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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
EAM Pop
Non classifié
825
Piano & claviers
Piano seul
1 233
Piano, Voix et Guitare
1 024
Piano, Voix
482
Piano Facile
418
Instruments en Do
260
Piano grosses notes
53
1 Piano, 4 mains
19
Orgue
17
Piano Trio: piano, violon, violoncelle
9
Ligne De Mélodie, Piano
6
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Orgue, Piano (duo)
1
Piano (partie séparée)
1
Ensemble d'Accordéons
1
Instrument seul et Orgue
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
667
Ligne De Mélodie, (Paroles) et Accords
226
Paroles et Accords
211
Guitare
189
Ukulele
158
Basse electrique
153
Dulcimer
9
Mandoline
9
2 Guitares (duo)
3
Banjo
3
Basse électrique (partie séparée)
2
4 Guitares (Quatuor)
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
338
Chorale 3 parties
166
Chorale TTBB
71
Pack Instrumental pour Chorale
58
Chorale SSAA
54
Voix seule
53
Chorale 2 parties
51
Chorale
28
Voix Baryton, Piano
26
Voix Tenor, Piano
24
Voix Soprano, Piano
23
Voix Alto, Piano
20
Chorale Unison
14
Voix haute
9
Voix duo, Piano
8
Voix duo
6
Chorale SSATB
4
Voix Tenor
4
Male Voice
2
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Saxophone
217
Clarinette
185
Flûte traversière
185
Saxophone Alto
120
Saxophone Tenor
100
Quatuor de Saxophones: 4 saxophones
81
Flûte traversière et Piano
63
Saxophone (partie séparée)
62
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Flûte, Hautbois, Clarinette, Basson
49
Clarinette et Piano
48
Saxophone Alto et Piano
48
Hautbois, Piano (duo)
45
Hautbois (partie séparée)
41
Quintette de Saxophone: 5 saxophones
35
2 Saxophones (duo)
33
Saxophone Tenor et Piano
26
2 Flûtes traversières (duo)
22
Quatuor de Clarinettes: 4 clarinettes
19
2 Clarinettes (duo)
19
Saxophone Soprano et Piano
18
Ensemble de saxophones
17
Flûte, Clarinette (duo)
14
Saxophone, Clarinette (duo)
13
Saxophone Soprano
13
Saxophone Baryton, Piano
11
Flûte à Bec
9
Clarinette, Trompette (duo)
9
Harmonica
9
Quintette de Clarinettes: 5 clarinettes
8
Flûte à bec Soprano
8
Clarinette (partie séparée)
7
Hautbois
7
Clarinette, Violon (duo)
7
3 Clarinettes (trio)
7
3 Saxophones (trio)
7
Saxophone Baryton
6
Clarinette Basse, Piano
6
Cor anglais, Piano
6
Hautbois, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
5
Hautbois, Basson (duo)
5
Hautbois, Flûte
5
Cor Anglais
5
Flûte, Alto (duo)
5
Clarinette et Alto
4
Flute (partie séparée)
4
Flûte, Saxophone (duo)
4
Clarinette, Violoncelle, Piano (trio)
3
Ensemble de Flûtes
3
2 Hautbois (duo)
3
Flûte, Violon
3
Ensemble de Clarinettes
2
Flûte, Clarinette, Piano (trio)
2
Instruments en Mib
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violoncelle (duo)
2
2 Flûtes traversières, Piano
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
Quatuor de Flûtes : 4 flûtes
2
2 Clarinettes, Piano
2
Flûte, Trompette (duo)
2
Piccolo
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Flûtes à bec
1
Flûte, Alto et Piano
1
5 Flûtes à bec
1
Hautbois, Violoncelle
1
Flûte, Violon et Violoncelle
1
Saxophone et Orgue
1
Flûte à bec Alto
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle
1
3 Flûtes à bec (trio)
1
Clarinette, Basson (duo)
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Basson
1
2 Flûte à bec (duo)
1
+ 78 instrumentations
Retracter
Cuivres
Trompette
190
Trombone
164
Cor
82
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trombone et Piano
34
Cor et Piano
34
Trompette, Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette (partie séparée)
27
Tuba
23
Quatuor de Cuivres
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Tuba et Piano
10
2 Trompettes (duo)
10
2 Trombones (duo)
9
Trompette, Saxophone (duo)
8
Euphonium
8
Trompette, Trombone (duo)
8
Trompette, Cor (duo)
7
Trombone (partie séparée)
7
Quatuor de cuivres: 4 trombones
7
2 Euphoniums et 2 Tubas
6
Cor anglais, Piano
6
Cor Anglais
5
Euphonium, Piano (duo)
4
2 Cors (duo)
3
Tuba (partie séparée)
3
Bass Clef Instruments
3
Instruments en Sib
2
Tuba ou Euphonium ou Saxhorn
2
Cor (partie séparée)
2
Cor, Tuba (duo)
1
Trombone, Orgue
1
Trompette, Violoncelle et Piano
1
4 Tubas
1
Trompette, violon (duo)
1
Ensemble de Cors
1
Cor et Orgue
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
371
Violon
194
Violoncelle
172
Violon, Violoncelle (duo)
157
Alto seul
104
Violon et Piano
80
Trio à Cordes: 2 violons, violoncelle
77
Trio à Cordes: violon, alto, violoncelle
59
Violoncelle, Piano
49
Alto, Piano
42
Violon, Alto (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Harpe
30
2 Violons (duo)
22
2 Violoncelles (duo)
21
Contre Basse
20
Alto (partie séparée)
19
Contrebasse, Piano (duo)
16
Violon (partie séparée)
10
2 Altos (duo)
10
Alto, Violoncelle (duo)
6
Trio à Cordes: 2 violons, alto
5
Trio à cordes: 3 violins
4
Contrebasse (partie séparée)
4
Piano Trio: Violon, Alto, Piano
4
Violoncelle (partie séparée)
3
Violon, Guitare (duo)
3
4 Violoncelles
2
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
Alto, Orgue
1
Violoncelle, Orgue
1
Harpe, Voix
1
Violon, Orgue
1
Flûte, Contrebasse (duo)
1
Trio à cordes
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quatuor à cordes : 4 altos
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
308
Batterie
125
Fanfare
117
Ensemble Jazz
70
Orchestre
68
Orchestre à Cordes
42
Ensemble de cuivres
24
Orchestre de chambre
16
Jazz combo
15
Percussion
9
Cloches
8
Ensemble de Percussions
5
Batterie (partie séparée)
3
Xylophone
2
Percussion (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Big band
1
Piano et Orchestre
1
Timbales (partie séparée)
1
Marimba, Piano (duo)
1
+ 17 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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MANDOLINE
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Vous avez sélectionné:
EAM Pop
Clarinette Basse, Piano
Partitions à imprimer
6 partitions trouvées
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I Love You Truly-Bass clarinet/piano
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Clarinette Basse, Piano
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FACILE
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Phil Beaman
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I Love You Truly-Bass clarinet
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Phil Beaman
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #...
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Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Can't Help Falling In Love
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.845288 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/...
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Bass Clarinet,Piano - Level 3 - SKU: A0.845288 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6681667. Published by Phil Beaman (A0.845288). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
Beau Soir (Debussy) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romant...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077002. Published by SCORE EDITIONS (A0.1501045). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Entry of the Gladiators - Clarinet, Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Julius Fucik
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Entry of the Gladiators - Clar
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Music-Scores.com
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - SKU: A0.721917 Composed by Julius Fucik. Arranged by Anne L Christopherson GRSM ARCM. Conce...
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - SKU: A0.721917 Composed by Julius Fucik. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Film/TV,Wedding. Score and parts. 16 pages. Music-Scores.com #5301299. Published by Music-Scores.com (A0.721917). Entry of the Gladiators has been called Grand Chromatic March, and Thunder and Blazes in 1901 in an arrangement by Laurendeau for windband. This arrangement became popular as a Screamer march, which is circus music to introduce clowns and stir up the crowd. It is also played for rousing concert performances, as in Last Night of the Proms.This version is for Clarinet, Bass Clarinet and Piano.Playing time 2 minutes, 40 secondsArranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$6.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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