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ACCORDEON
ALTO
AUTOHARPE
BANJO
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Light It Up
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201
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Piano seul
165
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49
Piano, Voix
44
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30
Piano Facile
11
Orgue
7
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
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3
Orgue, Trompette (duo)
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
2 Pianos, 4 mains
1
2 Pianos, 8 mains
1
+ 11 instrumentations
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Guitares
Guitare
10
Guitare notes et tablatures
10
2 Guitares (duo)
3
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
2
4 Guitares (Quatuor)
2
Guitare (partie séparée)
2
Basse electrique
2
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
+ 5 instrumentations
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Voix
Chorale SATB
61
Chorale 3 parties
15
Voix Alto, Piano
11
Chorale 2 parties
9
Chorale Unison
7
Voix Soprano, Piano
6
Chorale TTBB
6
Chorale SSAA
5
Voix Tenor, Piano
2
Voix duo, Piano
1
Voix haute
1
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Vents
Saxophone Soprano et Piano
21
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19
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18
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12
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12
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11
Quatuor de Clarinettes: 4 clarinettes
9
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8
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7
Clarinette
7
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6
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5
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5
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4
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4
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4
2 Clarinettes (duo)
3
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3
Hautbois (partie séparée)
3
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3
Clarinette (partie séparée)
2
Ensemble de Clarinettes
2
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2
Hautbois, Basson (duo)
2
Cor anglais, Piano
2
2 Hautbois (duo)
2
Flûte, Clarinette (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Ensemble de Flûtes
2
3 Clarinettes (trio)
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Clarinette Basse, Piano
2
Saxophone Alto
1
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1
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1
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1
2 Hautbois, Piano
1
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1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Guitare (duo)
1
2 Saxophones (duo)
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Clarinette, Basson (duo)
1
2 Flûtes traversières, Piano
1
Ensemble de saxophones
1
Saxophone Tenor
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
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10
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10
Tuba
7
Trompette
7
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7
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7
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5
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5
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4
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4
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3
Trombone
3
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2
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2
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1
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1
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1
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4 Tubas
1
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1
2 Tubas (duo)
1
Cor (partie séparée)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
15
Violon
9
Alto, Piano
9
Violoncelle
9
Violoncelle, Piano
8
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7
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
5
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
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4
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3
Harpe
3
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2
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2
2 Altos (duo)
2
2 Altos, Piano
2
2 Violons (duo)
2
Alto, Violoncelle (duo)
1
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1
Contre Basse
1
Harpe, Voix
1
Alto et Basson
1
Violoncelle (partie séparée)
1
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
4 Violoncelles
1
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Orchestre d'harmonie
149
Cloches
25
Orchestre
23
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16
Orchestre à Cordes
12
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12
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9
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7
Fanfare
3
Ensemble de Percussions
3
Piano et Orchestre
1
Marimba, Piano (duo)
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Batterie
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Light It Up
Clarinette Basse, Piano
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
I Love You Truly-Bass clarinet/piano
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Clarinette Basse, Piano
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FACILE
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Phil Beaman
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I Love You Truly-Bass clarinet
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Phil Beaman
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #...
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Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
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Light It Up
