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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Study In A
Non classifié
801
Piano & claviers
Piano seul
882
Piano Facile
324
Piano, Voix
178
Instruments en Do
42
1 Piano, 4 mains
29
Piano, Voix et Guitare
22
Orgue
14
Clavecin
11
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
225
Guitare
168
Ukulele
80
Ligne De Mélodie, (Paroles) et Accords
50
Basse electrique
18
2 Guitares (duo)
10
Mandoline
7
Paroles et Accords
6
Banjo
3
2 Ukuleles
3
Ensemble de guitares
3
Dulcimer
2
2 Dulcimers (duo)
1
Piano, Guitare (duo)
1
Guitare (partie séparée)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
51
Chorale 3 parties
28
Chorale 2 parties
14
Voix Alto, Piano
9
Chorale SSAA
7
Chorale TTBB
7
Soli, choeur mixte et accompagnement
5
Chorale Unison
4
Voix moyenne, Piano
4
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Chorale
1
Chorale SSATB
1
Voix seule
1
Voix haute
1
Voix duo, Piano
1
+ 11 instrumentations
Retracter
Vents
Clarinette
122
Flûte traversière
84
Flûte traversière et Piano
74
Hautbois, Piano (duo)
66
Clarinette et Piano
66
2 Saxophones (duo)
64
Saxophone Alto et Piano
48
2 Flûtes traversières (duo)
48
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Quatuor de Saxophones: 4 saxophones
41
2 Clarinettes (duo)
25
Quintette de Saxophone: 5 saxophones
23
Flûte, Hautbois, Clarinette, Basson
23
2 Hautbois (duo)
22
Saxophone Tenor et Piano
21
Saxophone Baryton, Piano
19
Saxophone Alto
18
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Soprano et Piano
16
3 Saxophones (trio)
13
Hautbois
13
Cor anglais, Piano
13
Hautbois (partie séparée)
10
Saxophone Tenor
9
Saxophone (partie séparée)
9
Ensemble de Clarinettes
9
2 Flûte à bec (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Quintette de Clarinettes: 5 clarinettes
7
3 Clarinettes (trio)
7
Flûte, Clarinette (duo)
7
Clarinette Basse, Piano
7
Trio de Flûtes: 3 flûtes
6
Ensemble de Flûtes
6
Quintette de Flûte : 5 flûtes
5
Saxophone, Clarinette (duo)
5
Flûte, Violon
5
Clarinette, Violon (duo)
5
Saxophone
5
Ensemble de Hautbois
4
Hautbois, Basson (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte à bec Alto, Piano
4
Flûte à bec Soprano, Piano
3
Flûte à bec Alto
3
Clarinette, Basson (duo)
3
Clarinette et Alto
3
Hautbois, Clarinette (duo)
3
Flûte, Violon, Piano
3
Flûte, Alto (duo)
3
Flûte à bec Soprano
3
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
4 Hautbois
2
Saxophone Baryton
2
Flûte à Bec
2
Flûte, Saxophone (duo)
2
3 Flûtes à bec (trio)
2
Clarinette, Orchestre
2
Flute, harpe et violon
2
Quatuor de Flûtes à bec
2
Saxophone Soprano
2
3 Hautbois
2
Flûte, Violoncelle
2
Cornemuse
1
Piccolo
1
Harmonica
1
Ensemble De Flûte à bec
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Flûte de Pan
1
Flûte traversière, Orchestre
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte et Guitare
1
Hautbois, Flûte
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
+ 78 instrumentations
Retracter
Cuivres
Trompette
59
Trompette, Piano
36
Cor et Piano
36
Tuba
34
Trombone et Piano
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Trombone
27
Cor
21
2 Trompettes (duo)
18
2 Trombones (duo)
18
Tuba et Piano
18
2 Cors (duo)
13
Cor anglais, Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
2 Tubas (duo)
8
Tuba et Orgue
7
Euphonium, Piano (duo)
6
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
3
Ensemble de Cors
3
Trompette, Saxophone (duo)
3
Trompette, Trombone (duo)
3
4 Tubas
3
3 Tubas (trio)
2
Trombone, Tuba (duo)
2
Quatuor de Cuivres
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Trompette, Cor (duo)
2
Trompette (partie séparée)
2
3 Trombones (trio)
1
Bass Clef Instruments
1
Trombone (partie séparée)
1
Clarinette, Cor (duo)
1
+ 32 instrumentations
Retracter
Cordes
Violon et Piano
94
Quatuor à cordes: 2 violons, alto, violoncelle
86
Violon
78
Alto, Piano
66
Violoncelle, Piano
55
Violoncelle
40
Harpe
34
Alto seul
33
Contrebasse, Piano (duo)
28
2 Altos (duo)
27
2 Violons (duo)
27
2 Violoncelles (duo)
23
Contre Basse
23
Alto (partie séparée)
18
Violon (partie séparée)
16
Trio à Cordes: violon, alto, violoncelle
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Violoncelle (duo)
11
Violon, Alto (duo)
9
Violon, Guitare (duo)
8
Contrebasse (partie séparée)
6
Violoncelle (partie séparée)
5
Violoncelle, Orchestre
5
Violoncelle , Guitare (duo)
5
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 altos
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
Alto et Basson
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre à Cordes
101
Orchestre
84
Orchestre de chambre
29
Marimba
18
Ensemble Jazz
8
Jazz combo
8
Vibraphone
8
Ensemble de cuivres
8
Orchestre, Violon
7
Batterie
7
Ensemble de Percussions
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Cloches
3
Xylophone
3
Percussion (partie séparée)
2
Piano et Orchestre
2
Conga
1
2 Xylophones
1
Marimba, Piano (duo)
1
Caisse Claire
1
Batterie (partie séparée)
1
Percussion
1
Fanfare
1
+ 19 instrumentations
Retracter
Autres
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CLOCHES
CONTREBASSE
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Study In A
Clarinette Basse, Piano
Partitions à imprimer
7 partitions trouvées
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1
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
The River Is Wide for Bass Clarinet
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Traditional
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Lawrence H
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The River Is Wide for Bass Cla
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968418 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Contemporary,Prai...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968418 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and individual part. 11 pages. Lawrence H Underwood #6564455. Published by Lawrence H Underwood (A0.968418). Arranged by veteran performer and music educator, Lawrence Underwood, as the seventh installment in his 2021 Hymn Song Collection series, this brand new setting of The River Is Wide is a study in movement - from flowing ballad through bounding 4/4, lilting 6/8 through a slow march finale - all the while highlighting the beautiful traditional melody at its heart. Suitable for use as special music in church or as a recital piece, this new arrangement will really make an impact!
$5.99
Down by the Riverside, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592710 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592710 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411787. Published by David McKeown (A0.592710). Down by the Riverside is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
I Love You Truly-Bass clarinet/piano
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Clarinette Basse, Piano
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FACILE
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Phil Beaman
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I Love You Truly-Bass clarinet
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Phil Beaman
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #...
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Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
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