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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Was Here
Non classifié
1 429
Piano & claviers
Piano seul
740
Piano, Voix
223
Piano, Voix et Guitare
222
Instruments en Do
76
Piano Facile
57
Orgue
47
2 Pianos, 4 mains
35
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
12
Accompagnement Piano
8
Accordéon
4
Piano grosses notes
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare
80
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
15
Ukulele
11
Basse electrique
10
4 Guitares (Quatuor)
8
Mandoline
6
Piano, Guitare (duo)
3
3 Guitares (trio)
3
Banjo
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
Guitare, Orchestre
1
Ukulele Baryton
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
345
Chorale 3 parties
60
Chorale 2 parties
39
Chorale TTBB
31
Voix Alto, Piano
30
Chorale SSAA
27
Voix Baryton, Piano
26
Voix Tenor
26
Voix Soprano
24
Chorale Unison
12
Voix seule
12
Voix Soprano, Piano
11
Voix duo, Piano
9
Voix duo
7
Voix haute
6
Voix Tenor, Piano
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Chorale SSAB, Piano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
148
Quintette de Saxophone: 5 saxophones
110
Ensemble de saxophones
74
Quatuor de Saxophones: 4 saxophones
64
Flûte traversière et Piano
59
Flûte, Hautbois, Clarinette, Basson
58
Ensemble de Clarinettes
49
Clarinette et Piano
45
Quatuor de Clarinettes: 4 clarinettes
40
2 Clarinettes (duo)
39
Hautbois, Piano (duo)
36
Ensemble de Flûtes
35
Clarinette
35
Saxophone Alto et Piano
34
2 Flûtes traversières (duo)
33
Flûte traversière
31
2 Saxophones (duo)
29
Saxophone Alto
26
Saxophone Tenor et Piano
24
Cor anglais, Piano
18
Flûte et Guitare
17
Quintette de Flûte : 5 flûtes
17
Hautbois (partie séparée)
16
3 Clarinettes (trio)
16
Saxophone Baryton, Piano
15
Saxophone Soprano et Piano
14
Quatuor de Flûtes : 4 flûtes
13
Clarinette, Guitare (duo)
13
Saxophone Tenor
11
Saxophone, Clarinette (duo)
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
Flûte, Clarinette (duo)
9
Clarinette Basse, Piano
8
Saxophone (partie séparée)
7
Hautbois, Basson (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois, Guitare (duo)
6
Flûte à bec Soprano
6
Hautbois, Clarinette (duo)
5
2 Flûtes traversières, Piano
5
Flûte, Saxophone (duo)
5
Flûte, Violon
5
Quatuor de Flûtes à bec
5
Clarinette et Alto
4
3 Saxophones (trio)
4
Flûte à Bec
4
Saxophone Soprano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Alto (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor Anglais
3
Flute, harpe et violon
3
Cor anglais, Guitare (duo)
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Piano
2
Saxophone et Harpe
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
2
Ocarina
2
2 Hautbois, Piano
2
Flûte, Violon, Piano
2
Flute (partie séparée)
2
Clarinette, Trombone (duo)
2
Harmonica
2
Hautbois, Flûte
2
Saxophone et Guitare
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Saxophone
2
Saxophone et Orgue
2
Flûte à bec Soprano, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
2 Flûte à bec (duo)
1
Piccolo
1
Piccolo, Piano
1
Hautbois, Harpe
1
2 Flûtes traversières, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
114
Trombone et Piano
37
Trompette
35
Quatuor de Cuivres
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Ensemble de Trombones
30
Trompette, Piano
25
Trombone
23
Ensemble de Trompettes
20
Cor anglais, Piano
18
Euphonium, Piano (duo)
16
2 Trombones (duo)
16
Cor et Piano
15
Tuba
15
Cor
13
Tuba et Piano
12
2 Trompettes (duo)
12
2 Cors (duo)
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
6
Trompette, Saxophone (duo)
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors, Piano
3
2 Tubas (duo)
3
Trio de Cuivres
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Trombone basse et Piano
2
Bass Clef Instruments
1
4 Euphoniums
1
Trombone et orchestre
1
Trompette, Harpe
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
Cor et Harpe
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
190
Violon et Piano
85
Violon
53
Violoncelle, Piano
50
Harpe
49
Violoncelle
43
Alto, Piano
41
Trio à Cordes: violon, alto, violoncelle
38
2 Violons (duo)
31
Violon, Violoncelle (duo)
22
2 Harpes (duo)
18
2 Altos (duo)
17
Ensemble d'Altos
17
2 Violoncelles (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Ensemble de Violons
16
Alto seul
15
Violon, Alto (duo)
11
Contre Basse
10
Contrebasse, Piano (duo)
9
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle , Guitare (duo)
7
Violon, Guitare (duo)
6
2 Violons, Piano
6
4 Violoncelles
4
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
3
Harpe, Violon (duo)
2
2 Violoncelles, Piano
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
4 Contrebasses
2
Violoncelle, Orgue
1
3 Harpes
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
163
Orchestre
96
Orchestre à Cordes
87
Ensemble de cuivres
55
Orchestre de chambre
44
Ensemble Jazz
42
Jazz combo
26
Ensemble de Percussions
14
Cloches
11
Fanfare
10
Marimba
5
Batterie
3
Vibraphone
3
Piano et Orchestre
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
I Was Here
Clarinette Basse, Piano
Partitions à imprimer
8 partitions trouvées
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1
Just As I Am, Gospel Hymn for Bass Clarinet and Piano
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Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
Charlotte Elliott
#
David McKeown
#
Just As I Am, Gospel Hymn for
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David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592910 Composed by Charlotte Elliott. Arranged by David McKeown. Praise & Worship,Sacred,Spiritua...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592910 Composed by Charlotte Elliott. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413405. Published by David McKeown (A0.592910). Just as I Am is a beautiful hymn arranged here for Solo Bass Clarinet and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
Nobody Knows the Trouble I've Seen, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Nobody Knows the Trouble I've
#
David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593010 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593010 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415225. Published by David McKeown (A0.593010). Nobody Knows the Trouble I’ve Seen is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.Nobody Knows the Trouble I’ve Seen is a spiritual that was published in 1867. It has been recorded countless times by many famous artists from Paul Robeson to Louis Armstrong
$2.49
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Bas
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part....
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Bass Clarinet,Piano - Level 2 - SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part. 26 pages. David McKeown #5037721. Published by David McKeown (A0.587870). 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Bass Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Bass Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Down by the Riverside, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592710 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592710 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411787. Published by David McKeown (A0.592710). Down by the Riverside is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Roadside Inn - Schumann- Bass Clarinet-Piano
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Clarinette Basse, Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Bass
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Phil Beaman
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Sco...
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B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489041. Published by Phil Beaman (A0.844508). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
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