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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata 8
Non classifié
259
Piano & claviers
Piano seul
335
Piano Facile
27
Orgue
11
Piano, Voix
7
1 Piano, 4 mains
5
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
+ 3 instrumentations
Retracter
Guitares
Guitare
42
Guitare notes et tablatures
11
2 Guitares (duo)
6
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
1
Piano, Guitare (duo)
1
Ukulele
1
Ensemble de guitares
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
4
Chorale 3 parties
3
Chorale TTBB
1
Vents
Flûte traversière et Piano
46
2 Flûtes traversières (duo)
36
2 Saxophones (duo)
31
Saxophone Alto et Piano
29
Clarinette et Piano
28
2 Clarinettes (duo)
24
Hautbois, Piano (duo)
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Tenor et Piano
16
3 Clarinettes (trio)
13
2 Hautbois (duo)
13
Flûte traversière
10
Saxophone Soprano et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette Basse, Piano
9
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Quatuor de Saxophones: 4 saxophones
8
Flûte, Violoncelle
8
3 Flûtes à bec (trio)
7
Quintette de Saxophone: 5 saxophones
7
3 Saxophones (trio)
7
Clarinette
7
Hautbois, Basson (duo)
7
Flûte, Hautbois, Basson
7
Trio de Flûtes: 3 flûtes
6
Clarinette, Violon (duo)
6
Clarinette, Basson (duo)
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Clarinette (duo)
6
Flûte, Hautbois, Clarinette, Basson
5
Clarinette, Violoncelle (duo)
5
2 Cors Anglais Et Pianoforte
5
2 Flûte à bec (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte et Guitare
5
Flûte, Alto (duo)
4
Clarinette et Alto
4
Piccolo, Piano
4
Flûte à bec Alto, Basse continue
3
Flûte à bec Alto, Piano
3
Flûte à bec Tenor
3
Ensemble de saxophones
3
Cor anglais, Piano
3
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes, Basson
3
Ensemble de Clarinettes
3
Flûte, Violon, Piano
2
Flûte traversière, Basse continue
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble De Flûte à bec
2
Flûte, Violon et Violoncelle
2
Clarinette, Guitare (duo)
2
Saxophone Soprano
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Flûte, Saxophone (duo)
1
Saxophone Tenor
1
Cor anglais, Guitare (duo)
1
Flûte, Basson et Piano
1
Saxophone Alto
1
Saxophone, Clarinette (duo)
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Flûte à Bec, Piano
1
+ 64 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Cor et Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
13
2 Trompettes (duo)
11
2 Cors (duo)
11
Tuba et Piano
10
2 Trombones (duo)
10
2 Euphoniums (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor
6
2 Tubas (duo)
6
2 Cors Anglais Et Pianoforte
5
Euphonium, Piano (duo)
5
Ensemble de Trombones
4
Trompette
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
Trombone
2
Quatuor de Cuivres
2
Trombone basse et Piano
2
3 Trombones (trio)
2
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
3 Tubas (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trompettes
1
+ 27 instrumentations
Retracter
Cordes
Violon et Piano
57
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
41
Alto, Piano
35
Violoncelle, Piano
30
2 Violons (duo)
22
Violon, Violoncelle (duo)
14
Violon (partie séparée)
12
2 Altos (duo)
12
Violoncelle
12
2 Violoncelles (duo)
11
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle, Basse continue
7
Alto seul
6
2 Contrebasses (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Violon, Basson (duo)
4
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle (partie séparée)
3
Violon, Basse continue
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
2
2 Violons, Piano
2
4 Violoncelles
1
Ensemble de Violons
1
2 Violons et Basse continue
1
Ensemble d'Altos
1
Harpe
1
Flûte, Contrebasse (duo)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes
1
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
26
Orchestre d'harmonie
12
Orchestre
6
Ensemble de cuivres
4
Orchestre de chambre
3
Ensemble Jazz
3
Cloches
1
+ 2 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
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BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Sonata 8
Clarinette Basse, Piano
Partitions à imprimer
9 partitions trouvées
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1
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
#
James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Telemann: Four Sonatas for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Bas
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.551669 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Stand...
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Bass Clarinet,Piano - Level 3 - SKU: A0.551669 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330389. Published by jmsgu3 (A0.551669). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Piano Sonata No. 8, 2nd Movement "Pathetique"（Cdur）Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
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Ludwig van Beethoven
#
pfkaori
#
Piano Sonata No. 8, 2nd Moveme
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pfkaorimusic
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1502106 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by pfkaori. Classical. Score and part. 6 page...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1502106 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by pfkaori. Classical. Score and part. 6 pages. Pfkaorimusic #1077979. Published by pfkaorimusic (A0.1502106). Composer: Beethoven Song: Piano Sonata No. 8, 2nd Movement Pathétique Arrangement: Bass Clarinet & Piano Level: Intermediate Key: Cdur *Levels vary from person to person. *Clarinet in B♭.
$6.00
Sonata Simplice
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Clarinette Basse, Piano
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AVANCÉ
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Classique
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Alison Eales and Anna le Hair
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Sonata Simplice
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James Marshall Music
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 5 - SKU: A0.1101754 By Alison Eales and Anna le Hair. By James Marshall. 20th Century,Classical,Contemporary,Contest,...
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B-Flat Bass Clarinet,Piano - Level 5 - SKU: A0.1101754 By Alison Eales and Anna le Hair. By James Marshall. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 30 pages. James Marshall Music #705136. Published by James Marshall Music (A0.1101754). Sonata Simplice (Simple Sonata) was composed for Alison Eales and Anna le Hair and premiered in Hitchin outside London on September 3, 2022. The piece takes shape in the first movement from utilization of motifs that comprise the opening thematic material, rather than an iconic theme. Comprising three movements, the second movement references the English folksong The Fair Flower of Northumberland. Set in 6/8 meter the movement is marked: Lento e cantabile, leggiero simplice (Slow and singing, lightly simple) enhancing the overall title of the piece. The final movement is lively and dancelike with both static and changing meters. This delightful offering will add to any adult recital, and is attainable by accomplished high school students as well. It follows the English Sonatina for young clarinetists (now published by Mel Bay in Lyrical Solos from the British Isles ... featuring the English Sonatina) premiered by Alison and Anna in London January, 2019.
$24.99
Telemann: Sonata in F Major for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Georg Philipp Telemann
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James M
#
Telemann: Sonata in F Major fo
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550846 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedd...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550846 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 15 pages. Jmsgu3 #4839471. Published by jmsgu3 (A0.550846). Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace2. Largo3. Allegro.
$32.95
Sonata
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Clarinette Basse, Piano
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Anonymus
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Jan Valta
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Sonata
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 3 - SKU: R0.40250 Composed by Anonymus. Arranged by Jan Valta. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 6...
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Bass Clarinet & Piano - Grade 3 - SKU: R0.40250 Composed by Anonymus. Arranged by Jan Valta. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 6'10. Editions Marc Reift - Digital #40250. Published by Editions Marc Reift - Digital (R0.40250).
$8.95
Largo
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Clarinette Basse, Piano
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Classique
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Johann Sebastian Bach
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Jirka Kadlec
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Largo
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 3 - SKU: R0.41221 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirk...
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Bass Clarinet & Piano - Grade 3 - SKU: R0.41221 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 4'08. Editions Marc Reift - Digital #41221. Published by Editions Marc Reift - Digital (R0.41221).
$6.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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