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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des Romantic
Non classifié
1 668
Piano & claviers
Piano, Voix
1 297
Piano seul
1 239
Piano Facile
527
Orgue
141
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
48
Instruments en Do
40
Piano, Voix et Guitare
32
Accompagnement Piano
32
1 Piano, 4 mains
28
Piano Quatuor: piano, violon, alto, violoncelle
19
Orgue, Trompette (duo)
16
Piano Quatuor: piano, 2 violons, violoncelle
11
Accordéon
9
Clavier
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
182
Guitare
130
Ukulele
42
Basse electrique
20
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
18
Piano, Guitare (duo)
15
4 Guitares (Quatuor)
6
3 Guitares (trio)
4
Mandoline
2
Ensemble de guitares
2
Guitare (partie séparée)
2
Dulcimer
2
Ukulele Baryton
2
2 Ukuleles
1
Banjo
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
117
Chorale 3 parties
53
Chorale TTBB
26
Chorale SSAA
24
Chorale 2 parties
20
Voix seule
19
Voix Soprano, Piano
14
Voix basse, Piano
10
Voix haute
7
Voix Alto, Piano
7
Voix duo, Piano
5
Chorale Unison
5
Voix Baryton, Piano
4
Voix basse
3
Voix duo
3
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale
1
Voix Soprano
1
Voix Tenor
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
290
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
235
Clarinette et Piano
225
Quatuor de Saxophones: 4 saxophones
202
Quatuor de Clarinettes: 4 clarinettes
192
2 Saxophones (duo)
182
Hautbois, Piano (duo)
176
Saxophone Alto et Piano
162
Flûte, Hautbois, Clarinette, Basson
130
2 Flûtes traversières (duo)
116
Saxophone Tenor et Piano
114
Saxophone Soprano et Piano
110
Quintette de Saxophone: 5 saxophones
94
2 Clarinettes (duo)
81
Quatuor de Flûtes : 4 flûtes
76
Clarinette
74
Flûte à bec Soprano
70
Flûte traversière
65
Flûte, Clarinette (duo)
60
Flûte et Guitare
57
Saxophone Baryton, Piano
57
Saxophone Alto
54
3 Saxophones (trio)
50
Cor anglais, Piano
43
Ensemble de saxophones
41
Hautbois (partie séparée)
37
Ensemble de Clarinettes
33
Saxophone (partie séparée)
33
Saxophone Tenor
30
2 Flûte à bec (duo)
28
Clarinette Basse, Piano
27
2 Hautbois (duo)
26
3 Clarinettes (trio)
25
Quintette de Clarinettes: 5 clarinettes
24
Trio de Flûtes: 3 flûtes
20
Clarinette, Guitare (duo)
20
Clarinette, Basson (duo)
19
Quintette de Flûte : 5 flûtes
18
Quatuor de Flûtes à bec
18
Flûte, Violon, Piano
18
Flûte, Violoncelle
17
Hautbois, Basson (duo)
17
Ensemble de Flûtes
16
Saxophone Soprano
15
Hautbois
15
Clarinette, Violon (duo)
14
Flûte à bec Soprano, Piano
13
2 Flûtes traversières, Piano
13
Hautbois, Clarinette (duo)
13
Flûte, Violon
12
2 Clarinettes, Piano
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Saxophone Baryton
12
Hautbois, Violoncelle
12
Clarinette, Violoncelle (duo)
11
3 Flûtes à bec (trio)
11
Flûte et Quatuor à Cordes
11
Flûte à bec, Guitare (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Flûte à Bec
9
Clarinette, Violoncelle, Piano (trio)
9
Flûte, Trombone (duo)
8
Flûte, Clarinette, Piano (trio)
8
Flûte à bec Alto
7
Flûte, trombone et piano
7
5 Flûtes à bec
6
Flûte, Hautbois, Piano (trio)
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flûte, Clarinette et Basson
6
Clarinette et Alto
6
Flûte, Violoncelle, Piano (trio)
6
Flûte et Trio à cordes
6
Flûte, Violon, Violoncelle et Piano
5
Flûte, Violon et Violoncelle
5
2 Saxophones, Piano
5
Flûte, Trompette (duo)
5
Flûte, Hautbois (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Basson et Piano
4
Flûte, Saxophone (duo)
4
Clarinette, trompette et piano
4
Ocarina
4
Flûte, Alto (duo)
3
Cor anglais, Guitare (duo)
3
Hautbois, violon (duo)
3
Flûte, Hautbois, Basson
3
Clarinette, Harpe (duo)
3
Saxophone, Clarinette (duo)
3
Flûte, Alto et Piano
3
Hautbois, Harpe
2
Flûte, Violon, Guitare
2
Flûte à bec Tenor
2
Clarinette, Trompette (duo)
2
Piccolo, Piano
2
Saxophone
2
Flûte à Bec, Piano
2
Saxophone et Piano
2
Clarinette, Trombone (duo)
2
Flûte, Violoncelle, Guitare
2
Cor Anglais
2
Clarinette Basse
1
4 Hautbois
1
Saxophone et Harpe
1
Flûte irlandaise
1
Harmonica
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de Hautbois
1
Ensemble De Flûte à bec
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Alto et Piano (trio)
1
Harmonica, Piano
1
2 Hautbois, Piano
1
Saxophone et Orgue
1
2 Flûtes à bec, Piano
1
Piccolo
1
+ 111 instrumentations
Retracter
Cuivres
Trompette, Piano
157
Trombone et Piano
141
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
139
Quatuor de Cuivres : 2 trompettes, trombone, tuba
126
Cor et Piano
105
Trompette
76
Tuba et Piano
69
Quatuor de Cuivres: 2 trompettes, Cor, trombone
65
2 Trombones (duo)
65
2 Trompettes (duo)
64
Trompette, Trombone (duo)
52
2 Cors (duo)
52
Trombone
48
Cor anglais, Piano
43
Cor
40
Euphonium, Piano (duo)
38
Tuba
37
Quatuor de cuivres: 4 trombones
32
Quatuor de Cuivres
21
Quatuor de cuivres: 4 cors
17
Ensemble de Trombones
17
2 Tubas (duo)
14
Quatuor de cuivres: 4 trompettes
14
Trompette, Cor (duo)
10
Tuba et Orgue
9
Ensemble de Cors
9
Trombone (partie séparée)
8
3 Trombones (trio)
8
Cor, Violoncelle (duo)
7
4 Tubas
7
Ensemble de Trompettes
7
Trompette et Guitare
7
Trompette, Violoncelle (duo)
6
Euphonium
6
Cor, Tuba (duo)
5
3 Trompettes (trio)
5
Trio de Cuivres
5
Trompette (partie séparée)
4
Cor et Basson (duo)
4
Euphonium, Tuba (duo)
4
Trombone basse
4
Trombone, Orgue
4
Cor anglais, Guitare (duo)
3
Trompette, Basson (duo)
3
Trompette, violon (duo)
3
Trombone, Cor (duo)
3
Trompette, Saxophone (duo)
3
3 Cors (trio)
3
Trombone basse et Piano
3
Trompette, Violoncelle et Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Tubas (trio)
2
2 Euphoniums (duo)
2
Trombone, Tuba (duo)
2
Trompette, Trombone, Piano
2
Cor Anglais
2
Trompette, Tuba (duo)
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Cor, Violoncelle et Piano
1
Trompette, Harpe
1
Tuba (partie séparée)
1
+ 58 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 124
Trio à Cordes: violon, alto, violoncelle
407
Violon et Piano
332
Violoncelle, Piano
255
Alto, Piano
213
Quintette à cordes: 2 violons, alto, violoncelle, basse
205
Trio à Cordes: 2 violons, violoncelle
160
Quatuor à cordes: 4 violons
122
Violoncelle
106
Trio à cordes: 3 violins
105
Trio à Cordes: 3 violoncelles
101
2 Violons (duo)
100
Quatuor à cordes : 4 altos
90
Violon
88
2 Violoncelles (duo)
78
Violon, Violoncelle (duo)
75
2 Altos (duo)
67
Contrebasse, Piano (duo)
61
Alto seul
53
Violon, Alto (duo)
48
Trio à cordes: 3 altos
48
Trio à Cordes: 2 violons, alto
43
Harpe
38
Violoncelle , Guitare (duo)
38
Contre Basse
32
Violon, Guitare (duo)
29
Alto, Violoncelle (duo)
22
2 Contrebasses (duo)
19
Piano Trio: Violon, Alto, Piano
18
4 Violoncelles
18
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
Alto, Guitare (duo)
11
Alto (partie séparée)
10
Violoncelle, Contrebasse (duo)
8
4 Contrebasses
8
2 Harpes (duo)
7
Alto et Basson
6
Violon, Basson (duo)
6
Flûte, Contrebasse (duo)
5
Violon (partie séparée)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Harpe, Violon (duo)
4
2 Violoncelles, Piano
4
Violon, Orgue
3
3 Contrebasses
3
Violoncelle (partie séparée)
3
Violon, Clarinette, Piano (trio)
3
Harpe, Flûte (duo)
3
Ensemble de Violons
3
2 Violons, Piano
2
Contrebasse (partie séparée)
2
Harpe, Quatuor à cordes
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
2 Altos, Piano
1
Trio à cordes
1
Harpe, Violoncelle (duo)
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 422
Orchestre d'harmonie
176
Orchestre
128
Ensemble de cuivres
61
Orchestre de chambre
52
Ensemble Jazz
36
Xylophone, Piano
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Ensemble de Percussions
7
Cloches
5
Xylophone
4
Marimba
3
Batterie
2
Jazz combo
1
Quintette de Cuivres: autres combinaisons
1
Percussion (partie séparée)
1
Vibraphone
1
Batterie (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
136
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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COR ANGLAIS
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DULCIMER
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FLUTE A DIX…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Vous avez sélectionné:
Des Romantic
Clarinette Basse, Piano
Partitions à imprimer
27 partitions trouvées
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1
26
Mendelssohn: the Hebrides Overture for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: the Hebrides Over
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 5 - SKU: A0.550011 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Concert,Holiday,Romantic Period,St...
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Bass Clarinet,Piano - Level 5 - SKU: A0.550011 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Concert,Holiday,Romantic Period,Standards,World. Score and part. 55 pages. Jmsgu3 #4572357. Published by jmsgu3 (A0.550011). The Hebrides Overture (Fingal's Cave) op. 26. Score: 30 pages. Solo part: 9 pages, Piano part: 15 pages. Duration: ca. 9:10. 268 measures. Great recital piece.
$24.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Pavane Pour Une Infante Défunte (Maurice Ravel) for Bass Clarinet and Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Maurice Ravel
#
Harry Walker
#
Pavane Pour Une Infante D&eacu
#
SCORE EDITIONS
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1454242 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1454242 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period. Score and part. 9 pages. SCORE EDITIONS #1033373. Published by SCORE EDITIONS (A0.1454242). La Pavane pour une infante défunte est à l'origine une pièce pour piano de Maurice Ravel composée en 1899 et dédiée à la princesse de Polignac. La création de la version pianistique eut lieu à Paris le 5 avril 1902 par le pianiste Ricardo Viñes. Son exécution dure environ six minutes. La Pavane a été orchestrée par Ravel en 1910. L'œuvre porte la référence M.19 dans le catalogue des œuvres du compositeur établi par le musicologue Marcel Marnat. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Dance of the Little Swans for Bass Clarinet and Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
P
#
Diego Marani
#
Dance of the Little Swans for
#
Diego Marani
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 3 - SKU: A0.1403641 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic...
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B-Flat Bass Clarinet,Piano - Level 3 - SKU: A0.1403641 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Diego Marani #986820. Published by Diego Marani (A0.1403641). Danse des petits cygnes is a famous dance from Tchaikovsky's Swan Lake, from the ballet’s second act, the fourth movement of No. 13. Translated from French, it means Dance of the Little Swans, also known as Dance of the cygnets. It is very challenging because all dancers must look the same.This arrangement for Bb bass clarinet with piano accompaniment faithfully reflects the original and is suitable for repertoire, classroom and recital.
$6.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050833. Published by Rodrigo Faleiros (A0.1473394). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050873. Published by Rodrigo Faleiros (A0.1473528). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050919. Published by Rodrigo Faleiros (A0.1473584). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Adagio from the Moo
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
$24.95
Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic ...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Chasing Butterflies-bass clarinet/piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Streabbog/Beaman
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Phil Beaman
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Chasing Butterflies-bass clari
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Phil Beaman
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 3 - SKU: A0.844742 Composed by Streabbog/Beaman. Arranged by Phil Beaman. Romantic Period. Score and part. 6 ...
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Small Ensemble Bass Clarinet,Piano - Level 3 - SKU: A0.844742 Composed by Streabbog/Beaman. Arranged by Phil Beaman. Romantic Period. Score and part. 6 pages. Phil Beaman #5330497. Published by Phil Beaman (A0.844742). This playfully artistic Scherzo of Chasing Butterflies invokes the aimless flitting about of the butterflies, the careful quiet observation of the delicate creatures, then the spirited chase, and the butterflies dramatically flitting away. Besides being lots of fun to play, this piece builds technique with the many markings of articulation and dynamics.
$4.99
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for Contrabass Clarine
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Peter Ilyich Tchaikovsky
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Leyandder Trustworthy
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3 popular and easy themes by T
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Leyandder Trustworthy
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.964526 Composed by Peter Ilyich Tchaikovsky. Arranged by Leyandder Trustworthy. Christmas,Easter,Romantic Period...
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Bass Clarinet,Piano - Level 1 - SKU: A0.964526 Composed by Peter Ilyich Tchaikovsky. Arranged by Leyandder Trustworthy. Christmas,Easter,Romantic Period,Wedding,World. Score and part. 6 pages. Leyandder Trustworthy #6341721. Published by Leyandder Trustworthy (A0.964526). Swan Lake is a dramatic ballet in four acts by Russian composer Piotr Ilitch Tchaikovski and with the libretto by Vladimir Begitchev and Vasily Geltzer. Its premiere took place at the Bolshoi Theater in Moscow on February 20, 1877, and was a failure not because of the music, but because of the poor performance of the orchestra and dancers, as well as the choreography and set design. The ballet was commissioned by the Bolshoi Theater in 1876 and the composer soon began writing.
$4.99
O Mio Babbino Caro - G.Puccini - Bb Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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G
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Raymond Fenech
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O Mio Babbino Caro - G.Puccini
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Raymond Fenech
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.1050878 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score...
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Bass Clarinet,Piano - Level 2 - SKU: A0.1050878 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 10 pages. Raymond Fenech #655215. Published by Raymond Fenech (A0.1050878). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050834. Published by Rodrigo Faleiros (A0.1473395). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050874. Published by Rodrigo Faleiros (A0.1473529). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050964. Published by Rodrigo Faleiros (A0.1473975). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050920. Published by Rodrigo Faleiros (A0.1473585). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050966. Published by Rodrigo Faleiros (A0.1473976). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050997. Published by Rodrigo Faleiros (A0.1474029). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050996. Published by Rodrigo Faleiros (A0.1474028). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Two Arias from "Eugene Onegin" for Bass Clarinet and Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Pyotr Tchaikovsky
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Erin Miesner
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Two Arias from "Eugene On
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Erin Miesner
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SheetMusicPlus
B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - SKU: A0.812174 Composed by Pyotr Tchaikovsky. Arranged by Erin Miesner. 19th Century,Classical,Contest,F...
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B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - SKU: A0.812174 Composed by Pyotr Tchaikovsky. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Opera,Romantic Period. Score and part. 10 pages. Erin Miesner #5734131. Published by Erin Miesner (A0.812174). These two arias from the opera, Eugene Onegin, by Pyotr Tchaikovsky are a delightful option for your high school competition solo, or the perfect complement to your next recital program. Taken from Acts 2 and 3, this piece features an aria sung by Triquet, a French tutor to Tatyana and an aria sung by Prince Gremin, Tatyana’s husband and rival of the titular character for her affections. Solo and Ensemble tried and tested (top marks!)Includes Score (5 pgs.) and Bass Clarinet in B-Flat Part (with optional Clarinet in B-Flat part on Prince Gremin’s Aria)For more information and other arrangements, visit www.ehmpublishing.com.
$11.95
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