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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Grieg
Sheetmusicplus
Non classifié
795
Piano & claviers
Piano seul
574
Piano Facile
316
Piano, Voix
89
1 Piano, 4 mains
50
Instruments en Do
26
Piano Trio: piano, violon, violoncelle
26
Orgue
17
2 Pianos, 4 mains
15
Accompagnement Piano
10
Piano, Voix et Guitare
10
1 Piano, 6 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon
3
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
1
Orgue, Piano (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
58
Guitare
45
2 Guitares (duo)
22
4 Guitares (Quatuor)
21
Basse electrique
15
Piano, Guitare (duo)
9
Ukulele
8
Banjo
4
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
2
3 Guitares (trio)
1
+ 6 instrumentations
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Voix
Voix haute
44
Voix basse, Piano
37
Chorale SATB
17
Chorale Unison
6
Chorale SSAA
3
Voix moyenne, Piano
3
Chorale TTBB
3
Chorale
2
Voix basse
2
Chorale 2 parties
2
Voix seule
1
Voix Soprano, Piano
1
Voix haute, Piano
1
Chorale 3 parties
1
Voix duo
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
123
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Flûte traversière et Piano
101
Quatuor de Saxophones: 4 saxophones
97
Clarinette et Piano
89
Clarinette
74
Quatuor de Clarinettes: 4 clarinettes
67
Saxophone (partie séparée)
64
Flûte, Hautbois, Clarinette, Basson
63
Hautbois, Piano (duo)
63
Saxophone Alto et Piano
57
2 Clarinettes (duo)
56
Saxophone Tenor et Piano
52
2 Flûtes traversières (duo)
52
Flûte traversière
51
Clarinette (partie séparée)
45
Saxophone Soprano et Piano
44
2 Flûte à bec (duo)
41
2 Hautbois (duo)
34
Saxophone Baryton, Piano
32
Saxophone Alto
32
3 Saxophones (trio)
30
Hautbois (partie séparée)
29
Saxophone Tenor
28
Quintette de Saxophone: 5 saxophones
26
Hautbois
22
Quatuor de Flûtes : 4 flûtes
20
Ensemble de saxophones
19
Quintette de Clarinettes: 5 clarinettes
18
Flûte et Guitare
18
Flûte, Clarinette (duo)
18
Ensemble de Clarinettes
17
Saxophone Soprano
17
Saxophone Baryton
17
Flute (partie séparée)
17
3 Clarinettes (trio)
16
Cor anglais, Piano
16
Flûte à bec Alto
13
Cor Anglais
13
Flûte à bec Soprano
13
Hautbois, Clarinette (duo)
13
Quintette de Flûte : 5 flûtes
13
Hautbois, Basson (duo)
12
Flûte à Bec
11
Trio de Flûtes: 3 flûtes
10
Flûte, Violon, Piano
9
Ensemble de Flûtes
9
Flûte à Bec, Piano
8
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Basson
8
Flûte, Hautbois, Piano (trio)
7
Clarinette Basse, Piano
7
Quatuor de Flûtes à bec
7
Clarinette, Basson (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Violoncelle
6
Clarinette, Violoncelle (duo)
6
Saxophone et Guitare
6
Flûte, Hautbois (duo)
5
Hautbois, Flûte
4
Clarinette, Guitare (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Violon (duo)
3
Hautbois, Violon, Piano
3
Flûte, Violon
3
Flûte, Violoncelle, Piano (trio)
3
2 Clarinettes, Piano
3
Cor anglais, Guitare (duo)
3
Clarinette Basse
3
Piccolo, Piano
2
Flûte, Trompette (duo)
2
Saxophone et Piano
2
Saxophone, Basson (duo)
2
Clarinette, Trombone (duo)
2
Flûte, Violon et Violoncelle
2
Clarinette et Alto
2
Flûte à bec Alto, Piano
2
2 Saxophones, Piano
2
3 Flûtes à bec (trio)
2
Flûte, Trombone (duo)
2
Ensemble De Flûte à bec
1
Harmonica
1
Flûte, trombone et piano
1
Flûte à bec Soprano, Piano
1
Flûte, Alto et Piano
1
2 Flûtes traversières, Piano
1
Saxophone
1
Flûte, Violoncelle, Guitare
1
Hautbois, Violoncelle
1
3 Hautbois
1
Flûte, Clarinette, Piano (trio)
1
+ 86 instrumentations
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Cuivres
Trompette
70
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
65
Trompette, Piano
61
Trombone et Piano
60
Trombone
45
Cor et Piano
42
2 Trompettes (duo)
41
Cor
40
Tuba et Piano
38
2 Trombones (duo)
35
Trombone (partie séparée)
35
Tuba
34
2 Cors (duo)
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Cor (partie séparée)
19
Trompette (partie séparée)
19
Trompette, Trombone (duo)
17
Cor anglais, Piano
16
Quatuor de Cuivres
15
Euphonium, Piano (duo)
15
Quatuor de cuivres: 4 cors
14
Tuba (partie séparée)
14
Cor Anglais
13
2 Tubas (duo)
11
Quatuor de cuivres: 4 trombones
8
4 Tubas
8
Trompette, Cor (duo)
7
3 Tubas (trio)
6
Quatuor de cuivres: 4 trompettes
6
Trombone, Cor (duo)
6
Trio de Cuivres
5
Trombone basse
4
3 Trombones (trio)
4
Trombone basse et Piano
4
Cor, Tuba (duo)
4
Euphonium
4
2 Euphoniums et 2 Tubas
3
Cor anglais, Guitare (duo)
3
Trombone, Violon (duo)
2
Trompette, Saxophone (duo)
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
Trompette, violon (duo)
2
Trompette, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Trombone, Tuba (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
137
Violon et Piano
101
Violoncelle, Piano
75
Alto, Piano
65
Alto seul
57
Violon
57
Violoncelle
52
2 Violoncelles (duo)
46
2 Violons (duo)
45
2 Altos (duo)
41
Violon, Violoncelle (duo)
38
Violon (partie séparée)
37
Contre Basse
28
Violon, Alto (duo)
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Alto, Violoncelle (duo)
20
Trio à Cordes: violon, alto, violoncelle
20
Contrebasse, Piano (duo)
20
Contrebasse (partie séparée)
17
Violoncelle (partie séparée)
16
4 Violoncelles
14
Trio à cordes: 3 violins
14
2 Contrebasses (duo)
13
Harpe
13
Trio à Cordes: 3 violoncelles
12
Quatuor à cordes : 4 altos
11
Quatuor à cordes: 4 violons
11
Violoncelle , Guitare (duo)
11
Trio à Cordes: 2 violons, violoncelle
11
Violon, Guitare (duo)
10
Alto, Guitare (duo)
6
Alto (partie séparée)
6
Trio à Cordes: 2 violons, alto
5
4 Contrebasses
4
Violoncelle, Contrebasse (duo)
4
Trio à cordes: 3 altos
4
Violon, Basson (duo)
2
Alto et Basson
2
Flûte, Contrebasse (duo)
2
Trio à cordes
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon (duo)
2
2 Violoncelles, Piano
1
Harpe, Voix
1
2 Harpes (duo)
1
Ensemble de Violoncelles
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
178
Orchestre à Cordes
70
Orchestre
53
Percussion (partie séparée)
28
Ensemble de cuivres
19
Ensemble Jazz
15
Timbales (partie séparée)
14
Percussion
9
Cloches
9
Orchestre de chambre
8
Xylophone
7
Marimba
6
Instrumentation Flexible
5
Xylophone, Piano
2
Fanfare
2
Ensemble de Percussions
1
Piano et Orchestre
1
Ensemble d'École
1
+ 13 instrumentations
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AUTOHARPE
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Vous avez sélectionné:
Grieg
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Partitions à imprimer
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1
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Notturno Op. 54 No. 4 for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
FACILE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Notturno Op. 54 No. 4 f
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550030 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standa...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550030 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 13 pages. Jmsgu3 #4580649. Published by jmsgu3 (A0.550030). Score: 7 pages. Duration: ca. 4:20. A very thought-provoking and expressive recital encore.
$32.95
Grieg: Peer Gynt Suite Complete for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Halloween
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Composed by Edvard Grieg (1843-1907). Arranged by James Guthrie, ASCAP. Concert, Halloween, Instructional, Romantic Period, Standards. Score and part....
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Composed by Edvard Grieg (1843-1907). Arranged by James Guthrie, ASCAP. Concert, Halloween, Instructional, Romantic Period, Standards. Score and part. 62 pages. Jmsgu3 #5306295. Published by jmsgu3
$59.95
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
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