Partitions Numériques de Come Out To Play pour Clarinette Basse, Piano

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TRI ET FILTRES

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Non classifié 778

PIANO & CLAVIERS

Piano seul 381 Piano Facile 229 Piano, Voix 169 Piano, Voix et Guitare 71 Orgue 57

Piano grosses notes 57 1 Piano, 4 mains 34 Instruments en Do 34 Accompagnement Piano 30 2 Pianos, 4 mains 18 Piano Trio: piano, violon, violoncelle 15 Accordéon 3 Clavier 3 Piano Quatuor: piano, 2 violons, violoncelle 3 Piano Quatuor: piano, violon, alto, violoncelle 2 2 Pianos, 8 mains 1 Orgue, Piano (duo) 1 Piano Quintette: piano, 2 violons, alto, violoncelle 1

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GUITARES

Guitare notes et tablatures 675 Piano, Guitare (duo) 51 Guitare 35 Basse electrique 23 Ukulele 13

2 Guitares (duo) 8 Ligne De Mélodie, (Paroles) et Accords 6 Dulcimer 5 4 Guitares (Quatuor) 3 3 Guitares (trio) 2 Paroles et Accords 1 Banjo 1

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VOIX

Chorale SATB 66 Chorale 3 parties 18 Chorale Unison 16 Chorale 2 parties 11 Chorale SSAA 8

Chorale TTBB 7 Voix Soprano, Piano 4 Voix Baryton, Piano 4 Voix duo, Piano 2 Voix Tenor, Piano 2 Voix duo 2 Voix haute 1 Voix seule 1 Voix basse, Piano 1

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VENTS

Flûte traversière et Piano 160 Clarinette et Piano 141 Hautbois, Piano (duo) 136 Saxophone Alto et Piano 104 2 Saxophones (duo) 99 Saxophone Tenor et Piano 92 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 60 Quintette de Saxophone: 5 saxophones 56 Quatuor de Saxophones: 4 saxophones 53 2 Clarinettes (duo) 50 2 Flûtes traversières (duo) 48 Clarinette 41 Flûte traversière 41 Hautbois (partie séparée) 36 Flûte, Hautbois, Clarinette, Basson 34 Saxophone, Clarinette (duo) 34 Saxophone Alto 30 Quatuor de Clarinettes: 4 clarinettes 28 Saxophone Soprano et Piano 26 Ensemble de Clarinettes 26 2 Flûtes traversières, Piano 25 Flûte, Clarinette (duo) 25 Clarinette, Violon (duo) 22 Ensemble de Flûtes 21 Ensemble de saxophones 21 Saxophone Tenor 18 Quatuor de Flûtes : 4 flûtes 18 2 Hautbois (duo) 18 Saxophone (partie séparée) 17 Clarinette, Trompette (duo) 17 Hautbois, Basson (duo) 14 Flûte, Violon 14 Quintette de Flûte : 5 flûtes 13 Flûte, Saxophone (duo) 13 Hautbois, Clarinette (duo) 12 Hautbois, Flûte 11 Clarinette et Alto 11 Saxophone Baryton, Piano 11 Flûte à bec Soprano 10 Quintette de Clarinettes: 5 clarinettes 9 3 Saxophones (trio) 8 Flûte, Clarinette et Basson 8 Flûte, Trompette (duo) 8 3 Clarinettes (trio) 7 Flûte, Hautbois, Clarinette (trio) 6 Hautbois 6 Saxophone Baryton 5 Saxophone Soprano 5 Flûte, Alto (duo) 5 Cor anglais, Piano 5 Flûte à bec Alto, Piano 4 Flûte à Bec 4 Clarinette, Basson (duo) 4 Saxophone 4 Flûte et Guitare 4 Flûte à bec Alto 3 Quatuor de Flûtes à bec 3 Flûte, Violon, Piano 3 Clarinette Basse, Piano 3

Flûte irlandaise 3 Flûte à bec Tenor 3 Trio de Flûtes: 3 flûtes 2 Flûte, Violoncelle, Piano (trio) 2 Flûte à bec Soprano, Piano 2 Harmonica 2 Flûte, Hautbois (duo) 2 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Saxophone et Guitare 1 Flute (partie séparée) 1 Flûte, Clarinette, Piano (trio) 1 Clarinette, Trombone (duo) 1 Clarinette Basse 1 Flûte et Quatuor à Cordes 1 Clarinette, Violoncelle (duo) 1 Ocarina 1

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CUIVRES

Trombone et Piano 104 Trompette, Piano 74 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 65 Trompette 60 Quatuor de Cuivres : 2 trompettes, trombone, tuba 37

Cor et Piano 37 Trombone 34 Quatuor de Cuivres: 2 trompettes, Cor, trombone 26 Cor 26 2 Trompettes (duo) 26 Tuba et Piano 24 Trompette, Saxophone (duo) 23 Tuba 20 Trompette, Trombone (duo) 20 Ensemble de Trombones 19 2 Trombones (duo) 18 Ensemble de Trompettes 16 Quatuor de cuivres: 4 trombones 8 Euphonium, Piano (duo) 8 Trompette, Cor (duo) 7 2 Cors (duo) 7 Quatuor de Cuivres 6 Trio de Cuivres 5 2 Tubas (duo) 5 Cor anglais, Piano 5 Trompette (partie séparée) 4 Tuba et Orgue 4 Trombone basse 3 Euphonium 3 Euphonium, Tuba (duo) 2 Quatuor de cuivres: 4 cors 2 Cor, Tuba (duo) 2 Trompette, Tuba (duo) 2 Trompette, Violoncelle (duo) 1 Trompette, violon (duo) 1 3 Trombones (trio) 1 2 Euphoniums et 2 Tubas 1 Quatuor de cuivres: 4 trompettes 1 Bass Clef Instruments 1 Trompette, Euphonium (duo) 1 4 Tubas 1

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CORDES

Violon et Piano 185 Alto, Piano 133 Violoncelle, Piano 130 Quatuor à cordes: 2 violons, alto, violoncelle 129 Violon, Violoncelle (duo) 63

Violon 58 2 Violons (duo) 57 Violoncelle 50 2 Violoncelles (duo) 36 Trio à Cordes: 2 violons, violoncelle 31 Violon, Alto (duo) 30 Alto seul 29 2 Altos (duo) 27 Harpe 26 Quintette à cordes: 2 violons, alto, violoncelle, basse 24 Trio à Cordes: violon, alto, violoncelle 23 Contrebasse, Piano (duo) 20 Contre Basse 17 Ensemble d'Altos 11 Ensemble de Violons 10 Alto (partie séparée) 8 Piano Trio: Violon, Alto, Piano 6 Alto, Violoncelle (duo) 5 Trio à cordes: 3 violins 5 2 Contrebasses (duo) 2 Harpe, Violon (duo) 2 Harpe, Flûte (duo) 2 2 Violons, Piano 2 Violoncelle , Guitare (duo) 2 Violoncelle, Orchestre 1 4 Contrebasses 1 Violoncelle, Contrebasse (duo) 1 Violon, Violoncelle, Clarinette 1 Quatuor à cordes: 4 violons 1 Trio à Cordes: 2 violons, alto 1 Harpe, Voix 1 Violon, Basson (duo) 1 4 Violoncelles 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 119 Orchestre 54 Orchestre à Cordes 50 Ensemble de cuivres 32 Ensemble Jazz 30

Batterie 24 Orchestre de chambre 21 Cloches 14 Jazz combo 10 Marimba 7 Ensemble de Percussions 5 Ensemble d'École 5 Xylophone, Piano 4 Xylophone 4 Fanfare 2 2 Marimbas 1 Vibraphone 1 Piano et Orchestre 1

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AUTRES

Formation musicale - Solfège 1

Vous avez sélectionné:

Come Out To Play

Clarinette Basse, Piano

Partitions à imprimer

3 partitions trouvées

Guthrie: Toccata Agitato for Bass Clarinet & Piano

Clarinette Basse, Piano

Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.1384680 Composed by James …(+)

Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.1384680 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #968958. Published by jmsgu3 (A0.1384680). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

$32.95 30.22 € #Clarinette Basse, Piano #James M #Guthrie: Toccata Agitato for Bass Clarinet & Piano #jmsgu3 #SheetMusicPlus

Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano

Clarinette Basse, Piano

Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1112353 Composed by Scott …(+)

Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popularÂ ofÂ Scott Joplinâ€™sÂ piano rags during his lifetime,Â The Maple Leaf RagÂ was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track onÂ Joshua Rifkinâ€™sÂ famous 1970 revival recording of Joplinâ€™s music and, never waning in popularity, it has featured in hundreds of films. This version forÂ Bass Clarinet and PianoÂ includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at anÂ advanced intermediateÂ level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation.Â Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse atÂ http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$3.99 3.66 € #Clarinette Basse, Piano #Scott Joplin #David McKeown #Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano #David McKeown #SheetMusicPlus

'Point Forms'

Clarinette Basse, Piano

Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after…(+)

Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after Kandinsky). Composed by Kenneth Hesketh. This edition: score and parts. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19145. Published by Schott Music - Digital
'Point forms' was suggested by a group of five diagrams found in Wassily Kandinsky's book Point and Line and Plane. Many explanations of the geometric shapes, including Kandinsky's use of the words 'stippled', 'sprayed' and 'compact' suggested musical ways to amass textures. line development and manipulation, for example by the interleaving of one idea temporarily intertwined with a previous one, allow the form to determine its own organic development. In writing for the specific quality of the basset clarinet, which extends the pitch range of the normal A clarinet, the structure of the piece allows various timbres and extended effects to come to prominence as mood and momentum change. Static or forward-moving, playful, aggressive or wailing, the musical narrative seeks through abstract paths to communicate an 'inner beauty' as well as 'inner necessity'. Processes in the work are often varied as they are repeated, in a single line or between the two performers, echoing Kandinsky's proposition that 'forces coming from without, which transform the point into a line, can be very diverse indeed. 'Point forms' was commissioned by the Rushworth Trust, and is dedicated with affection to Mark Simpson. Ken Hesketh (2010).'Point forms' was suggested by a group of five diagrams found in Wassily Kandinsky's book Point and Line and Plane. Many explanations of the geometric shapes, including Kandinsky's use of the words 'stippled', 'sprayed' and 'compact' suggested musical ways to amass textures. line development and manipulation, for example by the interleaving of one idea temporarily intertwined with a previous one, allow the form to determine its own organic development. In writing for the specific quality of the basset clarinet, which extends the pitch range of the normal A clarinet, the structure of the piece allows various timbres and extended effects to come to prominence as mood and momentum change. Static or forward-moving, playful, aggressive or wailing, the musical narrative seeks through abstract paths to communicate an 'inner beauty' as well as 'inner necessity'. Processes in the work are often varied as they are repeated, in a single line or between the two performers, echoing Kandinsky's proposition that 'forces coming from without, which transform the point into a line, can be very diverse indeed. 'Point forms' was commissioned by the Rushworth Trust, and is dedicated with affection to Mark Simpson. Ken Hesketh (2010).

$25.99 23.84 € #Clarinette Basse, Piano #'Point Forms' # Schott Music - Digital #SheetMusicPlus