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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Last Stand
Non classifié
602
Piano & claviers
Piano seul
240
Piano, Voix et Guitare
90
Piano Facile
59
Instruments en Do
52
Piano, Voix
48
Accompagnement Piano
19
Orgue
18
Piano grosses notes
7
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Ligne De Mélodie, (Paroles) et Accords
47
Guitare
29
Ukulele
13
Guitare (partie séparée)
5
Basse electrique
4
Piano, Guitare (duo)
4
Paroles et Accords
4
Mandoline
2
Dulcimer
2
Banjo
2
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
45
Chorale 3 parties
20
Voix duo, Piano
12
Chorale 2 parties
10
Chorale Unison
9
Chorale TTBB
6
Voix haute
6
Voix Soprano, Piano
6
Chorale SSAA
4
Voix Baryton, Piano
3
Voix seule
3
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
2
Voix moyenne, Piano
2
Pack Instrumental pour Chorale
2
Voix basse, Piano
2
Voix Tenor
1
Voix Soprano
1
Voix basse
1
Voix duo
1
Voix Alto, Piano
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
53
Flûte, Hautbois, Clarinette, Basson
36
Flûte traversière et Piano
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Clarinette et Piano
29
Quatuor de Saxophones: 4 saxophones
28
2 Clarinettes (duo)
27
Hautbois, Piano (duo)
27
2 Flûtes traversières (duo)
26
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
23
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone Soprano et Piano
18
Saxophone (partie séparée)
17
Clarinette, Violon (duo)
17
3 Clarinettes (trio)
17
Quatuor de Flûtes : 4 flûtes
16
Flûte, Clarinette (duo)
13
Saxophone Tenor et Piano
13
Saxophone Tenor
12
Clarinette, Trompette (duo)
11
2 Hautbois (duo)
10
Saxophone Alto
8
Hautbois, Basson (duo)
8
Flûte, Alto (duo)
8
Flûte, Violon
8
Clarinette Basse, Piano
8
Clarinette et Alto
8
Saxophone Baryton, Piano
8
Hautbois (partie séparée)
7
Ensemble de Clarinettes
7
Flûte traversière
7
Hautbois, Clarinette (duo)
7
Flûte, Trompette (duo)
6
Hautbois, Flûte
6
Flûte, Saxophone (duo)
6
Clarinette
6
Cor anglais, Piano
5
Ensemble de Flûtes
5
Ensemble de saxophones
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Soprano
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte à bec Soprano, Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
2
Harmonica
2
Hautbois, violon (duo)
2
Flûte à bec Alto
2
Clarinette Basse
1
Cor Anglais
1
Flute (partie séparée)
1
Flûte, Violoncelle
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
3 Saxophones (trio)
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette et Basson
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone et Piano
16
Trompette, Saxophone (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette, Piano
14
Cor et Piano
14
Trompette (partie séparée)
13
Trompette
11
Trombone (partie séparée)
10
2 Trompettes (duo)
10
2 Trombones (duo)
10
Euphonium, Piano (duo)
8
Trompette, Trombone (duo)
7
Trombone
6
Tuba et Piano
5
Cor
5
Cor anglais, Piano
5
2 Cors (duo)
4
Quatuor de Cuivres
4
Trompette, Cor (duo)
2
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
Tuba
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon et Piano
37
Alto, Piano
27
Violoncelle, Piano
24
Violon, Alto (duo)
23
2 Violons (duo)
20
Violon
17
Harpe
17
Violon, Violoncelle (duo)
17
Violoncelle
15
Trio à Cordes: violon, alto, violoncelle
12
2 Altos (duo)
10
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
6
Contre Basse
5
Alto seul
5
Contrebasse (partie séparée)
3
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
2 Harpes (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon, Violoncelle
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre de chambre
30
Orchestre
29
Ensemble Jazz
27
Orchestre à Cordes
18
Ensemble de cuivres
10
Cloches
9
Ensemble de Percussions
6
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Fanfare
3
Batterie
3
Xylophone, Piano
1
Marimba
1
Jazz combo
1
+ 10 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
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Vous avez sélectionné:
The Last Stand
Clarinette Basse, Piano
Partitions à imprimer
8 partitions trouvées
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1
Stand Up, Stand Up for Jesus, Gospel Hymn for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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George Duffield Jr
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David McKeown
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Stand Up, Stand Up for Jesus,
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593210 Composed by George Duffield Jr. Arranged by David McKeown. Praise & Worship,Sacred,Spiritu...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593210 Composed by George Duffield Jr. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417809. Published by David McKeown (A0.593210). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
#
Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
Beethoven: Adagio from the Moo
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
$24.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
ARIOSO, by J. S. Bach (sinfonia) - for Bâ™ Bass Clarinet and accompaniment
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.964375 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.964375 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320863. Published by Leyandder Trustworthy (A0.964375). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for B♠Bass Clarinet along with a piano accompaniment that comes with the product.
$1.99
ARIOSO, by J. S. Bach (sinfonia) - for A Bass Clarinet and accompaniment
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 1 - SKU: A0.964376 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructi...
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Bass Clarinet,Instrumental Solo,Piano - Level 1 - SKU: A0.964376 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6321025. Published by Leyandder Trustworthy (A0.964376). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for A Bass Clarinet along with a piano accompaniment that comes with the product.
$1.99
Imagine
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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John Lennon And The Plastic On
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Raymond Fenech
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Imagine
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Raymond Fenech
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 3 - SKU: A0.760623 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Raymond Fenech. Multi...
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Small Ensemble Bass Clarinet,Piano - Level 3 - SKU: A0.760623 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Raymond Fenech. Multicultural,Pop,Rock,Standards,Wedding,World. Score and part. 11 pages. Raymond Fenech #5722365. Published by Raymond Fenech (A0.760623). Imagine is a song written and performed by English musician John Lennon. The best-selling single of his solo career, its lyrics encourage the listener to imagine a world at peace without the barriers of borders or the divisions of religion and nationality and to consider the possibility that the whole of humanity would live unattached to material possessions. The Duration is approx. 3.09 minutes and the level is Intermediate.
$5.99
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