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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
MEA Music
Non classifié
1 871
Piano & claviers
Piano seul
1 800
Piano, Voix et Guitare
532
Piano, Voix
428
Piano Facile
417
Instruments en Do
236
Orgue
67
Accompagnement Piano
60
1 Piano, 4 mains
56
Piano grosses notes
22
2 Pianos, 4 mains
20
1 Piano, 6 mains
19
Piano Trio: piano, violon, violoncelle
17
Accordéon
16
Piano (partie séparée)
14
Piano Quatuor: piano, violon, alto, violoncelle
12
2 Pianos, 8 mains
8
Clavecin
4
Ligne De Mélodie, Piano
4
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
218
Guitare
124
Ligne De Mélodie, (Paroles) et Accords
102
Paroles et Accords
72
Ukulele
37
Guitare (partie séparée)
37
Basse electrique
14
2 Guitares (duo)
14
Dulcimer
13
Banjo
6
Mandoline
5
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Basse électrique (partie séparée)
1
2 Mandolines (duo)
1
Partitions De Groupes
1
3 Guitares (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
690
Chorale 3 parties
175
Chorale TTBB
114
Chorale 2 parties
95
Chorale Unison
55
Chorale SSAA
51
Chorale
46
Pack Instrumental pour Chorale
26
Voix Soprano, Piano
25
Voix seule
17
Voix duo
16
Voix duo, Piano
12
Voix Alto, Piano
10
Chorale SSAATTBB
6
Voix haute
6
Voix Tenor, Piano
5
Chorale SAATB A Cappella
4
Chorale SSATTB
3
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor
2
Chorale SSAB a cappella
2
Voix Baryton, Piano
2
Voix basse, Piano
2
Chorale SSATB
1
Voix Soprano, Orchestre
1
Soli, choeur mixte et accompagnement
1
Voix d'Enfants
1
+ 23 instrumentations
Retracter
Vents
Saxophone (partie séparée)
141
Quatuor de Saxophones: 4 saxophones
124
Flûte traversière et Piano
113
Clarinette
93
Flûte, Hautbois, Clarinette, Basson
90
Clarinette et Piano
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Flûte traversière
71
Saxophone Alto et Piano
69
2 Saxophones (duo)
59
Saxophone Alto
58
2 Flûtes traversières (duo)
53
Hautbois, Piano (duo)
52
Clarinette (partie séparée)
51
Quatuor de Clarinettes: 4 clarinettes
43
Quintette de Saxophone: 5 saxophones
42
Clarinette, Harpe (duo)
42
Saxophone et Harpe
42
Saxophone Tenor et Piano
39
Saxophone Tenor
37
Hautbois, Harpe
36
2 Clarinettes (duo)
35
Saxophone Soprano et Piano
32
Ensemble de saxophones
27
Saxophone
25
Saxophone Baryton, Piano
25
Flute (partie séparée)
24
Ensemble de Clarinettes
23
Saxophone, Clarinette (duo)
21
Hautbois (partie séparée)
19
Quatuor de Flûtes : 4 flûtes
18
2 Hautbois (duo)
18
Cor anglais, Piano
18
Clarinette, Violon (duo)
15
Ensemble de Flûtes
14
3 Saxophones (trio)
14
Clarinette, Trompette (duo)
13
Clarinette Basse, Piano
13
Flûte, Clarinette (duo)
13
Hautbois
12
Quintette de Clarinettes: 5 clarinettes
11
Flûte et Guitare
9
Saxophone Baryton
9
Clarinette et Alto
9
Hautbois, Basson (duo)
9
Flûte, Saxophone (duo)
8
Trio de Flûtes: 3 flûtes
8
Hautbois, Clarinette (duo)
8
3 Clarinettes (trio)
8
Saxophone Soprano
8
Flûte, Violon
8
Flûte à Bec
7
Flûte, Trompette (duo)
7
Flûte, Hautbois, Clarinette (trio)
7
Hautbois, Flûte
6
Instruments en Mib
6
Flûte, Violon, Piano
5
Quatuor de Flûtes à bec
5
Cor Anglais
5
Flûte, Alto (duo)
5
Flûte à bec Soprano
4
Flûte à bec Alto
3
5 Flûtes à bec
3
Ocarina
3
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Clarinettes, Piano
3
Clarinette, Violoncelle (duo)
3
Harmonica
3
Flûte, Violoncelle, Piano (trio)
3
Flûte et Trio à cordes
2
Flute, harpe et violon
2
3 Hautbois
2
Piccolo, Piano
2
Flûte, Clarinette et Basson
2
Clarinette, Violoncelle, Piano (trio)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violoncelle
2
Clarinette, Guitare (duo)
2
Flûte, Violoncelle
2
Clarinette, Orgue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Alto et Piano
1
Saxophone et Guitare
1
Flûte, Hautbois, Basson
1
Flûte à bec Tenor
1
Flûte, Basson et Piano
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
Flûte à bec Soprano, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Alto et Violoncelle
1
2 Clarinettes, Basson
1
2 Flûte à bec (duo)
1
3 Flûtes à bec (trio)
1
Piccolo
1
Clarinette, Basson, Piano (trio)
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
153
Trompette
130
Trombone (partie séparée)
124
Trompette (partie séparée)
96
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trombone
54
Cor et Harpe
50
Cor
49
Trompette, Piano
47
Trombone et Piano
44
Trompette, Harpe
37
Cor et Piano
35
Tuba (partie séparée)
28
Euphonium, Piano (duo)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Cor (partie séparée)
22
2 Trompettes (duo)
20
Cor anglais, Piano
18
Tuba
16
Trompette, Saxophone (duo)
15
Quatuor de Cuivres
15
Tuba et Piano
15
2 Trombones (duo)
14
2 Cors (duo)
11
Trompette, Trombone (duo)
10
Ensemble de Trombones
10
Bass Clef Instruments
8
Cornet A Pistons
7
Instruments en Sib
6
Quatuor de cuivres: 4 trombones
6
Cor Anglais
5
2 Tubas (duo)
5
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
Tuba ou Euphonium ou Saxhorn
2
3 Trompettes (trio)
2
2 Euphoniums (duo)
2
Trombone basse
2
4 Tubas
2
Trompette, Trombone, Piano
1
Clarinette, Cor (duo)
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
Instruments en Fa
1
Euphonium
1
Trombone et orchestre
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Orgue
1
+ 48 instrumentations
Retracter
Cordes
2 Harpes (duo)
330
Quatuor à cordes: 2 violons, alto, violoncelle
283
Harpe
193
Violon et Piano
140
Violon
110
Violoncelle
81
Violoncelle, Piano
81
Harpe, Violon (duo)
72
Alto, Piano
65
Harpe, Violoncelle (duo)
60
Alto seul
55
Harpe, Flûte (duo)
51
Violon, Violoncelle (duo)
48
Trio à Cordes: violon, alto, violoncelle
44
Contrebasse (partie séparée)
43
Alto et Harpe
38
Violon (partie séparée)
30
2 Violons (duo)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
Violon, Alto (duo)
22
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
16
Contre Basse
16
Alto (partie séparée)
15
2 Altos (duo)
15
Contrebasse, Piano (duo)
12
Harpe, Trombone (duo)
11
Violoncelle (partie séparée)
10
Alto, Violoncelle (duo)
6
Trio à Cordes: 3 violoncelles
5
4 Violoncelles
4
Ensemble d'Altos
3
Harpe, Voix
3
Harpe et Piano
3
Ensemble de Violons
3
Piano Trio: Violon, Alto, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
3
2 Contrebasses (duo)
2
Harpe et mandoline
2
Ensemble de Violoncelles
2
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Quatuor à cordes: 4 violons
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle , Guitare (duo)
1
Alto et Basson
1
Trio à cordes: 3 violins
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
946
Cloches
448
Orchestre
183
Orchestre à Cordes
143
Ensemble Jazz
137
Fanfare
63
Ensemble de cuivres
58
Orchestre de chambre
37
Batterie
30
Jazz combo
27
Batterie (partie séparée)
24
Ensemble de Percussions
19
Percussion (partie séparée)
19
Percussion
11
Marimba
7
2 Xylophones
4
Timbales (partie séparée)
4
Quintette de Cuivres: autres combinaisons
3
Vibraphone
3
Xylophone
2
Xylophone, Piano
2
Bodhran
1
Timbales
1
2 Marimbas
1
Piano et Orchestre
1
Quintette à Vent
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
72
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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Clarinette Basse, Piano
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1
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!
Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.
Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).
In Quebec the song has been used for several decades in commercials for Sico paint.
In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.
This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.
In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.
The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.
Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.98 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. B…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Clarinette Basse, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Overture from Nutcracker Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549627 Composed by Peter I…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549627 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515369. Published by jmsgu3 (A0.549627). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
30.38 €
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nutcracker Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549805 Composed by Peter I…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549805 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3541643. Published by jmsgu3 (A0.549805). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo parts: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
30.38 €
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Colour My World
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.548362 By Chicago. By Jame…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.548362 By Chicago. By James Pankow. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 10 pages. Jmsgu3 #3243013. Published by jmsgu3 (A0.548362). Duration: 3:04 Score: 38 measures in 12/8 at dotted quarter = 50, 6 pages, solo part: 1 page, piano part: 3 pages. Suitable for performance in recital, church or small combo. Colour My World was written by American musician James Pankow, one of the founding members of the rock/jazz fusion band Chicago. Part of Pankow's Ballet for a Girl in Buchannon song cycle/suite, it was recorded for their second album Chicago, also called Chicago II (1970). Terry Kath sings the lead vocal, and Walter Parazaider performs the highly recognizable flute solo.
$53.95
49.74 €
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Clarinette Basse, Piano
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Chicago
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James M
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Colour My World
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.38 €
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Clarinette Basse, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Cogs & Gears
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1374171 Composed by Lawren…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1374171 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958747. Published by Lawrence H Underwood (A0.1374171). This original composition by veteran performer and music educator, Lawrence Underwood, is the tenth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Cogs & Gears evokes images of a well-oiled machine, driving. . .pushing. . .moving. The opening section locks measures of 3/4 and 6/8 together, working in tandem to propel the melody forward. The middle of the piece keeps the same pulse, but uses a jaunty melody to move first into 4 and then, with increasing frequency, measures of 2 and 3. The opening motif reappears before the piece once again pushes into the the lively second theme as it bounces towards its playful conclusion. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
6.44 €
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Clarinette Basse, Piano
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Lawrence H Underwood
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Cogs & Gears
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Lawrence H Underwood
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SheetMusicPlus
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
$24.95
23 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550453 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550453 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638405. Published by jmsgu3 (A0.550453). Sonata da Chiesa No. 3 in A Minor for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Steal Away, Gospel Song for Bass Clarinet and Piano
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593260 Comp…
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Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593260 Composed by Wallis Willis. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418037. Published by David McKeown (A0.593260). Steal Away is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
2.3 €
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Clarinette Basse, Piano
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549934 Composed by Modest …
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
30.38 €
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Clarinette Basse, Piano
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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