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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Performance Time:
Non classifié
5 534
Piano & claviers
Piano seul
1 743
Piano, Voix
654
Piano Facile
484
Instruments en Do
269
Accompagnement Piano
182
Piano, Voix et Guitare
139
1 Piano, 4 mains
123
Orgue
66
Piano Trio: piano, violon, violoncelle
37
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
7
Piano Quatuor: piano, 2 violons, violoncelle
7
Accordéon
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
2
1 Piano, 6 mains
2
Clavecin
1
2 Accordéons
1
Ensemble de Pianos
1
+ 16 instrumentations
Retracter
Guitares
Guitare
152
Guitare notes et tablatures
90
2 Guitares (duo)
35
Ligne De Mélodie, (Paroles) et Accords
28
Ukulele
28
Guitare (partie séparée)
10
Basse electrique
9
4 Guitares (Quatuor)
9
Piano, Guitare (duo)
8
Mandoline
5
Ensemble de guitares
4
3 Guitares (trio)
3
Dulcimer
3
Banjo
2
Paroles et Accords
2
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
Guitare Pedal Steel
1
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
865
Chorale 3 parties
403
Chorale 2 parties
224
Chorale SSAA
161
Chorale TTBB
145
Chorale Unison
86
Voix duo, Piano
73
Voix Alto, Piano
55
Voix Soprano, Piano
52
Voix Tenor, Piano
51
Voix Baryton, Piano
31
Voix duo
19
Voix haute
9
Voix moyenne, Piano
5
Voix Tenor
5
Chorale
4
Chorale SSAATTBB
4
Voix seule
3
Voix Mezzo-Soprano, Piano
3
Male Voice
2
Chorale SAATB A Cappella
1
Voix Soprano
1
Voix basse, Piano
1
+ 18 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 012
Quatuor de Saxophones: 4 saxophones
527
2 Flûtes traversières (duo)
475
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
473
2 Clarinettes (duo)
442
Saxophone, Clarinette (duo)
411
Quintette de Saxophone: 5 saxophones
404
Flûte, Hautbois, Clarinette, Basson
395
Flûte traversière et Piano
321
Clarinette, Violon (duo)
284
Clarinette et Piano
284
Hautbois, Piano (duo)
256
Saxophone Alto et Piano
244
Clarinette, Trompette (duo)
242
Ensemble de saxophones
240
Clarinette
234
2 Hautbois (duo)
225
Flûte, Clarinette (duo)
210
Hautbois, Clarinette (duo)
192
Flûte traversière
192
Quatuor de Clarinettes: 4 clarinettes
183
Hautbois, Basson (duo)
169
Ensemble de Clarinettes
161
Saxophone Alto
159
2 Flûte à bec (duo)
158
Saxophone Tenor et Piano
151
Flûte, Violon
148
Saxophone Soprano et Piano
146
Clarinette et Alto
145
Hautbois, Flûte
140
Flûte, Saxophone (duo)
140
Saxophone Tenor
136
3 Saxophones (trio)
134
Flûte, Alto (duo)
119
Flûte, Trompette (duo)
112
Hautbois
93
Saxophone Baryton, Piano
91
Saxophone (partie séparée)
87
3 Clarinettes (trio)
82
Quatuor de Flûtes : 4 flûtes
79
Hautbois (partie séparée)
77
Trio de Flûtes: 3 flûtes
63
Flûte, Clarinette et Basson
57
Flûte à bec Soprano
53
Saxophone Soprano
46
Cor anglais, Piano
44
Quintette de Flûte : 5 flûtes
42
Quintette de Clarinettes: 5 clarinettes
41
Hautbois, Clarinette, Basson (trio d'anches)
40
Saxophone Baryton
38
Flûte, Hautbois, Clarinette (trio)
34
Clarinette Basse, Piano
34
Flûte, Hautbois (duo)
31
Hautbois, Violoncelle
29
Clarinette, Basson (duo)
29
Ensemble de Flûtes
26
Cor Anglais
25
Flûte, Hautbois, Basson
23
Quatuor de Flûtes à bec
22
Flûte, Violoncelle
22
Clarinette, Violoncelle (duo)
22
Flûte à bec Alto
21
Flûte, Violon, Piano
21
Ensemble De Flûte à bec
19
Flûte à Bec
17
Flûte et Guitare
17
2 Clarinettes, Piano
16
Flûte, Hautbois, Piano (trio)
13
Hautbois, violon (duo)
13
Clarinette, Trombone (duo)
13
3 Flûtes à bec (trio)
11
Clarinette, Guitare (duo)
11
Clarinette (partie séparée)
9
Flute (partie séparée)
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
2 Flûtes traversières, Piano
9
Hautbois et alto (duo)
7
5 Flûtes à bec
7
Flûte, Violoncelle, Piano (trio)
5
Piccolo
5
Flûte, Basson et Piano
5
Hautbois, Guitare (duo)
4
Flûte à bec Soprano, Piano
4
Flûte, Clarinette, Piano (trio)
4
Clarinette Basse
4
Clarinette, Contrebasse (duo)
3
Flûte, Violon, Violoncelle et Piano
3
Hautbois, trombone (duo)
3
Flûte, Trombone (duo)
3
Saxophone et Orgue
3
Clarinette, Alto et Piano (trio)
3
Flûte, Violon et Violoncelle
3
Flûte à bec Tenor
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Harpe (duo)
2
Clarinette, Tuba
2
Clarinette, Basson, Piano (trio)
2
Ocarina
2
Ensemble de Hautbois
2
2 Saxophones, Piano
2
Flûte, Tuba (duo)
2
Harmonica
2
Flûte, Alto et Piano
2
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
Flûte à bec Alto, Basse continue
1
Hautbois, Trompette (duo)
1
Hautbois, Violoncelle et Piano
1
4 Hautbois
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Hautbois, Violon, Piano
1
Piccolo, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
Saxophone et Piano
1
+ 111 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
938
Trompette, Saxophone (duo)
290
Trompette, Piano
238
2 Trompettes (duo)
235
Trombone et Piano
232
Quatuor de Cuivres : 2 trompettes, trombone, tuba
228
2 Trombones (duo)
228
Trompette
220
Trompette, Trombone (duo)
200
Cor et Piano
189
Trombone
164
Tuba et Piano
151
Quatuor de Cuivres: 2 trompettes, Cor, trombone
137
Cor
126
Quatuor de Cuivres
110
Tuba
101
2 Cors (duo)
77
Ensemble de Trompettes
68
Ensemble de Trombones
49
Euphonium, Piano (duo)
46
Cor anglais, Piano
44
2 Tubas (duo)
38
Trompette (partie séparée)
26
Cor Anglais
25
Trombone (partie séparée)
23
Quatuor de cuivres: 4 trombones
23
Quatuor de cuivres: 4 cors
18
Trompette, Cor (duo)
17
3 Trombones (trio)
16
Quatuor de cuivres: 4 trompettes
15
Trio de Cuivres
11
2 Euphoniums (duo)
11
Ensemble de Cors
11
Trombone basse et Piano
10
Euphonium
10
Trombone basse
8
3 Trompettes (trio)
8
4 Tubas
8
Cor (partie séparée)
8
Trompette, Basson (duo)
6
3 Tubas (trio)
6
Trombone, Cor (duo)
6
Trompette, Violoncelle (duo)
6
Trompette, Tuba (duo)
6
Tuba (partie séparée)
5
Cor et Basson (duo)
5
Cor, Violoncelle (duo)
4
Tuba et Orgue
4
Trombone, Tuba (duo)
3
Trompette, violon (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Cors (trio)
2
Trompette, Violoncelle et Piano
1
Trompette et Guitare
1
Trombone, Violon (duo)
1
Trombone, Orgue
1
Trombone et orchestre
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Euphoniums et 2 Tubas
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
922
Violon, Violoncelle (duo)
444
Violon et Piano
434
Violon
411
Alto, Piano
323
Violoncelle, Piano
316
2 Violons (duo)
277
2 Violoncelles (duo)
253
2 Altos (duo)
251
Quintette à cordes: 2 violons, alto, violoncelle, basse
238
Violon, Alto (duo)
237
Trio à Cordes: violon, alto, violoncelle
230
Violoncelle
201
Alto seul
164
Contre Basse
96
Contrebasse, Piano (duo)
95
Harpe
69
Trio à Cordes: 2 violons, violoncelle
54
Alto, Violoncelle (duo)
42
2 Harpes (duo)
40
2 Contrebasses (duo)
37
Trio à cordes: 3 violins
36
4 Violoncelles
27
Violon, Basson (duo)
26
Alto (partie séparée)
25
Trio à Cordes: 3 violoncelles
25
Ensemble de Violons
20
Ensemble d'Altos
18
Quatuor à cordes: 4 violons
18
Quatuor à cordes : 4 altos
17
Trio à Cordes: 2 violons, alto
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Harpe, Flûte (duo)
12
Violon, Guitare (duo)
12
Piano Trio: Violon, Alto, Piano
12
Trio à cordes: 3 altos
10
Alto et Basson
9
Violoncelle , Guitare (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Violon (partie séparée)
7
Contrebasse (partie séparée)
7
Violoncelle, Contrebasse (duo)
5
Flûte, Contrebasse (duo)
3
Ensemble de Violoncelles
3
Violoncelle, Orchestre
3
Violon, Clarinette, Piano (trio)
3
Alto, Orgue
2
Violon, Orgue
2
Violoncelle, Orgue
2
Violoncelle (partie séparée)
2
Violon, Violoncelle, Clarinette
2
2 Violons, Piano
2
2 Violoncelles, Piano
2
4 Harpes
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
Trio à cordes
1
Violon, Tuba (duo)
1
Harpe, Voix
1
4 Contrebasses
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
787
Orchestre à Cordes
304
Ensemble de cuivres
187
Orchestre
173
Cloches
93
Ensemble Jazz
79
Orchestre de chambre
67
Fanfare
43
Jazz combo
41
Ensemble de Percussions
35
Marimba
13
Xylophone, Piano
13
Batterie
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Xylophone
6
Vibraphone
5
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Orchestre, Violon
2
Piano et Orchestre
2
Ensemble d'École
2
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Vibraphone et Marimba
1
Percussion
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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CORNET
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLONCELLE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METHODE : TECHNIQUES
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Performance Time:
Clarinette Basse, Piano
Partitions à imprimer
34 partitions trouvées
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1
26
It's Been A Long, Long Time
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #...
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Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Rocket Man (I Think It's Gonna Be A Long Long Time)
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Rocket Man
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.548134 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.548134 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214123. Published by jmsgu3 (A0.548134). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Maple Leaf Rag, by Scott Jopli
#
David McKeown
#
SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Bass Clarinet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Elite Syncopations for Solo Bass Clarinet and Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Ragtime
#
Scott Joplin
#
David McKeown
#
The Elite Syncopations for Sol
#
David McKeown
#
SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 p...
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Bass Clarinet,Piano - Level 4 - SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694905. Published by David McKeown (A0.1090775). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Bass Clarinet with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easy Winners, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Bass Cla
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709310. Published by David McKeown (A0.1106196). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Bass Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Entertainer, by Scott Jopl
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages....
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Bass Clarinet,Piano - Level 3 - SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715119. Published by David McKeown (A0.1113161). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Bass Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050834. Published by Rodrigo Faleiros (A0.1473395). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050833. Published by Rodrigo Faleiros (A0.1473394). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050873. Published by Rodrigo Faleiros (A0.1473528). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050874. Published by Rodrigo Faleiros (A0.1473529). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050964. Published by Rodrigo Faleiros (A0.1473975). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050919. Published by Rodrigo Faleiros (A0.1473584). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050920. Published by Rodrigo Faleiros (A0.1473585). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050966. Published by Rodrigo Faleiros (A0.1473976). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050997. Published by Rodrigo Faleiros (A0.1474029). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050996. Published by Rodrigo Faleiros (A0.1474028). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Hors D'Oevures to the Great Feast
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Contemporain
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NTG
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Hors D'Oevures to the Great Fe
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NTG
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.991777 Composed by NTG. Contemporary. Score and individual part. 3 pages. NTG #3079593. Publis...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.991777 Composed by NTG. Contemporary. Score and individual part. 3 pages. NTG #3079593. Published by NTG (A0.991777). Average Duration: 1:42Written in honor of Katherine Wichern.A uniquely beautiful piece written from one high school musician to another, this intermediate bass clarinet solo was created out of a love of the arts and a love of the people who perform them. This solo will challenge a learning soloist looking to get on stage with something atypical.In medieval times, the lord of the land would arrange a feast to be had immediately after some special occasion, like a battleground victory, a wedding, or a coronation. Only the most prestigious were invited, and the feastgoers were expected to dress and behave elegantly, to reflect the culture of the time. The feast would have up to six courses and would last for hours on end; some of the main courses imitated theatrical performances. When listening or performing, imagine being in a large, bustling hall of finely-dressed men and women to a wide variety of colorful and delicious delicacies---and you haven't even reached the main course!Please enjoy!
$3.00
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Saint-Saens: The Swan for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549107 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruction...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549107 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452239. Published by jmsgu3 (A0.549107). BASS CLARINET & PIANO Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$38.95
(Everything I Do) I Do It For You
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Bryan Adams
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James M
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(Everything I Do) I Do It For
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.548299 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.548299 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233899. Published by jmsgu3 (A0.548299). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95
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