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Non classifié
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PIANO & CLAVIERS
Piano seul
1922
Piano grosses notes
1033
Piano, Voix et Guitare
865
Piano, Voix
579
Orgue
571
Piano Facile
559
Instruments en Do
522
Accompagnement Piano
208
1 Piano, 4 mains
102
Piano (partie séparée)
29
2 Pianos, 4 mains
22
Piano Trio: piano, violon, violoncelle
19
Accordéon
18
Piano Quatuor: piano, violon, alto, violoncelle
12
Orgue, Piano (duo)
5
Ligne De Mélodie, Piano
5
Clavecin
4
1 Piano, 6 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
2
Ensemble de Pianos
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2 Pianos, 8 mains
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1
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Piano Quatuor: piano, 2 violons, violoncelle
1
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Guitare notes et tablatures
1038
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313
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299
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171
Basse electrique
67
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56
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30
Dulcimer
29
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23
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17
Banjo
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6
3 Guitares (trio)
6
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4 Guitares (Quatuor)
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39
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23
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Voix duo
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Voix Tenor, Piano
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Voix Soprano, Piano
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VENTS
2 Saxophones (duo)
634
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
317
Flûte traversière et Piano
269
2 Clarinettes (duo)
265
Saxophone (partie séparée)
252
Saxophone, Clarinette (duo)
246
2 Flûtes traversières (duo)
240
Quatuor de Saxophones: 4 saxophones
198
Clarinette, Violon (duo)
180
Clarinette, Trompette (duo)
161
Hautbois, Piano (duo)
149
Saxophone Alto et Piano
143
Clarinette et Piano
141
Flûte, Hautbois, Clarinette, Basson
140
Quintette de Saxophone: 5 saxophones
134
2 Hautbois (duo)
130
Clarinette
123
Flûte, Clarinette (duo)
120
Quatuor de Clarinettes: 4 clarinettes
111
Saxophone Tenor et Piano
105
Flûte, Violon
105
Flûte traversière
102
Hautbois, Clarinette (duo)
99
Flûte, Saxophone (duo)
95
Hautbois, Basson (duo)
91
Clarinette et Alto
90
Saxophone Soprano et Piano
87
Saxophone Alto
86
Flûte irlandaise
79
Flûte, Alto (duo)
77
Hautbois, Flûte
73
Flûte, Trompette (duo)
70
2 Flûte à bec (duo)
69
Quatuor de Flûtes : 4 flûtes
65
Saxophone Baryton, Piano
53
Ensemble de Clarinettes
44
3 Clarinettes (trio)
43
Hautbois (partie séparée)
41
3 Saxophones (trio)
41
Ensemble de saxophones
36
Ensemble de Flûtes
32
Flûte à bec Soprano
29
Trio de Flûtes: 3 flûtes
29
Saxophone Tenor
26
Ensemble De Flûte à bec
25
Flûte et Guitare
25
Flute (partie séparée)
21
Quintette de Clarinettes: 5 clarinettes
21
Hautbois
19
Quintette de Flûte : 5 flûtes
18
Clarinette (partie séparée)
18
Flûte, Hautbois (duo)
17
Cor anglais, Piano
17
Flûte, Hautbois, Clarinette (trio)
16
Saxophone Baryton
16
Hautbois, violon (duo)
15
Cor Anglais
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Saxophone Soprano
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Clarinette, Basson (duo)
14
Clarinette, Trombone (duo)
13
Flûte, Violoncelle
12
Quatuor de Flûtes à bec
11
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10
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Clarinette, Violoncelle (duo)
10
Clarinette Basse, Piano
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8
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Flûte à Bec
8
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8
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6
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Harmonica
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Flûte, Violon, Violoncelle et Piano
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Clarinette, Violoncelle, Piano (trio)
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3 Flûtes à bec (trio)
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5 Flûtes à bec
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Flûte, Clarinette, Cor, Basson (Quartet)
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Flute, Cor (duo)
2
2 Saxophones, Piano
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Flûte, Violon, Piano
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Saxophone
2
Piccolo
2
2 Flûtes traversières, Piano
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Hautbois, Violoncelle
2
Clarinette Basse
2
Flûte, Clarinette, Piano (trio)
1
Hautbois, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Harpe (duo)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
Flûte, Basson et Piano
1
Cor anglais et Harpe (duo)
1
Piccolo, Piano
1
Saxophone et Orgue
1
Saxophone et Harpe
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
211
Trompette, Saxophone (duo)
181
2 Trombones (duo)
145
Trombone (partie séparée)
144
Quatuor de Cuivres : 2 trompettes, trombone, tuba
134
2 Trompettes (duo)
129
Trompette (partie séparée)
119
Trompette, Trombone (duo)
117
Trombone et Piano
101
Trompette, Piano
99
Trompette
98
Quatuor de Cuivres: 2 trompettes, Cor, trombone
84
Cor et Piano
77
Trombone
71
Cor
63
Tuba et Piano
51
Quatuor de Cuivres
43
Tuba
42
Euphonium, Piano (duo)
37
2 Cors (duo)
27
Cor (partie séparée)
25
Tuba (partie séparée)
23
Ensemble de Trombones
23
Bass Clef Instruments
19
Cor anglais, Piano
17
Ensemble de Trompettes
17
2 Tubas (duo)
16
Cor Anglais
15
Euphonium
12
Quatuor de cuivres: 4 trombones
12
2 Euphoniums (duo)
10
Instruments en Sib
10
Trompette, Cor (duo)
10
3 Trombones (trio)
9
Quatuor de cuivres: 4 cors
8
Trompette, violon (duo)
7
2 Euphoniums et 2 Tubas
6
Trio de Cuivres
5
Cor, Tuba (duo)
5
Euphonium, Tuba (duo)
4
Cor, Violoncelle (duo)
4
Clarinette, Cor (duo)
3
4 Tubas
3
Trompette, Violoncelle (duo)
2
Tuba et Orgue
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Cor et Harpe
1
Ensemble de Cors
1
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle et Piano
1
Trompette, Euphonium (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
398
Violon et Piano
315
2 Violons (duo)
167
Violon, Violoncelle (duo)
164
Violon
159
Violoncelle, Piano
156
2 Altos (duo)
142
2 Violoncelles (duo)
136
Alto, Piano
126
Violon, Alto (duo)
124
Violoncelle (partie séparée)
89
Trio à Cordes: violon, alto, violoncelle
76
Harpe
75
Alto seul
56
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
Violoncelle
47
Contre Basse
40
Contrebasse (partie séparée)
34
Contrebasse, Piano (duo)
34
2 Contrebasses (duo)
19
Alto, Violoncelle (duo)
15
Trio à Cordes: 2 violons, violoncelle
15
2 Harpes (duo)
15
Alto (partie séparée)
15
Ensemble de Violons
13
4 Violoncelles
13
Ensemble d'Altos
12
Violoncelle, Contrebasse (duo)
12
Trio à Cordes: 3 violoncelles
9
Quatuor à cordes: 4 violons
9
Piano Trio: Violon, Alto, Piano
9
Violon (partie séparée)
7
Violon, Guitare (duo)
7
Harpe, Flûte (duo)
6
Quatuor à cordes : 4 altos
5
Trio à cordes: 3 violins
5
4 Contrebasses
5
Violoncelle , Guitare (duo)
5
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
2
Violon, Violoncelle, Clarinette
2
Harpe, Violon, Violoncelle
2
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Harpe, Voix
1
2 Violons, Piano
1
Harpe et Piano
1
Autoharp
1
2 Violoncelles, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
372
Ensemble Jazz
283
Orchestre à Cordes
212
Orchestre
165
Ensemble de cuivres
95
Fanfare
82
Jazz combo
54
Orchestre de chambre
50
Batterie (partie séparée)
43
Ensemble de Percussions
39
Cloches
36
Batterie
21
Marimba
8
Ensemble d'École
7
Percussion (partie séparée)
7
Vibraphone
6
Big band
5
2 Xylophones
2
Xylophone, Piano
1
Vibraphone (partie séparée)
1
3 Marimbas
1
Xylophone
1
Timbales (partie séparée)
1
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AUTRES
Formation musicale - Solfège
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Clarinette Basse, Piano
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.15 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. B…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.15 €
#
Clarinette Basse, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.15 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bohm: Calm as the Night for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549410 Composed by Carl Bo…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549410 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493691. Published by jmsgu3 (A0.549410). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.66 €
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Clarinette Basse, Piano
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Carl Bohm
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James M
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Bohm: Calm as the Night for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.4 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
It's Been A Long, Long Time
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule St…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Clarinette Basse, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
The Spooky Castle! for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1190191 Composed by David …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1190191 Composed by David Burndrett. Contemporary,Halloween. Score and part. 8 pages. David Burndrett #789801. Published by David Burndrett (A0.1190191). This works well as a concert piece or just for fun!It is about grade three standard and upwards.Download includes the score and both of the parts.
$4.95
4.53 €
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Clarinette Basse, Piano
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David Burndrett
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The Spooky Castle! for Bass Clarinet and Piano
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David Burndrett
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.25 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
MARMOTTE by Beethoven - transcription for Clarinet and Piano
Clarinette Basse, Piano
B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1086058 Co…
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B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1086058 Composed by Ludwig van Beethoven. Arranged by Ivan Marini. Children,Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Www.dalsegno.eu #690252. Published by www.dalsegno.eu (A0.1086058). Transcription of this famous Beethoven's Lied (op. 52 n. 7) for solo and Piano.Ideal for every young player: for classes, concerts recitals...Complete set of piano and two solo parts (both over the break and in the mid-range), with free backing track on YouTube.Duration ca. 1'', 3 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
1.82 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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Ivan Marini
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MARMOTTE by Beethoven - transcription for Clarinet and Piano
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www.dalsegno.eu
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SheetMusicPlus
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