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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Second Line: Score
Non classifié
242
Piano & claviers
Piano seul
153
Piano Facile
85
Piano, Voix
35
1 Piano, 4 mains
26
Piano, Voix et Guitare
23
Accompagnement Piano
23
Orgue
10
2 Pianos, 4 mains
4
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 6 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
14
Mandoline
9
Basse electrique
7
Guitare
5
Guitare (partie séparée)
4
Mandoline, Guitare (duo)
4
2 Guitares (duo)
3
Ukulele
2
Guitare notes et tablatures
1
+ 4 instrumentations
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Voix
Chorale SATB
27
Chorale 3 parties
4
Chorale SSAA
4
Chorale 2 parties
3
Chorale Unison
3
Chorale TTBB
3
Voix Soprano, Piano
3
Voix seule
1
Voix moyenne, Piano
1
Voix haute
1
Chorale SSAATTBB
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
23
Saxophone Alto et Piano
13
Clarinette et Piano
13
Hautbois, Piano (duo)
12
Saxophone Tenor et Piano
11
Saxophone (partie séparée)
10
2 Clarinettes (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
3 Saxophones (trio)
2
Hautbois, Basson (duo)
2
Clarinette
2
Cor anglais, Piano
2
Ensemble de Flûtes
2
Quintette de Saxophone: 5 saxophones
2
Flûte et Guitare
2
Clarinette, Harpe (duo)
2
Hautbois, Harpe
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Basson et Piano
1
Clarinette Basse, Piano
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
2 Flûte à bec (duo)
1
+ 37 instrumentations
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Cuivres
Trombone et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
11
Trombone (partie séparée)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette (partie séparée)
7
Cor et Piano
6
2 Trompettes (duo)
4
Euphonium, Piano (duo)
4
Trompette
3
Cor
2
Tuba et Piano
2
Cor anglais, Piano
2
3 Trombones (trio)
2
2 Trombones (duo)
2
2 Cors (duo)
2
2 Cors, Piano
1
Tuba
1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
Trombone
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
25
Alto, Piano
19
Violoncelle, Piano
18
Harpe
15
Trio à Cordes: violon, alto, violoncelle
10
Violon
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Violoncelle
3
Harpe, Violon (duo)
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
1
Contre Basse
1
Alto seul
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
2 Altos, Piano
1
+ 24 instrumentations
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Orchestre & Percussions
Ensemble Jazz
49
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41
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23
Cloches
18
Ensemble de cuivres
18
Orchestre à Cordes
16
Batterie
15
Ensemble de Percussions
8
Orchestre de chambre
7
Fanfare
6
Jazz combo
4
Batterie (partie séparée)
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
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The Second Line: Score
Clarinette Basse, Piano
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
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The Second Line: Score
