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FORMATION MUSI…
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HARMONICA
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Non classifié
3890
PIANO & CLAVIERS
Piano seul
1814
Piano, Voix
1196
Piano, Voix et Guitare
939
Piano Facile
696
Orgue
370
Instruments en Do
129
Piano grosses notes
71
Accompagnement Piano
51
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
31
2 Pianos, 4 mains
20
Accordéon
20
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
7
Orgue, Piano (duo)
7
Clavecin
7
Orgue, Trompette (duo)
4
1 Piano, 6 mains
2
2 Pianos, 8 mains
1
Clavier
1
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare notes et tablatures
286
Guitare
253
Basse electrique
249
Mandoline
121
Ligne De Mélodie, (Paroles) et Accords
79
Ukulele
72
Paroles et Accords
37
2 Guitares (duo)
22
Dulcimer
16
Guitare (partie séparée)
13
Piano, Guitare (duo)
13
Banjo
11
Mandoline, Guitare (duo)
10
Mandoline, Piano (duo)
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Dobro
3
2 Mandolines (duo)
2
Ensemble de guitares
2
Basse électrique (partie séparée)
2
2 Ukuleles
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
1124
Chorale 3 parties
446
Chorale Unison
409
Chorale 2 parties
404
Chorale TTBB
236
Voix duo, Piano
125
Chorale SSAA
108
Voix duo
67
Voix seule
28
Chorale
27
Voix Soprano, Piano
25
Voix haute
18
Voix moyenne, Piano
16
Voix basse, Piano
10
Voix Mezzo-Soprano, Piano
7
Voix Alto, Piano
7
Voix Baryton, Piano
6
Chorale SSAATTBB
6
Voix Tenor, Piano
6
Chorale SSATTB
4
Voix Tenor
2
Voix Soprano
2
Chorale SSATB
2
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
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VENTS
2 Saxophones (duo)
568
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
471
Flûte, Hautbois, Clarinette, Basson
375
Saxophone, Clarinette (duo)
246
2 Clarinettes (duo)
246
Flûte traversière et Piano
242
2 Flûtes traversières (duo)
224
Quatuor de Saxophones: 4 saxophones
221
Saxophone (partie séparée)
215
Saxophone Alto et Piano
192
Clarinette
180
Saxophone Tenor et Piano
177
Clarinette et Piano
176
Clarinette, Violon (duo)
167
Hautbois, Basson (duo)
164
Saxophone Soprano et Piano
160
Flûte traversière
155
Hautbois, Piano (duo)
153
Clarinette, Trompette (duo)
147
Quintette de Saxophone: 5 saxophones
136
Saxophone Alto
128
Flûte, Clarinette (duo)
121
2 Hautbois (duo)
105
Quatuor de Clarinettes: 4 clarinettes
103
Hautbois, Clarinette (duo)
89
Saxophone Baryton, Piano
89
Clarinette et Alto
83
Flûte, Saxophone (duo)
82
Flûte, Violon
82
Hautbois (partie séparée)
80
Hautbois, Flûte
73
Ensemble de saxophones
67
Flûte, Trompette (duo)
67
Flûte, Alto (duo)
63
Ensemble de Clarinettes
62
Quatuor de Flûtes : 4 flûtes
56
3 Saxophones (trio)
53
Ensemble de Flûtes
43
2 Flûte à bec (duo)
42
Clarinette (partie séparée)
37
3 Clarinettes (trio)
32
Cor anglais, Piano
29
Quintette de Clarinettes: 5 clarinettes
28
Saxophone Tenor
25
Flûte et Guitare
24
Trio de Flûtes: 3 flûtes
22
Flûte à bec Soprano
22
Quintette de Flûte : 5 flûtes
19
Hautbois, Clarinette, Basson (trio d'anches)
19
Clarinette Basse, Piano
19
Flûte, Clarinette et Basson
16
Flûte à Bec
16
Clarinette, Basson (duo)
16
Saxophone Soprano
15
Flûte, Hautbois, Clarinette (trio)
14
Flute (partie séparée)
14
Clarinette, Guitare (duo)
11
Hautbois
11
Hautbois, Guitare (duo)
7
Saxophone Baryton
7
Saxophone et Guitare
7
2 Saxophones, Piano
7
Clarinette, Violoncelle (duo)
7
Clarinette, Trombone (duo)
7
Flûte à bec Alto
7
Flûte à bec Tenor
7
Cor Anglais
7
Flûte, Hautbois (duo)
7
Harmonica
6
Flûte, Violon et Violoncelle
6
Quatuor de Flûtes à bec
6
Flûte à bec Alto, Piano
5
Clarinette, Harpe (duo)
5
Flûte, Violoncelle
5
Flute, harpe et violon
4
Saxophone et Orgue
4
Hautbois, violon (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Violon, Piano
4
Flûte à bec Soprano, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Basson et Piano
4
Cor anglais, Guitare (duo)
4
Saxophone
3
2 Clarinettes, Basson
3
Piccolo, Piano
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Violoncelle, Piano (trio)
3
2 Flûtes traversières, Piano
3
Hautbois, Violoncelle
3
3 Hautbois
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Violon
2
Hautbois, Harpe
2
2 Cors Anglais Et Pianoforte
2
Flûte, Hautbois, Piano (trio)
1
Cor anglais et Harpe (duo)
1
5 Flûtes à bec
1
Ensemble de Hautbois
1
Hautbois, Basson et Piano
1
Ensemble à vent
1
Flûte, Alto et Piano
1
Flûte traversière, Orgue (duo)
1
2 Flûtes, Basse continue
1
Flûte, trombone et piano
1
Ocarina
1
Piccolo
1
Flûte de Pan
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Clarinette, Violon (trio)
1
Flûte, alto et harpe
1
Flûte, Harpe et Violoncelle
1
Flûte et Trio à cordes
1
Flûte irlandaise
1
Flûte traversière, Basse continue
1
Saxophone et Harpe
1
Flûte, Trombone (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Piano
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
Clarinette, Alto et Piano (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
269
Quatuor de Cuivres : 2 trompettes, trombone, tuba
188
Trombone et Piano
186
Trompette, Saxophone (duo)
177
Trompette
172
Trompette, Piano
148
2 Trombones (duo)
127
Cor et Piano
117
2 Trompettes (duo)
113
Trombone
110
Trompette, Trombone (duo)
94
Quatuor de Cuivres: 2 trompettes, Cor, trombone
78
Trombone (partie séparée)
71
Cor
65
Tuba et Piano
64
Trompette (partie séparée)
63
Quatuor de Cuivres
57
Ensemble de Trompettes
42
Euphonium, Piano (duo)
38
Ensemble de Trombones
35
2 Cors (duo)
29
Cor anglais, Piano
29
Cor (partie séparée)
28
Quatuor de cuivres: 4 trombones
27
Tuba
26
Tuba (partie séparée)
20
Quatuor de cuivres: 4 cors
16
2 Euphoniums (duo)
15
2 Tubas (duo)
14
Trompette, Cor (duo)
13
Trio de Cuivres
9
3 Trombones (trio)
7
Cor Anglais
7
2 Euphoniums et 2 Tubas
7
Quatuor de cuivres: 4 trompettes
6
Trompette, Trombone, Piano
5
Euphonium
4
3 Trompettes (trio)
4
Cor anglais, Guitare (duo)
4
Trompette, violon (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
Trompette, Basson (duo)
3
Ensemble de Cors
3
Trombone, Tuba (duo)
2
Tuba et Orgue
2
2 Cors Anglais Et Pianoforte
2
Bass Clef Instruments
1
Cor, Trompette, Trombone (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
Trompette et Guitare
1
Trombone et orchestre
1
Ensemble de Tubas
1
Trombone basse
1
2 Trombones, Piano
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Trombone, Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
616
Violon et Piano
340
Violon, Violoncelle (duo)
246
Violon
242
Alto, Piano
209
Violoncelle, Piano
208
Harpe
197
2 Violons (duo)
166
2 Violoncelles (duo)
138
Violon, Alto (duo)
130
2 Altos (duo)
119
Violoncelle (partie séparée)
104
Trio à Cordes: violon, alto, violoncelle
104
Trio à Cordes: 2 violons, violoncelle
100
Alto seul
68
Contrebasse, Piano (duo)
59
Violoncelle
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violon (partie séparée)
28
Contre Basse
26
Alto (partie séparée)
25
Piano Trio: Violon, Alto, Piano
23
Violon, Guitare (duo)
21
Contrebasse (partie séparée)
20
4 Violoncelles
20
Ensemble de Violons
14
2 Harpes (duo)
12
Violoncelle , Guitare (duo)
12
Harpe, Voix
11
Ensemble d'Altos
11
2 Contrebasses (duo)
10
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
9
Trio à cordes: 3 violins
7
Trio à Cordes: 3 violoncelles
6
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes: 4 violons
5
Quatuor à cordes : 4 altos
4
Alto et Harpe
4
Harpe, Violon (duo)
4
Alto, Guitare (duo)
4
Violon, Basson (duo)
4
Harpe, Violoncelle (duo)
3
Violoncelle, Orgue
3
2 Violons, Piano
3
Harpe et mandoline
3
Autoharp
2
2 Violoncelles, Piano
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon, Violoncelle
2
Violon, Basse continue
2
Alto et Basson
2
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
Harpe et Piano
1
Violon, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
915
Orchestre
275
Cloches
236
Orchestre à Cordes
176
Ensemble de cuivres
154
Ensemble Jazz
150
Orchestre de chambre
73
Percussion (partie séparée)
28
Jazz combo
26
Fanfare
26
Batterie
24
Batterie (partie séparée)
18
Ensemble de Percussions
12
Ensemble d'École
7
Vibraphone
6
Xylophone, Piano
5
Percussion
2
Instrumentation Flexible
2
Quintette de Cuivres: autres combinaisons
2
Marimba
2
Xylophone
1
Marimba, Piano (duo)
1
Cajon
1
2 Marimbas
1
Conga
1
Quintette à Vent
1
Caisse Claire
1
Orchestre, Violon
1
Bongos
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
8
Théorie de la musique
1
Vous avez sélectionné:
Son Of Man*
Clarinette Basse, Piano
Partitions à imprimer
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1
I Write The Songs
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486713. Published by jmsgu3 (A0.549345). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.69 €
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Clarinette Basse, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Schubert : Winterreise D.911 - 24.Der Leiermann (The Hurdy Gurdy Man), for Bass Clarinet and Piano
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 3 - Digital Download SKU: A0.9…
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 3 - Digital Download SKU: A0.914857 Composed by Franz Schubert. Arranged by Shimpei Kojima. Romantic Period. Score and parts. 4 pages. Shimpei Kojima #5362581. Published by Shimpei Kojima (A0.914857). Der Leiermann is the last song of Winterreise D.911 composed by Franz Schubert. This song is also known as the English song The hurdy gurdy man by Sting.
$2.99
2.75 €
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Clarinette Basse, Piano
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Franz Schubert
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Shimpei Kojima
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Schubert : Winterreise D.911 - 24.Der Leiermann
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Shimpei Kojima
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550427 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550427 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4632981. Published by jmsgu3 (A0.550427). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.26 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550479 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550479 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641523. Published by jmsgu3 (A0.550479). Sonata da Chiesa No. 4 in Bb Major for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.26 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550453 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550453 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638405. Published by jmsgu3 (A0.550453). Sonata da Chiesa No. 3 in A Minor for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.26 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550404 Composed by Antonio…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550404 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628821. Published by jmsgu3 (A0.550404). Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
30.26 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
$24.95
22.91 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
It's Been A Long, Long Time
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule St…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.5 €
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Clarinette Basse, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.5 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
The Brass Clarinet-bass clarinet/piano
Clarinette Basse, Piano
B-Flat Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.844892 Composed by …
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B-Flat Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986457. Published by Phil Beaman (A0.844892). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
6.42 €
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Clarinette Basse, Piano
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Phil Beaman
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The Brass Clarinet-bass clarinet/piano
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Phil Beaman
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Don't Let The Sun Go Down On Me
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.547801 By Elton John. By B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.547801 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053397. Published by jmsgu3 (A0.547801). Elton John: Don't Let The Sun Go Down On Me arranged for Bass Clarinet & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
49.54 €
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Clarinette Basse, Piano
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Elton John
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James M
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Piano. Duration: 5'27
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Don't Let The Sun Go Down On Me
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jmsgu3
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SheetMusicPlus
'Point Forms'
Clarinette Basse, Piano
Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after…
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Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after Kandinsky). Composed by Kenneth Hesketh. This edition: score and parts. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19145. Published by Schott Music - Digital
'Point forms' was suggested by a group of five diagrams found in Wassily Kandinsky's book Point and Line and Plane. Many explanations of the geometric shapes, including Kandinsky's use of the words 'stippled', 'sprayed' and 'compact' suggested musical ways to amass textures. line development and manipulation, for example by the interleaving of one idea temporarily intertwined with a previous one, allow the form to determine its own organic development. In writing for the specific quality of the basset clarinet, which extends the pitch range of the normal A clarinet, the structure of the piece allows various timbres and extended effects to come to prominence as mood and momentum change. Static or forward-moving, playful, aggressive or wailing, the musical narrative seeks through abstract paths to communicate an 'inner beauty' as well as 'inner necessity'. Processes in the work are often varied as they are repeated, in a single line or between the two performers, echoing Kandinsky's proposition that 'forces coming from without, which transform the point into a line, can be very diverse indeed. 'Point forms' was commissioned by the Rushworth Trust, and is dedicated with affection to Mark Simpson. Ken Hesketh (2010).
$25.99
23.87 €
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Clarinette Basse, Piano
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'Point Forms'
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Schott Music - Digital
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SheetMusicPlus
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