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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Succession
Non classifié
984
Piano & claviers
Piano seul
502
Piano, Voix
188
Piano Facile
175
Piano, Voix et Guitare
113
Instruments en Do
53
Orgue
47
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
7
Accompagnement Piano
7
2 Pianos, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano (partie séparée)
4
Accordéon
4
Orgue, Piano (duo)
4
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
115
Guitare notes et tablatures
74
Guitare
48
Ligne De Mélodie, (Paroles) et Accords
29
Ukulele
11
Guitare (partie séparée)
9
2 Guitares (duo)
5
Basse electrique
4
Dulcimer
4
Mandoline
2
4 Guitares (Quatuor)
2
Paroles et Accords
1
Orchestre à Plectres
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
206
Chorale TTBB
125
Chorale SSAA
120
Chorale 3 parties
92
Chorale 2 parties
54
Chorale Unison
45
Voix duo, Piano
10
Chorale
6
Voix Soprano, Piano
4
Voix Baryton, Piano
4
Chorale SSAATTBB
3
Voix moyenne, Piano
3
Chorale SSATTB
2
Voix duo
2
Voix Tenor, Piano
1
Voix Soprano
1
Voix Tenor
1
Voix seule
1
Voix basse, Piano
1
Voix haute
1
+ 15 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
233
Clarinette et Piano
226
Flûte traversière et Piano
220
Saxophone Alto et Piano
180
Saxophone Tenor et Piano
157
2 Saxophones (duo)
119
Quatuor de Clarinettes: 4 clarinettes
66
Flûte traversière
63
Quatuor de Saxophones: 4 saxophones
62
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Saxophone (partie séparée)
56
Saxophone Alto
54
2 Clarinettes (duo)
50
Clarinette
45
Saxophone Tenor
42
2 Flûtes traversières (duo)
34
Quatuor de Flûtes : 4 flûtes
34
Flûte, Hautbois, Clarinette, Basson
34
Saxophone Soprano et Piano
32
Hautbois (partie séparée)
28
Quintette de Saxophone: 5 saxophones
27
2 Hautbois (duo)
25
Saxophone Baryton, Piano
25
Saxophone, Clarinette (duo)
22
3 Saxophones (trio)
21
3 Clarinettes (trio)
21
Cor anglais, Piano
19
Quintette de Clarinettes: 5 clarinettes
18
Ensemble de saxophones
17
Ensemble de Clarinettes
16
Clarinette, Violon (duo)
12
Flûte à bec Soprano
12
Clarinette, Trompette (duo)
11
Trio de Flûtes: 3 flûtes
10
Clarinette (partie séparée)
8
Ensemble de Flûtes
8
Flûte, Violon
8
Flûte, Clarinette (duo)
8
Quintette de Flûte : 5 flûtes
7
4 Hautbois
7
3 Hautbois
7
Hautbois, Flûte
7
Clarinette et Alto
6
Flûte, Saxophone (duo)
6
Flute (partie séparée)
6
Flûte à bec Alto
6
Saxophone Soprano
6
2 Flûte à bec (duo)
5
Hautbois, Basson (duo)
5
Clarinette Basse, Piano
5
Hautbois, Clarinette (duo)
5
Flûte, Trompette (duo)
4
Saxophone Baryton
4
Flûte, Alto (duo)
4
Ocarina
4
2 Clarinettes, Basson
4
2 Hautbois et Basson
3
3 Flûtes à bec (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte et Guitare
3
2 Clarinettes, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette Basse
2
Cor Anglais
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flute, harpe et violon
2
Hautbois
1
Flûte à bec Alto, Basse continue
1
5 Flûtes à bec
1
2 Flûtes traversières, Piano
1
Flûte et Quatuor à Cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Harmonica
1
2 Saxophones, Piano
1
Flûte, Alto et Piano
1
Flûte à Bec
1
Saxophone
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Instruments en Mib
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte à bec Soprano, Piano
1
+ 85 instrumentations
Retracter
Cuivres
Trombone et Piano
172
Trompette
125
Trompette, Piano
95
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
69
Quatuor de Cuivres : 2 trompettes, trombone, tuba
62
Trombone
41
Trompette (partie séparée)
39
Trombone (partie séparée)
29
2 Trompettes (duo)
26
2 Trombones (duo)
25
Cor et Piano
22
Cor anglais, Piano
19
2 Cors (duo)
18
Euphonium, Piano (duo)
18
2 Tubas (duo)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette, Saxophone (duo)
14
Tuba et Piano
13
Ensemble de Trombones
11
Cor (partie séparée)
10
Cor
9
Tuba
8
Trompette, Trombone (duo)
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trombones
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 cors
5
Euphonium
5
4 Tubas
4
Ensemble de Trompettes
4
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Cors
2
Cor Anglais
2
Tuba et Orgue
2
Quatuor de cuivres: 4 trompettes
2
Bass Clef Instruments
2
2 Euphoniums et 2 Tubas
2
Cor et Orgue
1
Instruments en Sib
1
Trombone basse
1
Instruments en Fa
1
Trio de Cuivres
1
+ 37 instrumentations
Retracter
Cordes
Violon et Piano
224
Alto, Piano
216
Quatuor à cordes: 2 violons, alto, violoncelle
197
Violoncelle, Piano
197
Violon
73
Violoncelle
51
Violon, Violoncelle (duo)
37
Trio à Cordes: 2 violons, violoncelle
35
2 Violons (duo)
33
2 Violoncelles (duo)
32
Alto seul
30
2 Altos (duo)
28
Trio à Cordes: violon, alto, violoncelle
25
Alto (partie séparée)
21
Violon (partie séparée)
17
2 Contrebasses (duo)
16
Contrebasse (partie séparée)
12
Contrebasse, Piano (duo)
12
Contre Basse
12
Violon, Alto (duo)
11
Harpe
10
2 Harpes (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à cordes: 3 violins
8
Trio à Cordes: 3 violoncelles
7
Trio à cordes: 3 altos
7
4 Violoncelles
3
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Ensemble d'Altos
1
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
629
Orchestre à Cordes
215
Orchestre
103
Cloches
45
Ensemble de cuivres
32
Orchestre de chambre
31
Ensemble Jazz
30
Ensemble de Percussions
24
Batterie
8
Jazz combo
8
Batterie (partie séparée)
6
Percussion (partie séparée)
5
Xylophone, Piano
4
Fanfare
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Vibraphone et Marimba
1
Ensemble d'École
1
Piano et Orchestre
1
2 Marimbas
1
+ 15 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Clarinette Basse, Piano
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1
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Onward Christian Soldiers, Gospel Hymn for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593135 Composed by Sabine Baring-Gould. Arranged by David McKeown. Praise & Worship,Sacred,Spirit...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593135 Composed by Sabine Baring-Gould. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416459. Published by David McKeown (A0.593135). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
The Elite Syncopations for Solo Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 p...
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Bass Clarinet,Piano - Level 4 - SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694905. Published by David McKeown (A0.1090775). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Bass Clarinet with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
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