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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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Non classifié
2431
PIANO & CLAVIERS
Piano seul
1158
Piano, Voix
511
Piano, Voix et Guitare
404
Piano Facile
272
Instruments en Do
265
Orgue
72
Accompagnement Piano
32
Accordéon
23
Piano (partie séparée)
22
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano grosses notes
9
Orgue, Trompette (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
3
Ligne De Mélodie, Piano
2
Orgue, Piano (duo)
2
Accordéon, Voix
2
2 Accordéons
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Clavier
1
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GUITARES
Guitare
135
Guitare notes et tablatures
108
Ligne De Mélodie, (Paroles) et Accords
80
Guitare (partie séparée)
43
2 Guitares (duo)
34
Basse electrique
32
Ukulele
17
Mandoline
14
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
5
Basse électrique (partie séparée)
5
Banjo
2
Paroles et Accords
2
Dulcimer
2
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
546
Chorale SSAA
283
Chorale 3 parties
233
Chorale TTBB
203
Chorale 2 parties
97
Chorale Unison
48
Voix duo, Piano
19
Voix duo
18
Voix Soprano, Piano
11
Chorale
8
Voix basse, Piano
6
Chorale SSAATTBB
6
Voix seule
6
Voix Alto, Piano
6
Voix moyenne, Piano
5
Voix Tenor
3
Voix Tenor, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
2
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
Voix basse
1
Voix haute
1
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VENTS
Saxophone (partie séparée)
341
Quatuor de Saxophones: 4 saxophones
157
Flûte traversière et Piano
126
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
107
Hautbois, Piano (duo)
101
2 Saxophones (duo)
100
Clarinette
95
Hautbois (partie séparée)
90
Saxophone Alto et Piano
85
Flûte traversière
75
Flûte, Hautbois, Clarinette, Basson
68
Quatuor de Clarinettes: 4 clarinettes
68
Clarinette et Piano
68
Saxophone Alto
66
Clarinette (partie séparée)
66
Saxophone Tenor et Piano
63
2 Flûtes traversières (duo)
54
Ensemble de saxophones
42
2 Clarinettes (duo)
42
Quintette de Saxophone: 5 saxophones
39
Flûte et Guitare
35
Saxophone Soprano et Piano
34
Quatuor de Flûtes : 4 flûtes
29
Saxophone Baryton, Piano
29
Ensemble de Clarinettes
24
Saxophone, Clarinette (duo)
21
Flute (partie séparée)
20
Flûte à Bec
19
2 Hautbois (duo)
19
Hautbois, Basson (duo)
18
Flûte à bec Soprano
16
Clarinette, Violon (duo)
15
Clarinette Basse, Piano
14
Ensemble de Flûtes
14
Quintette de Clarinettes: 5 clarinettes
13
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
12
Cor anglais, Piano
11
Flûte, Violon
10
Clarinette, Trompette (duo)
10
2 Flûte à bec (duo)
10
3 Saxophones (trio)
10
Clarinette et Alto
9
Flûte à bec Alto
9
Quatuor de Flûtes à bec
8
Hautbois, Clarinette (duo)
7
Flûte, Saxophone (duo)
7
Flûte, Clarinette et Basson
6
Quintette de Flûte : 5 flûtes
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Hautbois, Flûte
6
Saxophone Tenor
5
Flûte, Alto (duo)
5
Harmonica
4
Flûte, Hautbois, Basson
4
Flûte à bec Alto, Piano
4
Flûte, Violoncelle
4
2 Clarinettes, Piano
4
Cor Anglais
3
Clarinette, Basson (duo)
3
Flûte, Trompette (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
Ensemble De Flûte à bec
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Basse continue
3
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano
3
Hautbois, Violoncelle
3
Saxophone et Guitare
2
Hautbois, Guitare (duo)
2
Hautbois
2
3 Flûtes à bec (trio)
2
Saxophone
2
2 Clarinettes, Basson
2
Flûte, Hautbois (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Violon et Violoncelle
2
Piccolo, Piano
2
Flûte à bec Soprano, Piano
2
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Harpe et Violoncelle
1
Cor anglais et Harpe (duo)
1
Hautbois, violon (duo)
1
2 Saxophones, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, trombone et piano
1
4 Hautbois
1
2 Cors Anglais Et Pianoforte
1
Flûte traversière, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Piano
1
5 Flûtes à bec
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Flûte, Alto et Piano
1
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CUIVRES
Trompette (partie séparée)
196
Trombone (partie séparée)
188
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Trombone et Piano
78
Trompette
67
Trompette, Piano
66
Trombone
50
Cor et Piano
49
Ensemble de Trompettes
41
Cor (partie séparée)
38
Cor
30
Tuba (partie séparée)
25
Quatuor de Cuivres
24
Tuba
24
Euphonium, Piano (duo)
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Tuba et Piano
22
2 Trompettes (duo)
19
Trompette, Trombone (duo)
16
Ensemble de Trombones
14
2 Trombones (duo)
13
Trompette, Saxophone (duo)
13
Euphonium
12
Cor anglais, Piano
11
Quatuor de cuivres: 4 trombones
10
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
8
Trompette, Cor (duo)
7
Trio de Cuivres
6
Ensemble de Cors
5
Trombone basse
5
Quatuor de cuivres: 4 trompettes
4
Cor Anglais
3
2 Euphoniums (duo)
3
2 Tubas (duo)
3
Cor, Violoncelle (duo)
3
3 Trompettes (trio)
2
4 Tubas
2
3 Tubas (trio)
1
Trombone, Orgue
1
Tuba et Orgue
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
Cor, Tuba (duo)
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
3 Trombones (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
437
Violoncelle (partie séparée)
165
Violon et Piano
147
Violon, Violoncelle (duo)
135
Violon (partie séparée)
114
Violon
111
Violoncelle, Piano
103
Alto, Piano
97
Trio à Cordes: 2 violons, violoncelle
71
Contrebasse (partie séparée)
60
Trio à Cordes: violon, alto, violoncelle
59
Alto (partie séparée)
54
Violon, Alto (duo)
39
2 Violons (duo)
38
Violoncelle
37
Alto seul
31
Harpe
29
2 Violoncelles (duo)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Contrebasse, Piano (duo)
20
2 Altos (duo)
17
Contre Basse
15
4 Violoncelles
12
Alto, Violoncelle (duo)
8
Trio à Cordes: 3 violoncelles
7
Harpe, Flûte (duo)
7
Harpe, Violon (duo)
7
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Harpe
5
Harpe, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
4
Flûte, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
2
Alto, Guitare (duo)
2
Ensemble d'Altos
2
Violon, Basson (duo)
2
Ensemble de Violons
2
Alto et Basson
2
Harpe, Voix
2
2 Harpes (duo)
1
2 Violons, Piano
1
2 Violons et Basse continue
1
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
4 Contrebasses
1
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
589
Orchestre à Cordes
207
Orchestre
186
Ensemble Jazz
85
Orchestre de chambre
74
Ensemble de cuivres
67
Percussion (partie séparée)
54
Batterie (partie séparée)
34
Cloches
34
Jazz combo
29
Ensemble de Percussions
23
Fanfare
19
Xylophone
9
Batterie
9
Xylophone, Piano
6
Piano et Orchestre
4
Quintette de Cuivres: autres combinaisons
4
Timbales (partie séparée)
3
Marimba
3
3 Marimbas
2
Percussion
2
Vibraphone
2
Vibraphone et Marimba
1
2 Xylophones
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
6
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Clarinette Basse, Piano
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1
ARIOSO, by J. S. Bach (sinfonia) - for Bâ™ Bass Clarinet and accompaniment
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.964375 Composed by Johann …
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.964375 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320863. Published by Leyandder Trustworthy (A0.964375). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for B♠Bass Clarinet along with a piano accompaniment that comes with the product.
$1.99
1.84 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for A Bass Clarinet and accompaniment
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964376 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964376 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6321025. Published by Leyandder Trustworthy (A0.964376). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for A Bass Clarinet along with a piano accompaniment that comes with the product.
$1.99
1.84 €
#
Clarinette Basse, Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.47 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.587870 Composed by Various…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part. 26 pages. David McKeown #5037721. Published by David McKeown (A0.587870). 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Bass Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Bass Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
7.03 €
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Clarinette Basse, Piano
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Various
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David McKeown
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16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.47 €
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Clarinette Basse, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Guthrie: Toccata Agitato for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.1384680 Composed by James …
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Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.1384680 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #968958. Published by jmsgu3 (A0.1384680). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
30.47 €
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Clarinette Basse, Piano
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James M
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Guthrie: Toccata Agitato for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.7 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sonatina for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part. 36 pages. Dacker Music #3049201. Published by Dacker Music (A0.814740). As the title indicates, Sonatina for Bass Clarinet and Piano closely follows sonata form on a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form, and in this sonatina, the tonal relationships within the movements are all based on seconds, while the second movement is in the relative major of the sonatina's home key. The first movement, Allegro appassionato, is a fairly strict sonata-allegro in F minor. The second movement, Adagio cantabile, is a theme and variations in Ab major. The finale, Allegretto giocoso, is an abridged sonata-rondo in F minor. The B episode is derived from the inverted second subject of the first movement.Although not obvious on casual listening, this provides a degree of thematic unity to the composition.Grade 4+ Duration:7:40
$14.00
12.95 €
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Clarinette Basse, Piano
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Richard E Brown
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the composition
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Sonatina for Bass Clarinet and Piano
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Dacker Music
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SheetMusicPlus
The Jig Is Up
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1128417 Composed by Lori A…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1128417 Composed by Lori Archer Sutherland. Classical,Contemporary,Contest,Festival,Folk. Score and part. 18 pages. Lori Archer Sutherland #729037. Published by Lori Archer Sutherland (A0.1128417). Composed for intermediate bass clarinetists, The Jig Is Up is a happy romp with a contrasting middle section. The lighthearted jig should remain bouncy and lively throughout. After a short transition from 6/8 to 9/8, the piece settles into a flowing 3/4 meter. The middle section draws influence from the modalities of English folk music and showcases the bass clarinet's lyrical ability. At the conclusion of the middle theme, the bass clarinet and piano work together to bring back the lively B and A themes to finish the piece.
$7.50
6.94 €
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Clarinette Basse, Piano
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Lori Archer Sutherland
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The Jig Is Up
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Lori Archer Sutherland
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.45 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
You've Got A Friend
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.547820 By James Taylor. By…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.547820 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 9 pages. Jmsgu3 #3056313. Published by jmsgu3 (A0.547820). Carole King: You've Got A Friend arranged for Bass Clarinet & Piano.Includes solo instrument part.Duration: 5″08″ Score: 7 pages. Part: 2 pages.This is the famous song that made Carole King the first woman to win the GrammyGrand Slam: Record of the Year (It’s Too Late), Album of the Year andBest Female Pop Vocal (Tapestry), and Song of the Year (You’ve Got A Friend).This arrangement is suitable for church, nightclub or recital hall performance.
$67.95
62.84 €
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Clarinette Basse, Piano
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James Taylor
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James M
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Piano
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You've Got A Friend
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jmsgu3
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SheetMusicPlus
16 Favourite Hymns Vol.1 for Bass Clarinet and Piano
Clarinette Basse, Piano
Composed by Various. Arranged by David McKeown. Praise & Worship, Sacred. Score an…
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Composed by Various. Arranged by David McKeown. Praise & Worship, Sacred. Score and part. 28 pages. David McKeown #6203785. Published by David McKeown
16 Favourite Hymns Vol.1 for solo Bass Clarinet is a collection of popular traditional hymns. They are simply arranged in easy keys for Bass Clarinet with separate piano accompaniment and chord symbols provided in the same file. <br> <br> The hymns are in alphabetical order and are as follows<br> <br> · Abide with Me, (Eventide)<br> <br> · All People that on Earth do Dwell, (Old 100th)<br> <br> · All Things Bright and Beautiful, (Bright and Beautiful)<br> <br> · Amazing Grace, (Old Britain)<br> <br> · Be Thou MY Vision, (Slane)<br> <br> · Christ the Lord is Risen Today, (Crosby)<br> <br> · The Church’s One Foundation, (Aurelia)<br> <br> · City of God, (Richmond)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day Thou Gavest, (St Clement)<br> <br> · Dear Lord and Father of Mankind, (Repton)<br> <br> · Eternal Father Strong to Save, (Melita)<br> <br> · The God of Love My Shepherd Is, (University)<br> <br> · Oh God, Our Help in Ages Past, (St Anne)<br> <br> · Guide Me O Thou Great Jehovah, (Cwm Rhondda)<br> <br> · Praise My Soul the King of Heaven (Laude Anima)
$7.60
7.03 €
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Clarinette Basse, Piano
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Various
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Worship, Sacred
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16 Favourite Hymns Vol.1 for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
12.01 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
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