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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
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COR ANGLAIS
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HARMONICA
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Lost
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Non classifié
558
Piano & claviers
Piano seul
576
Piano, Voix et Guitare
208
Piano, Voix
163
Piano Facile
142
Accompagnement Piano
31
Instruments en Do
30
Orgue
26
Piano grosses notes
23
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
3
Accordéon
2
2 Pianos, 4 mains
2
2 Accordéons
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 15 instrumentations
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Guitares
Guitare notes et tablatures
78
Ligne De Mélodie, (Paroles) et Accords
52
Basse electrique
40
Paroles et Accords
28
Guitare
20
Ukulele
18
Piano, Guitare (duo)
4
Mandoline
3
Dulcimer
2
2 Guitares (duo)
1
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Banjo
1
Orchestre à Plectres
1
+ 12 instrumentations
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Voix
Chorale SATB
254
Chorale 3 parties
61
Chorale TTBB
56
Pack Instrumental pour Chorale
32
Chorale 2 parties
31
Chorale SSAA
25
Chorale Unison
18
Voix duo
14
Voix duo, Piano
12
Voix Soprano, Piano
9
Voix seule
9
Voix haute
8
Chorale
6
Voix Baryton, Piano
4
Voix Alto, Piano
3
Chorale SSAATTBB
3
Voix Soprano
3
Voix Tenor, Piano
2
Voix Tenor
2
Voix basse
1
Chorale SSATTB
1
Male Voice
1
Voix moyenne, Piano
1
+ 18 instrumentations
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Vents
Flûte traversière et Piano
63
Saxophone (partie séparée)
61
Clarinette (partie séparée)
48
Clarinette et Piano
38
Hautbois, Piano (duo)
31
Saxophone Alto et Piano
30
Quatuor de Saxophones: 4 saxophones
28
Flûte traversière
28
Clarinette
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Saxophone Alto
21
Flûte, Hautbois, Clarinette, Basson
21
Hautbois (partie séparée)
21
Saxophone Tenor et Piano
20
Flute (partie séparée)
18
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Tenor
15
2 Saxophones (duo)
13
Saxophone Soprano et Piano
11
Cor anglais, Piano
9
2 Flûtes traversières (duo)
9
2 Clarinettes (duo)
8
Flûte à bec Alto
6
Saxophone Baryton, Piano
6
Quatuor de Flûtes : 4 flûtes
6
Ensemble de saxophones
5
Ensemble de Flûtes
5
Clarinette, Guitare (duo)
4
Flûte, Clarinette (duo)
4
Flûte et Guitare
4
Hautbois
4
Ensemble de Clarinettes
3
2 Clarinettes, Piano
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Ocarina
2
Harmonica
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Flûte
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette Basse
2
3 Clarinettes (trio)
2
Clarinette, Violon (duo)
2
Clarinette Basse, Piano
2
Quintette de Saxophone: 5 saxophones
2
Hautbois, Basson (duo)
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Soprano
1
Flûte, Hautbois, Basson
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Flute, harpe et violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Saxophones (trio)
1
2 Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
3 Flûtes à bec (trio)
1
Quintette de Flûte : 5 flûtes
1
+ 62 instrumentations
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Cuivres
Trompette (partie séparée)
34
Trombone (partie séparée)
31
Trompette
28
Trombone et Piano
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trombone
22
Cor
21
Cor et Piano
20
Trompette, Piano
20
Cor (partie séparée)
17
Tuba (partie séparée)
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Tuba
10
Cor anglais, Piano
9
Tuba et Piano
8
Euphonium, Piano (duo)
6
2 Trompettes (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
Euphonium
3
Tuba ou Euphonium ou Saxhorn
3
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
2
4 Tubas
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon et Piano
65
Violon
36
Harpe
34
Violoncelle, Piano
34
Alto, Piano
32
Violoncelle
31
Alto seul
13
Violon (partie séparée)
12
2 Violons (duo)
10
Contrebasse (partie séparée)
8
2 Violoncelles (duo)
7
Violon, Guitare (duo)
6
Alto (partie séparée)
6
Contre Basse
5
Contrebasse, Piano (duo)
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle , Guitare (duo)
3
2 Altos (duo)
2
3 Harpes
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Violoncelles
2
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Harpe, Voix
1
+ 28 instrumentations
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Orchestre d'harmonie
224
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81
Orchestre
48
Ensemble Jazz
40
Percussion (partie séparée)
34
Fanfare
32
Ensemble de cuivres
19
Batterie
13
Marimba
12
Orchestre de chambre
12
Percussion
10
Cloches
9
Timbales (partie séparée)
8
Jazz combo
5
Ensemble de Percussions
4
Vibraphone
2
Timbales
2
Quintette de Cuivres: autres combinaisons
1
Quatuor à Vent : 4 instruments à vents
1
Xylophone
1
Batterie (partie séparée)
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Lost
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
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