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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
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CLARINETTE
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CORNEMUSE
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490
PIANO & CLAVIERS
Piano seul
422
Piano Facile
110
Piano, Voix
73
Piano, Voix et Guitare
47
Instruments en Do
22
Orgue
21
Accordéon
7
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
2
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2
Piano grosses notes
2
Orgue, Trompette (duo)
1
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1
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GUITARES
Guitare
72
Guitare notes et tablatures
31
Ligne De Mélodie, (Paroles) et Accords
14
2 Guitares (duo)
13
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6
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5
Dulcimer
4
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3
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2
Piano, Guitare (duo)
2
Basse electrique
2
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1
Mandoline
1
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VOIX
Chorale SATB
71
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18
Chorale TTBB
17
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17
Chorale SSAA
16
Chorale Unison
8
Voix duo
5
Voix Alto, Piano
2
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2
Voix seule
2
Voix duo, Piano
2
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
Voix basse, Piano
1
Chorale SSAATTBB
1
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VENTS
Quatuor de Saxophones: 4 saxophones
49
Saxophone (partie séparée)
47
Flûte traversière et Piano
44
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42
Clarinette
38
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34
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33
Clarinette et Piano
32
Hautbois (partie séparée)
30
Saxophone Alto et Piano
24
Saxophone Alto
23
Flûte, Hautbois, Clarinette, Basson
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Clarinette (partie séparée)
18
2 Saxophones (duo)
17
Flûte et Guitare
13
Saxophone Tenor et Piano
12
Ensemble de Clarinettes
11
Quatuor de Flûtes : 4 flûtes
10
3 Saxophones (trio)
10
2 Clarinettes (duo)
8
Saxophone Soprano et Piano
8
2 Flûtes traversières (duo)
8
Ensemble de saxophones
8
Ensemble de Flûtes
7
Flute (partie séparée)
5
Saxophone Baryton, Piano
5
Hautbois
5
3 Clarinettes (trio)
4
Quintette de Saxophone: 5 saxophones
4
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4
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4
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4
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3
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3
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3
Quintette de Clarinettes: 5 clarinettes
3
2 Hautbois (duo)
3
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3
Flûte, Violoncelle
3
2 Clarinettes, Basson
3
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2
3 Hautbois
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Guitare (duo)
2
2 Flûtes traversières, Piano
2
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2
Ensemble De Flûte à bec
2
Flûte, Clarinette (duo)
2
2 Saxophones, Piano
1
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1
Flûte traversière, Basse continue
1
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1
Flûte, Alto (duo)
1
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1
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Clarinette Basse
1
Hautbois, Violoncelle et Piano
1
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1
Hautbois, Violoncelle
1
Piccolo, Piano
1
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1
Saxophone Soprano
1
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1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
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1
Quintette de Flûte : 5 flûtes
1
2 Hautbois et Cor anglais
1
Saxophone Tenor
1
Flûte à bec Soprano, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trompette
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette, Piano
26
Cor et Piano
21
Trombone
19
Trombone et Piano
17
Trompette (partie séparée)
13
Cor
12
Tuba
9
Tuba et Piano
9
Trombone (partie séparée)
8
Cor (partie séparée)
8
Ensemble de Cors
7
2 Trompettes (duo)
5
Tuba (partie séparée)
5
Euphonium, Piano (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Piano
4
Euphonium
3
2 Trombones (duo)
3
2 Cors (duo)
3
Ensemble de Trombones
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Tuba (duo)
1
Trompette, Cor (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
217
Violon, Violoncelle (duo)
105
Violon
69
Trio à Cordes: 2 violons, violoncelle
67
Violoncelle (partie séparée)
57
Violon et Piano
57
Violoncelle, Piano
47
Trio à Cordes: violon, alto, violoncelle
26
Alto, Piano
25
Harpe
22
Violoncelle
20
Violon (partie séparée)
18
Violon, Alto (duo)
17
Alto (partie séparée)
16
Alto seul
14
2 Violoncelles (duo)
11
Contre Basse
10
2 Violons (duo)
10
Contrebasse (partie séparée)
9
Contrebasse, Piano (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
4
Alto, Violoncelle (duo)
4
2 Altos (duo)
4
4 Violoncelles
4
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Orchestre
2
Alto, Guitare (duo)
2
2 Violoncelles, Piano
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Orchestre
1
2 Contrebasses (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
Trio à cordes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
120
Orchestre
95
Orchestre à Cordes
49
Orchestre de chambre
42
Fanfare
32
Ensemble Jazz
22
Ensemble de cuivres
14
Batterie
10
Ensemble de Percussions
5
Percussion
4
Percussion (partie séparée)
3
Jazz combo
2
Timbales (partie séparée)
2
Quintette à Vent
2
Orchestre, Violon
1
Timbales
1
Piano et Orchestre
1
Xylophone
1
Vibraphone
1
Marimba
1
Orchestre Symphonique
1
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AUTRES
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Nuovo Cinema Paradiso
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1466558 Composed by Andrea…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1466558 Composed by Andrea Morricone and Ennio Morricone. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Wedding. Score and part. 6 pages. SCORE EDITIONS #1045120. Published by SCORE EDITIONS (A0.1466558). Ennio Morricone is celebrated for his extensive work in film music, spanning over 500 scores. Nuovo Cinema Paradiso is one of his most beloved scores, composed for the 1988 Italian film directed by Giuseppe Tornatore. The film is a nostalgic and heartwarming tribute to the power of cinema and its impact on a small Sicilian village and its inhabitants. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
5.48 €
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Clarinette Basse, Piano
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Andrea Morricone and Ennio Morricone
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Harry Walker
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Nuovo Cinema Paradiso
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SCORE EDITIONS
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SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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SheetMusicPlus
Cinema Paradiso "Love Theme" (for Bass Clarinet and Piano)
Clarinette Basse, Piano
By Ennio Morricone. Arranged by Harry Walker. Individual Part, Score. 7 pages. Publi…
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By Ennio Morricone. Arranged by Harry Walker. Individual Part, Score. 7 pages. Published by SCORE EDITIONS
$5.99
5.48 €
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Clarinette Basse, Piano
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Ennio Morricone
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Cinema Paradiso "Love Theme"
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SCORE EDITIONS
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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