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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Liszt
Non classifié
199
Piano & claviers
Piano seul
1 057
Piano, Voix
522
Piano Facile
74
Orgue
54
1 Piano, 4 mains
29
2 Pianos, 4 mains
8
Piano, Voix et Guitare
7
Piano Trio: piano, violon, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Accompagnement Piano
4
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
29
Guitare notes et tablatures
10
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Banjo
1
Basse electrique
1
Ukulele
1
Mandoline
1
+ 5 instrumentations
Retracter
Voix
Voix seule
72
Chorale SATB
15
Chorale SSAA
6
Chorale 3 parties
5
Voix basse, Piano
5
Voix haute
3
Chorale TTBB
3
Chorale 2 parties
2
Voix moyenne, Piano
1
Voix duo, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
30
Saxophone Alto et Piano
25
Clarinette et Piano
21
Hautbois, Piano (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Saxophone Tenor et Piano
13
2 Clarinettes (duo)
13
Saxophone Soprano et Piano
13
2 Saxophones (duo)
12
Saxophone Baryton, Piano
10
Clarinette Basse, Piano
9
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette
7
Flûte traversière
6
Saxophone (partie séparée)
5
Ensemble de Clarinettes
5
2 Flûtes traversières (duo)
5
Cor anglais, Piano
5
Saxophone et Guitare
4
Quatuor de Saxophones: 4 saxophones
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Hautbois, Clarinette, Basson
4
Piccolo, Piano
3
Flûte, Clarinette (duo)
3
Hautbois (partie séparée)
3
Clarinette (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Ensemble de saxophones
2
Flûte à bec, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Clarinette, Basson (duo)
2
Saxophone Alto
2
Flûte, Violoncelle
2
Saxophone Tenor
2
2 Hautbois (duo)
2
Flute (partie séparée)
2
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois (duo)
1
Flûte et Guitare
1
Flûte, Alto et Piano
1
2 Saxophones, Piano
1
Flûte, Violon, Piano
1
Flûte à bec Alto, Piano
1
Harmonica
1
Clarinette Basse
1
3 Clarinettes (trio)
1
Piccolo
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Basson (duo)
1
+ 46 instrumentations
Retracter
Cuivres
Trombone et Piano
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor et Piano
12
Euphonium, Piano (duo)
12
Trompette, Piano
11
Tuba et Piano
9
Trompette
6
Trombone (partie séparée)
5
Cor anglais, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 cors
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 trombones
3
Cor (partie séparée)
2
2 Trompettes (duo)
2
Trompette et Guitare
2
Trombone
2
Trombone, Orgue
1
Ensemble de Trombones
1
2 Cors (duo)
1
Trombone basse et Piano
1
Cor
1
Trompette (partie séparée)
1
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
3 Tubas (trio)
1
+ 22 instrumentations
Retracter
Cordes
Violon et Piano
39
Violoncelle, Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
28
Alto, Piano
27
Violon
11
Violon (partie séparée)
10
2 Violons (duo)
7
Violoncelle
6
Trio à Cordes: 2 violons, violoncelle
5
Violon, Violoncelle (duo)
5
Violoncelle (partie séparée)
4
Contrebasse, Piano (duo)
4
2 Altos (duo)
3
Alto seul
3
Contrebasse (partie séparée)
3
Violon, Guitare (duo)
2
Harpe
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violoncelles (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Trio à cordes
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon, Violoncelle
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Violon, Basson (duo)
1
Ensemble de Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre
49
Orchestre d'harmonie
37
Orchestre à Cordes
29
Ensemble de cuivres
7
Piano et Orchestre
3
Orchestre de chambre
2
Jazz combo
1
Vibraphone (partie séparée)
1
Percussion (partie séparée)
1
Timbales (partie séparée)
1
Batterie (partie séparée)
1
+ 6 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Liszt
Clarinette Basse, Piano
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1
Liszt: Liebestraume for Bass Clarinet & Piano
Clarinette Basse, Piano
Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 3 - Digital Downloa…
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Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.550062 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and parts. 20 pages. Jmsgu3 #4592365. Published by jmsgu3 (A0.550062). Duration: 4:25 Score: 11 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
22.96 €
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Clarinette Basse, Piano
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Franz Liszt
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James M
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Liszt: Liebestraume for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
"Liebesträum No.3" (Asdur) Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1372334 By Fr.Liszt . B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1372334 By Fr.Liszt . By Fr.Liszt . Arranged by pfkaori. Classical. Score and part. 8 pages. Pfkaorimusic #956632. Published by pfkaorimusic (A0.1372334). Composer: Fr.Liszt Song: Dream of love - Liebesträum No.3 Orchestration: Bass Clarinet & Piano Tone:Aflat (clarinet in Bâ™) *Part score included full ver.
$6.99
6.43 €
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Clarinette Basse, Piano
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Fr
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pfkaori
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"Liebesträum No.3"
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pfkaorimusic
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Liebestraume
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.699471 Composed by Franz L…
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Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.699471 Composed by Franz Liszt. Arranged by Kenneth D. Friedrich. Concert,Romantic Period,World. Score and part. 9 pages. KFS Publishing #3005163. Published by KFS Publishing (A0.699471). Liszt's famous piano piece arranged for bass clarinet and piano.
$15.00
13.8 €
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Clarinette Basse, Piano
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Franz Liszt
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Kenneth D
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Liebestraume
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KFS Publishing
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SheetMusicPlus
Romance
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 2 - Digital Download SKU: R0.40098 Oh! Quand je do…
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Bass Clarinet & Piano - Grade 2 - Digital Download SKU: R0.40098 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Bass Clarinet & Piano. Score and parts. 7 pages. Duration 4'48. Editions Marc Reift - Digital #40098. Published by Editions Marc Reift - Digital (R0.40098).
$11.95
11 €
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Clarinette Basse, Piano
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Franz Liszt
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Timofei Dokshitser
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Romance
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Editions Marc Reift - Digital
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SheetMusicPlus
Consolation No. 3
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.46652 Composed by Franz …
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Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.46652 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Bass Clarinet & Piano. Score and parts. 6 pages. Duration 3'55. Editions Marc Reift - Digital #46652. Published by Editions Marc Reift - Digital (R0.46652).
$11.95
11 €
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Clarinette Basse, Piano
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Franz Liszt
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Timofei Dokshitser
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Consolation No. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.56 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.36 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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