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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chara
Non classifié
1 407
Piano & claviers
Piano seul
980
Piano Facile
316
Piano, Voix et Guitare
251
Piano, Voix
236
Orgue
84
Instruments en Do
50
1 Piano, 4 mains
31
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
10
Piano grosses notes
8
Accordéon
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
4
Piano (partie séparée)
3
Ligne De Mélodie, Piano
2
Fake Book
1
Accordéon, Voix
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare
110
Ligne De Mélodie, (Paroles) et Accords
99
Guitare notes et tablatures
76
Ukulele
22
Paroles et Accords
20
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
5
2 Guitares (duo)
4
Dulcimer
4
Banjo
3
Basse electrique
3
Guitare (partie séparée)
2
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
311
Chorale 3 parties
97
Chorale TTBB
64
Chorale SSAA
43
Chorale 2 parties
40
Chorale Unison
29
Voix Soprano, Piano
19
Voix seule
11
Pack Instrumental pour Chorale
10
Chorale
8
Chorale SSAATTBB
8
Voix duo, Piano
8
Voix haute
8
Voix Tenor, Piano
7
Voix duo
6
Voix Alto, Piano
5
Voix Baryton, Piano
3
Voix moyenne, Piano
2
Chorale SATTBB A Cappella
1
Voix, Guitare
1
Voix basse, Piano
1
Chorale SSAATB
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
140
Clarinette et Piano
107
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
99
2 Saxophones (duo)
97
Quatuor de Saxophones: 4 saxophones
85
2 Flûtes traversières (duo)
82
Saxophone Alto et Piano
75
Hautbois, Piano (duo)
70
Flûte traversière
65
Clarinette
62
2 Clarinettes (duo)
58
Flûte, Hautbois, Clarinette, Basson
46
Saxophone Alto
46
Quatuor de Clarinettes: 4 clarinettes
44
Saxophone Tenor et Piano
42
Saxophone, Clarinette (duo)
38
Clarinette, Violon (duo)
29
Hautbois (partie séparée)
29
Hautbois, Basson (duo)
27
Saxophone Soprano et Piano
27
Saxophone (partie séparée)
26
Flûte, Clarinette (duo)
26
Quintette de Saxophone: 5 saxophones
26
Saxophone Tenor
26
2 Hautbois (duo)
23
Hautbois, Clarinette (duo)
19
Flûte, Violon
18
Quatuor de Flûtes : 4 flûtes
18
Clarinette, Trompette (duo)
17
Flûte, Saxophone (duo)
16
Saxophone Baryton, Piano
16
Hautbois, Flûte
16
Ensemble de Clarinettes
14
Quatuor de Flûtes à bec
13
Flûte, Alto (duo)
13
Quintette de Clarinettes: 5 clarinettes
13
Cor anglais, Piano
13
3 Clarinettes (trio)
12
Clarinette Basse, Piano
12
Ensemble de Flûtes
12
Clarinette et Alto
11
Flûte, Trompette (duo)
11
Trio de Flûtes: 3 flûtes
10
Ensemble de saxophones
9
Cor Anglais
6
2 Flûte à bec (duo)
6
Quintette de Flûte : 5 flûtes
6
3 Saxophones (trio)
6
Flûte à Bec
6
Hautbois
5
Flûte à bec Soprano
5
Clarinette, Basson (duo)
5
Piccolo, Piano
5
Instruments en Mib
4
Flûte et Guitare
3
Clarinette, Violoncelle (duo)
3
Flûte, Clarinette, Piano (trio)
3
Saxophone Soprano
3
Flute (partie séparée)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Clarinette et Basson
3
Saxophone et Orgue
2
Clarinette, Trombone (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Piano
2
Flûte, Violoncelle
2
Flûte à bec Alto
2
Hautbois, Violoncelle
2
Hautbois, Basson et Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon et Violoncelle
2
Clarinette, Orchestre
1
Hautbois, violon (duo)
1
Flûte, alto et harpe
1
Flûte, Hautbois (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble De Flûte à bec
1
Flûte traversière, Basse continue
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Piano (trio)
1
Flûte à Bec, Piano
1
Saxophone
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Hautbois, Basson
1
Clarinette, Guitare (duo)
1
2 Flûtes traversières, Piano
1
2 Clarinettes, Basson
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
83
Trombone et Piano
66
Trompette
61
Trompette, Piano
61
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Trombone
42
Cor et Piano
38
Cor
32
Trompette, Saxophone (duo)
31
Tuba et Piano
29
Euphonium, Piano (duo)
26
2 Trompettes (duo)
23
Trompette (partie séparée)
22
2 Trombones (duo)
21
Trompette, Trombone (duo)
19
Tuba
18
Quatuor de Cuivres
17
Trombone (partie séparée)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor anglais, Piano
13
Quatuor de cuivres: 4 trombones
13
Cor Anglais
6
Ensemble de Trombones
5
4 Tubas
5
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Instruments en Sib
4
Bass Clef Instruments
4
Euphonium
3
Trompette, Cor (duo)
3
Trompette, violon (duo)
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Trombone, Piano
2
Trompette, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
3 Tubas (trio)
1
Trombone, Orgue
1
2 Tubas (duo)
1
3 Euphoniums
1
Cor, Violoncelle (duo)
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
219
Violon et Piano
130
Violoncelle, Piano
106
Alto, Piano
75
Violon
66
Violoncelle
61
Violon, Violoncelle (duo)
50
2 Violons (duo)
38
Alto seul
38
Harpe
34
Trio à Cordes: violon, alto, violoncelle
28
Violon, Alto (duo)
26
Contrebasse, Piano (duo)
25
2 Violoncelles (duo)
25
2 Altos (duo)
24
Contre Basse
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto (partie séparée)
10
Trio à Cordes: 2 violons, violoncelle
9
4 Violoncelles
7
Violon, Orgue
7
Flûte, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
Quatuor à cordes: 4 violons
5
Contrebasse (partie séparée)
5
Trio à cordes: 3 violins
4
Violon, Guitare (duo)
4
Trio à Cordes: 3 violoncelles
4
Violon, Basson (duo)
4
Quatuor à cordes : 4 altos
3
Violon (partie séparée)
3
Trio à cordes: 3 altos
2
Violoncelle, Orchestre
2
Violoncelle, Orgue
2
Violoncelle , Guitare (duo)
2
Alto et orchestre
1
Violoncelle (partie séparée)
1
Alto et Basson
1
Harpe, Flûte (duo)
1
Harpe, Violon, Violoncelle
1
2 Harpes (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
573
Orchestre
118
Orchestre à Cordes
109
Ensemble Jazz
64
Cloches
40
Ensemble de cuivres
36
Orchestre de chambre
22
Ensemble de Percussions
11
Jazz combo
10
Fanfare
8
Piano et Orchestre
4
Marimba
3
Batterie
3
Xylophone, Piano
3
Batterie (partie séparée)
3
Percussion (partie séparée)
2
Xylophone
1
Orchestre, Violon
1
Vibraphone
1
+ 14 instrumentations
Retracter
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DULCIMER
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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Vous avez sélectionné:
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Clarinette Basse, Piano
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1
Roadside Inn - Schumann- Bass Clarinet-Piano
Clarinette Basse, Piano
B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844508 Composed by …
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B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489041. Published by Phil Beaman (A0.844508). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.6 €
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Clarinette Basse, Piano
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Bass Clarinet-Piano
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Phil Beaman
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SheetMusicPlus
Two Arias from "Eugene Onegin" for Bass Clarinet and Piano
Clarinette Basse, Piano
B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.812174 Com…
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B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.812174 Composed by Pyotr Tchaikovsky. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Opera,Romantic Period. Score and part. 10 pages. Erin Miesner #5734131. Published by Erin Miesner (A0.812174). These two arias from the opera, Eugene Onegin, by Pyotr Tchaikovsky are a delightful option for your high school competition solo, or the perfect complement to your next recital program. Taken from Acts 2 and 3, this piece features an aria sung by Triquet, a French tutor to Tatyana and an aria sung by Prince Gremin, Tatyana’s husband and rival of the titular character for her affections. Solo and Ensemble tried and tested (top marks!)Includes Score (5 pgs.) and Bass Clarinet in B-Flat Part (with optional Clarinet in B-Flat part on Prince Gremin’s Aria)For more information and other arrangements, visit www.ehmpublishing.com.
$11.95
11.02 €
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Clarinette Basse, Piano
#
Pyotr Tchaikovsky
#
Erin Miesner
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Two Arias from "Eugene Onegin" for Bass Clarinet and Piano
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Erin Miesner
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550479 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550479 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641523. Published by jmsgu3 (A0.550479). Sonata da Chiesa No. 4 in Bb Major for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550427 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550427 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4632981. Published by jmsgu3 (A0.550427). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
#
Clarinette Basse, Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 2 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550404 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550404 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628821. Published by jmsgu3 (A0.550404). Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
30.38 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.38 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550453 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550453 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638405. Published by jmsgu3 (A0.550453). Sonata da Chiesa No. 3 in A Minor for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Quando Me'n Vo for Bb Blass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1046460 By Keith Terrett. …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1046460 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650982. Published by Keith Terrett (A0.1046460). An arrangement of Quando Men Vo for Bb Bass Clarinet & Piano. Quando men vo, also known as Musetta's Waltz, is a soprano aria in 3/4 time (a waltz) from act 2 of Puccini's opera La bohème. It is sung by the character Musetta, in the presence of her bohemian friends, and is directed toward Marcello in order to make him jealous.
$4.99
4.6 €
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Clarinette Basse, Piano
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Bb Blass Clarinet & Piano
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Keith Terrett
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SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.85 €
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
$24.95
23 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!
Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.
Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).
In Quebec the song has been used for several decades in commercials for Sico paint.
In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.
This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.
In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.
The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.
Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.98 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
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