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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
STan Piano
Sheetmusicplus
Non classifié
6 540
Piano & claviers
Piano seul
15 737
Piano, Voix et Guitare
6 988
Piano Facile
5 851
Piano, Voix
4 101
Piano grosses notes
3 564
Orgue
1 590
1 Piano, 4 mains
461
Accompagnement Piano
417
Instruments en Do
172
2 Pianos, 4 mains
163
Piano Trio: piano, violon, violoncelle
161
Piano (partie séparée)
148
Piano Quatuor: piano, violon, alto, violoncelle
92
Piano Quatuor: piano, 2 violons, violoncelle
67
Clavier
65
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
24
1 Piano, 6 mains
19
Accordéon
10
2 Pianos, 8 mains
8
Clavecin
5
Orgue, Trompette (duo)
2
Accordéon, Piano
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
844
Guitare
135
Guitare notes et tablatures
72
Piano, Guitare (duo)
61
Ukulele
45
2 Guitares (duo)
34
Paroles et Accords
14
Mandoline, Piano (duo)
11
Basse electrique
8
Guitare (partie séparée)
8
4 Guitares (Quatuor)
4
Guitare, Violon, Violoncelle (trio)
3
Banjo
3
Guitare Pedal Steel
2
Dulcimer
2
Ensemble de guitares
1
3 Guitares (trio)
1
2 Ukuleles
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 005
Chorale 2 parties
940
Voix haute
679
Voix duo, Piano
626
Chorale 3 parties
515
Chorale Unison
408
Chorale TTBB
136
Voix Soprano, Piano
102
Voix duo
82
Pack Instrumental pour Chorale
73
Voix Alto, Piano
65
Chorale SSAA
54
Voix Tenor, Piano
51
Voix moyenne, Piano
46
Voix Baryton, Piano
34
Voix basse, Piano
33
Voix seule
16
Voix Tenor
9
Voix basse
5
Voix Mezzo-Soprano, Piano
5
Chorale
5
Voix haute, Piano
2
Voix Soprano
2
Chorale SSAB, Piano
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 578
Clarinette et Piano
1 261
Saxophone Alto et Piano
1 001
Hautbois, Piano (duo)
964
Saxophone Tenor et Piano
784
Saxophone Soprano et Piano
620
2 Saxophones (duo)
278
Saxophone Baryton, Piano
266
Flûte, Hautbois, Clarinette, Basson
245
Quatuor de Saxophones: 4 saxophones
245
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
242
Cor anglais, Piano
194
Clarinette
184
2 Flûtes traversières (duo)
114
Flûte, Clarinette (duo)
113
Clarinette Basse, Piano
105
2 Clarinettes (duo)
104
Flûte, Violon, Piano
86
Flûte irlandaise
80
Flûte traversière
76
Quintette de Saxophone: 5 saxophones
72
Quatuor de Clarinettes: 4 clarinettes
55
Saxophone (partie séparée)
49
Saxophone Alto
47
Ensemble de Clarinettes
43
3 Saxophones (trio)
36
2 Hautbois (duo)
34
3 Clarinettes (trio)
34
Flûte à bec Soprano
32
2 Saxophones, Piano
30
Hautbois (partie séparée)
30
2 Clarinettes, Piano
28
Flûte et Guitare
28
Ensemble de Flûtes
28
Saxophone Tenor
28
Quatuor de Flûtes : 4 flûtes
26
Clarinette, Violon (duo)
21
Trio de Flûtes: 3 flûtes
21
Flûte à bec Soprano, Piano
20
Flûte, Violoncelle, Piano (trio)
20
Flûte à Bec
20
2 Flûtes traversières, Piano
19
Flûte, Basson et Piano
19
Saxophone, Clarinette (duo)
17
Flûte, Clarinette, Piano (trio)
16
2 Flûte à bec (duo)
15
Clarinette, Basson (duo)
15
Cor Anglais
15
Clarinette, Guitare (duo)
15
Flûte, Violon, Violoncelle et Piano
14
Flûte, Violon
14
Hautbois, Basson (duo)
14
Ensemble De Flûte à bec
13
Hautbois, Clarinette (duo)
13
Hautbois, Guitare (duo)
12
Flûte à bec Alto, Piano
12
Clarinette et Alto
12
Clarinette, Violoncelle, Piano (trio)
12
Quintette de Clarinettes: 5 clarinettes
11
Clarinette, Alto et Piano (trio)
11
Flûte, Violoncelle
11
Flûte, Hautbois, Clarinette (trio)
11
Clarinette, Violoncelle (duo)
11
Piccolo, Piano
10
Hautbois
10
Harmonica, Piano
9
Clarinette, Trompette (duo)
9
Flûte, Clarinette et Basson
9
Clarinette, Basson, Piano (trio)
9
Quatuor de Flûtes à bec
8
Flûte à bec Alto
8
Ensemble de saxophones
7
Flûte, Saxophone (duo)
7
Flûte, Alto et Piano
7
Clarinette, Trombone (duo)
7
Flûte, Trombone (duo)
7
Hautbois, Violoncelle
6
Hautbois, Flûte
6
Flûte, Trompette (duo)
6
Flûte, Hautbois (duo)
6
Flûte, Alto (duo)
6
Flûte, Clarinette, Cor, Basson (Quartet)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois, Piano (trio)
5
Saxophone Soprano
4
Saxophone et Orgue
4
Flûte, Clarinette, Violon (trio)
3
Saxophone et Piano
3
Flûte à bec Tenor
3
Hautbois, Violon, Piano
3
Flute, harpe et violon
3
Hautbois, violon (duo)
3
Quintette de Flûte : 5 flûtes
3
2 Flûtes à bec, Piano
2
Saxophone Baryton
2
Flûte, trombone et piano
2
2 Clarinettes, Basson
2
Flute (partie séparée)
2
Piccolo
2
Flûte, Hautbois, Basson
2
Hautbois, Harpe
2
Hautbois et alto (duo)
2
Harmonica
2
Hautbois, Basson et Piano
2
2 Hautbois, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Tuba
1
Clarinette, trompette et piano
1
Saxophone
1
Hautbois, Violoncelle et Piano
1
Cornemuse
1
Clarinette, Orgue
1
3 Flûtes à bec (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble à vent
1
Saxophone, Violon (duo)
1
Clarinette Basse
1
Ocarina
1
Flûte traversière, Basse continue
1
+ 117 instrumentations
Retracter
Cuivres
Trompette, Piano
743
Trombone et Piano
645
Cor et Piano
522
Trompette
201
Cor anglais, Piano
194
Euphonium, Piano (duo)
193
Tuba et Piano
183
Quatuor de Cuivres: 2 trompettes, Cor, trombone
117
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
114
2 Trompettes (duo)
110
2 Trombones (duo)
107
Trompette, Cor (duo)
80
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trombone
58
Quatuor de Cuivres
50
2 Cors (duo)
48
Tuba et Orgue
30
Trompette, Trombone (duo)
29
Trompette (partie séparée)
25
Quatuor de cuivres: 2 trompettes, 2 trombones
25
Tuba
23
Cor
22
Trombone (partie séparée)
18
Cor Anglais
15
Trompette, Saxophone (duo)
10
2 Trompettes, Clavier (piano ou orgue)
9
Euphonium
9
3 Trombones (trio)
8
Quatuor de cuivres: 4 cors
8
Trombone basse et Piano
7
Trompette, Violoncelle et Piano
6
Ensemble de Trombones
6
Quatuor de cuivres: 4 trombones
6
Trompette, Trombone, Piano
4
Trombone, Violon (duo)
4
2 Tubas (duo)
4
Cor, Tuba (duo)
3
3 Trompettes (trio)
3
Cor, Violoncelle (duo)
3
Trio de Cuivres
3
Trompette, violon (duo)
3
2 Cors, Piano
3
Cornet et Piano
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
2
Trompette, Tuba (duo)
2
2 Euphoniums (duo)
2
Tuba (partie séparée)
2
Trombone, violoncelle (duo)
2
Cor (partie séparée)
2
Trompette, Euphonium (duo)
1
3 Cors (trio)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Basson (duo)
1
Ensemble de Trompettes
1
2 Trombones, Piano
1
2 Cors Anglais Et Pianoforte
1
4 Tubas
1
Trombone, Orgue
1
+ 55 instrumentations
Retracter
Cordes
Violon et Piano
2 044
Violoncelle, Piano
1 204
Alto, Piano
1 106
Quatuor à cordes: 2 violons, alto, violoncelle
488
Contrebasse, Piano (duo)
191
Violon
160
Piano Trio: Violon, Alto, Piano
111
2 Violoncelles (duo)
109
Quintette à cordes: 2 violons, alto, violoncelle, basse
88
2 Violons (duo)
85
Violon, Violoncelle (duo)
81
Violoncelle
72
Violon, Alto (duo)
66
Trio à Cordes: violon, alto, violoncelle
58
Harpe
55
2 Altos (duo)
43
Alto seul
41
Contre Basse
19
Alto (partie séparée)
17
Violoncelle , Guitare (duo)
16
Alto, Violoncelle (duo)
15
Trio à Cordes: 2 violons, violoncelle
15
2 Violons, Piano
14
Violon (partie séparée)
12
Alto, Guitare (duo)
11
Violoncelle, Contrebasse (duo)
9
Trio à cordes: 3 violins
8
Trio à Cordes: 2 violons, alto
7
Contrebasse (partie séparée)
7
Harpe, Flûte (duo)
6
4 Violoncelles
6
Trio à Cordes: 3 violoncelles
5
Violon, Basson (duo)
5
Violon, Guitare (duo)
5
2 Violoncelles, Piano
5
Quatuor à cordes: 4 violons
5
Alto et Basson
5
Violon, Clarinette, Piano (trio)
5
2 Contrebasses (duo)
4
4 Contrebasses
4
Flûte, Contrebasse (duo)
3
2 Altos, Piano
2
Violon, Trompette et Piano
2
Harpe, Violon, Violoncelle
2
Harpe, Violoncelle (duo)
2
Violon, Tuba (duo)
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle (partie séparée)
2
Alto, Orgue
2
2 Harpes (duo)
2
Violoncelle, Orgue
2
Alto et orchestre
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Basse continue
1
Alto et Harpe
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
629
Orchestre d'harmonie
291
Orchestre
226
Orchestre à Cordes
218
Jazz combo
165
Orchestre de chambre
163
Ensemble de cuivres
112
Cloches
75
Xylophone, Piano
23
Fanfare
23
Ensemble de Percussions
13
Marimba
10
Piano et Orchestre
10
Ensemble d'École
7
Batterie (partie séparée)
5
Xylophone
4
Batterie
3
Marimba, Piano (duo)
3
Big band
2
Vibraphone
2
Quintette à Vent
1
Instrumentation Flexible
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Percussion (partie séparée)
1
+ 19 instrumentations
Retracter
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Instruments
ACCORDEON
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AUTRES INST…
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BASSE
BASSON
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
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PIANO
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105 partitions trouvées
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101
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Roadside Inn - Schumann- Bass Clarinet-Piano
#
Clarinette Basse, Piano
#
FACILE
#
Robert Schumann
#
Phil Beaman
#
Roadside Inn - Schumann- Bass
#
Phil Beaman
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Sco...
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B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489041. Published by Phil Beaman (A0.844508). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
Vivaldi: Spring from the Four Seasons for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
AVANCÉ
#
Classique
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: Spring from the Four
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 5 - SKU: A0.551348 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding...
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Bass Clarinet,Piano - Level 5 - SKU: A0.551348 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #5026565. Published by jmsgu3 (A0.551348). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95
Vivaldi: The Four Seasons Complete for Bass Clarinet & Piano
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Clarinette Basse, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Op
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 5 - SKU: A0.551429 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards...
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Bass Clarinet,Piano - Level 5 - SKU: A0.551429 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 191 pages. Jmsgu3 #5204961. Published by jmsgu3 (A0.551429). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
Standing in the Need of Prayer, Gospel Hymn for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Standing in the Need of Prayer
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593235 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593235 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6417967. Published by David McKeown (A0.593235). Standing in the Need of Prayer is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Standing in the Need of Prayer was first published in 1925 in a collection of spirituals but its nineteenth century origins are obscure.
$2.49
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Stand Up, Stand Up for Jesus, Gospel Hymn for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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George Duffield Jr
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David McKeown
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Stand Up, Stand Up for Jesus,
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593210 Composed by George Duffield Jr. Arranged by David McKeown. Praise & Worship,Sacred,Spiritu...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593210 Composed by George Duffield Jr. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417809. Published by David McKeown (A0.593210). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
Ständchen from Schwanengesang for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Franz Schubert
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Erin Miesner
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Ständchen from Schwanenge
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Erin Miesner
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.812160 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Romantic Pe...
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Bass Clarinet,Piano - Level 2 - SKU: A0.812160 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Romantic Period,Sacred. Score and part. 7 pages. Erin Miesner #3019835. Published by Erin Miesner (A0.812160). This transcription from one of Franz Schubert's final song cycles, Schwanengesang, translates easily from voice to bass clarinet. Ständchen is perfect for musicians from early intermediate ability and beyond and will work especially well as a church prelude or recital filler.Includes 4-pg. piano score and Bass Clarinet partFor other arrangements and more information, go to www.ehmpublishing.com.
$11.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Vivaldi: Sonata No. 4 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550479 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sco...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550479 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641523. Published by jmsgu3 (A0.550479). Sonata da Chiesa No. 4 in Bb Major for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550427 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550427 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4632981. Published by jmsgu3 (A0.550427). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550453 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sco...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550453 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638405. Published by jmsgu3 (A0.550453). Sonata da Chiesa No. 3 in A Minor for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Clair de Lune (Debussy) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1469399 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Ro...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1469399 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047419. Published by SCORE EDITIONS (A0.1469399). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Just A Closer Walk With Thee, Gospel Hymn for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Just A Closer Walk With Thee,
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592885 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592885 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413283. Published by David McKeown (A0.592885). Just a Closer Walk With Thee is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.Little is known of the origins of Just a Closer Walk With Thee, other than it was sung in African-American churches in the nineteenth century. National religious conventions in the 1930s gave the hymn a wider audience. Many versions were recorded in the 1940s and Just a Closer Walk With Thee was quickly adopted as a standard by the New Orleans Jazz revival.
$2.49
O When the Saints, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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O When the Saints, Gospel Song
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593108 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593108 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6416325. Published by David McKeown (A0.593108). O When the Saints is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.The origins of O When the Saints are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck Berry.
$2.49
The Spooky Castle! for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Halloween
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David Burndrett
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The Spooky Castle! for Bass Cl
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David Burndrett
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.1190191 Composed by David Burndrett. Contemporary,Halloween. Score and part. 8 pages. David Burndrett #789801. P...
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Bass Clarinet,Piano - Level 2 - SKU: A0.1190191 Composed by David Burndrett. Contemporary,Halloween. Score and part. 8 pages. David Burndrett #789801. Published by David Burndrett (A0.1190191). This works well as a concert piece or just for fun!It is about grade three standard and upwards.Download includes the score and both of the parts.
$4.95
Vivaldi: Sonata No. 1 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550404 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and par...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550404 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628821. Published by jmsgu3 (A0.550404). Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Saint-Saens: The Swan for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549107 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruction...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549107 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452239. Published by jmsgu3 (A0.549107). BASS CLARINET & PIANO Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$38.95
MARMOTTE by Beethoven - transcription for Clarinet and Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ivan Marini
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MARMOTTE by Beethoven - transc
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www.dalsegno.eu
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SheetMusicPlus
B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - SKU: A0.1086058 Composed by Ludwig van Beethoven. Arranged by Ivan Marini. Children,Classical,Instructio...
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B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - SKU: A0.1086058 Composed by Ludwig van Beethoven. Arranged by Ivan Marini. Children,Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Www.dalsegno.eu #690252. Published by www.dalsegno.eu (A0.1086058). Transcription of this famous Beethoven's Lied (op. 52 n. 7) for solo and Piano.Ideal for every young player: for classes, concerts recitals...Complete set of piano and two solo parts (both over the break and in the mid-range), with free backing track on YouTube.Duration ca. 1'', 3 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
Bohm: Calm as the Night for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Ba
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549410 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Sco...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549410 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493691. Published by jmsgu3 (A0.549410). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
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