Partitions Numériques de Green pour Clarinette Basse, Piano

Green

16 Favourite Easter Hymns for Solo Bass Clarinet and Piano #Clarinette Basse, Piano #FACILE #Musique Sacrée #Various #David McKeown # #16 Favourite Easter Hymns for #David McKeown #SheetMusicPlus

Bass Clarinet,Piano - Level 2 - SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part....(+)

Bass Clarinet,Piano - Level 2 - SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part. 26 pages. David McKeown #5037721. Published by David McKeown (A0.587870). 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Bass Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Bass Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or twoâ€™s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as followsâ€¦Â· All Creatures of Our God and King, (Lasst Uns Erfreuen)Â· All Hail the Power of Jesus Name, (Coronation)Â· Before the Throne of God Above, (Before the Throne)Â· Blessed Assurance, (Blessed Assurance)Â· Christ the Lord is Risen Today, (Easter Hymn)Â· Crown Him with Many Crowns, (Diademata)Â· The Day of Resurrection, (Ellacombe)Â· Just as I Am, (Woodworth)Â· I Know that My Redeemer Lives, (Bradford)Â· It is Well with My Soul, (Ville du Havre)Â· A Mighty Fortress is Our God, (Ein Feste Burg)Â· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)Â· There is a Green Hill Far Away, (The Green Hill)Â· Thine Be the Glory, (Judas Maccabeus)Â· Were You There? (Were You There?)Â· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

A Sky Full Of Stars #Clarinette Basse, Piano #INTERMÉDIAIRE #Rock #Coldplay #James M #A Sky Full Of Stars #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.547979 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M....(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.547979 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 16 pages. Jmsgu3 #3121619. Published by jmsgu3 (A0.547979). Score: 9 pages, solo part: 2 pages, piano part: 5 pages. Duration: 4:35A Sky Full of Stars is a song recorded by British alternative rock band Coldplay, it was released on 2 May 2014 as the third single from their sixth studio album, Ghost Stories (2014). The band co-wrote and co-produced the song with Avicii, and received production assistance from Paul Epworth, Daniel Green, and Rik Simpson. It was recorded at The Bakery and The Beehive in North London, England.