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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Free - Trombone 1
Non classifié
660
Piano & claviers
Piano seul
2 335
Piano Facile
843
Piano, Voix
524
Instruments en Do
292
Piano, Voix et Guitare
206
Accordéon
187
1 Piano, 4 mains
82
Orgue
25
Accompagnement Piano
6
2 Pianos, 4 mains
3
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare
666
Basse electrique
360
Guitare notes et tablatures
91
Ukulele
49
Ligne De Mélodie, (Paroles) et Accords
48
Piano, Guitare (duo)
8
2 Guitares (duo)
6
4 Guitares (Quatuor)
4
Paroles et Accords
4
Guitare (partie séparée)
1
Guitare Pedal Steel
1
Dulcimer
1
+ 7 instrumentations
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Voix
Voix seule
492
Chorale SATB
106
Chorale 3 parties
71
Chorale TTBB
48
Chorale 2 parties
38
Chorale SSAA
34
Pack Instrumental pour Chorale
22
Chorale Unison
18
Voix Soprano, Piano
8
Voix duo
4
Voix duo, Piano
3
Voix Alto, Piano
2
Voix Baryton, Piano
2
Chorale SSAB a cappella
1
Chorale
1
+ 10 instrumentations
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Vents
Saxophone
1 359
Flûte traversière
980
Clarinette
877
Saxophone Alto
243
Saxophone Tenor
200
Flûte à Bec
164
Saxophone (partie séparée)
155
Hautbois
129
Flûte traversière et Piano
94
Clarinette et Piano
91
Saxophone Alto et Piano
90
Saxophone Tenor et Piano
78
Quatuor de Saxophones: 4 saxophones
62
Hautbois, Piano (duo)
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Quintette de Saxophone: 5 saxophones
49
Hautbois (partie séparée)
38
Clarinette (partie séparée)
34
2 Saxophones (duo)
33
Quatuor de Clarinettes: 4 clarinettes
32
3 Saxophones (trio)
27
Flûte, Hautbois, Clarinette, Basson
19
Ensemble de saxophones
18
2 Flûtes traversières (duo)
17
Saxophone Soprano et Piano
16
Saxophone Baryton, Piano
16
Flute (partie séparée)
14
Quatuor de Flûtes : 4 flûtes
12
Ensemble de Flûtes
11
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
11
2 Clarinettes (duo)
11
Cor anglais, Piano
10
Quintette de Flûte : 5 flûtes
9
Saxophone Soprano
8
2 Flûte à bec (duo)
7
Ensemble de Hautbois
6
Ensemble de Clarinettes
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette Basse, Piano
6
Flûte, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Hautbois, Flûte
5
Clarinette, Basson (duo)
4
4 Hautbois
4
Clarinette, Guitare (duo)
3
Flûte à bec Tenor
3
Flûte et Guitare
3
Flûte à bec Alto
3
Flûte à bec Soprano
3
Ocarina
3
Hautbois, Guitare (duo)
2
Clarinette Basse
2
3 Flûtes à bec (trio)
2
Flûte, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Piano
1
Hautbois et alto (duo)
1
Saxophone, Basson (duo)
1
Saxophone et violoncelle
1
Flûte, Violon
1
Hautbois, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Flûte et Trio à cordes
1
+ 68 instrumentations
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Cuivres
Trompette
629
Cor
76
Trompette, Piano
62
Trompette (partie séparée)
58
Euphonium
44
Tuba
39
Cor et Piano
33
Cor (partie séparée)
19
Tuba et Piano
16
Cor anglais, Piano
10
Tuba (partie séparée)
8
2 Cors (duo)
6
Euphonium, Piano (duo)
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 cors
5
Tuba et Orgue
4
Trompette, Cor (duo)
4
2 Trompettes (duo)
4
3 Cors (trio)
3
Cornet A Pistons
3
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
2
4 Tubas
2
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
1
Bass Clef Instruments
1
Trompette, Tuba (duo)
1
Ensemble de Trompettes
1
Instruments en Sib
1
+ 24 instrumentations
Retracter
Cordes
Violon
1 209
Violoncelle
735
Alto seul
442
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violoncelle, Piano
82
Violon et Piano
80
Contre Basse
61
Alto, Piano
36
Violon, Violoncelle (duo)
30
Harpe
17
Violon, Alto (duo)
15
Violon (partie séparée)
15
2 Violoncelles (duo)
10
2 Violons (duo)
10
2 Altos (duo)
9
Trio à Cordes: 3 violoncelles
8
Trio à cordes: 3 altos
8
Trio à Cordes: violon, alto, violoncelle
7
Contrebasse (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto (partie séparée)
6
2 Violons, Piano
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle, Contrebasse (duo)
5
Trio à cordes: 3 violins
5
4 Violoncelles
5
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Alto, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
3
Contrebasse, Piano (duo)
2
Violoncelle (partie séparée)
2
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Batterie
484
Orchestre d'harmonie
224
Orchestre
143
Orchestre à Cordes
54
Ensemble de cuivres
36
Percussion (partie séparée)
31
Fanfare
22
Orchestre de chambre
16
Percussion
11
Ensemble Jazz
10
Timbales (partie séparée)
8
Ensemble de Percussions
6
Cloches
6
Jazz combo
5
Batterie (partie séparée)
3
3 Percussions
1
Vibraphone
1
Timbales
1
Marimba
1
+ 14 instrumentations
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Autres
Formation musicale - Solfège
14
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AUTRES INST…
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CITHARE
CLAIRON
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
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SAXOPHONE
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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Vous avez sélectionné:
Free - Trombone 1
Clarinette Basse, Piano
Partitions à imprimer
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1
MARMOTTE by Beethoven - transcription for Clarinet and Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ivan Marini
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MARMOTTE by Beethoven - transc
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www.dalsegno.eu
#
SheetMusicPlus
B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - SKU: A0.1086058 Composed by Ludwig van Beethoven. Arranged by Ivan Marini. Children,Classical,Instructio...
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B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - SKU: A0.1086058 Composed by Ludwig van Beethoven. Arranged by Ivan Marini. Children,Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Www.dalsegno.eu #690252. Published by www.dalsegno.eu (A0.1086058). Transcription of this famous Beethoven's Lied (op. 52 n. 7) for solo and Piano.Ideal for every young player: for classes, concerts recitals...Complete set of piano and two solo parts (both over the break and in the mid-range), with free backing track on YouTube.Duration ca. 1'', 3 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Roadside Inn - Schumann- Bass Clarinet-Piano
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Clarinette Basse, Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Bass
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Phil Beaman
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Sco...
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B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489041. Published by Phil Beaman (A0.844508). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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