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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Non classifié
323
Piano & claviers
Piano, Voix
413
Piano Facile
142
Piano seul
135
Piano, Voix et Guitare
79
Instruments en Do
26
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
4
Piano grosses notes
4
Accordéon, Voix
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
25
Guitare notes et tablatures
19
Guitare
18
Ukulele
10
Basse electrique
5
2 Guitares (duo)
4
Mandoline
2
+ 2 instrumentations
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Voix
Chorale SATB
38
Voix Soprano, Piano
10
Chorale 3 parties
9
Voix Tenor, Piano
7
Voix duo, Piano
5
Chorale SSAA
4
Voix duo
3
Voix basse, Piano
2
Chorale Unison
2
Voix Baryton, Piano
2
Voix seule
2
Voix haute
2
Chorale TTBB
1
Voix Soprano
1
Voix Tenor
1
Voix Baryton
1
Chorale 2 parties
1
Voix Mezzo-Soprano, Piano
1
Voix haute, Piano
1
Soli, choeur mixte et accompagnement
1
+ 15 instrumentations
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Vents
Flûte traversière et Piano
74
Clarinette et Piano
69
Hautbois, Piano (duo)
56
Saxophone Alto et Piano
38
Clarinette
34
Quatuor de Saxophones: 4 saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Flûte traversière
26
Saxophone Soprano et Piano
23
Quatuor de Flûtes : 4 flûtes
23
Hautbois (partie séparée)
20
2 Flûtes traversières (duo)
19
Quatuor de Clarinettes: 4 clarinettes
16
2 Saxophones (duo)
15
Cor anglais, Piano
14
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Tenor et Piano
12
Quintette de Clarinettes: 5 clarinettes
8
Ensemble de Clarinettes
8
3 Saxophones (trio)
8
2 Clarinettes (duo)
8
Quintette de Saxophone: 5 saxophones
6
Ensemble de Flûtes
5
Saxophone Alto
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
2 Saxophones, Piano
4
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
4
Flûte, Clarinette (duo)
4
Saxophone Tenor
3
Flûte, Hautbois, Basson
3
Flûte, Clarinette et Basson
3
Clarinette Basse, Piano
3
Trio de Flûtes: 3 flûtes
3
5 Flûtes à bec
3
Quatuor de Flûtes à bec
2
Flûte, Violon et Violoncelle
2
Clarinette, Violoncelle (duo)
2
Flûte, Clarinette, Piano (trio)
2
2 Flûte à bec (duo)
2
Saxophone, Clarinette (duo)
2
2 Hautbois (duo)
2
Hautbois, Basson (duo)
2
Flûte et Guitare
2
Flûte à Bec
2
Saxophone (partie séparée)
2
Clarinette, Basson (duo)
2
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
3 Flûtes à bec (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte, Violon, Piano
1
Saxophone
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de saxophones
1
Clarinette, Violon (duo)
1
Flûte traversière, Basse continue
1
2 Flûtes à bec, Guitare
1
Flûte à bec Alto
1
Clarinette (partie séparée)
1
Flûte, Violon
1
Flûte à Bec, Piano
1
2 Clarinettes, Piano
1
Flûte, Saxophone (duo)
1
Hautbois, Harpe
1
Flûte à bec Soprano
1
Clarinette, Trompette (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte de Pan
1
+ 68 instrumentations
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Cuivres
Cor et Piano
49
Cor
41
Trompette, Piano
41
Trombone et Piano
40
Trompette
34
Tuba et Piano
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Tuba
18
Trombone
18
Cor anglais, Piano
14
Ensemble de Trombones
9
Euphonium, Piano (duo)
8
Quatuor de cuivres: 4 trombones
8
2 Trombones (duo)
8
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Ensemble de Cors
3
3 Trombones (trio)
2
3 Tubas (trio)
2
4 Tubas
2
2 Cors (duo)
2
Trompette (partie séparée)
2
3 Cors (trio)
2
Quatuor de cuivres: 4 trompettes
2
Cor (partie séparée)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Trombone, Cor (duo)
1
Trompette, Saxophone (duo)
1
Quatuor de Cuivres
1
2 Euphoniums (duo)
1
+ 33 instrumentations
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Cordes
Violon et Piano
77
Violoncelle, Piano
64
Alto, Piano
60
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon
35
Violoncelle
25
Contrebasse, Piano (duo)
22
Contre Basse
19
Violon, Violoncelle (duo)
16
Alto seul
16
Harpe
13
Harpe, Flûte (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
Alto (partie séparée)
8
Violon, Alto (duo)
7
4 Violoncelles
7
2 Violoncelles (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
2
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Violon, Basse continue
1
Piano Trio: Violon, Alto, Piano
1
Flûte, Contrebasse (duo)
1
Violon (partie séparée)
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
+ 30 instrumentations
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Orchestre d'harmonie
145
Orchestre
81
Orchestre à Cordes
44
Orchestre de chambre
23
Ensemble de cuivres
17
Ensemble Jazz
5
Percussion
2
Big band
2
Jazz combo
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Piano et Orchestre
1
Fanfare
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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Let Opera
Clarinette Basse, Piano
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Libiamo ne lieti calici - Brindisi from La Traviata - Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Anne Christopherson GRSM ARCM
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Libiamo ne lieti calici - Brin
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.722187 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,...
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.722187 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Opera,Wedding. Score and individual part. 8 pages. Music-Scores.com #6013179. Published by Music-Scores.com (A0.722187). The Brindisi from the opera, La Traviata: Libiamone' lieti calici, or let's drink from the joyful cups. This is a fun and famous drinking song, great for a concert.Arranged for Bass Clarinet and Piano.Duration: about 3 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
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