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PIANO & CLAVIERS
Piano seul
35562
Piano, Voix
34823
Piano, Voix et Guitare
12029
Piano Facile
10242
1 Piano, 4 mains
1188
Accompagnement Piano
797
Piano grosses notes
598
Piano Trio: piano, violon, violoncelle
538
2 Pianos, 4 mains
325
Orgue
263
Piano Quatuor: piano, violon, alto, violoncelle
241
Piano (partie séparée)
238
Instruments en Do
160
Piano Quintette: piano, 2 violons, alto, violoncelle
159
Piano Quatuor: piano, 2 violons, violoncelle
126
Orgue, Piano (duo)
56
1 Piano, 6 mains
32
Accordéon
23
Clavier
15
2 Pianos, 8 mains
13
Clavecin
8
Orgue, Trompette (duo)
3
Accordéon, Voix
2
Ligne De Mélodie, Piano
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Accordéon, Corde(s)
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
276
Guitare
153
Piano, Guitare (duo)
122
Guitare notes et tablatures
120
Mandoline, Piano (duo)
79
2 Guitares (duo)
38
Ukulele
32
Paroles et Accords
23
Basse electrique
15
Guitare (partie séparée)
12
4 Guitares (Quatuor)
9
Guitare, Violon, Violoncelle (trio)
5
Mandoline
4
Dulcimer
2
3 Guitares (trio)
2
Guitare Pedal Steel
1
Banjo
1
2 Mandolines (duo)
1
2 Guitares et Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
2879
Chorale 2 parties
1865
Chorale 3 parties
1678
Voix duo, Piano
884
Chorale Unison
769
Voix seule
502
Chorale TTBB
376
Voix duo
313
Voix Soprano, Piano
298
Voix haute
283
Voix basse, Piano
193
Chorale SSAA
140
Voix moyenne, Piano
126
Voix Tenor, Piano
97
Chorale
87
Voix Alto, Piano
60
Voix Baryton, Piano
56
Voix Mezzo-Soprano, Piano
45
Voix Tenor
15
Voix Soprano
9
Chorale SSATTB
7
Soli, choeur mixte et accompagnement
6
Chorale SSAB, Piano
5
Chorale SSATB
5
Voix basse
5
Voix haute, Piano
4
Chorale SSAATTBB
4
Chorale SSAATB
3
Voix d'Enfants
3
Chorale SATTBB A Cappella
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
3901
Clarinette et Piano
2160
Hautbois, Piano (duo)
1859
Saxophone Alto et Piano
1790
Saxophone Tenor et Piano
1286
Saxophone Soprano et Piano
978
Clarinette
817
Saxophone Baryton, Piano
419
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
411
Quatuor de Saxophones: 4 saxophones
362
2 Saxophones (duo)
345
Flûte, Hautbois, Clarinette, Basson
342
Cor anglais, Piano
339
Flûte traversière
256
2 Flûtes traversières (duo)
233
2 Clarinettes (duo)
172
Quintette de Saxophone: 5 saxophones
168
Clarinette Basse, Piano
155
Quatuor de Clarinettes: 4 clarinettes
154
Flûte, Clarinette (duo)
126
Saxophone Alto
122
Saxophone (partie séparée)
103
2 Flûtes traversières, Piano
100
3 Saxophones (trio)
94
Flûte, Violon, Piano
79
Flûte à bec Soprano, Piano
76
Flûte à bec Alto, Piano
75
Quatuor de Flûtes : 4 flûtes
73
Flûte, Violoncelle, Piano (trio)
71
2 Hautbois (duo)
67
Saxophone
65
Flûte à bec Soprano
65
Flûte, Clarinette, Piano (trio)
60
3 Clarinettes (trio)
59
Flûte à Bec
58
Saxophone Tenor
58
2 Clarinettes, Piano
58
Flûte, Basson et Piano
56
Flûte et Guitare
56
Ensemble de Clarinettes
55
2 Saxophones, Piano
53
Hautbois (partie séparée)
50
Saxophone et Piano
49
Clarinette, Violon (duo)
48
Saxophone, Clarinette (duo)
44
Flûte à Bec, Piano
42
2 Flûte à bec (duo)
41
Flûte, Violon
40
Flûte à bec Alto
35
Hautbois
35
Piccolo, Piano
35
Clarinette, Guitare (duo)
35
Clarinette, Violoncelle, Piano (trio)
34
Trio de Flûtes: 3 flûtes
32
Quatuor de Flûtes à bec
30
Ensemble de Flûtes
29
Hautbois, Clarinette (duo)
29
Flûte à bec Tenor
28
Hautbois, Clarinette, Basson (trio d'anches)
26
Flûte, Hautbois, Piano (trio)
24
Ensemble de saxophones
23
Clarinette, Basson, Piano (trio)
23
Hautbois, Basson (duo)
22
Quintette de Clarinettes: 5 clarinettes
20
Clarinette, Trompette (duo)
20
3 Flûtes à bec (trio)
19
5 Flûtes à bec
19
Flûte, Hautbois (duo)
18
Piccolo
17
Flûte, Hautbois, Clarinette (trio)
17
Clarinette, Basson (duo)
16
Clarinette, Alto et Piano (trio)
15
Hautbois, Flûte
15
Flûte, Alto et Piano
14
Hautbois, Guitare (duo)
14
Clarinette et Alto
14
Ensemble De Flûte à bec
14
Clarinette (partie séparée)
14
Flûte, Saxophone (duo)
13
Flûte, Violon, Violoncelle et Piano
13
Flûte, Violoncelle
13
Cor Anglais
13
Flûte, Clarinette et Basson
13
Saxophone Soprano
12
Flûte, Alto (duo)
12
Harmonica, Piano
11
Hautbois, violon (duo)
11
Saxophone Baryton
10
Flûte, Trompette (duo)
10
Flûte, trombone et piano
10
Saxophone, Violon (duo)
9
Clarinette, trompette et piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte, Hautbois, Basson
9
Flûte, Trombone (duo)
8
Flûte irlandaise
8
Hautbois, Violon, Piano
8
Hautbois, Basson et Piano
7
Saxophone et Orgue
7
Flute (partie séparée)
6
Clarinette, Violoncelle (duo)
6
2 Flûtes à bec, Piano
5
Hautbois, Violoncelle et Piano
4
2 Clarinettes, Basson
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Clarinette et Piano (Trio)
3
2 Cors Anglais Et Pianoforte
3
Cor anglais, Guitare (duo)
3
Clarinette, Trombone (duo)
3
Hautbois, Violoncelle
3
Clarinette, Harpe (duo)
3
Harmonica
3
Clarinette Basse
2
Flûte traversière, Orgue (duo)
2
2 Hautbois, Piano
2
Clarinette, Orgue
2
Flûte, Guitare, Piano
2
Flûte, Violoncelle, Guitare
2
Flûte de Pan
2
Hautbois et Orchestre
1
3 Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Contrebasse (duo)
1
Ensemble de Hautbois
1
Ocarina
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Basse continue
1
Flûte traversière, Orchestre
1
Flûte à bec Alto, Basse continue
1
Saxophone et Guitare
1
Hautbois, Orgue
1
Flûte à bec, Guitare (duo)
1
Hautbois, Harpe
1
Instruments en Mib
1
Clarinette, Tuba
1
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CUIVRES
Trompette, Piano
1524
Trombone et Piano
1448
Cor et Piano
1092
Tuba et Piano
516
Trompette
438
Euphonium, Piano (duo)
355
Cor anglais, Piano
339
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
247
Quatuor de Cuivres: 2 trompettes, Cor, trombone
128
2 Trompettes (duo)
112
Trombone
111
2 Trombones (duo)
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
93
Quatuor de Cuivres
82
Tuba
67
2 Cors (duo)
63
Trompette, Trombone (duo)
58
Cor
57
Trompette, Cor (duo)
56
Trompette (partie séparée)
37
Tuba et Orgue
37
Trombone basse et Piano
35
Trompette, Saxophone (duo)
32
Trombone (partie séparée)
30
Euphonium
24
2 Trompettes, Clavier (piano ou orgue)
24
Trompette, Trombone, Piano
20
Quatuor de cuivres: 4 trombones
16
3 Trombones (trio)
15
Quatuor de cuivres: 4 cors
14
Cor Anglais
13
Trio de Cuivres
12
Trompette, violon (duo)
11
2 Tubas (duo)
10
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Cor (partie séparée)
9
2 Trombones, Piano
9
Trompette, Violoncelle et Piano
8
3 Trompettes (trio)
7
Tuba (partie séparée)
7
Ensemble de Trombones
7
Quatuor de cuivres: 4 trompettes
6
Trombone, Cor (duo)
5
4 Tubas
5
Euphonium, Tuba (duo)
5
Ensemble de Cors
4
2 Euphoniums (duo)
3
2 Cors Anglais Et Pianoforte
3
2 Cors, Piano
3
Cor anglais, Guitare (duo)
3
Ensemble de Trompettes
3
Trombone, Tuba (duo)
2
Cor, Violoncelle (duo)
2
3 Cors (trio)
2
Trombone, Orgue
2
Cor, Violoncelle et Piano
2
Cor, Tuba (duo)
2
3 Tubas (trio)
2
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
Instruments en Sib
1
Trompette, Euphonium (duo)
1
Cornet et Piano
1
Cor et Harpe
1
Trompette, Basson (duo)
1
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CORDES
Violon et Piano
4960
Violoncelle, Piano
3157
Alto, Piano
2266
Quatuor à cordes: 2 violons, alto, violoncelle
788
Contrebasse, Piano (duo)
470
Violon
434
Piano Trio: Violon, Alto, Piano
192
2 Violons (duo)
185
Quintette à cordes: 2 violons, alto, violoncelle, basse
177
Alto seul
139
2 Violoncelles (duo)
138
Violoncelle
136
Harpe
124
2 Altos (duo)
109
Violon, Violoncelle (duo)
104
Trio à Cordes: violon, alto, violoncelle
99
Violoncelle (partie séparée)
95
2 Violons, Piano
80
Violon, Alto (duo)
63
Contre Basse
51
Violon, Guitare (duo)
37
Alto, Violoncelle (duo)
32
Trio à Cordes: 2 violons, violoncelle
32
Violon (partie séparée)
31
2 Violoncelles, Piano
30
Alto (partie séparée)
26
4 Violoncelles
24
Violoncelle , Guitare (duo)
22
Violon, Clarinette, Piano (trio)
22
2 Altos, Piano
19
Contrebasse (partie séparée)
16
Trio à cordes: 3 violins
15
Harpe et Piano
15
Quatuor à cordes : 4 altos
13
Alto et Basson
12
Quatuor à cordes: 4 violons
12
2 Contrebasses (duo)
12
Trio à Cordes: 3 violoncelles
11
Alto, Guitare (duo)
11
Trio à Cordes: 2 violons, alto
10
Harpe, Flûte (duo)
10
Harpe, Violon (duo)
9
Trio à cordes: 3 altos
8
4 Contrebasses
8
2 Harpes (duo)
6
Violoncelle, Orgue
5
Violoncelle, Contrebasse (duo)
5
Violoncelle, Orchestre
4
Violon, Basse continue
4
Harpe et mandoline
4
Harpe, Voix
3
Violon, Basson (duo)
3
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Orgue
2
Alto et Harpe
2
Violon, Orgue
1
Violon, Trompette et Piano
1
Alto et orchestre
1
Harpe, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
664
Orchestre à Cordes
450
Orchestre d'harmonie
338
Ensemble Jazz
336
Orchestre de chambre
267
Cloches
192
Ensemble de cuivres
151
Jazz combo
96
Xylophone, Piano
37
Piano et Orchestre
27
Vibraphone
26
Marimba
25
Vibraphone (partie séparée)
24
Ensemble de Percussions
15
Percussion (partie séparée)
12
Marimba, Piano (duo)
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Batterie
7
Batterie (partie séparée)
7
Ensemble d'École
7
Xylophone
7
Fanfare
6
Orchestre, Violon
3
Percussion
2
Quintette de Cuivres: autres combinaisons
2
2 Marimbas
1
Big band
1
Quintette à Vent
1
2 Xylophones
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
45
Papeterie
1
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.44 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Feast of Love - Bass Clarinet/Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844548 Composed by Robert …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517805. Published by Phil Beaman (A0.844548). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.61 €
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Clarinette Basse, Piano
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Robert Franz
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Phil Beaman
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Feast of Love - Bass Clarinet/Piano
#
Phil Beaman
#
SheetMusicPlus
I Love You Truly-Bass clarinet/piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Be…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.53 €
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Clarinette Basse, Piano
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Phil Beaman
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I Love You Truly-Bass clarinet/piano
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Phil Beaman
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SheetMusicPlus
Schubert : Winterreise D.911 - 24.Der Leiermann (The Hurdy Gurdy Man), for Bass Clarinet and Piano
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 3 - Digital Download SKU: A0.9…
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 3 - Digital Download SKU: A0.914857 Composed by Franz Schubert. Arranged by Shimpei Kojima. Romantic Period. Score and parts. 4 pages. Shimpei Kojima #5362581. Published by Shimpei Kojima (A0.914857). Der Leiermann is the last song of Winterreise D.911 composed by Franz Schubert. This song is also known as the English song The hurdy gurdy man by Sting.
$2.99
2.76 €
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Clarinette Basse, Piano
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Franz Schubert
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Shimpei Kojima
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Schubert : Winterreise D.911 - 24.Der Leiermann
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Shimpei Kojima
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.67 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich …
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Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Technique Training, Recital. Score, Set of Parts. 16 pages. Published by jmsgu3
Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program.<br> <br> Pyotr Ilyich Tchaikovsky<br> Tchaikovsky is probably the most popular of thegreat composers in America. His music certainly appeals to musicians. Likewise,it appeals even to folks who don’t normally listen to serious music. This isprobably because of his most noteworthy melodies. Above all, he writes withgreat emotion. This certainly makes a most noteworthy if not an unforgettableimpact.<br> <br> Education<br> First of all, He attended classes at the RussianMusical Society. Even more, He also attended the St. PetersburgConservatory. There he studied music theory with Nikolai Zaremba. He alsoconsequently studied composition with Anton Rubenstein. It seems likeRubenstein came under criticism from a group of Russian composers known as “theFive.”<br> <br> The Five<br> The Five certainly rejected Western musicalinfluences. They rather sought to use elements from Russian music. Theyfurthermore wanted to use more exotic musical materials.<br> <br> Western Techniques<br> More than other Russian composers, Tchaikovskystudied modern Western music. He certainly develops his music like the Europeanmasters. So, rather than repeating a motive, he moves to a new key. He thenintroduces a different theme in the new key. Hence, he maintained hisindependence from “the Five.” Even more, he became the first Russian composerof international stature.<br> <br> Influences<br> Tchaikovsky was probably influenced in his balletscoring by Léo Delibes. Richard Wagner influenced his symphonic writing.Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite,and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies.The greatest of the six symphonies may be No. 6, the “Pathétique.”<br> <br> Swan Lake Op. 20<br> Tchaikovsky composed Swan Lake in 1875-76. To beginwith, most noteworthy the ballet failed to attract a positive reception. Overtime, however, the ballet became probably one of the most popular of all ofTchaikovsky’s works. The ballet was certainly first performed by the BolshoiBallet in Moscow.<br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
30.44 €
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
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SheetMusicPlus
The Brass Clarinet-bass clarinet/piano
Clarinette Basse, Piano
B-Flat Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.844892 Composed by …
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B-Flat Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986457. Published by Phil Beaman (A0.844892). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
6.46 €
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Clarinette Basse, Piano
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Phil Beaman
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The Brass Clarinet-bass clarinet/piano
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Phil Beaman
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.43 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549934 Composed by Modest …
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
30.44 €
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Clarinette Basse, Piano
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.05 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.05 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.05 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Romanze
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.45445 Composed by Abraha…
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Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.45445 Composed by Abraham Geifmann. Bass Clarinet & Piano. Score and parts. 6 pages. Duration 1'43. Editions Marc Reift - Digital #45445. Published by Editions Marc Reift - Digital (R0.45445).
$11.95
11.04 €
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Clarinette Basse, Piano
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Abraham Geifmann
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Romanze
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Editions Marc Reift - Digital
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.44 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. B…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.44 €
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Clarinette Basse, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.05 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.44 €
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Clarinette Basse, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Romance Op. 28 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.551767 Composed by Gabriel…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.551767 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Standards. Score and part. 30 pages. Jmsgu3 #5711905. Published by jmsgu3 (A0.551767). Gabriel Fauré Romance Op. 28. A Mademoisèlle ARMA HARKNESSDuration ca. 4:15, Score: 17 pages.Andantino molto moderatopiù mosso.
$32.95
30.44 €
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Clarinette Basse, Piano
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Romance Op. 28 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schumann: Abendlied for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549036 Composed by Robert …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549036 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,Standards. Score and part. 6 pages. Jmsgu3 #3448145. Published by jmsgu3 (A0.549036). Op. 85/12 Bass Clarinet: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
$26.95
24.9 €
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Clarinette Basse, Piano
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Robert Schumann
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James M
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Schumann: Abendlied for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
The Man I Love
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.46139 Composed by George…
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Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.46139 Composed by George Gershwin. Arranged by Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 7 pages. Duration 2'50. Editions Marc Reift - Digital #46139. Published by Editions Marc Reift - Digital (R0.46139).
$9.95
9.19 €
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Clarinette Basse, Piano
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George Gershwin
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Jirka Kadlec
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The Man I Love
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Editions Marc Reift - Digital
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SheetMusicPlus
Rocket Man (I Think It's Gonna Be A Long Long Time)
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.548134 By Elton John. By B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.548134 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214123. Published by jmsgu3 (A0.548134). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
49.84 €
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Clarinette Basse, Piano
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Elton John
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James M
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Rocket Man
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.44 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550184 Composed by Robert …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550184 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598337. Published by jmsgu3 (A0.550184). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
23.05 €
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Clarinette Basse, Piano
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
CPE BACH: Sonata in E Minor WQ124 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.551530 Composed by Carl Ph…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.551530 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5309577. Published by jmsgu3 (A0.551530). Sonata in E Minor, Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
23.05 €
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Clarinette Basse, Piano
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ124 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Telemann: Sonata in C Minor for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550752 Composed by Georg P…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550752 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 39 pages. Jmsgu3 #4802191. Published by jmsgu3 (A0.550752). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
30.44 €
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Clarinette Basse, Piano
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Georg Philipp Telemann
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James M
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Telemann: Sonata in C Minor for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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