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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
SYMPHONY
Sheetmusicplus
Non classifié
1 587
Piano & claviers
Piano seul
710
Piano Facile
348
Orgue
126
1 Piano, 4 mains
59
Piano, Voix et Guitare
50
Piano, Voix
35
Accompagnement Piano
34
Instruments en Do
29
2 Pianos, 4 mains
17
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Piano Trio: piano, violon, violoncelle
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano (partie séparée)
6
Piano grosses notes
5
Orgue, Trompette (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon, Piano
4
1 Piano, 6 mains
4
Accordéon
4
Clavecin
1
Ensemble de Pianos
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
65
Guitare
38
Ligne De Mélodie, (Paroles) et Accords
12
2 Guitares (duo)
11
Basse electrique
8
Piano, Guitare (duo)
7
Ukulele
6
4 Guitares (Quatuor)
5
Guitare (partie séparée)
4
Mandoline
3
2 Ukuleles
2
Guitare, Violon, Violoncelle (trio)
2
Ensemble de guitares
2
Banjo
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
119
Pack Instrumental pour Chorale
79
Chorale 3 parties
36
Chorale 2 parties
23
Chorale SSAA
19
Chorale TTBB
19
Chorale Unison
10
Voix duo
4
Voix Soprano, Piano
3
Soli, choeur mixte et accompagnement
3
Voix duo, Piano
3
Chorale SSAB a cappella
2
Chorale SSATB
1
Voix Alto, Piano
1
Voix basse, Piano
1
Chorale
1
Voix Baryton, Piano
1
+ 12 instrumentations
Retracter
Vents
Clarinette (partie séparée)
280
Saxophone (partie séparée)
171
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
114
Hautbois (partie séparée)
107
Flûte traversière et Piano
103
Clarinette
97
Flute (partie séparée)
96
Quatuor de Saxophones: 4 saxophones
89
Clarinette et Piano
75
Flûte traversière
74
2 Saxophones (duo)
72
Flûte, Hautbois, Clarinette, Basson
69
2 Flûtes traversières (duo)
64
Saxophone Alto et Piano
57
Quatuor de Clarinettes: 4 clarinettes
53
Hautbois, Piano (duo)
52
Quintette de Saxophone: 5 saxophones
50
2 Clarinettes (duo)
44
Ensemble de saxophones
42
Ensemble de Clarinettes
39
Quatuor de Flûtes : 4 flûtes
39
Saxophone Alto
38
Saxophone Soprano et Piano
35
3 Saxophones (trio)
33
Saxophone Tenor
32
Saxophone Tenor et Piano
32
Flûte, Clarinette (duo)
25
3 Clarinettes (trio)
25
Hautbois
24
Ensemble de Flûtes
20
Quintette de Clarinettes: 5 clarinettes
19
Trio de Flûtes: 3 flûtes
17
2 Hautbois (duo)
16
Saxophone Baryton, Piano
14
Cor anglais, Piano
13
Flûte et Guitare
13
2 Flûte à bec (duo)
11
Quintette de Flûte : 5 flûtes
10
Flûte à Bec
9
Clarinette Basse
9
Clarinette, Basson (duo)
9
Flûte à bec Alto
9
Piccolo
9
Flûte, Violon
8
Quatuor de Flûtes à bec
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Hautbois, Basson (duo)
8
Clarinette, Guitare (duo)
7
Hautbois, Flûte
6
Flûte à bec Soprano
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Clarinette et Basson
6
Clarinette Basse, Piano
6
3 Flûtes à bec (trio)
6
Clarinette, Violon (duo)
5
Flûte, Trompette (duo)
5
Hautbois, violon (duo)
4
Hautbois, Clarinette (duo)
4
5 Flûtes à bec
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Saxophone Soprano
4
Cor Anglais
4
Flûte, Violoncelle
4
Flûte, Hautbois (duo)
3
Flûte, Trombone (duo)
2
Hautbois, Guitare (duo)
2
2 Saxophones, Piano
2
3 Hautbois
2
Saxophone et Guitare
2
4 Hautbois
2
Saxophone et Harpe
2
Ensemble de Hautbois
2
Flûte, Saxophone (duo)
1
Ensemble De Flûte à bec
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Basson et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Violon, Piano
1
Hautbois, Harpe
1
Flûte, Hautbois, Basson
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte à bec Tenor
1
Hautbois, Violoncelle
1
Ensemble à vent
1
2 Flûtes traversières, Piano
1
Saxophone, Violon (duo)
1
Saxophone
1
Flûte à Bec, Piano
1
Piccolo, Piano
1
+ 88 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
239
Trompette (partie séparée)
217
Cor
210
Cor (partie séparée)
128
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
114
Trompette
112
Tuba (partie séparée)
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Trompette, Piano
60
Trombone et Piano
60
Trombone
54
Cor et Piano
42
Quatuor de cuivres: 4 trombones
31
2 Trompettes (duo)
31
Ensemble de Trombones
27
Trompette, Trombone (duo)
22
2 Trombones (duo)
21
Tuba
21
2 Cors (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Quatuor de Cuivres
16
Quatuor de cuivres: 4 cors
15
Cor anglais, Piano
13
Trompette, Cor (duo)
13
Ensemble de Cors
12
Euphonium, Piano (duo)
11
4 Tubas
10
Tuba et Piano
10
Cornet A Pistons
9
Tuba et Orgue
9
3 Trombones (trio)
8
3 Cors (trio)
7
3 Trompettes (trio)
7
Ensemble de Trompettes
7
2 Euphoniums et 2 Tubas
6
Trombone basse et Piano
5
2 Tubas (duo)
5
3 Tubas (trio)
5
Euphonium, Tuba (duo)
4
Trombone, Cor (duo)
4
Cor Anglais
4
Quatuor de cuivres: 4 trompettes
4
Tuba ou Euphonium ou Saxhorn
3
Trombone basse
3
2 Euphoniums (duo)
3
Trombone et orchestre
3
Trio de Cuivres
3
Ensemble de Tubas
2
Trombone, Orgue
2
Bass Clef Instruments
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Saxophone (duo)
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Trompette, violon (duo)
1
Trompette, Violoncelle (duo)
1
Cor, Tuba (duo)
1
Trombone, Tuba (duo)
1
Euphonium
1
+ 55 instrumentations
Retracter
Cordes
Violon (partie séparée)
294
Quatuor à cordes: 2 violons, alto, violoncelle
267
Violon et Piano
146
Violon
117
Alto seul
104
Contrebasse (partie séparée)
99
Violoncelle, Piano
82
Violoncelle (partie séparée)
81
Violoncelle
74
Alto, Piano
55
Alto (partie séparée)
52
Violon, Violoncelle (duo)
52
2 Violons (duo)
43
Trio à Cordes: violon, alto, violoncelle
42
Contre Basse
30
2 Violoncelles (duo)
30
Harpe
28
Violon, Alto (duo)
27
4 Violoncelles
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
2 Altos (duo)
19
Trio à Cordes: 2 violons, violoncelle
16
Contrebasse, Piano (duo)
14
Trio à cordes: 3 violins
13
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes: 4 violons
11
Alto, Violoncelle (duo)
11
Quatuor à cordes : 4 altos
9
Trio à cordes: 3 altos
8
2 Harpes (duo)
7
Alto, Guitare (duo)
5
2 Contrebasses (duo)
5
Violon, Guitare (duo)
5
Flûte, Contrebasse (duo)
5
Piano Trio: Violon, Alto, Piano
5
Trio à Cordes: 2 violons, alto
3
Trio à cordes
3
Violoncelle , Guitare (duo)
3
Ensemble de Violoncelles
3
Violoncelle, Contrebasse (duo)
3
Harpe, Violon (duo)
2
Ensemble de Violons
2
2 Violoncelles, Piano
1
Alto et orchestre
1
Violon, Basson (duo)
1
4 Contrebasses
1
Harpe, Quatuor à cordes
1
Violon, Orgue
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Harpe, Flûte (duo)
1
Harpe, Violoncelle (duo)
1
3 Contrebasses
1
2 Violons, Piano
1
Harpe, Orchestre
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre
1 374
Orchestre d'harmonie
687
Orchestre à Cordes
406
Orchestre de chambre
157
Percussion (partie séparée)
85
Ensemble de cuivres
74
Timbales (partie séparée)
58
Ensemble Jazz
24
Cloches
24
Ensemble de Percussions
21
Percussion
19
Fanfare
11
Batterie (partie séparée)
8
Timbales
8
Instrumentation Flexible
3
Vibraphone
3
Xylophone
2
2 Xylophones
2
Orchestre, Violon
2
Xylophone, Piano
1
Piano et Orchestre
1
Caisse Claire
1
Orchestre Symphonique
1
Batterie
1
Marimba
1
Vibraphone (partie séparée)
1
Voix et Orchestre
1
Quintette à Vent
1
+ 23 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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CHANT - CHO…
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CLARINETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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1
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.38 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
#
Clarinette Basse, Piano
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.61 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.85 €
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Suite for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.1269385 Composed by David …
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Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.1269385 Composed by David Garner. 21st Century,Chamber,Contemporary,Jazz. Score and part. 65 pages. David Garner Music #861904. Published by David Garner Music (A0.1269385). The Suite for Bass Clarinet and Piano is a five-movement work emulative of the Baroque dance suites, except that the dances are 20th Century popular dances! The movements are:1. Charleston Noir2. Blue Draggin'3. Lindy: Unswung Hero4. Beau D'Idli5. Retro FunkThe duration of the whole suite is about 17 minutes. It was commissioned by San Francisco Symphony Bass Clarinettist Jerome Simas. A prelimiary recording by him and pianist Dale Tsang is on my YouTube Channel
$75.00
69.14 €
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Clarinette Basse, Piano
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David Garner
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Suite for Bass Clarinet and Piano
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David Garner Music
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SheetMusicPlus
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