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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sim\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
8 924
Piano & claviers
Piano seul
6 978
Piano Facile
5 468
Piano grosses notes
3 327
Piano, Voix
2 388
Piano, Voix et Guitare
2 323
Orgue
1 905
Instruments en Do
1 246
1 Piano, 4 mains
207
Accordéon
167
2 Pianos, 4 mains
159
Accompagnement Piano
109
Piano Trio: piano, violon, violoncelle
77
Clavier
64
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano (partie séparée)
27
Clavecin
23
Piano Quatuor: piano, 2 violons, violoncelle
23
Orgue, Piano (duo)
11
Piano Quintette: piano, 2 violons, alto, violoncelle
10
1 Piano, 6 mains
6
Orgue, Trompette (duo)
5
2 Pianos, 8 mains
4
Accordéon, Voix
3
Accordéon et Orchestre
2
2 Accordéons
1
Ensemble d'Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 166
Basse electrique
1 106
Guitare
864
Ukulele
490
Ligne De Mélodie, (Paroles) et Accords
456
Paroles et Accords
417
2 Guitares (duo)
127
Guitare (partie séparée)
50
Dulcimer
34
Mandoline
29
4 Guitares (Quatuor)
29
Banjo
25
Piano, Guitare (duo)
21
Ensemble de guitares
20
3 Guitares (trio)
17
Ukulele Baryton
8
2 Ukuleles
3
Guitare Pedal Steel
3
Guitare, Violon, Violoncelle (trio)
2
Basse électrique (partie séparée)
2
Mandoline, Guitare (duo)
2
2 Dulcimers (duo)
2
Orchestre à Plectres
2
Cithare
1
2 Mandolines (duo)
1
3 Dulcimers (trio)
1
Guitare, Orchestre
1
+ 22 instrumentations
Retracter
Voix
Chorale SATB
2 698
Chorale 3 parties
1 085
Chorale 2 parties
759
Chorale TTBB
540
Chorale SSAA
343
Chorale Unison
331
Voix seule
134
Voix Soprano, Piano
117
Pack Instrumental pour Chorale
113
Chorale
98
Voix Alto, Piano
97
Voix duo, Piano
85
Voix Tenor, Piano
84
Voix duo
62
Voix haute
52
Voix Baryton, Piano
34
Voix basse, Piano
13
Voix moyenne, Piano
12
Chorale SSAATTBB
12
Voix Tenor
7
Voix Soprano
5
Voix, Guitare
4
Chorale SSAB, Piano
4
Chorale SSATB
3
Voix basse
2
Voix et basse continue
2
Chorale SSAATB
2
Chorale SSATTB
2
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale SATBB
1
+ 28 instrumentations
Retracter
Vents
Saxophone (partie séparée)
899
Flûte traversière
886
Clarinette
844
Saxophone Alto
709
2 Saxophones (duo)
678
Flûte traversière et Piano
623
Saxophone Tenor
580
Clarinette et Piano
533
Quatuor de Saxophones: 4 saxophones
517
Hautbois (partie séparée)
515
Hautbois, Piano (duo)
473
Saxophone
408
2 Flûtes traversières (duo)
391
Flûte, Hautbois, Clarinette, Basson
380
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
376
Saxophone Alto et Piano
373
2 Clarinettes (duo)
362
Flûte à bec Soprano
303
Ocarina
279
Saxophone Tenor et Piano
256
Quatuor de Clarinettes: 4 clarinettes
232
Flûte à bec Alto
210
Quintette de Saxophone: 5 saxophones
203
Saxophone Soprano et Piano
167
Saxophone, Clarinette (duo)
166
2 Hautbois (duo)
166
Flûte, Clarinette (duo)
164
Clarinette, Violon (duo)
163
3 Saxophones (trio)
143
Quatuor de Flûtes : 4 flûtes
135
Hautbois
124
Hautbois, Basson (duo)
123
Saxophone Baryton, Piano
119
Clarinette, Trompette (duo)
116
Hautbois, Clarinette (duo)
111
2 Flûte à bec (duo)
108
Clarinette et Alto
94
3 Clarinettes (trio)
91
Flûte, Alto (duo)
89
Ensemble de Clarinettes
87
Flûte et Guitare
87
Cor anglais, Piano
84
Flûte, Violon
82
Flûte à Bec
81
Trio de Flûtes: 3 flûtes
77
Cor Anglais
73
Ensemble de Flûtes
72
Ensemble de saxophones
67
Flûte, Saxophone (duo)
62
Clarinette Basse, Piano
62
Flûte, Violoncelle
60
Clarinette (partie séparée)
59
Hautbois, Flûte
57
Quintette de Clarinettes: 5 clarinettes
56
Flute (partie séparée)
56
Flûte, Trompette (duo)
52
Clarinette, Basson (duo)
52
Saxophone Soprano
51
Saxophone Baryton
47
Flûte à bec Alto, Piano
41
Flûte, Hautbois (duo)
38
Clarinette, Violoncelle (duo)
37
Flûte, Hautbois, Clarinette (trio)
36
Quatuor de Flûtes à bec
35
Hautbois, Violoncelle
33
Quintette de Flûte : 5 flûtes
33
Flûte, Clarinette et Basson
32
Clarinette, Guitare (duo)
29
Ensemble De Flûte à bec
29
Hautbois, violon (duo)
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Flûte, Hautbois, Basson
23
Hautbois et alto (duo)
23
Flûte, Violon, Piano
21
Harmonica
20
Flûte à bec Tenor
17
Saxophone et Guitare
17
Flûte, Trombone (duo)
16
Clarinette, Trombone (duo)
15
3 Flûtes à bec (trio)
14
Flûte à bec Soprano, Piano
13
Flûte, Tuba (duo)
13
Flûte, Clarinette, Violon (trio)
13
Hautbois, Guitare (duo)
12
Clarinette, Tuba
12
5 Flûtes à bec
12
Piccolo
11
Clarinette Basse
11
Flûte à Bec, Piano
9
Flûte, Violon, Violoncelle et Piano
9
Hautbois, trombone (duo)
9
Piccolo, Piano
9
Flûte, Hautbois, Piano (trio)
8
Flûte, Clarinette, Piano (trio)
8
2 Flûtes traversières, Piano
7
Instruments en Mib
7
Cor anglais, Guitare (duo)
7
Flûte, Violon et Violoncelle
7
4 Hautbois
6
Flûte, Basson et Piano
6
2 Clarinettes, Piano
6
Ensemble de Hautbois
5
3 Hautbois
5
Flûte, Alto et Piano
5
2 Saxophones, Piano
5
Flute, harpe et violon
5
Clarinette, Harpe (duo)
5
Flûte et Trio à cordes
4
Saxophone et Piano
4
Flûte, Harpe et Violoncelle
3
Flûte irlandaise
3
Saxophone et Orgue
3
Flûte, Hautbois, Violon
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Harpe
3
Hautbois, Basson et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone et Harpe
2
Clarinette, Contrebasse (duo)
2
Hautbois, Violon, Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Basson, Piano (trio)
2
Flûte traversière, Orgue (duo)
2
Hautbois, Trompette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes à bec, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Basson
1
Cornemuse
1
Ensemble à vent
1
Hautbois, Violoncelle et Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Orgue
1
Flûte, trombone et piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte de Pan
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
Hautbois, Orgue
1
2 Flûtes traversières, Harpe
1
2 Flûtes traversières, Guitare
1
+ 138 instrumentations
Retracter
Cuivres
Trompette
761
Trombone
698
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
430
Trompette, Piano
401
Cor
397
Trombone et Piano
350
Cor et Piano
311
Tuba
299
Quatuor de Cuivres : 2 trompettes, trombone, tuba
230
2 Trompettes (duo)
206
Trompette (partie séparée)
197
2 Trombones (duo)
184
Tuba et Piano
163
Quatuor de Cuivres
150
Trombone (partie séparée)
141
Euphonium
136
Trompette, Trombone (duo)
134
Trompette, Saxophone (duo)
121
2 Cors (duo)
93
Quatuor de Cuivres: 2 trompettes, Cor, trombone
92
Cor anglais, Piano
84
Cor Anglais
73
Quatuor de cuivres: 4 trombones
62
Euphonium, Piano (duo)
62
2 Tubas (duo)
45
Trompette, Cor (duo)
44
Cor (partie séparée)
41
Tuba (partie séparée)
40
Quatuor de cuivres: 4 cors
38
Tuba et Orgue
32
Quatuor de cuivres: 4 trompettes
24
Trompette, Tuba (duo)
20
3 Trombones (trio)
18
Trio de Cuivres
18
Ensemble de Trombones
18
4 Tubas
17
3 Trompettes (trio)
13
Ensemble de Cors
13
Trombone, Violon (duo)
12
Trombone, Cor (duo)
12
Ensemble de Trompettes
12
Cor, Tuba (duo)
11
Trombone basse et Piano
11
2 Euphoniums et 2 Tubas
11
Trombone basse
11
2 Euphoniums (duo)
10
Instruments en Sib
9
Bass Clef Instruments
7
3 Cors (trio)
7
Trompette, Violoncelle (duo)
7
Cor anglais, Guitare (duo)
7
Trombone, Tuba (duo)
6
3 Tubas (trio)
6
Cor, Violoncelle (duo)
5
Trompette, Basson (duo)
5
Trompette et Guitare
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor et Basson (duo)
4
Trompette, violon (duo)
4
Cor et Harpe
3
Euphonium, Tuba (duo)
3
Instruments en Fa
3
Cornet et Piano
2
Cornet A Pistons
2
Trombone, Orgue
2
2 Cors Anglais Et Pianoforte
2
Trompette, Violoncelle et Piano
2
Ensemble de Tubas
2
Cor, Orchestre
1
2 Cors, Piano
1
Cornet et orchestre
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Trombone, Alto (duo)
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 73 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 294
Violon
1 045
Violon et Piano
849
Violoncelle
834
Alto seul
524
Violoncelle, Piano
510
Alto, Piano
471
Harpe
380
Violon, Violoncelle (duo)
362
2 Violons (duo)
325
2 Violoncelles (duo)
263
Violon, Alto (duo)
241
2 Altos (duo)
204
Quintette à cordes: 2 violons, alto, violoncelle, basse
201
Trio à Cordes: violon, alto, violoncelle
199
Alto (partie séparée)
188
Contrebasse, Piano (duo)
177
Contre Basse
172
Trio à Cordes: 2 violons, violoncelle
104
Violon (partie séparée)
91
2 Harpes (duo)
64
Alto, Violoncelle (duo)
63
Violon, Guitare (duo)
54
Contrebasse (partie séparée)
54
Trio à cordes: 3 violins
47
Trio à Cordes: 3 violoncelles
45
Violon, Basson (duo)
44
2 Contrebasses (duo)
41
Trio à cordes
36
4 Violoncelles
35
Violoncelle (partie séparée)
28
Trio à cordes: 3 altos
27
Quatuor à cordes: 4 violons
24
Piano Trio: Violon, Alto, Piano
19
Harpe, Flûte (duo)
17
Quatuor à cordes : 4 altos
17
Violoncelle, Contrebasse (duo)
16
Violoncelle , Guitare (duo)
16
Violon, Tuba (duo)
13
Harpe, Violon (duo)
13
Alto, Guitare (duo)
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Alto et Basson
9
Harpe, Violoncelle (duo)
8
Trio à Cordes: 2 violons, alto
8
Flûte, Contrebasse (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Voix
7
Harpe, Violon, Violoncelle
4
Ensemble de Violoncelles
4
Ensemble de Violons
4
2 Violons, Piano
3
2 Violoncelles, Piano
3
Autoharp
3
Alto et Harpe
3
Harpe et Piano
3
3 Harpes
2
Alto, Orgue
2
4 Contrebasses
2
5 Harpes
2
Violoncelle, Basse continue
2
Violon, Orgue
2
Violoncelle, Orgue
2
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
Ensemble d'Altos
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
Violoncelle, Orchestre
1
Violon, Violoncelle, Clarinette
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 630
Batterie
806
Orchestre à Cordes
632
Orchestre
399
Ensemble Jazz
376
Ensemble de cuivres
356
Cloches
341
Fanfare
213
Orchestre de chambre
117
Ensemble de Percussions
92
Jazz combo
83
Percussion (partie séparée)
56
Batterie (partie séparée)
42
Marimba
35
Xylophone, Piano
24
Xylophone
21
Percussion
17
2 Xylophones
12
Vibraphone
10
Timbales (partie séparée)
6
Ensemble d'École
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Quintette à Vent
3
Piano et Orchestre
2
3 Marimbas
2
Timbales
2
2 Marimbas
1
Bongos
1
Marimba ou Xylophone et Piano
1
2 Caisses Claires (duo)
1
Conga
1
Orchestre, Violon
1
Caisse Claire
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
8
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Clarinette Basse, Piano
Partitions à imprimer
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Sonata Simplice
#
Clarinette Basse, Piano
#
AVANCÉ
#
Classique
#
Alison Eales and Anna le Hair
#
Sonata Simplice
#
James Marshall Music
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 5 - SKU: A0.1101754 By Alison Eales and Anna le Hair. By James Marshall. 20th Century,Classical,Contemporary,Contest,...
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B-Flat Bass Clarinet,Piano - Level 5 - SKU: A0.1101754 By Alison Eales and Anna le Hair. By James Marshall. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 30 pages. James Marshall Music #705136. Published by James Marshall Music (A0.1101754). Sonata Simplice (Simple Sonata) was composed for Alison Eales and Anna le Hair and premiered in Hitchin outside London on September 3, 2022. The piece takes shape in the first movement from utilization of motifs that comprise the opening thematic material, rather than an iconic theme. Comprising three movements, the second movement references the English folksong The Fair Flower of Northumberland. Set in 6/8 meter the movement is marked: Lento e cantabile, leggiero simplice (Slow and singing, lightly simple) enhancing the overall title of the piece. The final movement is lively and dancelike with both static and changing meters. This delightful offering will add to any adult recital, and is attainable by accomplished high school students as well. It follows the English Sonatina for young clarinetists (now published by Mel Bay in Lyrical Solos from the British Isles ... featuring the English Sonatina) premiered by Alison and Anna in London January, 2019.
$24.99
Simulacrum [Transposed for Bb Bass Clarinet]
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Clarinette Basse, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Nathan C
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Simulacrum [Transposed for Bb
#
Nathan C. Curtis Music
#
SheetMusicPlus
Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1008608 Composed by Nathan C. Curtis. Contemporary. Score and parts. ...
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Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1008608 Composed by Nathan C. Curtis. Contemporary. Score and parts. 23 pages. Nathan C. Curtis Music #6189907. Published by Nathan C. Curtis Music (A0.1008608). Simulacrum is another entry in Nathan Curtis's Pentatonic Studies Series, this time arranged for Bass instrument and Piano. Any instrument with a range of C2 - Ab4 (octave displacement is acceptable!) will qualify as a Bass instrument in this case. It has been performed in several configurations so far, including cello, bass clarinet, and double bass being used as the bass instrument. Performed at the 2018 SCI Region III Conference.
$2.49
Choral from the Cantata BWV 77 (Solo Bass Clarinet with Simple Piano Accompaniment)
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Johann Sebastian Bach
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Rodrigo Faleiros
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Choral from the Cantata BWV 77
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.1471872 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise...
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B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.1471872 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049057. Published by Rodrigo Faleiros (A0.1471872). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Bass Clarinet preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Bass Clarinet- With Chord Symbols- With Simple Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$3.99
Choral from the Cantata BWV 77 (Solo Bass Clarinet with Simple Piano Accompaniment)
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Johann Sebastian Bach
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Rodrigo Faleiros
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Choral from the Cantata BWV 77
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.1471873 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise...
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B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.1471873 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049059. Published by Rodrigo Faleiros (A0.1471873). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Bass Clarinet preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Bass Clarinet- With Simple Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$3.99
Simple Gifts for Bass Clarinet solo with piano accompaniment
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Cheryl Bray Jackson
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Simple Gifts for Bass Clarinet
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Cheryl Bray Jackson
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.971183 Composed by Traditional. Arranged by Cheryl Bray Jackson. Christian,Praise and Worship,Sacred. Individual ...
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Bass Clarinet Solo - Level 3 - SKU: A0.971183 Composed by Traditional. Arranged by Cheryl Bray Jackson. Christian,Praise and Worship,Sacred. Individual part. 5 pages. Cheryl Bray Jackson #6460505. Published by Cheryl Bray Jackson (A0.971183). Especially designed to showcase the bass clarinet timbre, this arrangement will work for church, school, or community. If used to church, Simple Gifts may be used all during the year for any portion of the service. The arrangement is three minutes in length. Please visit https://www.sheetmusicplus.com/publishers/cheryl-bray-jackson/18028.for additional arrangements. .
$4.99
Similarities
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Clarinette Basse, Piano
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Ifor James
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Similarities
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 3 - SKU: R0.49606 Composed by Ifor James. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 4'00. Editions Marc Re...
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Bass Clarinet & Piano - Grade 3 - SKU: R0.49606 Composed by Ifor James. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 4'00. Editions Marc Reift - Digital #49606. Published by Editions Marc Reift - Digital (R0.49606).
$11.95
This Nearly Was Mine from South Pacific
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Richard Rodgers
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W
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This Nearly Was Mine from Sout
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Diamond S Music
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 4 - SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and...
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Small Ensemble Bass Clarinet,Piano - Level 4 - SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533745. Published by Diamond S Music (A0.790008). THIS NEARLY WAS MINE from South Pacific. For SOLO BASS CLARINET AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bohm: Calm as the Night for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Ba
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549410 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Sco...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549410 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493691. Published by jmsgu3 (A0.549410). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
A Sky Full Of Stars
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Rock
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Coldplay
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James M
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A Sky Full Of Stars
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.547979 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M....
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Bass Clarinet,Piano - Level 3 - SKU: A0.547979 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 16 pages. Jmsgu3 #3121619. Published by jmsgu3 (A0.547979). Score: 9 pages, solo part: 2 pages, piano part: 5 pages. Duration: 4:35A Sky Full of Stars is a song recorded by British alternative rock band Coldplay, it was released on 2 May 2014 as the third single from their sixth studio album, Ghost Stories (2014). The band co-wrote and co-produced the song with Avicii, and received production assistance from Paul Epworth, Daniel Green, and Rik Simpson. It was recorded at The Bakery and The Beehive in North London, England.
$47.95
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Suite for Bass Clarinet and Piano
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Clarinette Basse, Piano
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AVANCÉ
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David Garner
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Suite for Bass Clarinet and Pi
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David Garner Music
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SheetMusicPlus
Bass Clarinet,Piano - Level 5 - SKU: A0.1269385 Composed by David Garner. 21st Century,Chamber,Contemporary,Jazz. Score and part. 65 pages. David Garner...
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Bass Clarinet,Piano - Level 5 - SKU: A0.1269385 Composed by David Garner. 21st Century,Chamber,Contemporary,Jazz. Score and part. 65 pages. David Garner Music #861904. Published by David Garner Music (A0.1269385). The Suite for Bass Clarinet and Piano is a five-movement work emulative of the Baroque dance suites, except that the dances are 20th Century popular dances! The movements are:1. Charleston Noir2. Blue Draggin'3. Lindy: Unswung Hero4. Beau D'Idli5. Retro FunkThe duration of the whole suite is about 17 minutes. It was commissioned by San Francisco Symphony Bass Clarinettist Jerome Simas. A prelimiary recording by him and pianist Dale Tsang is on my YouTube Channel
$75.00
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Up on the Housetop
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Clarinette Basse, Piano
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DÉBUTANT
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Benjamin Hanby
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Lori Archer Sutherland
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Up on the Housetop
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Lori Archer Sutherland
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SheetMusicPlus
B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - SKU: A0.764968 Composed by Benjamin Hanby. Arranged by Lori Archer Sutherland. Christmas,Instructional. ...
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B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - SKU: A0.764968 Composed by Benjamin Hanby. Arranged by Lori Archer Sutherland. Christmas,Instructional. Score and part. 5 pages. Lori Archer Sutherland #4642083. Published by Lori Archer Sutherland (A0.764968). For clarinet or bass clarinetLiven up your holiday with Benjamin Handby’s classic Christmas tune arranged for beginner solo with piano accompaniment. The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Both players get a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments.
$4.99
O Come, O Come Emmanuel
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Clarinette Basse, Piano
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DÉBUTANT
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Traditional
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Lori Archer Sutherland
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O Come, O Come Emmanuel
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Lori Archer Sutherland
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.764979 Composed by Traditional. Arranged by Lori Archer Sutherland. 20th Century,Christmas,Sacred. Score and par...
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Bass Clarinet,Piano - Level 1 - SKU: A0.764979 Composed by Traditional. Arranged by Lori Archer Sutherland. 20th Century,Christmas,Sacred. Score and part. 4 pages. Lori Archer Sutherland #4717239. Published by Lori Archer Sutherland (A0.764979). Also available as part of a set of five songs (Christmas Moments for Bass Clarinet) Let your beginner students shine during the holidays with O Come, O Come Emmanuel for bass clarinet and piano. Â The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Each piece gives both players a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments.
$4.99
Christmas Moments
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Clarinette Basse, Piano
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DÉBUTANT
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Noël
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Traditional
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Lori Archer Sutherland
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Christmas Moments
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Lori Archer Sutherland
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 1 - SKU: A0.764977 Composed by Traditional. Arranged by Lori Archer Sutherland. 20th Century,Christmas,Sacred...
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Small Ensemble Bass Clarinet,Piano - Level 1 - SKU: A0.764977 Composed by Traditional. Arranged by Lori Archer Sutherland. 20th Century,Christmas,Sacred. Score and part. 19 pages. Lori Archer Sutherland #4717223. Published by Lori Archer Sutherland (A0.764977). Let your beginner students shine during the holidays with a collection of five Christmas songs. The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Each piece gives both players a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments. Songs include: 1. Â O Come All Ye Faithful 2. Â O Come O Come Emmanuel 3. Â Bells Ringing tn the Tower 4. Â Silent Night 5. Â Joy to the World.
$14.95
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