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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Performance time 2:00.
Non classifié
2 720
Piano & claviers
Piano seul
744
Piano, Voix
421
Piano Facile
291
Instruments en Do
156
Accompagnement Piano
87
1 Piano, 4 mains
74
Piano, Voix et Guitare
71
Orgue
28
Piano Trio: piano, violon, violoncelle
20
2 Pianos, 4 mains
18
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Piano (duo)
3
Piano (partie séparée)
2
Clavecin
1
2 Accordéons
1
+ 10 instrumentations
Retracter
Guitares
Guitare
48
Guitare notes et tablatures
47
2 Guitares (duo)
35
Ligne De Mélodie, (Paroles) et Accords
22
Ukulele
10
Guitare (partie séparée)
5
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
4
Basse electrique
3
3 Guitares (trio)
3
Ensemble de guitares
2
Mandoline
2
Paroles et Accords
2
Mandoline, Piano (duo)
1
2 Ukuleles
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
397
Chorale 3 parties
246
Chorale 2 parties
224
Chorale SSAA
98
Chorale TTBB
80
Chorale Unison
61
Voix duo, Piano
38
Voix Soprano, Piano
14
Voix Alto, Piano
10
Voix duo
9
Voix Tenor, Piano
3
Voix seule
3
Voix moyenne, Piano
3
Voix haute
2
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 012
2 Flûtes traversières (duo)
474
2 Clarinettes (duo)
442
Quatuor de Saxophones: 4 saxophones
301
Quintette de Saxophone: 5 saxophones
254
2 Hautbois (duo)
224
2 Flûte à bec (duo)
158
Clarinette
148
Flûte traversière et Piano
144
Clarinette et Piano
132
Flûte traversière
129
Hautbois, Piano (duo)
122
Saxophone Alto et Piano
114
Saxophone Alto
109
Quatuor de Clarinettes: 4 clarinettes
109
Saxophone Tenor
105
3 Saxophones (trio)
88
Hautbois
69
Saxophone Tenor et Piano
67
Saxophone Soprano et Piano
64
Saxophone (partie séparée)
63
Ensemble de Clarinettes
57
Flûte, Clarinette (duo)
57
Hautbois, Clarinette (duo)
54
Hautbois (partie séparée)
54
Saxophone, Clarinette (duo)
54
Ensemble de saxophones
49
Saxophone Baryton, Piano
48
Quatuor de Flûtes : 4 flûtes
46
Clarinette, Violon (duo)
43
Saxophone Soprano
42
3 Clarinettes (trio)
36
Clarinette, Trompette (duo)
35
Saxophone Baryton
34
Hautbois, Basson (duo)
34
Trio de Flûtes: 3 flûtes
32
Hautbois, Flûte
27
Flûte à bec Soprano
25
Flûte, Violon
25
Flûte, Alto (duo)
23
Flûte, Hautbois (duo)
23
Quintette de Clarinettes: 5 clarinettes
22
Clarinette et Alto
21
Flûte, Saxophone (duo)
21
Cor anglais, Piano
20
Clarinette, Basson (duo)
20
Flûte, Clarinette et Basson
18
Hautbois, Clarinette, Basson (trio d'anches)
18
Flûte à bec Alto
17
2 Clarinettes, Piano
16
Flûte, Violon, Piano
15
Flûte, Hautbois, Basson
14
Flûte, Hautbois, Clarinette (trio)
14
Flûte à Bec
14
Flûte, Trompette (duo)
13
Quatuor de Flûtes à bec
13
Clarinette, Violoncelle (duo)
10
Flûte, Hautbois, Piano (trio)
10
Cor Anglais
10
Quintette de Flûte : 5 flûtes
9
Clarinette, Trombone (duo)
9
2 Flûtes traversières, Piano
9
Flute (partie séparée)
9
Clarinette Basse, Piano
9
Clarinette (partie séparée)
8
Flûte, Violoncelle
8
Hautbois, violon (duo)
7
3 Flûtes à bec (trio)
7
Flûte et Guitare
6
Hautbois, Violoncelle
6
Clarinette, Guitare (duo)
5
Piccolo
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois et alto (duo)
3
Ensemble de Flûtes
3
Clarinette Basse
3
Ocarina
2
2 Saxophones, Piano
2
Flûte à bec Tenor
2
Flûte, Violoncelle, Piano (trio)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Violon et Violoncelle
2
Clarinette, Contrebasse (duo)
2
5 Flûtes à bec
2
Flûte, Trombone (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Violon, Piano
1
Flûte à bec Soprano, Piano
1
Piccolo, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
Harmonica
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Basson et Piano
1
Hautbois, Violoncelle et Piano
1
Hautbois, Basson et Piano
1
Ensemble de Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Guitare (duo)
1
+ 98 instrumentations
Retracter
Cuivres
2 Trompettes (duo)
235
2 Trombones (duo)
229
Trompette
154
Quatuor de Cuivres : 2 trompettes, trombone, tuba
146
Quatuor de Cuivres: 2 trompettes, Cor, trombone
125
Trompette, Piano
118
Trombone
114
Trombone et Piano
97
Cor
94
Cor et Piano
83
Tuba
79
Quatuor de Cuivres
78
Tuba et Piano
78
2 Cors (duo)
77
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Trompette, Trombone (duo)
52
Trompette, Saxophone (duo)
39
2 Tubas (duo)
38
Trombone (partie séparée)
23
Cor anglais, Piano
20
Euphonium, Piano (duo)
20
Trompette (partie séparée)
16
Quatuor de cuivres: 4 trombones
13
3 Trombones (trio)
12
Quatuor de cuivres: 4 cors
11
2 Euphoniums (duo)
11
Trompette, Cor (duo)
11
Cor Anglais
10
Quatuor de cuivres: 4 trompettes
9
Cor (partie séparée)
8
Trombone basse et Piano
7
Trombone basse
7
4 Tubas
7
Trio de Cuivres
7
Ensemble de Trombones
6
3 Tubas (trio)
6
Ensemble de Trompettes
5
Ensemble de Cors
5
Trombone, Cor (duo)
4
Tuba (partie séparée)
4
Trompette, Tuba (duo)
4
Trombone, Tuba (duo)
3
Euphonium
2
3 Trompettes (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Violoncelle (duo)
2
Trompette, Trombone, Piano
1
3 Euphoniums
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Euphoniums et 2 Tubas
1
Trombone, Orgue
1
Trompette, Basson (duo)
1
Cor et Basson (duo)
1
Tuba et Orgue
1
Trompette et Guitare
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
924
Violon
322
2 Violons (duo)
278
2 Violoncelles (duo)
253
2 Altos (duo)
251
Violon, Violoncelle (duo)
231
Violon et Piano
187
Trio à Cordes: violon, alto, violoncelle
176
Violoncelle, Piano
151
Violoncelle
148
Alto, Piano
137
Alto seul
122
Violon, Alto (duo)
88
Contre Basse
81
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
Trio à Cordes: 2 violons, violoncelle
54
Contrebasse, Piano (duo)
46
2 Harpes (duo)
40
2 Contrebasses (duo)
37
Alto, Violoncelle (duo)
29
Trio à cordes: 3 violins
21
Harpe
19
4 Violoncelles
17
Alto (partie séparée)
16
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Trio à Cordes: 3 violoncelles
15
Trio à Cordes: 2 violons, alto
15
Quatuor à cordes : 4 altos
12
Quatuor à cordes: 4 violons
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Violon, Basson (duo)
8
Contrebasse (partie séparée)
7
Trio à cordes: 3 altos
6
Piano Trio: Violon, Alto, Piano
5
Violon, Guitare (duo)
4
Alto et Basson
4
Violon (partie séparée)
4
Violoncelle, Orchestre
3
Violon, Orgue
2
Violoncelle, Orgue
2
Flûte, Contrebasse (duo)
2
2 Violons, Piano
2
Violoncelle, Contrebasse (duo)
2
2 Violoncelles, Piano
2
Violon, Violoncelle, Clarinette
2
Alto, Orgue
2
Harpe, Flûte (duo)
2
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Trio à cordes
1
Violoncelle (partie séparée)
1
Alto et Harpe
1
4 Contrebasses
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
480
Orchestre à Cordes
179
Ensemble de cuivres
116
Orchestre
92
Cloches
50
Fanfare
33
Ensemble Jazz
31
Orchestre de chambre
28
Ensemble de Percussions
20
Jazz combo
19
Marimba
7
Batterie
5
Batterie (partie séparée)
5
Xylophone
4
Percussion (partie séparée)
4
Xylophone, Piano
2
Vibraphone
2
Piano et Orchestre
2
Vibraphone et Marimba
1
Ensemble d'École
1
Orchestre, Violon
1
2 Marimbas
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
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FLUTE A DIX…
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FORMATION M…
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HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Performance time 2:00.
Clarinette Basse, Piano
Partitions à imprimer
9 partitions trouvées
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1
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Entry of the Gladiators - Clarinet, Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Julius Fucik
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Entry of the Gladiators - Clar
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Music-Scores.com
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - SKU: A0.721917 Composed by Julius Fucik. Arranged by Anne L Christopherson GRSM ARCM. Conce...
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - SKU: A0.721917 Composed by Julius Fucik. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Film/TV,Wedding. Score and parts. 16 pages. Music-Scores.com #5301299. Published by Music-Scores.com (A0.721917). Entry of the Gladiators has been called Grand Chromatic March, and Thunder and Blazes in 1901 in an arrangement by Laurendeau for windband. This arrangement became popular as a Screamer march, which is circus music to introduce clowns and stir up the crowd. It is also played for rousing concert performances, as in Last Night of the Proms.This version is for Clarinet, Bass Clarinet and Piano.Playing time 2 minutes, 40 secondsArranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$6.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Saint-Saens: The Swan for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549107 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruction...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549107 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452239. Published by jmsgu3 (A0.549107). BASS CLARINET & PIANO Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$38.95
Every Breath You Take
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Clarinette Basse, Piano
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FACILE
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Rock
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The Police
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James M
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Every Breath You Take
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.548383 By The Police. By Sting. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 ...
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Bass Clarinet,Piano - Level 2 - SKU: A0.548383 By The Police. By Sting. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3246389. Published by jmsgu3 (A0.548383). Duration: 2:52, score: 11 pages, part: 2 pages, 67 measures in common time, MM:quarter = 115. Suitable for recital, church or jazz combo performance.
$29.95
(Everything I Do) I Do It For You
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Bryan Adams
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James M
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(Everything I Do) I Do It For
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.548299 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.548299 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233899. Published by jmsgu3 (A0.548299). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
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Performance time 2:00. 
