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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song Romantic
Non classifié
1 477
Piano & claviers
Piano, Voix
5 015
Piano seul
1 161
Piano Facile
437
Orgue
113
Piano, Voix et Guitare
96
Instruments en Do
92
Accompagnement Piano
59
Piano Trio: piano, violon, violoncelle
23
1 Piano, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Pianos, 4 mains
7
Accordéon
4
Orgue, Piano (duo)
3
Instrument seul et Orgue
3
Piano grosses notes
3
Orgue, Trompette (duo)
2
Clavecin
1
Piano (partie séparée)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
90
Guitare
84
Ukulele
26
2 Guitares (duo)
25
Ligne De Mélodie, (Paroles) et Accords
17
Piano, Guitare (duo)
9
Mandoline
5
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Basse electrique
2
Guitare (partie séparée)
2
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
Paroles et Accords
1
Banjo
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale 3 parties
122
Chorale 2 parties
72
Chorale TTBB
59
Chorale SSAA
56
Voix duo, Piano
36
Voix Soprano, Piano
26
Voix Tenor, Piano
26
Chorale Unison
18
Voix haute
18
Voix seule
14
Voix Baryton, Piano
12
Voix duo
11
Voix basse, Piano
10
Voix moyenne, Piano
8
Voix Alto, Piano
7
Voix basse
3
Voix Soprano
3
Voix Tenor
2
Chorale
2
Chorale SSAB a cappella
2
Chorale SAATB A Cappella
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
220
Clarinette et Piano
182
Hautbois, Piano (duo)
143
Saxophone Alto et Piano
136
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
122
Clarinette
109
Quatuor de Saxophones: 4 saxophones
109
Flûte traversière
95
Flûte, Hautbois, Clarinette, Basson
85
Saxophone Alto
80
2 Saxophones (duo)
79
Quatuor de Clarinettes: 4 clarinettes
78
Saxophone Soprano et Piano
77
Saxophone Tenor et Piano
75
Flûte et Guitare
57
Saxophone Tenor
46
2 Flûtes traversières (duo)
42
2 Clarinettes (duo)
40
Hautbois (partie séparée)
39
Saxophone (partie séparée)
38
Quintette de Saxophone: 5 saxophones
34
Saxophone Baryton, Piano
34
Quatuor de Flûtes : 4 flûtes
34
Cor anglais, Piano
32
Clarinette, Guitare (duo)
30
Ensemble de Clarinettes
26
Hautbois
24
3 Saxophones (trio)
20
Clarinette Basse, Piano
17
2 Hautbois (duo)
17
Saxophone Soprano
16
Flûte à bec Soprano
14
Flûte, Clarinette (duo)
13
Quatuor de Flûtes à bec
13
Flûte à bec Alto
13
3 Clarinettes (trio)
12
Flûte à Bec
12
Trio de Flûtes: 3 flûtes
12
Cor anglais, Guitare (duo)
11
Ensemble de Flûtes
10
Cor Anglais
10
Flûte, Clarinette et Basson
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Basson (duo)
9
Saxophone Baryton
8
2 Flûte à bec (duo)
8
Saxophone et Guitare
8
Ensemble de saxophones
8
Flûte, Hautbois (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Violon, Piano
7
Clarinette, Violon (duo)
6
Piccolo
4
Flûte, Violon
4
Flûte, Hautbois, Basson
4
Hautbois, Flûte
4
3 Hautbois
4
Clarinette, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Ocarina
3
Saxophone, Clarinette (duo)
3
Saxophone et Piano
3
3 Flûtes à bec (trio)
3
Flûte, Violoncelle
3
Flûte, Hautbois, Piano (trio)
3
Clarinette Basse
3
Flûte, Alto (duo)
3
Clarinette et Alto
3
Piccolo, Piano
2
Flûte traversière, Orgue (duo)
2
Flûte à bec Soprano, Piano
2
Clarinette, Trompette (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte et Trio à cordes
2
Saxophone et Orgue
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Harpe (duo)
2
Instruments en Mib
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Trompette (duo)
1
2 Clarinettes, Basson
1
Flûte à bec, Guitare (duo)
1
2 Saxophones, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Basson et Piano
1
Flûte à Bec, Piano
1
5 Flûtes à bec
1
Flûte, Saxophone (duo)
1
Ensemble De Flûte à bec
1
Hautbois, violon (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Violoncelle
1
Flûte, Trombone (duo)
1
Hautbois et alto (duo)
1
Clarinette, Orgue
1
Saxophone
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Guitare (duo)
1
+ 96 instrumentations
Retracter
Cuivres
Trombone et Piano
116
Trompette, Piano
115
Trompette
109
Cor et Piano
101
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
97
Cor
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Trombone
58
Tuba et Piano
50
Tuba
43
Euphonium, Piano (duo)
42
Cor anglais, Piano
32
Quatuor de cuivres: 4 trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
2 Trompettes (duo)
21
Quatuor de cuivres: 4 cors
18
Quatuor de Cuivres
17
2 Trombones (duo)
17
2 Cors (duo)
13
Cor anglais, Guitare (duo)
11
Cor Anglais
10
Ensemble de Trombones
10
Trompette, Trombone (duo)
9
Trompette, Cor (duo)
9
Trompette (partie séparée)
8
Trombone (partie séparée)
5
Euphonium
5
3 Trombones (trio)
5
Trombone basse et Piano
4
Quatuor de cuivres: 4 trompettes
4
Tuba et Orgue
2
Trompette et Guitare
2
Trompette, Saxophone (duo)
2
Ensemble de Trompettes
2
Trio de Cuivres
2
Instruments en Sib
2
Trombone basse
2
2 Tubas (duo)
2
4 Tubas
2
Bass Clef Instruments
2
Ensemble de Cors
1
Trompette, Trombone, Piano
1
Trombone, Orgue
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Orchestre
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
383
Violon et Piano
298
Violoncelle, Piano
226
Alto, Piano
157
Violon
126
Violoncelle
108
Alto seul
75
Trio à Cordes: violon, alto, violoncelle
49
Violon, Violoncelle (duo)
48
2 Violons (duo)
46
Contre Basse
39
2 Violoncelles (duo)
38
Harpe
35
Contrebasse, Piano (duo)
33
Trio à Cordes: 2 violons, violoncelle
31
Violon, Guitare (duo)
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
2 Altos (duo)
23
Violon, Alto (duo)
20
Alto (partie séparée)
19
Violoncelle , Guitare (duo)
17
4 Violoncelles
17
Trio à cordes: 3 violins
10
Alto, Guitare (duo)
10
Alto, Violoncelle (duo)
9
Quatuor à cordes: 4 violons
9
Piano Trio: Violon, Alto, Piano
6
Harpe, Flûte (duo)
5
Trio à cordes: 3 altos
4
2 Violons, Piano
4
2 Harpes (duo)
4
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes : 4 altos
3
Trio à Cordes: 2 violons, alto
3
2 Contrebasses (duo)
2
Ensemble de Violons
2
Violon, Clarinette, Piano (trio)
2
Violon, Basson (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Violon (duo)
1
4 Contrebasses
1
Harpe, Voix
1
Violon, Violoncelle, Clarinette
1
Violon (partie séparée)
1
Ensemble de Violoncelles
1
Trio à cordes
1
Contrebasse (partie séparée)
1
Violoncelle, Orgue
1
Alto, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
133
Orchestre de chambre
132
Orchestre
79
Orchestre d'harmonie
69
Ensemble de cuivres
45
Ensemble Jazz
41
Xylophone
9
Marimba
8
Fanfare
6
Cloches
6
Ensemble de Percussions
5
Xylophone, Piano
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre, Violon
2
Marimba, Piano (duo)
1
Vibraphone (partie séparée)
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
2 Xylophones
1
Batterie (partie séparée)
1
+ 15 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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FUNK
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Song Romantic
Clarinette Basse, Piano
Partitions à imprimer
17 partitions trouvées
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1
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Art Songs for Young Folks, Vol. 1 - bass clarinet and piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Antonin Dvorak, Edouard Lalo,
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Kenneth D
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Art Songs for Young Folks, Vol
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KFS Publishing
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.699319 Composed by Antonin Dvorak, Edouard Lalo, Eugen Hildach, Franz Schubert, Guiseppi Giordiano, J. Hullah, a...
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Bass Clarinet,Piano - Level 3 - SKU: A0.699319 Composed by Antonin Dvorak, Edouard Lalo, Eugen Hildach, Franz Schubert, Guiseppi Giordiano, J. Hullah, and Thomas Moore. Arranged by Kenneth D. Friedrich. 20th Century,Romantic Period. Score and part. 37 pages. KFS Publishing #2961227. Published by KFS Publishing (A0.699319). Song list:1. The Last Rose of Summer
$18.99
Nine Schubert Art Songs
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Kenneth D
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Nine Schubert Art Songs
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KFS Publishing
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.699493 Composed by Franz Schubert. Arranged by Kenneth D. Friedrich. Romantic Period,World. Score and part. 35 p...
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Bass Clarinet,Piano - Level 3 - SKU: A0.699493 Composed by Franz Schubert. Arranged by Kenneth D. Friedrich. Romantic Period,World. Score and part. 35 pages. KFS Publishing #3005797. Published by KFS Publishing (A0.699493). List:Lachen und Weinen
$18.50
Bohm: Calm as the Night for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Carl Bohm
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James M
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Bohm: Calm as the Night for Ba
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549410 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Sco...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549410 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493691. Published by jmsgu3 (A0.549410). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
Can't Help Falling In Love
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Clarinette Basse, Piano
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FACILE
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Elvis Presley
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Harry Walker
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Can't Help Falling In Love
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.1468046 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Harry Walker. Con...
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Bass Clarinet,Piano - Level 2 - SKU: A0.1468046 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Harry Walker. Contest,Festival,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 8 pages. SCORE EDITIONS #1046356. Published by SCORE EDITIONS (A0.1468046). Can't Help Falling in Love is one of Elvis Presley's most beloved and enduring songs. Featured in his 1961 film Blue Hawaii, the song was composed by George David Weiss, Hugo Peretti, and Luigi Creatore. It has since become a timeless classic, covered by numerous artists across various genres. The song's gentle, romantic melody and heartfelt lyrics have made it a popular choice for weddings and romantic occasions. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Ange Flégier: Méditation for bass clarinet and piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Ange Flégier
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Paul Wehage
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Ange Flégier: Mé
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.534534 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.534534 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #3627025. Published by Musik Fabrik Music Publishing (A0.534534). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseilles and died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Corâ€, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratorio Ossian and many chamber works, including the first “dixtuor†for wind quintet and string quintet. This work is dedicated to the composer's friend Jules Massenet and is obviously influenced by the famous Meditation from Thaïs.
$10.35
Feast of Love - Bass Clarinet/Piano
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Clarinette Basse, Piano
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FACILE
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Robert Franz
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Phil Beaman
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Feast of Love - Bass Clarinet/
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Phil Beaman
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score...
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Bass Clarinet,Piano - Level 2 - SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517805. Published by Phil Beaman (A0.844548). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
I Love You Truly-Bass clarinet/piano
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Clarinette Basse, Piano
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FACILE
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Phil Beaman
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I Love You Truly-Bass clarinet
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Phil Beaman
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #...
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Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Schubert : Winterreise D.911 - 24.Der Leiermann (The Hurdy Gurdy Man), for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Shimpei Kojima
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Schubert : Winterreise D.911 -
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Shimpei Kojima
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 3 - SKU: A0.914857 Composed by Franz Schubert. Arranged by Shimpei Kojima. Romantic Period. Sco...
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 3 - SKU: A0.914857 Composed by Franz Schubert. Arranged by Shimpei Kojima. Romantic Period. Score and parts. 4 pages. Shimpei Kojima #5362581. Published by Shimpei Kojima (A0.914857). Der Leiermann is the last song of Winterreise D.911 composed by Franz Schubert. This song is also known as the English song The hurdy gurdy man by Sting.
$2.99
Der Wanderer
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Kenneth D
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Der Wanderer
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KFS Publishing
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.699437 Composed by Franz Schubert. Arranged by Kenneth D. Friedrich. Romantic Period. Score and part. 9 pages. K...
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Bass Clarinet,Piano - Level 3 - SKU: A0.699437 Composed by Franz Schubert. Arranged by Kenneth D. Friedrich. Romantic Period. Score and part. 9 pages. KFS Publishing #3003135. Published by KFS Publishing (A0.699437). Schubert's famed art song arranged for clarinet or bass clarinet.
$12.00
Schumann: Abendlied for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Robert Schumann
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James M
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Schumann: Abendlied for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549036 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549036 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,Standards. Score and part. 6 pages. Jmsgu3 #3448145. Published by jmsgu3 (A0.549036). Op. 85/12 Bass Clarinet: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
$26.95
Ständchen from Schwanengesang for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Franz Schubert
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Erin Miesner
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Ständchen from Schwanenge
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Erin Miesner
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.812160 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Romantic Pe...
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Bass Clarinet,Piano - Level 2 - SKU: A0.812160 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Romantic Period,Sacred. Score and part. 7 pages. Erin Miesner #3019835. Published by Erin Miesner (A0.812160). This transcription from one of Franz Schubert's final song cycles, Schwanengesang, translates easily from voice to bass clarinet. Ständchen is perfect for musicians from early intermediate ability and beyond and will work especially well as a church prelude or recital filler.Includes 4-pg. piano score and Bass Clarinet partFor other arrangements and more information, go to www.ehmpublishing.com.
$11.95
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