Partitions Numériques de Presentation pour Clarinette Basse, Piano

Partitions numériques Accès après achat

Expédition postale Téléchargement

TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 1551

PIANO & CLAVIERS

Piano seul 628 Piano, Voix 550 Piano Facile 203 Piano, Voix et Guitare 134 Orgue 79

Instruments en Do 31 Piano Trio: piano, violon, violoncelle 28 1 Piano, 4 mains 14 2 Pianos, 4 mains 6 Clavecin 4 Accompagnement Piano 4 Clavier 4 Orgue, Trompette (duo) 3 Piano grosses notes 2 Orgue, Piano (duo) 2 Piano Quatuor: piano, 2 violons, violoncelle 2 Piano (partie séparée) 2 Piano Quatuor: piano, violon, alto, violoncelle 2 Piano Quintette: piano, 2 violons, alto, violoncelle 1 Accordéon 1 2 Pianos, 8 mains 1

Instrumentations suivantes

Retracter

GUITARES

Guitare 159 Guitare notes et tablatures 86 2 Guitares (duo) 24 Ukulele 12 Ligne De Mélodie, (Paroles) et Accords 7

Mandoline 7 Piano, Guitare (duo) 6 4 Guitares (Quatuor) 6 Dulcimer 5 Guitare (partie séparée) 5 Basse electrique 3 Banjo 3 2 Ukuleles 2 Ensemble de guitares 2 Ukulele Baryton 1 Dobro 1

Instrumentations suivantes

Retracter

VOIX

Chorale SATB 404 Chorale 3 parties 75 Chorale TTBB 46 Chorale Unison 44 Chorale 2 parties 43

Voix Soprano, Piano 30 Voix haute 26 Voix Tenor, Piano 21 Voix duo, Piano 21 Voix Baryton, Piano 20 Voix Alto, Piano 18 Chorale SSAA 17 Voix duo 7 Voix seule 5 Voix basse 5 Voix Tenor 4 Voix moyenne, Piano 3 Chorale 3 Voix basse, Piano 2 Voix Soprano 2 Soli, choeur mixte et accompagnement 1 Chorale SSAATTBB 1

Instrumentations suivantes

Retracter

VENTS

2 Saxophones (duo) 240 Quatuor de Saxophones: 4 saxophones 186 Flûte traversière et Piano 138 Quintette de Saxophone: 5 saxophones 131 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 123 Clarinette et Piano 120 Flûte traversière 118 Hautbois, Piano (duo) 117 Flûte, Hautbois, Clarinette, Basson 110 Saxophone Alto et Piano 100 Clarinette 98 Saxophone Alto 85 Saxophone Tenor et Piano 81 2 Clarinettes (duo) 80 Saxophone (partie séparée) 78 2 Flûtes traversières (duo) 78 3 Saxophones (trio) 74 Saxophone Tenor 68 Saxophone Soprano et Piano 65 Saxophone Baryton, Piano 64 Hautbois (partie séparée) 56 2 Flûte à bec (duo) 55 2 Hautbois (duo) 53 Quatuor de Clarinettes: 4 clarinettes 49 Flûte à Bec 42 Flûte, Clarinette (duo) 37 Saxophone, Clarinette (duo) 36 Quatuor de Flûtes : 4 flûtes 36 Hautbois 33 Saxophone Baryton 30 Saxophone Soprano 28 Hautbois, Basson (duo) 24 Clarinette, Violon (duo) 24 Flûte à bec Soprano 24 Hautbois, Clarinette (duo) 24 Ensemble de Clarinettes 24 Ensemble de saxophones 23 Hautbois, Clarinette, Basson (trio d'anches) 22 Flûte, Hautbois, Clarinette (trio) 22 Cor anglais, Piano 21 Quatuor de Flûtes à bec 21 Quintette de Clarinettes: 5 clarinettes 20 Clarinette, Basson (duo) 19 Clarinette, Trompette (duo) 18 5 Flûtes à bec 17 Trio de Flûtes: 3 flûtes 16 Flûte, Violon 15 Flûte à bec Alto 15 Flûte, Violon, Piano 14 Hautbois, Flûte 13 Flûte, Saxophone (duo) 13 3 Clarinettes (trio) 13 Flûte à bec Tenor 13 Quintette de Flûte : 5 flûtes 13 Flûte, Trompette (duo) 12 Flûte, Alto (duo) 11 Cor Anglais 10 Piccolo, Piano 10 Ensemble de Flûtes 10 3 Flûtes à bec (trio) 9 Flûte à bec Alto, Piano 9 Flûte, Hautbois (duo) 9 Ensemble De Flûte à bec 9 Clarinette et Alto 9 Piccolo 8 Harmonica 8 Flûte, Hautbois, Piano (trio) 6 Flûte, Hautbois, Basson 5 Clarinette Basse, Piano 5

Flûte et Guitare 4 Flûte, Violoncelle 4 Flûte à Bec, Piano 4 Clarinette (partie séparée) 4 Flute (partie séparée) 3 2 Saxophones, Piano 2 Flûte, Clarinette et Basson 2 4 Hautbois 2 Hautbois, Basson et Piano 2 Clarinette, Violoncelle (duo) 2 Flûte, Violoncelle, Piano (trio) 2 2 Clarinettes, Piano 1 Flûte, Clarinette, Piano (trio) 1 2 Hautbois, Piano 1 Flûte, Violon et Violoncelle 1 Hautbois, Violoncelle 1 Clarinette, Violoncelle, Piano (trio) 1 Hautbois, Clarinette et Piano (Trio) 1 Instruments en Mib 1 Flûte irlandaise 1 Flûte, Harpe et Violoncelle 1 Flûte à bec Soprano, Piano 1

Instrumentations suivantes

Retracter

CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 171 Trombone et Piano 124 Trompette, Piano 114 Trompette 112 Tuba et Piano 82

Cor et Piano 82 Quatuor de Cuivres: 2 trompettes, Cor, trombone 74 Trombone 74 Cor 71 2 Trombones (duo) 63 Tuba 60 2 Trompettes (duo) 56 Quatuor de Cuivres : 2 trompettes, trombone, tuba 47 2 Cors (duo) 45 Trompette, Trombone (duo) 41 Trompette, Saxophone (duo) 28 Quatuor de cuivres: 4 trombones 23 Cor anglais, Piano 21 Trombone (partie séparée) 20 Trompette, Cor (duo) 17 Quatuor de cuivres: 4 trompettes 17 Quatuor de cuivres: 4 cors 16 2 Tubas (duo) 16 Trompette (partie séparée) 15 Euphonium, Piano (duo) 15 Quatuor de Cuivres 13 Ensemble de Trompettes 12 Ensemble de Cors 11 Trombone, Cor (duo) 11 Cor Anglais 10 3 Trombones (trio) 10 3 Trompettes (trio) 7 3 Tubas (trio) 7 Euphonium 7 4 Tubas 7 Trombone basse 6 Tuba et Orgue 6 Trombone, Tuba (duo) 6 Euphonium, Tuba (duo) 5 Ensemble de Trombones 5 Cor, Tuba (duo) 4 3 Cors (trio) 4 Trombone basse et Piano 4 Trio de Cuivres 3 Trompette, Tuba (duo) 3 Trompette, Violoncelle (duo) 2 Cor (partie séparée) 2 2 Euphoniums et 2 Tubas 2 Tuba (partie séparée) 1 3 Euphoniums 1 2 Euphoniums (duo) 1 Instruments en Sib 1 Trombone et orchestre 1

Instrumentations suivantes

Retracter

CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 250 Violon et Piano 166 Violon 130 Violoncelle, Piano 117 Alto, Piano 117

Violoncelle 97 Alto seul 77 2 Violons (duo) 74 Violon, Violoncelle (duo) 71 Quintette à cordes: 2 violons, alto, violoncelle, basse 64 2 Violoncelles (duo) 64 2 Altos (duo) 59 Contre Basse 56 Contrebasse, Piano (duo) 53 Trio à Cordes: violon, alto, violoncelle 50 Violon, Alto (duo) 36 Harpe 26 4 Violoncelles 22 Alto (partie séparée) 22 Alto, Violoncelle (duo) 18 Quatuor à cordes : 4 altos 17 Trio à Cordes: 3 violoncelles 14 Quatuor à cordes: 4 violons 14 Trio à cordes: 3 altos 12 Trio à cordes: 3 violins 11 Violon (partie séparée) 10 2 Contrebasses (duo) 10 Piano Trio: Violon, Alto, Piano 8 Violoncelle, Contrebasse (duo) 7 2 Harpes (duo) 6 Contrebasse (partie séparée) 5 Violon, Clarinette, Piano (trio) 3 Quintette à cordes : 2 violons, alto et 2 violoncelles 3 Trio à Cordes: 2 violons, violoncelle 3 Quintette à cordes: 2 violons, 2 altos, violoncelle 3 Ensemble de Violoncelles 2 4 Harpes 2 Harpe, Voix 2 3 Harpes 1 2 Altos, Piano 1 Violon, Guitare (duo) 1 Harpe, Trombone (duo) 1 Violon, Tuba (duo) 1 Violon, Orgue 1 Ensemble de Violons 1 Violoncelle (partie séparée) 1 Ensemble d'Altos 1 2 Violoncelles, Piano 1 Harpe, Flûte (duo) 1 Violoncelle, Basse continue 1

Instrumentations suivantes

Retracter

PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 709 Orchestre 105 Orchestre à Cordes 99 Fanfare 97 Cloches 64

Ensemble de cuivres 41 Orchestre de chambre 34 Ensemble Jazz 25 Jazz combo 11 Ensemble de Percussions 10 Xylophone, Piano 9 Percussion 8 Xylophone 8 Batterie 6 2 Xylophones 5 Batterie (partie séparée) 3 Caisse Claire 2 Vibraphone 2 Percussion (partie séparée) 2 Marimba 2 Orchestre, Violon 1 Instrumentation Flexible 1 Piano et Orchestre 1 Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 1

Instrumentations suivantes

Retracter

AUTRES

Vous avez sélectionné:

Presentation

Clarinette Basse, Piano

Partitions à imprimer

5 partitions trouvées

The Elephant

Clarinette Basse, Piano

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1265061 Composed by Camill…(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1265061 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857902. Published by Matthew Nunes Music (A0.1265061). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Nightâ€™s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.

$1.99 1.82 € #Clarinette Basse, Piano #Camille Saint-Saens #Matthew Nunes #The Elephant #Matthew Nunes Music #SheetMusicPlus

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano

Clarinette Basse, Piano

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

$32.95 30.19 € #Clarinette Basse, Piano #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano #jmsgu3 #SheetMusicPlus

Handel: Largo from Xerxes for Bass Clarinet & Piano

Clarinette Basse, Piano

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handelâ€™s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George FridericÂ Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the MessiahÂ in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. Â To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Â Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â

$32.95 30.19 € #Clarinette Basse, Piano #George Frideric Handel #James M #Handel: Largo from Xerxes for Bass Clarinet & Piano #jmsgu3 #SheetMusicPlus

Tchaikovsky: Overture from Nutcracker Suite for Bass Clarinet & Piano

Clarinette Basse, Piano

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549627 Composed by Peter I…(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549627 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515369. Published by jmsgu3 (A0.549627). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who donâ€™t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by LÃ©o Delibes. Richard Wagner influenced his symphonic writing. Tchaikovskyâ€™s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the PathÃ©tique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovskyâ€™s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â

$32.95 30.19 € #Clarinette Basse, Piano #Peter Ilyich Tchaikovsky #James M #Tchaikovsky: Overture from Nutcracker Suite for Bass Clarinet & Piano #jmsgu3 #SheetMusicPlus

Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano

Clarinette Basse, Piano

Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…(+)

Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!

Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.

Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).

In Quebec the song has been used for several decades in commercials for Sico paint.

In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.

This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.

In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.

The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.

Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.

$12.99 11.9 € #Clarinette Basse, Piano #The Andrews Sisters #Keith Terrett #Tico Tico #Music for all Occasions #SheetMusicPlus