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ACCORDEON
ALTO
AUTOHARPE
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Sonata No. 8: Score
Non classifié
112
Piano & claviers
Piano seul
162
Piano Facile
11
Orgue
3
Piano, Voix
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
+ 1 instrumentations
Retracter
Guitares
Guitare
8
Ensemble de guitares
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Voix
Vents
2 Flûtes traversières (duo)
32
2 Saxophones (duo)
27
2 Clarinettes (duo)
17
2 Hautbois (duo)
13
Clarinette et Piano
13
Flûte traversière et Piano
13
Saxophone Alto et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Hautbois, Piano (duo)
8
Saxophone Tenor et Piano
8
Quintette de Saxophone: 5 saxophones
7
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
5
Flûte traversière
5
2 Cors Anglais Et Pianoforte
5
Clarinette Basse, Piano
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violoncelle
2
Ensemble De Flûte à bec
2
Ensemble de Flûtes
2
Ensemble de saxophones
2
Clarinette
2
Flûte, Violon et Violoncelle
2
Ensemble de Clarinettes
2
3 Flûtes à bec (trio)
2
Clarinette, Guitare (duo)
2
Flûte et Guitare
1
3 Saxophones (trio)
1
Piccolo, Piano
1
Hautbois, Basson (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Saxophone (duo)
1
Flûte à Bec, Piano
1
Saxophone, Clarinette (duo)
1
Flûte à bec Tenor
1
Flûte, Alto (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violon, Piano
1
Flûte à bec Alto, Piano
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
Quintette de Flûte : 5 flûtes
1
Saxophone Alto
1
Saxophone et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor
1
+ 41 instrumentations
Retracter
Cuivres
2 Cors (duo)
10
2 Trompettes (duo)
9
2 Euphoniums (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
2 Trombones (duo)
9
Trompette, Piano
8
Trombone et Piano
6
2 Tubas (duo)
6
Cor et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Cors Anglais Et Pianoforte
5
Tuba et Piano
5
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
Ensemble de Trompettes
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
+ 13 instrumentations
Retracter
Cordes
Violon
30
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon et Piano
19
2 Violons (duo)
18
Alto, Piano
15
Violoncelle, Piano
11
2 Violoncelles (duo)
11
2 Altos (duo)
11
Violoncelle
6
2 Contrebasses (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Trio à Cordes: 2 violons, violoncelle
3
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Violon, Violoncelle (duo)
2
4 Violoncelles
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
2 Harpes (duo)
1
Violon, Alto (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes
1
Ensemble de Violoncelles
1
Violon, Basse continue
1
Ensemble de Violons
1
Quatuor à cordes: 4 violons
1
Flûte, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
19
Orchestre
3
Orchestre d'harmonie
2
Ensemble de cuivres
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Sonata No. 8: Score
Clarinette Basse, Piano
Partitions à imprimer
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Piano Sonata No. 8, 2nd Movement "Pathetique"（Cdur）Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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pfkaori
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Piano Sonata No. 8, 2nd Moveme
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pfkaorimusic
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1502106 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by pfkaori. Classical. Score and part. 6 page...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1502106 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by pfkaori. Classical. Score and part. 6 pages. Pfkaorimusic #1077979. Published by pfkaorimusic (A0.1502106). Composer: Beethoven Song: Piano Sonata No. 8, 2nd Movement Pathétique Arrangement: Bass Clarinet & Piano Level: Intermediate Key: Cdur *Levels vary from person to person. *Clarinet in B♭.
$6.00
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Largo
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Clarinette Basse, Piano
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Classique
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Johann Sebastian Bach
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Jirka Kadlec
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Largo
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 3 - SKU: R0.41221 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirk...
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Bass Clarinet & Piano - Grade 3 - SKU: R0.41221 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 4'08. Editions Marc Reift - Digital #41221. Published by Editions Marc Reift - Digital (R0.41221).
$6.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
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Sonata No. 8: Score
