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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Late
Non classifié
1 213
Piano & claviers
Piano seul
624
Piano, Voix
209
Piano, Voix et Guitare
156
Piano Facile
141
Accompagnement Piano
71
Instruments en Do
65
Orgue
37
1 Piano, 4 mains
30
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano grosses notes
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Accordéon
2
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
51
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
20
Basse electrique
11
Piano, Guitare (duo)
9
2 Guitares (duo)
8
Paroles et Accords
8
Guitare (partie séparée)
4
Banjo
3
Mandoline
1
Ensemble de guitares
1
Dobro
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
230
Voix Tenor, Piano
71
Voix Alto, Piano
69
Chorale 3 parties
63
Voix Soprano, Piano
61
Chorale TTBB
45
Chorale 2 parties
43
Chorale SSAA
36
Voix Baryton, Piano
29
Chorale Unison
18
Voix Tenor
6
Voix duo, Piano
6
Voix moyenne, Piano
6
Voix haute
6
Voix seule
4
Chorale
3
Voix duo
1
Voix Soprano
1
Chorale SSATTB
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
111
Quatuor de Saxophones: 4 saxophones
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
85
Clarinette et Piano
75
Hautbois, Piano (duo)
66
2 Saxophones (duo)
60
Saxophone Tenor et Piano
58
Quatuor de Clarinettes: 4 clarinettes
58
Saxophone Alto et Piano
58
Saxophone (partie séparée)
47
Quintette de Saxophone: 5 saxophones
45
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Soprano et Piano
40
Saxophone Baryton, Piano
36
2 Clarinettes (duo)
32
Cor anglais, Piano
32
Flûte traversière
32
Clarinette
31
Ensemble de Clarinettes
27
2 Flûtes traversières (duo)
26
Hautbois (partie séparée)
24
Saxophone Alto
24
Ensemble de Flûtes
23
Clarinette Basse, Piano
20
Saxophone Tenor
20
Quatuor de Flûtes : 4 flûtes
20
Flûte, Clarinette (duo)
19
3 Saxophones (trio)
16
Quintette de Clarinettes: 5 clarinettes
16
Ensemble de saxophones
16
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Saxophone, Clarinette (duo)
13
Flûte à bec Soprano
10
2 Hautbois (duo)
10
Clarinette, Violon (duo)
9
Hautbois, Clarinette (duo)
8
Hautbois, Basson (duo)
8
Clarinette, Trompette (duo)
7
Clarinette, Basson (duo)
7
Clarinette et Alto
6
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Quatuor de Flûtes à bec
5
Flûte et Guitare
5
Flute (partie séparée)
5
Flûte, Violon
5
Flûte, Alto (duo)
5
Flûte, Saxophone (duo)
5
Flûte à Bec
4
Clarinette, Violoncelle (duo)
4
Clarinette, Guitare (duo)
4
Hautbois, Flûte
4
Flûte, Trompette (duo)
4
Flûte à bec Tenor
3
Flûte à bec Alto, Piano
3
Ensemble De Flûte à bec
3
Hautbois
3
Piccolo, Piano
3
Clarinette (partie séparée)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle
3
3 Flûtes à bec (trio)
3
2 Flûtes traversières, Piano
2
5 Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
Saxophone Soprano
2
Flûte à bec Alto
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Orgue
2
Flûte, Violon, Violoncelle et Piano
2
2 Flûtes à bec, Guitare
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte et Trio à cordes
1
Flute, harpe et violon
1
Harmonica
1
Ensemble de Hautbois
1
4 Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette Basse
1
Hautbois et alto (duo)
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Piano
1
+ 89 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
116
Trombone et Piano
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette
43
Cor et Piano
41
Trompette, Piano
37
Euphonium, Piano (duo)
36
Cor anglais, Piano
32
Trombone (partie séparée)
25
Trompette (partie séparée)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
18
Tuba et Piano
17
Trombone
16
2 Trompettes (duo)
15
Cor
15
2 Trombones (duo)
14
Ensemble de Trombones
11
Tuba
11
2 Cors (duo)
11
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trombones
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Cor (partie séparée)
5
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
Quatuor de cuivres: 4 trompettes
4
Trombone, Cor (duo)
4
3 Tubas (trio)
3
2 Tubas (duo)
3
Euphonium
3
3 Trombones (trio)
3
Tuba et Orgue
3
Tuba (partie séparée)
3
Trompette, Tuba (duo)
2
Trio de Cuivres
2
4 Tubas
2
Cor, Tuba (duo)
2
Trombone, Tuba (duo)
2
3 Cors (trio)
2
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
2 Euphoniums et 2 Tubas
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
175
Violon et Piano
101
Alto, Piano
63
Violoncelle, Piano
58
Violon
47
Harpe
38
Violon, Violoncelle (duo)
34
Violoncelle
33
2 Violons (duo)
27
Violon, Alto (duo)
21
Trio à Cordes: violon, alto, violoncelle
18
Alto seul
17
2 Violoncelles (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
2 Altos (duo)
14
2 Harpes (duo)
10
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
Contre Basse
6
Violon (partie séparée)
5
Ensemble de Violons
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse, Piano (duo)
5
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
277
Orchestre
95
Orchestre à Cordes
73
Ensemble de cuivres
41
Ensemble Jazz
39
Orchestre de chambre
31
Cloches
25
Jazz combo
13
Ensemble de Percussions
11
Fanfare
8
Batterie (partie séparée)
4
Piano et Orchestre
4
Marimba
3
Batterie
3
Vibraphone
3
Percussion (partie séparée)
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
+ 13 instrumentations
Retracter
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FLUTE A DIX…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
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Vous avez sélectionné:
It's Late
Clarinette Basse, Piano
Partitions à imprimer
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1
It's Been A Long, Long Time
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule St…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.51 €
#
Clarinette Basse, Piano
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
#
Clarinette Basse, Piano
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
#
Clarinette Basse, Piano
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
You've Got A Friend
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.547820 By James Taylor. By…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.547820 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 9 pages. Jmsgu3 #3056313. Published by jmsgu3 (A0.547820). Carole King: You've Got A Friend arranged for Bass Clarinet & Piano.Includes solo instrument part.Duration: 5″08″ Score: 7 pages. Part: 2 pages.This is the famous song that made Carole King the first woman to win the GrammyGrand Slam: Record of the Year (It’s Too Late), Album of the Year andBest Female Pop Vocal (Tapestry), and Song of the Year (You’ve Got A Friend).This arrangement is suitable for church, nightclub or recital hall performance.
$67.95
62.53 €
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Clarinette Basse, Piano
#
James Taylor
#
James M
#
Piano
#
You've Got A Friend
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.36 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.56 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.32 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.32 €
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Clarinette Basse, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.32 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
I Write The Songs
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486713. Published by jmsgu3 (A0.549345). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.77 €
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Clarinette Basse, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
O When the Saints, Gospel Song for Bass Clarinet and Piano
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593108 Comp…
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Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593108 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6416325. Published by David McKeown (A0.593108). O When the Saints is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.The origins of O When the Saints are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck Berry.
$2.49
2.29 €
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Clarinette Basse, Piano
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Traditional
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David McKeown
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O When the Saints, Gospel Song for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Passacaglia - Handel / Halvorsen
Clarinette Basse, Piano
B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1499663 Composed by…
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B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1499663 Composed by G. F. Handel, J. Halvorsen. Arranged by Wesley S. SIlva. Classical. Score and part. 14 pages. Wesley S. Silva #1075729. Published by Wesley S. Silva (A0.1499663). Passacaglia, originally composed by George Frideric Handel and later arranged for violin and viola by Johan Halvorsen, is a beautiful and timeless piece of classical music. Known for its rich harmony and expressive melody, this arrangement offers a wonderful introduction to classical music for beginners. Its elegant and flowing structure makes it an ideal choice for those looking to explore the classical genre while still being approachable for early learners. The piece captures the grandeur and emotion of classical music, providing a rewarding experience for musicians at the beginner level.
$5.99
5.51 €
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Clarinette Basse, Piano
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G
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Wesley S
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Passacaglia - Handel / Halvorsen
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Wesley S. Silva
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550479 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550479 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641523. Published by jmsgu3 (A0.550479). Sonata da Chiesa No. 4 in Bb Major for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.32 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550427 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550427 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4632981. Published by jmsgu3 (A0.550427). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.32 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550404 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550404 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628821. Published by jmsgu3 (A0.550404). Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
30.32 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550453 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550453 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638405. Published by jmsgu3 (A0.550453). Sonata da Chiesa No. 3 in A Minor for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.32 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
I Vow To Thee, My Country - Bb Bass Clarinet Solo with Piano Accompaniment
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 2 - Digital Download SKU: A0.9…
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 2 - Digital Download SKU: A0.914002 Composed by Gustav Holst. Arranged by Lowel Aaron Court, Dyre Scheer-Peters. 20th Century,Patriotic,Praise & Worship,Romantic Period. Score and parts. 3 pages. Glyndwr Alley Music Publishing Group #3455307. Published by Glyndwr Alley Music Publishing Group (A0.914002). I Vow to Thee, My Country is a hymn that is based on the poem of the same name by Sir Cecil Spring Rice and complied to the tune of the Chorale from Holst's fourth movement, Jupiter, of The Planets Suite. It was first performed at a Remembrance Day (Armistice Day) ceremony in 1921, then later on became published a hymn in 1926. This arranged is for a Bb Bass Clarinet solo with Piano Accompaniment.
$3.99
3.67 €
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Clarinette Basse, Piano
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Gustav Holst
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I Vow To Thee, My Country - Bb Bass Clarinet Solo with Piano Accompaniment
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Glyndwr Alley Music Publishing Group
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SheetMusicPlus
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