
7
Harpe, Violoncelle (duo)
6
Violon, Orgue
5
Ensemble de Violoncelles
5
4 Contrebasses
5
Harpe, Violon, Violoncelle
4
Violoncelle, Basse continue
4
Flûte, Contrebasse (duo)
3
Violon, Basse continue
3
Alto et Harpe
3
Autoharp
3
Violon, Tuba (duo)
3
3 Contrebasses
2
2 Violoncelles, Piano
2
3 Harpes
2
Violoncelle, Orgue
2
2 Violons et Basse continue
1
Violoncelle, Orchestre
1
Harpe et Piano
1
Harpe et mandoline
1
4 Harpes
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Batterie
6 390
Orchestre d'harmonie
2 941
Orchestre
1 885
Orchestre à Cordes
1 005
Cloches
617
Ensemble Jazz
376
Fanfare
268
Orchestre de chambre
267
Ensemble de cuivres
237
Percussion
162
Jazz combo
111
Ensemble de Percussions
60
Percussion (partie séparée)
59
Batterie (partie séparée)
34
Xylophone, Piano
33
Marimba
27
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
21
Xylophone
11
Vibraphone
11
Big band
8
Ensemble d'École
7
Timbales (partie séparée)
5
Vibraphone et Marimba
5
Instrumentation Flexible
4
Orchestre, Violon
3
Timbales
3
2 Xylophones
2
2 Percussions
1
Caisse Claire
1
Quintette à Vent
1
Piano et Orchestre
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
3 Percussions
1
2 Marimbas
1
+ 30 instrumentations
Retracter
Autres
Formation musicale - Solfège
134
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Cat
Clarinette Basse, Piano
Partitions à imprimer
71 partitions trouvées
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1
26
51
Four Cat-like Moods for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Sy Brandon
#
Four Cat-like Moods for Bass C
#
Sy Brandon
#
SheetMusicPlus
Composed by Sy Brandon. 20th Century, 21st Century, Contemporary, Contest, Festival. Score and part. 22 pages. Sy Brandon #846237. Published by Sy Bra...
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Composed by Sy Brandon. 20th Century, 21st Century, Contemporary, Contest, Festival. Score and part. 22 pages. Sy Brandon #846237. Published by Sy Brandon
$10.00
Schubert: Ave Maria for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
DÉBUTANT
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Bass C
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Guthrie: Toccata Agitato for Bass Clarinet & Piano
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Clarinette Basse, Piano
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AVANCÉ
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James M
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Guthrie: Toccata Agitato for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 5 - SKU: A0.1384680 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part...
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Bass Clarinet,Piano - Level 5 - SKU: A0.1384680 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #968958. Published by jmsgu3 (A0.1384680). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic ...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Carol of the Birds - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Noël
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Musique Sacrée
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Traditional
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Carol of the Birds - Bass Clar
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.721076 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.721076 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score and individual part. 3 pages. Music-Scores.com #3878625. Published by Music-Scores.com (A0.721076). Carol of the Birds: traditional, beautiful Catalan carol, which was played by Pablo Casals before every concert to symbolise his yearning for Catalonia after he had been exiled.This is for Bass Clarinet and Piano.Playing time up to 3 minutes, depending how slow, and whether repeats are taken.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Stacy's Mom
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Fountains Of Wayne
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Lawrence H Underwood
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Stacy's Mom
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1091155 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Cont...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1091155 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contemporary,Pop,Rock. Score and part. 11 pages. Lawrence H Underwood #695313. Published by Lawrence H Underwood (A0.1091155). “Stacy’s mom has got it goin’ on. . .†This 2003 hit from Fountains of Wayne has it all: It’s clever, distinctive, and incredibly catchy. And now it’s playable as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
Beau Soir (Debussy) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romant...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077002. Published by SCORE EDITIONS (A0.1501045). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Clair de Lune (Debussy) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1469399 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Ro...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1469399 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047419. Published by SCORE EDITIONS (A0.1469399). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Sonatina for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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the composition
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Sonatina for Bass Clarinet and
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Dacker Music
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part....
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part. 36 pages. Dacker Music #3049201. Published by Dacker Music (A0.814740). As the title indicates, Sonatina for Bass Clarinet and Piano closely follows sonata form on a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form, and in this sonatina, the tonal relationships within the movements are all based on seconds, while the second movement is in the relative major of the sonatina's home key. The first movement, Allegro appassionato, is a fairly strict sonata-allegro in F minor. The second movement, Adagio cantabile, is a theme and variations in Ab major. The finale, Allegretto giocoso, is an abridged sonata-rondo in F minor. The B episode is derived from the inverted second subject of the first movement.Although not obvious on casual listening, this provides a degree of thematic unity to the composition.Grade 4+ Duration:7:40
$14.00
A Christmas Sonnet
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Noël
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Kenneth D
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A Christmas Sonnet
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KFS Publishing
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.699255 Composed by Kenneth D. Friedrich. Christmas. Score and part. 11 pages. KFS Publishing #2926417. Published...
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Bass Clarinet,Piano - Level 3 - SKU: A0.699255 Composed by Kenneth D. Friedrich. Christmas. Score and part. 11 pages. KFS Publishing #2926417. Published by KFS Publishing (A0.699255). Written originally for a quartet, including a trio of 5th grade flute players and a 7th grade marimba player, A Christmas Sonnet premiered in December 2005 at a Christmas concert in front of over 700 family and friends at a Catholic church in Austin, TX . This arrangement for solo and piano is great for Christmas concerts, church services, or home performances.
$15.00
The Brass Clarinet-bass clarinet/piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Phil Beaman
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The Brass Clarinet-bass clarin
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Phil Beaman
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman ...
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B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986457. Published by Phil Beaman (A0.844892). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
O For a Thousand Tongues to Sing for Bass Clarinet
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Words by Charles Wesley, Music
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Lawrence H
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O For a Thousand Tongues to Si
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968497 Composed by Words by Charles Wesley, Music by Lowell Mason. Arranged by Lawrence H. Und...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968497 Composed by Words by Charles Wesley, Music by Lowell Mason. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and individual part. 9 pages. Lawrence H Underwood #6569285. Published by Lawrence H Underwood (A0.968497). Arranged by veteran performer and music educator, Lawrence Underwood, as the eleventh installment in his 2021 Hymn Song Collection series, this brand-new setting of O For a Thousand Tongues to Sing takes this beloved melody on a tour through meter and style, building in musical tension until its dramatic conclusion! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to make an impact!
$5.99
Flowing
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Lawrence H Underwood
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Flowing
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1373960 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1373960 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 8 pages. Lawrence H Underwood #958527. Published by Lawrence H Underwood (A0.1373960). This original composition by veteran performer and music educator, Lawrence Underwood, is the seventh installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Movement is at the heart of Flowing; from the gentle waltz rhythms of the opening strains, to the joyous rush and tumble of the middle section that precedes the return of the subtle pulse of the opening theme. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect additon to any program!
$6.99
Feelin' It
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Lawrence H Underwood
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Feelin' It
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1373979 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1373979 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 pages. Lawrence H Underwood #958546. Published by Lawrence H Underwood (A0.1373979). This original composition by veteran performer and music educator, Lawrence Underwood, is the eighth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Feelin' It brings the funk from its very first notes! From sassy strut of its opening section, to the jazzy bridge, and classical-tinged counterpoint that leads us home to the opening melody, this piece is a joy to play and to hear. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
With a Full Heart
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Lawrence H Underwood
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With a Full Heart
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1373662 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival,Jazz. Score and p...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1373662 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival,Jazz. Score and part. 10 pages. Lawrence H Underwood #958052. Published by Lawrence H Underwood (A0.1373662). This original composition by veteran performer and music educator, Lawrence Underwood, is the third installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â With a Full Heart is a jazz-touched exploration of simple joys, tender emotion, and cherished memories. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
Clouded Glass
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Lawrence H
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Clouded Glass
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1373560 Composed by Lawrence H. Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part....
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Bass Clarinet,Piano - Level 3 - SKU: A0.1373560 Composed by Lawrence H. Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 8 pages. Lawrence H Underwood #957928. Published by Lawrence H Underwood (A0.1373560). This original composition by veteran performer and music educator, Lawrence Underwood, is the first installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Clouded Glass takes the performer and listener on a journey through contrasting styles, moods, and meters, before reaching its satisfying conclusion. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new arrangement is sure to be a favorite of performers and listeners alike!
$6.99
Drifting Clouds
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Lawrence H Underwood
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Drifting Clouds
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1373725 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1373725 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pages. Lawrence H Underwood #958115. Published by Lawrence H Underwood (A0.1373725). This original composition by veteran performer and music educator, Lawrence Underwood, is the fifth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Drifting Clouds evokes images of clear, bright skies with gentle clouds floating on an easy breeze. The specter of rain appears in the middle of the piece, taking the solo into a minor waltz, before the threat of stormy weather dissipates and the skies clear once again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
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