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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mendelssohn
Non classifié
1 040
Piano & claviers
Piano seul
1 008
Piano, Voix
653
Piano Facile
193
Orgue
105
1 Piano, 4 mains
39
Piano Trio: piano, violon, violoncelle
32
Piano, Voix et Guitare
28
Instruments en Do
18
Accompagnement Piano
17
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
8
2 Pianos, 4 mains
5
Orgue, Trompette (duo)
4
2 Accordéons
3
Clavier
3
Accordéon
3
Instrument seul et Orgue
2
Piano grosses notes
2
1 Piano, 6 mains
1
Accordéon, Voix
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
Tous Les Instruments
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
45
Guitare
33
Ligne De Mélodie, (Paroles) et Accords
19
4 Guitares (Quatuor)
8
Ukulele
8
2 Guitares (duo)
6
3 Guitares (trio)
4
Basse electrique
2
Banjo
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
140
Voix seule
94
Voix haute
82
Voix basse, Piano
81
Voix Moyenne
80
Chorale 3 parties
70
Pack Instrumental pour Chorale
65
Chorale 2 parties
38
Voix duo, Piano
24
Chorale TTBB
23
Chorale SSAA
12
Chorale Unison
11
Chorale
6
Voix Baryton, Piano
2
Voix Alto, Piano
2
Voix moyenne, Piano
2
Voix Soprano, Piano
1
Voix Tenor, Piano
1
Voix duo
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
141
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Clarinette et Piano
99
Quatuor de Saxophones: 4 saxophones
90
Hautbois, Piano (duo)
84
Clarinette
82
Saxophone Alto et Piano
76
Flûte traversière
69
Flûte, Hautbois, Clarinette, Basson
62
2 Saxophones (duo)
58
Quatuor de Clarinettes: 4 clarinettes
55
2 Flûtes traversières (duo)
49
Saxophone Tenor et Piano
49
Saxophone Soprano et Piano
47
2 Clarinettes (duo)
44
Quintette de Saxophone: 5 saxophones
35
Quatuor de Flûtes : 4 flûtes
35
Flûte, Clarinette (duo)
32
Saxophone Alto
31
Ensemble de Clarinettes
24
Saxophone (partie séparée)
23
Saxophone Tenor
23
Saxophone Baryton, Piano
23
Saxophone
22
Quintette de Clarinettes: 5 clarinettes
21
Cor anglais, Piano
21
Clarinette (partie séparée)
20
Hautbois (partie séparée)
20
Flûte, Violon
20
Hautbois, Clarinette (duo)
18
Ensemble de saxophones
17
Trio de Flûtes: 3 flûtes
17
Flûte à Bec
17
Clarinette, Violon (duo)
17
Flûte, Hautbois (duo)
16
Flûte et Guitare
16
Saxophone, Clarinette (duo)
16
2 Hautbois (duo)
14
2 Flûte à bec (duo)
14
Quatuor de Flûtes à bec
14
3 Saxophones (trio)
14
Hautbois
13
Flute (partie séparée)
13
Flûte, Trompette (duo)
12
Clarinette Basse, Piano
12
Hautbois, violon (duo)
11
Hautbois, Trompette (duo)
11
Saxophone, Violon (duo)
11
3 Clarinettes (trio)
11
Ensemble de Flûtes
11
Clarinette, Basson (duo)
8
Flûte, Violoncelle
8
3 Flûtes à bec (trio)
7
Hautbois, Basson (duo)
7
Piccolo, Piano
6
Flûte, Clarinette, Piano (trio)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violoncelle, Piano (trio)
6
Piccolo
5
Hautbois, Violoncelle
5
Clarinette, Violoncelle (duo)
5
Flûte, Alto (duo)
4
Flûte, Violon, Guitare
4
Ocarina
4
2 Flûtes traversières, Piano
4
2 Clarinettes, Piano
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Basson et Piano
3
Hautbois et alto (duo)
3
Saxophone Soprano
3
Flûte, Violon, Piano
3
2 Saxophones, Piano
3
Flûte, Clarinette et Basson
3
Flûte à bec Soprano
3
Flûte à bec Tenor
2
Clarinette, Harpe (duo)
2
Saxophone, Basson (duo)
2
Saxophone et Guitare
2
Hautbois, Flûte
2
Ensemble à vent
2
Flûte, Trombone (duo)
2
Saxophone et Piano
2
Flûte, Hautbois, Basson
2
Flûte à bec Alto
2
Clarinette, Guitare (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte à bec Soprano, Piano
2
Flûte à bec Alto, Piano
2
5 Flûtes à bec
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Tuba
1
Harmonica, Piano
1
Flûte irlandaise
1
Flûte traversière, Orgue (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et violoncelle
1
Flûte et Trio à cordes
1
Flûte et Quatuor à Cordes
1
Saxophone et Orgue
1
Flûte, Hautbois, Piano (trio)
1
3 Hautbois
1
Flûte, Hautbois, Violon
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Basson et Piano
1
Flûte, Harpe et Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 103 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
99
Trombone et Piano
76
Trompette, Piano
73
Trompette
63
Cor et Piano
53
Trombone
36
2 Trompettes (duo)
34
Euphonium, Piano (duo)
33
Quatuor de Cuivres
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trombone (partie séparée)
26
2 Trombones (duo)
23
Quatuor de cuivres: 4 trombones
23
2 Cors (duo)
22
Cor anglais, Piano
21
Cor
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba et Piano
19
Quatuor de cuivres: 4 cors
18
Trompette (partie séparée)
17
Euphonium
15
Trompette, Saxophone (duo)
14
Trompette, Basson (duo)
14
Cor (partie séparée)
13
Trompette, violon (duo)
12
Trio de Cuivres
11
Trombone, violoncelle (duo)
10
Trompette, Trombone (duo)
10
3 Trompettes (trio)
10
Tuba
9
Tuba (partie séparée)
8
2 Euphoniums et 2 Tubas
7
Trompette, Cor (duo)
7
Ensemble de Trombones
6
4 Tubas
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette, Tuba (duo)
4
3 Cors (trio)
4
3 Trombones (trio)
4
2 Euphoniums (duo)
4
Trompette et Guitare
3
Euphonium, Tuba (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Cors
2
Trombone, Cor (duo)
2
Tuba et Orgue
2
Cor, Violoncelle (duo)
2
Cor, Tuba (duo)
2
Cor et Basson (duo)
1
Trombone, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Orgue
1
2 Cors, Piano
1
Instruments en Sib
1
Bass Clef Instruments
1
Trombone basse et Piano
1
Trombone, Violon (duo)
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
254
Violon et Piano
181
Violon
122
Violoncelle, Piano
117
Alto, Piano
88
Violoncelle
72
Alto seul
50
Violon (partie séparée)
47
2 Violoncelles (duo)
46
2 Violons (duo)
45
Violon, Violoncelle (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Trio à Cordes: violon, alto, violoncelle
24
Harpe
24
Violon, Alto (duo)
24
2 Altos (duo)
21
Alto, Violoncelle (duo)
19
Violoncelle (partie séparée)
18
Contrebasse, Piano (duo)
17
Contre Basse
16
Contrebasse (partie séparée)
14
Alto (partie séparée)
13
4 Violoncelles
13
Trio à Cordes: 2 violons, violoncelle
9
Piano Trio: Violon, Alto, Piano
8
2 Violons, Piano
7
Trio à cordes
7
Trio à cordes: 3 violins
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes: 4 violons
6
Violon, Basson (duo)
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes : 4 altos
4
Alto et Basson
4
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, alto
3
Trio à Cordes: 3 violoncelles
3
2 Violoncelles, Piano
3
Violon, Tuba (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
2 Contrebasses (duo)
2
Alto, Guitare (duo)
2
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
141
Orchestre
96
Orchestre d'harmonie
73
Ensemble de cuivres
36
Cloches
25
Orchestre de chambre
24
Ensemble Jazz
17
Percussion (partie séparée)
9
Timbales (partie séparée)
4
Ensemble de Percussions
3
Marimba
3
Vibraphone (partie séparée)
3
Piano et Orchestre
2
Quatuor à Vent : 4 instruments à vents
2
Instrumentation Flexible
2
Percussion
1
Xylophone
1
Xylophone, Piano
1
Fanfare
1
Orchestre, Violon
1
Batterie (partie séparée)
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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SAXOPHONE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Mendelssohn
Clarinette Basse, Piano
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1
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: the Hebrides Overture for Bass Clarinet & Piano
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Clarinette Basse, Piano
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: the Hebrides Over
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 5 - SKU: A0.550011 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Concert,Holiday,Romantic Period,St...
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Bass Clarinet,Piano - Level 5 - SKU: A0.550011 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Concert,Holiday,Romantic Period,Standards,World. Score and part. 55 pages. Jmsgu3 #4572357. Published by jmsgu3 (A0.550011). The Hebrides Overture (Fingal's Cave) op. 26. Score: 30 pages. Solo part: 9 pages, Piano part: 15 pages. Duration: ca. 9:10. 268 measures. Great recital piece.
$24.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Auf Flugeln des Gesanges
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Clarinette Basse, Piano
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Classique
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Felix Bartholdy Mendelssohn
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John G
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Auf Flugeln des Gesanges
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 2 - SKU: R0.46910 On Wings Of Song / Sur les ailes du chant. Composed by Felix Bartholdy Mendelssohn. Arranged by J...
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Bass Clarinet & Piano - Grade 2 - SKU: R0.46910 On Wings Of Song / Sur les ailes du chant. Composed by Felix Bartholdy Mendelssohn. Arranged by John G. Mortimer. Bass Clarinet & Piano. Score and parts. 5 pages. Duration 1'32. Editions Marc Reift - Digital #46910. Published by Editions Marc Reift - Digital (R0.46910).
$8.95
3 Lieder ohne Worte
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Clarinette Basse, Piano
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Classique
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Felix Bartholdy Mendelssohn
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Timofei Dokshitser
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3 Lieder ohne Worte
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 3 - SKU: R0.46703 Opus 53, Nr. 20 / Opus 62, Nr. 25 / Opus 62, Nr. 30. Composed by Felix Bartholdy Mendelssohn. Arr...
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Bass Clarinet & Piano - Grade 3 - SKU: R0.46703 Opus 53, Nr. 20 / Opus 62, Nr. 25 / Opus 62, Nr. 30. Composed by Felix Bartholdy Mendelssohn. Arranged by Timofei Dokshitser. Bass Clarinet & Piano. Score and parts. 16 pages. Duration 6'30. Editions Marc Reift - Digital #46703. Published by Editions Marc Reift - Digital (R0.46703).
$18.95
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
The Elephant
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1265061 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructiona...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1265061 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857902. Published by Matthew Nunes Music (A0.1265061). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Wedding March (for Bass Clarinet and Piano)
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Classique
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Felix Bartholdy Mendelssohn
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Harry Walker
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Wedding March
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SCORE EDITIONS
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SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Harry Walker. 19th Century, Wedding. Score and part. 5 pages. SCORE EDITIONS #877619....
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Harry Walker. 19th Century, Wedding. Score and part. 5 pages. SCORE EDITIONS #877619. Published by SCORE EDITIONS
$4.99
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