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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
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192
Piano & claviers
Piano seul
89
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67
Piano, Voix et Guitare
28
Piano, Voix
21
Orgue
11
Instruments en Do
10
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Accordéon
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare
32
Guitare notes et tablatures
11
Basse electrique
5
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
3
Dulcimer
1
2 Guitares (duo)
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
+ 4 instrumentations
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Voix
Chorale SATB
29
Chorale 3 parties
9
Chorale 2 parties
4
Chorale TTBB
4
Voix Soprano, Piano
3
Chorale Unison
2
Voix seule
1
Chorale SSAA
1
Voix Tenor, Piano
1
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Quintette de Saxophone: 5 saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
2 Saxophones (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Flûte, Hautbois, Clarinette, Basson
11
Saxophone (partie séparée)
11
Saxophone Alto
10
Flûte traversière et Piano
10
Clarinette et Piano
9
Flûte traversière
9
Clarinette
9
Saxophone Alto et Piano
7
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6
Saxophone Baryton, Piano
5
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5
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5
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5
3 Saxophones (trio)
4
2 Flûtes traversières (duo)
4
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4
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3
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3
Hautbois
3
Ensemble de Flûtes
3
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3
2 Hautbois (duo)
3
2 Clarinettes (duo)
3
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Clarinette, Violoncelle (duo)
2
Cor anglais, Piano
2
Saxophone, Clarinette (duo)
2
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2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Clarinette, Basson (duo)
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
Harmonica
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Piccolo
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
Hautbois, Flûte
1
Hautbois, Violoncelle
1
Ensemble de Clarinettes
1
Flûte, Clarinette (duo)
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
Cor Anglais
1
+ 56 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Cor
11
Trompette
11
Trombone
8
Tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone et Piano
6
Trompette (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Euphonium, Piano (duo)
3
Trompette, Piano
3
Trompette, Basson (duo)
3
Trombone (partie séparée)
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
Tuba et Piano
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Bass Clef Instruments
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
Euphonium
1
Ensemble de Trombones
1
2 Tubas (duo)
1
Cor Anglais
1
Trompette, Trombone (duo)
1
+ 24 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon
13
Violon et Piano
11
Harpe
8
Violoncelle, Piano
8
Alto, Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto seul
6
Violoncelle
6
Violon, Violoncelle (duo)
5
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
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2
Trio à Cordes: 2 violons, alto
2
Harpe, Voix
2
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2
2 Violons (duo)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violons
1
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1
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1
Ensemble d'Altos
1
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Orchestre d'harmonie
35
Orchestre
28
Orchestre à Cordes
12
Ensemble Jazz
11
Cloches
9
Orchestre de chambre
7
Fanfare
5
Batterie
5
Ensemble de cuivres
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Ensemble de Percussions
3
Ensemble d'École
3
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2
Jazz combo
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Vibraphone et Marimba
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic ...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
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