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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Not As We
Non classifié
846
Piano & claviers
Piano seul
391
Piano, Voix
184
Piano Facile
108
Piano, Voix et Guitare
76
Piano grosses notes
68
Orgue
34
Instruments en Do
21
Accompagnement Piano
19
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
14
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
4
Orgue, Piano (duo)
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
1 Piano, 6 mains
1
Clavecin
1
Accordéon
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 15 instrumentations
Retracter
Guitares
Mandoline
263
Guitare notes et tablatures
99
Guitare
46
Basse electrique
20
Ukulele
8
Guitare (partie séparée)
4
2 Mandolines (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
2 Ukuleles
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
2 Guitares (duo)
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
233
Chorale 3 parties
48
Chorale 2 parties
36
Chorale TTBB
20
Chorale Unison
15
Chorale SSAA
13
Voix Alto, Piano
10
Voix Soprano, Piano
9
Voix duo, Piano
8
Voix duo
5
Voix haute
4
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Chorale SSATTB
2
Voix Tenor
2
Voix seule
2
Voix basse
1
Chorale SSATB
1
Chorale SSAATTBB
1
Chorale
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
100
2 Saxophones (duo)
91
Quintette de Saxophone: 5 saxophones
74
Quatuor de Saxophones: 4 saxophones
66
Flûte traversière et Piano
50
Flûte, Hautbois, Clarinette, Basson
46
Clarinette et Piano
44
3 Saxophones (trio)
41
Saxophone Alto et Piano
35
Hautbois, Piano (duo)
35
Quatuor de Clarinettes: 4 clarinettes
30
2 Flûtes traversières (duo)
27
Clarinette
27
2 Clarinettes (duo)
27
Saxophone Tenor et Piano
25
Flûte traversière
24
2 Flûte à bec (duo)
23
Saxophone Soprano et Piano
22
Quatuor de Flûtes : 4 flûtes
19
Saxophone Baryton, Piano
19
Saxophone Alto
18
Flûte, Hautbois, Clarinette (trio)
18
2 Hautbois (duo)
15
Ensemble de Clarinettes
15
Flûte, Clarinette (duo)
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Saxophone (partie séparée)
13
Ensemble de saxophones
12
Saxophone Tenor
12
Flûte à bec Soprano
11
Hautbois
11
Ensemble de Flûtes
10
Saxophone Baryton
10
Cor anglais, Piano
9
Saxophone Soprano
9
Hautbois (partie séparée)
7
Saxophone, Clarinette (duo)
6
Flûte, Clarinette et Basson
6
Piccolo, Piano
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Violon (duo)
5
Ensemble De Flûte à bec
5
Hautbois, Clarinette (duo)
5
Flûte à bec Alto, Piano
4
3 Flûtes à bec (trio)
4
Flûte à bec Alto
4
Clarinette, Basson (duo)
4
Ocarina
4
Flûte à Bec
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
3
Flûte, Hautbois, Basson
3
Clarinette, Trompette (duo)
3
Harmonica
3
Clarinette et Alto
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois (duo)
2
Hautbois, Flûte
2
Flûte, Alto (duo)
2
Flûte à bec Tenor
2
Flûte, Alto et Piano
2
Ensemble à vent
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano, Piano
2
4 Hautbois
2
Flûte, Violon, Piano
1
Cor Anglais
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte et Guitare
1
Flute (partie séparée)
1
Flûte, Violon
1
Hautbois, Guitare (duo)
1
Flute, harpe et violon
1
Flûte et Trio à cordes
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Piano
1
2 Cors Anglais Et Pianoforte
1
5 Flûtes à bec
1
Clarinette Basse
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Trombone et Piano
29
Trompette
26
Trompette, Piano
26
Cor et Piano
23
Tuba et Piano
23
2 Trompettes (duo)
22
2 Trombones (duo)
22
2 Cors (duo)
20
Trombone
19
Tuba
19
Cor
16
Quatuor de cuivres: 4 trombones
16
Trompette, Trombone (duo)
14
Trombone (partie séparée)
10
Quatuor de Cuivres
9
Cor anglais, Piano
9
Trompette (partie séparée)
8
2 Tubas (duo)
8
Trompette, Cor (duo)
7
Euphonium, Piano (duo)
7
Ensemble de Trombones
6
Trombone, Tuba (duo)
5
Trompette, Saxophone (duo)
4
Ensemble de Trompettes
4
Trompette, violon (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
3 Trombones (trio)
2
Ensemble de Cors
2
Trombone, Cor (duo)
2
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Bass Clef Instruments
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
127
Violon et Piano
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
45
Alto, Piano
40
Violoncelle, Piano
38
Trio à Cordes: violon, alto, violoncelle
38
Violon
37
Harpe
28
2 Violons (duo)
23
2 Violoncelles (duo)
21
Violoncelle
20
Alto seul
20
Violon, Violoncelle (duo)
20
Violon, Alto (duo)
20
2 Altos (duo)
19
Contrebasse, Piano (duo)
16
Contre Basse
15
Piano Trio: Violon, Alto, Piano
7
4 Violoncelles
5
Trio à Cordes: 2 violons, violoncelle
5
Ensemble de Violons
4
Violoncelle, Contrebasse (duo)
4
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
4
Harpe, Voix
4
Alto (partie séparée)
4
2 Contrebasses (duo)
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
2
4 Contrebasses
2
Quatuor à cordes : 4 altos
2
2 Violons, Piano
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Contrebasse (partie séparée)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle, Clarinette
1
Harpe, Violon (duo)
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre
65
Ensemble de cuivres
60
Orchestre à Cordes
58
Ensemble Jazz
26
Cloches
26
Orchestre de chambre
20
Ensemble de Percussions
10
Jazz combo
9
Fanfare
5
Marimba
4
Batterie (partie séparée)
2
Batterie
2
Orchestre, Violon
1
Piano et Orchestre
1
Percussion (partie séparée)
1
2 Marimbas
1
+ 12 instrumentations
Retracter
Autres
Instruments
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BASSON
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CHARANGO
CITHARE
CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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ENFANTS : EVEIL - IN…
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FUNK
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HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Not As We
Clarinette Basse, Piano
Partitions à imprimer
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
#
dynamic control
#
DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
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Not As We
