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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music Opera
Non classifié
2 113
Piano & claviers
Piano, Voix
1 980
Piano seul
1 320
Piano Facile
480
Piano, Voix et Guitare
309
1 Piano, 4 mains
129
Instruments en Do
75
Accompagnement Piano
57
Orgue
45
Piano Trio: piano, violon, violoncelle
33
Accordéon
24
Piano grosses notes
23
2 Pianos, 4 mains
21
Instrument seul et Orgue
16
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Voix
2
2 Pianos, 8 mains
2
Clavecin
1
Orgue, Piano (duo)
1
Ligne De Mélodie, Piano
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
120
Ligne De Mélodie, (Paroles) et Accords
116
Guitare
109
Ukulele
33
Basse electrique
24
2 Guitares (duo)
17
Paroles et Accords
12
Piano, Guitare (duo)
8
4 Guitares (Quatuor)
6
3 Guitares (trio)
4
Guitare (partie séparée)
4
Mandoline
3
Ensemble de guitares
1
Orchestre à Plectres
1
Banjo
1
Dulcimer
1
Mandoline, Guitare (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
237
Voix Soprano, Piano
163
Voix Tenor, Piano
142
Chorale 3 parties
114
Voix seule
100
Voix Baryton, Piano
86
Chorale 2 parties
57
Voix Alto, Piano
53
Voix duo, Piano
44
Voix Mezzo-Soprano, Piano
41
Voix basse, Piano
36
Chorale TTBB
32
Voix haute
26
Voix duo
21
Chorale Unison
21
Voix Baryton
16
Voix moyenne, Piano
16
Chorale
15
Chorale SSAA
14
Voix Tenor
9
Voix Soprano
6
Pack Instrumental pour Chorale
5
Voix haute, Piano
4
Soli, choeur mixte et accompagnement
4
Chorale SSATB
1
Voix, Guitare
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
333
Clarinette et Piano
257
Flûte traversière
155
Clarinette
153
Saxophone Alto et Piano
151
Hautbois, Piano (duo)
149
Quatuor de Saxophones: 4 saxophones
148
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
147
Flûte, Hautbois, Clarinette, Basson
104
2 Flûtes traversières (duo)
99
Saxophone Soprano et Piano
94
Quatuor de Clarinettes: 4 clarinettes
89
Saxophone Alto
78
Saxophone Tenor et Piano
69
Quatuor de Flûtes : 4 flûtes
69
2 Saxophones (duo)
61
Saxophone
58
Saxophone (partie séparée)
56
Quintette de Saxophone: 5 saxophones
52
Saxophone Tenor
52
Hautbois (partie séparée)
51
Harmonica
50
Ensemble de Clarinettes
48
Cor anglais, Piano
42
2 Clarinettes (duo)
40
Saxophone Baryton, Piano
31
Clarinette (partie séparée)
26
Clarinette Basse, Piano
25
Ensemble de saxophones
25
Ensemble de Flûtes
24
Quintette de Clarinettes: 5 clarinettes
24
3 Saxophones (trio)
23
Instruments en Mib
23
Quatuor de Flûtes à bec
21
Trio de Flûtes: 3 flûtes
16
2 Flûte à bec (duo)
16
3 Clarinettes (trio)
16
Flûte et Guitare
13
Flûte à bec Soprano
12
Flûte, Clarinette (duo)
12
Hautbois
12
Flûte, Violoncelle, Piano (trio)
11
Saxophone, Clarinette (duo)
11
2 Hautbois (duo)
11
5 Flûtes à bec
11
Flute (partie séparée)
10
Flûte à Bec
9
Flûte, Violon, Piano
8
2 Flûtes traversières, Piano
8
Clarinette, Violoncelle, Piano (trio)
8
Hautbois, Basson (duo)
7
Clarinette, Violon (duo)
7
Clarinette, Basson (duo)
7
Flûte, Clarinette, Piano (trio)
7
Flûte à bec Alto
7
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte à bec, Guitare (duo)
6
3 Flûtes à bec (trio)
6
Clarinette, Guitare (duo)
6
Flûte, Clarinette et Basson
5
Quintette de Flûte : 5 flûtes
5
2 Clarinettes, Piano
5
Hautbois, Clarinette (duo)
5
Cor Anglais
5
Flûte, Violon
5
Flûte, Saxophone (duo)
4
Clarinette, Trompette (duo)
4
Clarinette, Violoncelle (duo)
3
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
Flûte à Bec, Piano
3
Hautbois, Flûte
3
Flûte à bec Tenor
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Hautbois, Piano (trio)
3
Saxophone Soprano
2
Clarinette Basse
2
Flûte traversière, Basse continue
2
Saxophone Baryton
2
Flûte, Violoncelle
2
Clarinette et Alto
2
Flûte, trombone et piano
2
Flûte, Hautbois, Basson
2
Flûte, Violon, Violoncelle et Piano
2
Piccolo
2
Ocarina
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
2 Flûtes à bec, Guitare
1
Flûte, Violon et Violoncelle
1
Piccolo, Piano
1
Clarinette, Trombone (duo)
1
Saxophone et violoncelle
1
Hautbois, Clarinette, Basson et Piano
1
Flûte de Pan
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Violoncelle et Piano
1
+ 94 instrumentations
Retracter
Cuivres
Trompette, Piano
178
Cor et Piano
140
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
134
Trombone et Piano
116
Trompette
110
Cor
96
Trombone
81
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Tuba et Piano
72
2 Trombones (duo)
46
Tuba
43
Cor anglais, Piano
42
Quatuor de cuivres: 4 cors
35
Euphonium, Piano (duo)
34
Trompette (partie séparée)
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Trombone (partie séparée)
29
Quatuor de cuivres: 4 trombones
27
Instruments en Sib
22
Ensemble de Trombones
19
Ensemble de Cors
18
2 Trompettes (duo)
18
Bass Clef Instruments
18
Quatuor de Cuivres
16
Cor (partie séparée)
13
Quatuor de cuivres: 4 trompettes
12
2 Euphoniums (duo)
11
Trompette, Trombone (duo)
9
Tuba et Orgue
9
2 Cors (duo)
9
Ensemble de Trompettes
7
Tuba (partie séparée)
7
Trompette, Saxophone (duo)
6
Trompette, Violoncelle et Piano
6
Euphonium
6
2 Tubas (duo)
5
Cor Anglais
5
3 Trombones (trio)
4
Euphonium, Tuba (duo)
4
4 Tubas
4
3 Tubas (trio)
3
Trio de Cuivres
3
2 Euphoniums et 2 Tubas
3
3 Trompettes (trio)
2
Trompette, Cor (duo)
2
3 Cors (trio)
2
Instruments en Fa
2
Trombone, Cor (duo)
2
Trompette, Trombone, Piano
2
Trombone basse et Piano
2
2 Trompettes, Clavier (piano ou orgue)
1
+ 46 instrumentations
Retracter
Cordes
Violon et Piano
386
Quatuor à cordes: 2 violons, alto, violoncelle
357
Violoncelle, Piano
310
Alto, Piano
236
Violon
180
Violoncelle
117
Harpe
99
Alto seul
94
Contrebasse, Piano (duo)
63
Trio à Cordes: violon, alto, violoncelle
56
Violon (partie séparée)
49
Violon, Violoncelle (duo)
44
Contre Basse
36
2 Harpes (duo)
32
2 Violons (duo)
32
Alto (partie séparée)
29
2 Violoncelles (duo)
28
2 Altos (duo)
23
4 Violoncelles
22
Violon, Alto (duo)
20
Trio à Cordes: 2 violons, violoncelle
17
Violoncelle (partie séparée)
16
Contrebasse (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto, Violoncelle (duo)
11
Trio à cordes: 3 violins
10
Quatuor à cordes : 4 altos
10
Quatuor à cordes: 4 violons
10
Harpe, Flûte (duo)
10
Piano Trio: Violon, Alto, Piano
7
Trio à cordes
7
Alto, Guitare (duo)
7
Trio à Cordes: 3 violoncelles
7
Violon, Guitare (duo)
6
Trio à cordes: 3 altos
6
2 Contrebasses (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violoncelle , Guitare (duo)
3
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Harpe, Violon (duo)
2
Harpe, Violon, Violoncelle
2
Alto et Basson
1
Harpe, Orchestre
1
Harpe et mandoline
1
Violoncelle, Orchestre
1
Trio à Cordes: 2 violons, alto
1
Violon, Orgue
1
Violon, Basse continue
1
Harpe et Piano
1
Violon, Basson (duo)
1
2 Altos, Piano
1
2 Violons et Basse continue
1
2 Violons, Piano
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
576
Orchestre
313
Orchestre à Cordes
190
Ensemble de cuivres
137
Orchestre de chambre
84
Jazz combo
38
Ensemble Jazz
31
Percussion (partie séparée)
14
Cloches
11
Xylophone, Piano
10
Big band
8
Marimba
7
Ensemble de Percussions
7
Fanfare
6
Percussion
4
Quatuor à Vent : 4 instruments à vents
3
Timbales (partie séparée)
3
Batterie
3
Xylophone
2
Batterie (partie séparée)
2
Voix et Orchestre
1
Caisse Claire
1
Piano et Orchestre
1
+ 18 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Music Opera
Clarinette Basse, Piano
Partitions à imprimer
25 partitions trouvées
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1
Toreador March (from the opera Carmen) - easy version
#
Clarinette Basse, Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
(+)
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050834. Published by Rodrigo Faleiros (A0.1473395). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Clarinette Basse, Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
(+)
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050833. Published by Rodrigo Faleiros (A0.1473394). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Clarinette Basse, Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
(+)
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050873. Published by Rodrigo Faleiros (A0.1473528). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Clarinette Basse, Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050874. Published by Rodrigo Faleiros (A0.1473529). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050964. Published by Rodrigo Faleiros (A0.1473975). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050919. Published by Rodrigo Faleiros (A0.1473584). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050920. Published by Rodrigo Faleiros (A0.1473585). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050966. Published by Rodrigo Faleiros (A0.1473976). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050997. Published by Rodrigo Faleiros (A0.1474029). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050996. Published by Rodrigo Faleiros (A0.1474028). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Nessun Dorma for Bass Clarinet & Piano
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Clarinette Basse, Piano
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Classique
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Opera
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Giacomo Puccini
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Keith Terrett
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Nessun Dorma for Bass Clarinet
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Keith Terrett
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SheetMusicPlus
Composed by Giacomo Puccini (1858-1924). Arranged by Keith Terrett. 20th Century, Opera, Patriotic, World. Score and parts. 5 pages. Keith Terrett #35...
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Composed by Giacomo Puccini (1858-1924). Arranged by Keith Terrett. 20th Century, Opera, Patriotic, World. Score and parts. 5 pages. Keith Terrett #3578917. Published by Keith Terrett
$7.99
Puccini: O Mio Babbino Caro (for Bass Clarinet and Piano)
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Giacomo Puccini
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Harry Walker
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Puccini: O Mio Babbino Caro
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SCORE EDITIONS
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SheetMusicPlus
Composed by Giacomo Puccini (1858-1924). Arranged by Harry Walker. Opera, Repertoire, Recital. Individual Part, Score. 6 pages. Published by SCORE E...
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Composed by Giacomo Puccini (1858-1924). Arranged by Harry Walker. Opera, Repertoire, Recital. Individual Part, Score. 6 pages. Published by SCORE EDITIONS
$4.99
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bohemian Rhapsody
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Queen
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Harry Walker
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Bohemian Rhapsody
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1472134 By Queen. By Freddie Mercury. Arranged by Harry Walker. Broadway,Contest,Festival,Film/TV,Musical/Show,P...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1472134 By Queen. By Freddie Mercury. Arranged by Harry Walker. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop,Rock. Score and part. 16 pages. SCORE EDITIONS #1049834. Published by SCORE EDITIONS (A0.1472134). Bohemian Rhapsody is a song by the British rock band Queen. Released on their 1975 album A Night at the Opera, the song is a progressive rock masterpiece that combines elements of rock, opera, and ballad genres. Written by lead vocalist Freddie Mercury, Bohemian Rhapsody is known for its complex structure, diverse musical styles, and powerful vocal performances. Bohemian Rhapsody is more than just a song; it's a cultural phenomenon that showcases the boundless creativity of Queen. Its ability to blend various musical styles into a cohesive and emotionally resonant work has made it a timeless classic, inspiring countless artists and listeners worldwide. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Nessun Dorma - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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Nessun Dorma - Bass Clarinet a
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.721920 Composed by Giacomo Puccini. Arranged by Anne L Christopherson GRSM ARCM. Concert,Conte...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.721920 Composed by Giacomo Puccini. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and individual part. 4 pages. Music-Scores.com #5303625. Published by Music-Scores.com (A0.721920). Nessun Dorma, from the opera Turandot. This already much loved aria was made even more famous by the 3 Tenors during Italia 90.Arranged for Bass Clarinet and Piano.Duration: about 2 minutes. 15 seconds.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
O Mio Babbino Caro - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Puccini, Giaccomo
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O Mio Babbino Caro - Bass Clar
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.722168 Composed by Puccini, Giaccomo. Arranged by Anne L Christopherson GRSM ARCM. Concert,Hol...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.722168 Composed by Puccini, Giaccomo. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Wedding. Score and individual part. 4 pages. Music-Scores.com #6012933. Published by Music-Scores.com (A0.722168). O Mio Babbino Caro, from the comic opera Gianni Scicchi. Lauretta is pleading with her father to patch up the bad feeling with the family of her true love. For Bass Clarinet and PianoDuration 2 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
The Last Rose of Summer - von Flotow - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Von Flotow, Friedrich
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The Last Rose of Summer - von
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.744524 Composed by Von Flotow, Friedrich. Arranged by Anne L Christopherson GRSM ARCM. Holiday,Opera,Patriotic,W...
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Bass Clarinet,Piano - Level 3 - SKU: A0.744524 Composed by Von Flotow, Friedrich. Arranged by Anne L Christopherson GRSM ARCM. Holiday,Opera,Patriotic,Wedding. Score and part. 4 pages. Music-Scores.com #352576. Published by Music-Scores.com (A0.744524). The Last Rose of Summer is a song from the opera 'Martha', in the 2nd Act: Qui sola, vergin rosa, and has been arranged for the Bass Clarinet. This melody is also well known as an Irish ballad, The Groves of Blarney, which dates back to the 18th Century. Duration about 2 mins. Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com.
$5.95
Libiamo ne lieti calici - Brindisi from La Traviata - Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Anne Christopherson GRSM ARCM
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Libiamo ne lieti calici - Brin
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.722187 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,...
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.722187 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Opera,Wedding. Score and individual part. 8 pages. Music-Scores.com #6013179. Published by Music-Scores.com (A0.722187). The Brindisi from the opera, La Traviata: Libiamone' lieti calici, or let's drink from the joyful cups. This is a fun and famous drinking song, great for a concert.Arranged for Bass Clarinet and Piano.Duration: about 3 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Intermezzo from Cavalleria Rusticana - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Pietro Mascagni
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Intermezzo from Cavalleria Rus
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.721974 Composed by Pietro Mascagni. Arranged by Anne L Christopherson GRSM ARCM. Concert,Conte...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.721974 Composed by Pietro Mascagni. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and individual part. 4 pages. Music-Scores.com #5371807. Published by Music-Scores.com (A0.721974). Intermezzo from the opera, Cavalleria RusticanaThis arrangement is a duo for Bass Clarinet and Piano.Duration Approx. 2 minutes, 40 seconds. Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
Easter Hymn from Cavaliera Rusticana - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Mascagni
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Easter Hymn from Cavaliera Rus
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.722363 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Eas...
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.722363 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,Opera. Score and individual part. 7 pages. Music-Scores.com #6439047. Published by Music-Scores.com (A0.722363). Easter Hymn, Regina Coeli, from the opera Cavaliera Rusticana. This is a shortened version of that wonderful dialogue with villagers and Santuzza. For Bass Clarinet and Piano.Duration 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.
$5.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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