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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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MEDIEVAL - RENAISSAN…
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Note4Piano
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SheetMusicPlus
Tomplay
Virtualsheetmusic
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2556
PIANO & CLAVIERS
Piano seul
1307
Piano Facile
571
Piano, Voix et Guitare
558
Piano, Voix
527
Orgue
130
Instruments en Do
124
1 Piano, 4 mains
48
Accompagnement Piano
24
2 Pianos, 4 mains
23
Piano Trio: piano, violon, violoncelle
16
Piano (partie séparée)
15
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano grosses notes
11
Orgue, Piano (duo)
9
Accordéon
5
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
162
Guitare
110
Ligne De Mélodie, (Paroles) et Accords
61
Ukulele
52
Basse electrique
29
Guitare (partie séparée)
28
Paroles et Accords
27
Piano, Guitare (duo)
15
2 Guitares (duo)
13
Mandoline
10
Dulcimer
7
4 Guitares (Quatuor)
5
Banjo
5
Ensemble de guitares
3
Basse électrique (partie séparée)
3
2 Ukuleles
2
Ukulele Baryton
1
3 Guitares (trio)
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
612
Chorale 3 parties
210
Chorale 2 parties
142
Chorale TTBB
115
Chorale SSAA
101
Chorale Unison
78
Voix duo, Piano
42
Voix Alto, Piano
32
Voix Tenor
29
Voix Soprano, Piano
27
Voix Soprano
23
Voix duo
12
Chorale
7
Voix Tenor, Piano
6
Voix basse, Piano
4
Voix haute
3
Chorale SSAATTBB
2
Voix seule
2
Chorale SSAB, Piano
1
Chorale SSATB
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix duo, Orgue
1
Instrumentations suivantes
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VENTS
Clarinette
283
2 Saxophones (duo)
282
Flûte traversière et Piano
251
Clarinette et Piano
231
Hautbois, Piano (duo)
201
Quatuor de Saxophones: 4 saxophones
196
Flûte, Hautbois, Clarinette, Basson
180
Quintette de Saxophone: 5 saxophones
177
Flûte traversière
175
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
173
Saxophone Alto et Piano
147
Saxophone (partie séparée)
146
Saxophone Alto
146
Saxophone Tenor et Piano
122
2 Flûtes traversières (duo)
119
Saxophone Tenor
112
Hautbois
111
2 Clarinettes (duo)
101
2 Flûte à bec (duo)
95
Saxophone Soprano et Piano
86
2 Hautbois (duo)
86
3 Saxophones (trio)
62
Saxophone Baryton, Piano
62
Hautbois (partie séparée)
60
Hautbois, Clarinette (duo)
54
Flûte, Clarinette (duo)
50
Ensemble de saxophones
45
Quatuor de Clarinettes: 4 clarinettes
43
Saxophone Baryton
36
Hautbois, Basson (duo)
34
Saxophone Soprano
34
Flûte à bec Soprano
32
3 Clarinettes (trio)
32
Quatuor de Flûtes : 4 flûtes
31
Ensemble de Clarinettes
31
Flûte, Hautbois (duo)
26
Clarinette, Violon (duo)
25
Ensemble de Flûtes
23
Quintette de Flûte : 5 flûtes
22
Quintette de Clarinettes: 5 clarinettes
22
Clarinette, Basson (duo)
22
Flûte, Clarinette et Basson
19
Cor anglais, Piano
19
Clarinette (partie séparée)
18
Flûte à Bec, Piano
17
Trio de Flûtes: 3 flûtes
17
Flute (partie séparée)
17
Saxophone, Clarinette (duo)
16
Flûte, Violoncelle
16
Flûte, Hautbois, Clarinette (trio)
15
Hautbois, Violoncelle
15
Clarinette, Violoncelle (duo)
15
Clarinette et Alto
15
Flûte, Violon
14
Flûte à bec Alto
14
Flûte, Alto (duo)
13
Flûte et Guitare
12
Cor Anglais
12
Flûte, Clarinette, Piano (trio)
12
Quatuor de Flûtes à bec
11
Clarinette, Trompette (duo)
11
Flûte à Bec
10
5 Flûtes à bec
10
Piccolo
10
Hautbois, Clarinette, Basson (trio d'anches)
9
Hautbois, Flûte
9
Flûte, Hautbois, Basson
9
Flûte à bec Alto, Piano
8
Flûte, Trompette (duo)
8
Hautbois, violon (duo)
8
Clarinette, Violoncelle, Piano (trio)
7
Clarinette Basse, Piano
7
Flûte à bec Tenor
7
Hautbois et alto (duo)
7
Clarinette, Guitare (duo)
6
Flûte, Basson et Piano
6
Flûte, Saxophone (duo)
6
Ensemble De Flûte à bec
5
Hautbois, Basson et Piano
5
Hautbois, Violoncelle et Piano
5
Flûte, Violon, Piano
5
2 Flûtes traversières, Piano
5
Hautbois, Clarinette et Piano (Trio)
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Alto et Piano (trio)
4
Clarinette, Basson, Piano (trio)
4
Piccolo, Piano
4
Harmonica
4
Cor anglais, Guitare (duo)
4
Flûte, trombone et piano
4
2 Clarinettes, Piano
4
Flûte à bec Soprano, Piano
4
Flûte, Alto et Piano
3
Clarinette, Tuba
3
Saxophone et Guitare
3
Flûte, Trombone (duo)
3
Clarinette, trompette et piano
2
Flûte, Tuba (duo)
2
Hautbois, trombone (duo)
2
Hautbois, Violon, Piano
2
3 Hautbois
2
2 Clarinettes, Basson
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Contrebasse (duo)
2
Saxophone
2
Clarinette, Trombone (duo)
2
Flûte, Violoncelle, Guitare
1
Flûte, alto et harpe
1
Flûte et Trio à cordes
1
Ensemble à vent
1
Flûte traversière, Orgue (duo)
1
2 Hautbois, Piano
1
3 Flûtes à bec (trio)
1
Flûte, Violon et Violoncelle
1
Flûte de Pan
1
Saxophone et Harpe
1
Clarinette, Harpe (duo)
1
Instruments en Mib
1
Clarinette Basse
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
224
Trombone et Piano
203
Trompette
190
Trompette, Piano
178
Cor
161
Cor et Piano
160
Trombone
154
Tuba
144
Tuba et Piano
128
Quatuor de Cuivres : 2 trompettes, trombone, tuba
122
Quatuor de Cuivres: 2 trompettes, Cor, trombone
107
2 Trombones (duo)
90
2 Trompettes (duo)
85
Trombone (partie séparée)
74
2 Cors (duo)
72
Trompette (partie séparée)
59
Trompette, Trombone (duo)
58
2 Tubas (duo)
46
Quatuor de Cuivres
35
Cor (partie séparée)
26
Trompette, Cor (duo)
22
Euphonium, Piano (duo)
20
Cor anglais, Piano
19
Tuba (partie séparée)
17
Quatuor de cuivres: 4 trombones
17
Quatuor de cuivres: 4 cors
15
Quatuor de cuivres: 4 trompettes
13
Ensemble de Trompettes
13
Trompette, Saxophone (duo)
13
Cor Anglais
12
Ensemble de Trombones
11
Trombone basse
10
3 Trombones (trio)
9
Trompette, Violoncelle (duo)
8
Trombone basse et Piano
7
Tuba et Orgue
6
Cor, Tuba (duo)
6
4 Tubas
6
Trompette, Basson (duo)
6
Euphonium
5
Ensemble de Cors
5
Trombone, Cor (duo)
4
Trompette, Trombone, Piano
4
3 Trompettes (trio)
4
Cor, Violoncelle (duo)
4
Cor anglais, Guitare (duo)
4
Instruments en Sib
3
Trompette, Tuba (duo)
3
Cor et Basson (duo)
2
Trombone, Violon (duo)
2
Trombone, Tuba (duo)
1
3 Cors (trio)
1
Ensemble de Tubas
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
Trompette, violon (duo)
1
Trompette, Harpe
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
427
Violon et Piano
297
Violoncelle, Piano
230
Violoncelle
229
Violon
222
Alto, Piano
198
Alto seul
148
2 Violons (duo)
115
Contrebasse, Piano (duo)
114
Quintette à cordes: 2 violons, alto, violoncelle, basse
112
Contre Basse
111
Violon, Violoncelle (duo)
107
2 Violoncelles (duo)
101
2 Altos (duo)
91
Violon, Alto (duo)
68
Harpe
65
Trio à Cordes: violon, alto, violoncelle
58
2 Contrebasses (duo)
40
Trio à Cordes: 2 violons, violoncelle
33
Alto, Violoncelle (duo)
32
Contrebasse (partie séparée)
26
Violon (partie séparée)
24
Alto (partie séparée)
23
Quintette à cordes : 2 violons, alto et 2 violoncelles
20
4 Violoncelles
15
Trio à cordes: 3 violins
14
Violon, Basson (duo)
13
Quatuor à cordes: 4 violons
12
Trio à Cordes: 3 violoncelles
11
Piano Trio: Violon, Alto, Piano
10
Violoncelle, Contrebasse (duo)
9
Quatuor à cordes : 4 altos
8
Alto et Basson
8
Trio à cordes: 3 altos
7
Violon, Clarinette, Piano (trio)
6
Violon, Guitare (duo)
6
Ensemble de Violons
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Harpes (duo)
5
Violoncelle (partie séparée)
4
Violon, Tuba (duo)
3
2 Violoncelles, Piano
3
Ensemble d'Altos
3
Flûte, Contrebasse (duo)
3
5 Harpes
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
3 Harpes
2
Alto, Guitare (duo)
2
Alto et Harpe
2
Harpe, Voix
2
Trio à Cordes: 2 violons, alto
2
3 Contrebasses
2
Ensemble de Violoncelles
1
4 Contrebasses
1
Violon, Trompette et Piano
1
Violoncelle, Basse continue
1
Harpe et Piano
1
4 Harpes
1
Trio à cordes
1
2 Altos, Piano
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
891
Orchestre à Cordes
204
Ensemble Jazz
202
Orchestre
140
Ensemble de cuivres
77
Cloches
49
Fanfare
49
Batterie
31
Batterie (partie séparée)
28
Ensemble de Percussions
26
Orchestre de chambre
25
Jazz combo
23
Percussion (partie séparée)
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
15
Marimba
9
Xylophone
5
2 Xylophones
3
Xylophone, Piano
3
Ensemble d'École
3
Orchestre, Violon
2
Big band
2
Percussion
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
7
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Into You
Clarinette Basse, Piano
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Christmas Lights
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.796699 B…
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.796699 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and individual part. 16 pages. DR GARY D BELSHAW #3663553. Published by DR GARY D BELSHAW (A0.796699). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
$6.99
6.33 €
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Clarinette Basse, Piano
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Coldplay
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Gary D
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Christmas Lights
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DR GARY D BELSHAW
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.84 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.6 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.84 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Feast of Love - Bass Clarinet/Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844548 Composed by Robert …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517805. Published by Phil Beaman (A0.844548). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.52 €
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Clarinette Basse, Piano
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Robert Franz
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Phil Beaman
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Feast of Love - Bass Clarinet/Piano
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Phil Beaman
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SheetMusicPlus
Roadside Inn - Schumann- Bass Clarinet-Piano
Clarinette Basse, Piano
B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844508 Composed by …
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B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489041. Published by Phil Beaman (A0.844508). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.52 €
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Clarinette Basse, Piano
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Bass Clarinet-Piano
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Phil Beaman
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.77 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
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