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Non classifié
3266
PIANO & CLAVIERS
Piano seul
1993
Piano Facile
1742
Piano, Voix
662
Piano, Voix et Guitare
552
Orgue
217
Accompagnement Piano
104
Instruments en Do
98
Accordéon
38
1 Piano, 4 mains
35
Piano grosses notes
34
Piano Trio: piano, violon, violoncelle
23
Orgue, Trompette (duo)
7
Piano (partie séparée)
7
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
4
2 Pianos, 4 mains
4
2 Pianos, 8 mains
3
2 Accordéons
1
1 Piano, 6 mains
1
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1
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GUITARES
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Guitare
191
Ligne De Mélodie, (Paroles) et Accords
171
Ukulele
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68
Basse electrique
43
2 Guitares (duo)
19
Mandoline
14
Piano, Guitare (duo)
8
Banjo
7
Dulcimer
7
Guitare (partie séparée)
6
Ensemble de guitares
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4 Guitares (Quatuor)
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Guitare, Violon, Violoncelle (trio)
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3 Guitares (trio)
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VOIX
Chorale SATB
771
Chorale 3 parties
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Chorale SSAA
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Chorale TTBB
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Chorale 2 parties
75
Chorale Unison
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Voix Soprano, Piano
38
Voix duo, Piano
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Chorale
17
Voix duo
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Voix seule
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Voix Tenor, Piano
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Chorale SSAATTBB
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Voix haute
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Voix Alto, Piano
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Voix basse, Piano
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Chorale SSAB, Piano
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Voix moyenne, Piano
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Voix Mezzo-Soprano, Piano
2
Voix Tenor
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Chorale SSATTB
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Chorale SSATB
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VENTS
Quatuor de Saxophones: 4 saxophones
373
Flûte, Hautbois, Clarinette, Basson
249
Flûte traversière et Piano
198
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
188
Saxophone (partie séparée)
179
Flûte traversière
170
Clarinette
155
2 Saxophones (duo)
128
Clarinette et Piano
125
Saxophone Alto et Piano
123
Quatuor de Clarinettes: 4 clarinettes
121
Saxophone Alto
118
Quintette de Saxophone: 5 saxophones
116
Hautbois, Piano (duo)
113
2 Flûtes traversières (duo)
109
Saxophone Tenor et Piano
73
Hautbois (partie séparée)
69
2 Clarinettes (duo)
69
Quatuor de Flûtes : 4 flûtes
55
Saxophone Soprano et Piano
53
Saxophone, Clarinette (duo)
42
Quintette de Clarinettes: 5 clarinettes
39
Ensemble de Clarinettes
39
Flûte et Guitare
39
Quintette de Flûte : 5 flûtes
37
Saxophone Baryton, Piano
33
Flûte, Clarinette (duo)
32
3 Saxophones (trio)
30
Clarinette (partie séparée)
30
Hautbois, Basson (duo)
27
Ensemble de Flûtes
27
Clarinette, Violon (duo)
27
2 Hautbois (duo)
26
Flûte, Violon et Violoncelle
24
Ensemble de saxophones
24
Flute (partie séparée)
22
Clarinette et Alto
20
Hautbois
20
Clarinette, Trompette (duo)
20
Flûte, Violon
19
Clarinette, Guitare (duo)
19
3 Clarinettes (trio)
18
Cor anglais, Piano
18
Hautbois, Clarinette (duo)
15
Flûte, Trompette (duo)
14
2 Flûte à bec (duo)
14
Flûte, Saxophone (duo)
14
Hautbois, Flûte
14
Flûte, Alto (duo)
14
Clarinette Basse, Piano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Saxophone Soprano
11
Flûte, Violoncelle
11
Clarinette, Basson (duo)
10
Flûte à Bec
10
Flûte à bec Soprano
10
Trio de Flûtes: 3 flûtes
10
Flûte à bec Alto
9
Saxophone
8
3 Flûtes à bec (trio)
7
Clarinette, Harpe (duo)
7
Cor anglais, Guitare (duo)
7
Flûte, Hautbois, Clarinette (trio)
7
Quatuor de Flûtes à bec
7
Saxophone Tenor
7
5 Flûtes à bec
6
Saxophone et Harpe
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Hautbois, Harpe
5
Flûte, Violoncelle, Piano (trio)
5
Hautbois, Violoncelle
5
Clarinette, Violoncelle (duo)
5
Flûte, Violoncelle, Guitare
5
Saxophone et Orgue
5
Flûte, Violon, Piano
5
Saxophone et Guitare
5
Saxophone Baryton
4
Ensemble De Flûte à bec
4
Flûte traversière, Orgue (duo)
4
Flûte à bec Tenor
4
Harmonica
4
2 Clarinettes, Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte irlandaise
3
Hautbois, Guitare (duo)
3
Piccolo, Piano
2
Flûte à bec Soprano, Piano
2
Flûte, Basson et Piano
2
2 Flûtes traversières, Guitare
2
2 Flûtes traversières, Piano
2
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
Flûte de Pan
1
Cor anglais et Harpe (duo)
1
Clarinette, Orgue
1
Flûte à bec Alto, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette et Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette, Piano (trio)
1
Flûte, alto et harpe
1
Flûte à Bec, Piano
1
Saxophone et Piano
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
253
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
202
Trompette
160
Trombone
123
Trompette, Piano
92
Trombone et Piano
88
Cor et Piano
83
Quatuor de Cuivres
78
Cor
58
Trompette (partie séparée)
47
Tuba
44
Tuba et Piano
40
Trombone (partie séparée)
39
2 Trompettes (duo)
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Ensemble de Trombones
29
Trompette, Saxophone (duo)
28
2 Trombones (duo)
27
Euphonium, Piano (duo)
24
Quatuor de cuivres: 4 trombones
21
Cor (partie séparée)
19
Trompette, Trombone (duo)
18
Cor anglais, Piano
18
Tuba (partie séparée)
15
2 Cors (duo)
14
Euphonium
12
Quatuor de cuivres: 4 cors
10
4 Tubas
8
Ensemble de Trompettes
8
Cor anglais, Guitare (duo)
7
2 Euphoniums et 2 Tubas
7
3 Trombones (trio)
6
Ensemble de Cors
6
Trio de Cuivres
5
Trombone basse
4
Cor et Harpe
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Harpe
3
2 Tubas (duo)
2
Trombone, Cor (duo)
2
Trompette, Cor (duo)
2
3 Tubas (trio)
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Basson (duo)
1
Trombone, Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
528
Violon et Piano
213
Violon
192
Violoncelle, Piano
118
Alto, Piano
112
Violoncelle (partie séparée)
92
Alto seul
78
Harpe
54
Violon, Violoncelle (duo)
53
2 Violons (duo)
50
Violoncelle
43
2 Altos (duo)
42
Trio à Cordes: violon, alto, violoncelle
37
Alto (partie séparée)
37
Contrebasse, Piano (duo)
36
2 Violoncelles (duo)
36
Violon (partie séparée)
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
35
Violon, Alto (duo)
34
2 Harpes (duo)
33
Contre Basse
26
Trio à Cordes: 2 violons, violoncelle
21
Contrebasse (partie séparée)
21
4 Violoncelles
14
Harpe, Flûte (duo)
14
Violon, Guitare (duo)
12
Alto, Violoncelle (duo)
12
Harpe, Violon (duo)
9
Trio à Cordes: 3 violoncelles
8
Violoncelle, Contrebasse (duo)
7
Violoncelle , Guitare (duo)
7
Ensemble d'Altos
6
Ensemble de Violons
6
Piano Trio: Violon, Alto, Piano
5
Alto et Harpe
5
Flûte, Contrebasse (duo)
5
Alto, Guitare (duo)
5
Quatuor à cordes: 4 violons
4
2 Contrebasses (duo)
4
Trio à cordes: 3 altos
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violoncelle (duo)
4
Harpe, Voix
4
Quatuor à cordes : 4 altos
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Trio à cordes: 3 violins
3
Violon, Basson (duo)
2
Harpe (partie séparée)
2
Alto et Basson
2
2 Altos, Piano
1
Violoncelle, Orchestre
1
Harpe et Piano
1
Violoncelle, Orgue
1
Trio à cordes
1
Alto, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
945
Orchestre
218
Orchestre à Cordes
196
Cloches
142
Ensemble de cuivres
88
Ensemble Jazz
78
Fanfare
75
Orchestre de chambre
51
Jazz combo
34
Batterie
32
Percussion (partie séparée)
25
Ensemble de Percussions
25
Batterie (partie séparée)
22
2 Xylophones
21
Marimba
20
Xylophone
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
3
Timbales (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Percussion
1
2 Marimbas
1
Caisse Claire
1
Piano et Orchestre
1
Vibraphone
1
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AUTRES
Théorie de la musique
2
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Clarinette Basse, Piano
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.85 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.18 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
$24.95
22.85 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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jmsgu3
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SheetMusicPlus
I Vow To Thee, My Country - Bb Bass Clarinet Solo with Piano Accompaniment
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 2 - Digital Download SKU: A0.9…
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 2 - Digital Download SKU: A0.914002 Composed by Gustav Holst. Arranged by Lowel Aaron Court, Dyre Scheer-Peters. 20th Century,Patriotic,Praise & Worship,Romantic Period. Score and parts. 3 pages. Glyndwr Alley Music Publishing Group #3455307. Published by Glyndwr Alley Music Publishing Group (A0.914002). I Vow to Thee, My Country is a hymn that is based on the poem of the same name by Sir Cecil Spring Rice and complied to the tune of the Chorale from Holst's fourth movement, Jupiter, of The Planets Suite. It was first performed at a Remembrance Day (Armistice Day) ceremony in 1921, then later on became published a hymn in 1926. This arranged is for a Bb Bass Clarinet solo with Piano Accompaniment.
$3.99
3.65 €
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Clarinette Basse, Piano
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Gustav Holst
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I Vow To Thee, My Country - Bb Bass Clarinet Solo with Piano Accompaniment
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Glyndwr Alley Music Publishing Group
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.85 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.85 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.43 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.9 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.18 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1112353 Composed by Scott …
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Bass Clarinet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Clarinette Basse, Piano
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Roadside Inn - Schumann- Bass Clarinet-Piano
Clarinette Basse, Piano
B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844508 Composed by …
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B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489041. Published by Phil Beaman (A0.844508). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.57 €
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Clarinette Basse, Piano
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Bass Clarinet-Piano
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Phil Beaman
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.587870 Composed by Various…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part. 26 pages. David McKeown #5037721. Published by David McKeown (A0.587870). 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Bass Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Bass Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
6.96 €
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Clarinette Basse, Piano
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Various
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David McKeown
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16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Maple Leaf Rag - Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.722324 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.722324 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Ragtime,Wedding. Score and individual part. 7 pages. Music-Scores.com #6364113. Published by Music-Scores.com (A0.722324). Maple Leaf Rag, arranged for Bass Clarinet and Piano. This was an early ragtime piece that was arranged and played by many dance bands over the years. It could have been named after a club called the Maple Leaf Club in the city of Sedalia, Missouri, where Joplin later lived.This is a version for Bass Clarinet and Piano.Duration: just over 3 minutes, with repeats.Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
6.37 €
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Clarinette Basse, Piano
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Scott Joplin
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Maple Leaf Rag - Bass Clarinet and Piano
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Music-Scores.com
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SheetMusicPlus
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