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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John May
Non classifié
1 042
Piano & claviers
Piano seul
3 849
Piano, Voix
2 354
Piano, Voix et Guitare
302
Piano Facile
117
1 Piano, 4 mains
43
Instruments en Do
39
Accompagnement Piano
35
Orgue
20
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
4
Clavecin
4
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
Ligne De Mélodie, Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
314
Guitare
132
Basse electrique
124
Paroles et Accords
51
Ligne De Mélodie, (Paroles) et Accords
23
Ukulele
16
4 Guitares (Quatuor)
6
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Dulcimer
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
991
Chorale 3 parties
53
Chorale TTBB
47
Chorale 2 parties
31
Chorale SSAA
20
Chorale Unison
18
Voix duo, Piano
7
Voix seule
7
Voix Soprano, Piano
5
Voix Tenor, Piano
4
Voix Alto, Piano
4
Voix Baryton, Piano
4
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix haute
2
Chorale SSAATTBB
1
Voix, Guitare
1
Male Voice
1
Pack Instrumental pour Chorale
1
Voix duo
1
Chorale
1
+ 16 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quintette de Saxophone: 5 saxophones
52
Flûte traversière
44
Clarinette
37
Saxophone
36
Saxophone Alto
31
Saxophone Tenor
30
2 Saxophones (duo)
27
Flûte traversière et Piano
24
Clarinette et Piano
23
Hautbois, Piano (duo)
22
Saxophone Alto et Piano
22
2 Clarinettes (duo)
20
Quatuor de Saxophones: 4 saxophones
19
Hautbois (partie séparée)
18
Saxophone (partie séparée)
16
Flûte, Clarinette (duo)
16
Saxophone Tenor et Piano
16
Ensemble de saxophones
14
Flûte, Hautbois, Clarinette, Basson
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette, Violon (duo)
14
Ensemble de Clarinettes
13
2 Flûtes traversières (duo)
12
Cor anglais, Piano
10
Saxophone Soprano et Piano
10
Flûte, Violon
9
Saxophone, Clarinette (duo)
8
Saxophone Baryton, Piano
7
3 Clarinettes (trio)
7
Clarinette, Trompette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Trio de Flûtes: 3 flûtes
6
2 Flûte à bec (duo)
6
Clarinette Basse, Piano
5
Clarinette (partie séparée)
5
Hautbois, Clarinette (duo)
5
Saxophone Soprano
4
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Basson (duo)
4
Flûte, Violon et Violoncelle
4
3 Saxophones (trio)
3
Clarinette et Alto
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Flûte, Saxophone (duo)
3
Flûte, Basson et Piano
3
Ensemble de Flûtes
3
3 Hautbois
2
Quintette de Clarinettes: 5 clarinettes
2
Piccolo, Piano
2
Flûte, Hautbois (duo)
2
Hautbois
2
Flûte, Clarinette et Basson
2
Flûte, Clarinette, Piano (trio)
2
Flute (partie séparée)
2
Flûte, Violon, Piano
2
Clarinette, Basson (duo)
2
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes à bec, Guitare
1
Flûte et Trio à cordes
1
Flûte à bec Alto
1
2 Clarinettes, Piano
1
Flûte, Violoncelle, Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, trompette et piano
1
Clarinette, Basson, Piano (trio)
1
3 Flûtes à bec (trio)
1
Harmonica
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes à bec
1
Flûte, trombone et piano
1
+ 72 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trompette
44
Trombone
40
Quatuor de cuivres: 4 trombones
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trombone et Piano
18
Cor
17
Trompette, Piano
13
Cor anglais, Piano
10
Ensemble de Trombones
9
Euphonium, Piano (duo)
9
Cor et Piano
9
Tuba
7
Trompette, Trombone (duo)
7
Trompette, Saxophone (duo)
6
Trompette (partie séparée)
6
2 Trombones (duo)
5
Ensemble de Trompettes
4
2 Trompettes (duo)
4
Euphonium
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trompettes
3
Tuba et Piano
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
2
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone (partie séparée)
2
2 Cors (duo)
2
Trio de Cuivres
2
4 Tubas
1
2 Tubas (duo)
1
Trombone, Cor (duo)
1
Trombone basse
1
Trompette, Trombone, Piano
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Ensemble de Cors
1
Cor (partie séparée)
1
Cor, Tuba (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
97
Violon
54
Violoncelle
35
Violon et Piano
30
Alto seul
24
Alto, Piano
20
Violon, Violoncelle (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Trio à Cordes: violon, alto, violoncelle
17
Violoncelle, Piano
16
Harpe
14
2 Violons (duo)
13
4 Violoncelles
7
2 Violoncelles (duo)
7
Violon, Alto (duo)
7
2 Altos (duo)
6
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
Violon (partie séparée)
5
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 altos
3
Harpe, Violon, Violoncelle
3
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
111
Batterie
63
Orchestre
62
Ensemble Jazz
48
Cloches
43
Orchestre à Cordes
30
Ensemble de cuivres
16
Fanfare
11
Orchestre de chambre
11
Jazz combo
9
Marimba
9
Ensemble de Percussions
7
Vibraphone
3
Percussion (partie séparée)
3
Percussion
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Quatuor à Vent : 4 instruments à vents
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
John May
Clarinette Basse, Piano
Partitions à imprimer
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1
El Testament d'Amelia-Bass Clarinet Solo
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Clarinette Basse, Piano
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FACILE
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Classique
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John May
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John May
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El Testament d'Amelia-Bass Cla
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John R May
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SheetMusicPlus
By John May. By Miguel Llobet (1878-1938). Arranged by John May. Folk, Multicultural, World. Score and part. 5 pages. John R May #454656. Published by...
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By John May. By Miguel Llobet (1878-1938). Arranged by John May. Folk, Multicultural, World. Score and part. 5 pages. John R May #454656. Published by John R May
$9.00
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
#
Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
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