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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Funeral Music
Sheetmusicplus
Non classifié
747
Piano & claviers
Piano seul
717
Piano, Voix
199
Orgue
171
Piano Facile
86
Piano, Voix et Guitare
31
Piano Trio: piano, violon, violoncelle
18
Accompagnement Piano
14
Instruments en Do
9
1 Piano, 4 mains
7
2 Pianos, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
Accordéon
1
Clavecin
1
Piano (partie séparée)
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
25
Mandoline
7
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
3
2 Guitares (duo)
2
Ukulele
2
Guitare (partie séparée)
2
Piano, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
Ensemble de guitares
1
Mandoline, Piano (duo)
1
+ 8 instrumentations
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Voix
Chorale SATB
276
Chorale 2 parties
211
Voix duo, Piano
86
Chorale 3 parties
68
Voix duo
55
Chorale Unison
52
Chorale TTBB
28
Voix haute
8
Chorale SSAA
6
Voix moyenne, Piano
5
Chorale
3
Voix Baryton, Piano
3
Chorale SSATB
2
Voix Soprano, Piano
2
Voix, Guitare
2
Voix basse
2
Voix Tenor, Piano
2
Voix Moyenne
1
Chorale SATBB
1
Voix seule
1
Chorale SSATTB
1
Voix Tenor
1
Voix basse, Piano
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
90
Quintette de Saxophone: 5 saxophones
81
Clarinette et Piano
69
Saxophone Alto et Piano
67
Quatuor de Saxophones: 4 saxophones
66
Saxophone Tenor et Piano
48
2 Saxophones (duo)
47
Quatuor de Clarinettes: 4 clarinettes
41
Hautbois, Piano (duo)
41
Saxophone Soprano et Piano
34
Flûte, Hautbois, Clarinette, Basson
31
Ensemble de saxophones
27
3 Saxophones (trio)
23
Ensemble de Clarinettes
19
Cor anglais, Piano
16
Saxophone (partie séparée)
15
2 Clarinettes (duo)
15
2 Flûtes traversières (duo)
13
Flûte, Clarinette (duo)
13
Quintette de Flûte : 5 flûtes
12
Saxophone Baryton, Piano
12
Quatuor de Flûtes : 4 flûtes
10
Saxophone Alto
9
Ensemble de Flûtes
9
Clarinette
9
Quintette de Clarinettes: 5 clarinettes
9
Flûte traversière
8
2 Flûte à bec (duo)
7
Clarinette (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
2 Saxophones, Piano
5
Saxophone et Orgue
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Flûtes à bec (trio)
5
3 Clarinettes (trio)
5
Clarinette, Basson (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Guitare, Piano
4
Flûte, Clarinette, Piano (trio)
4
Clarinette Basse, Piano
4
5 Flûtes à bec
3
Flûte, Violon
3
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Hautbois (partie séparée)
3
Clarinette, Violon (duo)
3
Flûte à bec Alto
3
Flûte et Guitare
3
Quatuor de Flûtes à bec
3
Flute (partie séparée)
3
2 Flûtes traversières, Piano
2
2 Clarinettes, Piano
2
Flûte, Violoncelle
2
Clarinette, Orgue
2
Saxophone Tenor
2
Clarinette, Trompette (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon, Piano
2
Flûte à bec Alto, Piano
2
Clarinette, Harpe (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, trompette et piano
1
Clarinette, Violoncelle (duo)
1
Saxophone Baryton
1
Flûte à Bec, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, trombone et piano
1
Piccolo, Piano
1
Cor anglais et Harpe (duo)
1
Flûte irlandaise
1
Hautbois, Basson (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano, Piano
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano
1
2 Flûtes traversières, Harpe
1
2 Hautbois (duo)
1
Clarinette et Alto
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Basson
1
Cornemuse
1
2 Hautbois, Piano
1
Saxophone Soprano
1
Flûte et Quatuor à Cordes
1
Hautbois, Flûte
1
Hautbois
1
+ 84 instrumentations
Retracter
Cuivres
Trompette, Piano
57
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trombone et Piano
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Cor et Piano
30
Ensemble de Trombones
19
Trompette
17
Cor anglais, Piano
16
Ensemble de Trompettes
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 cors
11
Quatuor de Cuivres
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
3 Trombones (trio)
9
Trompette, Cor (duo)
9
Trombone (partie séparée)
8
2 Trombones (duo)
8
Euphonium, Piano (duo)
8
Trompette (partie séparée)
7
Ensemble de Cors
7
4 Tubas
7
Quatuor de cuivres: 4 trombones
7
Trompette, Trombone (duo)
6
Tuba et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
2 Cors (duo)
5
Cor
5
3 Trompettes (trio)
4
Quatuor de cuivres: 4 trompettes
4
3 Cors (trio)
3
Cor (partie séparée)
3
Tuba
3
Trombone, Cor (duo)
3
3 Tubas (trio)
3
Trio de Cuivres
3
Trombone, Orgue
3
Trompette, Saxophone (duo)
2
Trompette, Violoncelle et Piano
2
Euphonium, Tuba (duo)
2
Trombone
2
2 Trombones, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Cor, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Cor et Orgue
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
2 Tubas (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
122
Violon et Piano
114
Violoncelle, Piano
71
Harpe
53
Alto, Piano
51
Trio à Cordes: violon, alto, violoncelle
25
Violon, Violoncelle (duo)
24
Violon
19
Piano Trio: Violon, Alto, Piano
16
Violoncelle
14
2 Violons (duo)
13
2 Violoncelles (duo)
12
Violon, Alto (duo)
11
Trio à Cordes: 3 violoncelles
8
2 Altos (duo)
8
Ensemble de Violons
7
Quatuor à cordes: 4 violons
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto, Violoncelle (duo)
6
4 Violoncelles
6
Ensemble d'Altos
5
Trio à cordes: 3 violins
5
Quatuor à cordes : 4 altos
5
Harpe, Flûte (duo)
5
Trio à cordes: 3 altos
4
Harpe, Voix
4
Alto (partie séparée)
4
Alto seul
4
Violon, Orgue
3
Trio à cordes
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Violons, Piano
2
Violoncelle, Orchestre
2
Trio à Cordes: 2 violons, violoncelle
2
Contre Basse
2
Contrebasse, Piano (duo)
2
Violoncelle, Orgue
2
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Ensemble de cuivres
21
Orchestre à Cordes
20
Orchestre
17
Marimba
9
Orchestre de chambre
9
Ensemble Jazz
6
Cloches
4
Jazz combo
3
Quatuor à Vent : 4 instruments à vents
1
Batterie
1
Timbales (partie séparée)
1
Fanfare
1
Batterie (partie séparée)
1
Vibraphone
1
Percussion (partie séparée)
1
+ 11 instrumentations
Retracter
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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1
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Bas
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Bass Clarinet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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