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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There Is
Non classifié
5 882
Piano & claviers
Piano grosses notes
3 312
Piano seul
2 901
Orgue
1 766
Piano, Voix
956
Piano Facile
649
Piano, Voix et Guitare
515
Instruments en Do
232
Accompagnement Piano
134
1 Piano, 4 mains
88
Clavier
65
Piano Trio: piano, violon, violoncelle
65
2 Pianos, 4 mains
55
Piano (partie séparée)
42
Piano Quatuor: piano, violon, alto, violoncelle
15
Orgue, Piano (duo)
12
Accordéon
10
Orgue, Trompette (duo)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Clavecin
6
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
4
2 Accordéons
2
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Orgue, Voix
1
Fake Book
1
+ 21 instrumentations
Retracter
Guitares
Guitare
364
Basse electrique
326
Guitare notes et tablatures
316
Ligne De Mélodie, (Paroles) et Accords
138
Guitare (partie séparée)
87
Ukulele
60
2 Guitares (duo)
52
Paroles et Accords
35
4 Guitares (Quatuor)
24
Mandoline
18
Dulcimer
16
Banjo
15
3 Guitares (trio)
8
Ensemble de guitares
8
Piano, Guitare (duo)
7
Mandoline, Guitare (duo)
2
Guitare, Orchestre
2
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 671
Chorale 3 parties
499
Chorale Unison
436
Chorale 2 parties
356
Chorale TTBB
238
Chorale SSAA
172
Voix duo, Piano
101
Voix Alto, Piano
95
Voix Soprano, Piano
76
Voix Tenor, Piano
63
Voix duo
39
Chorale
34
Voix Baryton, Piano
34
Pack Instrumental pour Chorale
29
Voix Tenor
28
Voix Soprano
25
Voix haute
21
Voix moyenne, Piano
17
Voix seule
16
Chorale SSAATTBB
5
Voix basse, Piano
4
Chorale SSATTB
3
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
2
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
+ 21 instrumentations
Retracter
Vents
2 Saxophones (duo)
922
Flûte traversière et Piano
662
2 Clarinettes (duo)
431
Saxophone, Clarinette (duo)
427
Hautbois, Piano (duo)
417
2 Flûtes traversières (duo)
386
Clarinette et Piano
336
Clarinette, Violon (duo)
301
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
287
Saxophone Alto et Piano
257
Saxophone (partie séparée)
257
Clarinette, Trompette (duo)
255
Quatuor de Saxophones: 4 saxophones
215
Flûte traversière
204
Flûte, Clarinette (duo)
198
2 Hautbois (duo)
175
Flûte, Hautbois, Clarinette, Basson
174
Clarinette
168
Flûte, Violon
158
Hautbois, Clarinette (duo)
157
Saxophone Tenor et Piano
156
Hautbois, Basson (duo)
156
Clarinette et Alto
156
Quintette de Saxophone: 5 saxophones
147
Flûte, Saxophone (duo)
143
Saxophone Alto
136
Quatuor de Clarinettes: 4 clarinettes
133
Hautbois, Flûte
127
Flûte, Alto (duo)
126
Flûte, Trompette (duo)
119
Cor anglais, Piano
106
Ensemble de saxophones
104
Ensemble de Clarinettes
103
Ensemble de Flûtes
103
Saxophone Soprano et Piano
97
Quatuor de Flûtes : 4 flûtes
91
Saxophone Tenor
88
Flûte irlandaise
83
Saxophone Baryton, Piano
69
Hautbois (partie séparée)
55
Quintette de Flûte : 5 flûtes
49
Flûte et Guitare
49
Hautbois
48
2 Flûte à bec (duo)
46
Quintette de Clarinettes: 5 clarinettes
46
3 Clarinettes (trio)
45
Flûte, Harpe et Violoncelle
42
Clarinette Basse, Piano
42
3 Saxophones (trio)
41
Flûte à Bec
39
Flute (partie séparée)
34
2 Flûtes traversières, Piano
34
Trio de Flûtes: 3 flûtes
32
Flûte, Hautbois (duo)
22
Saxophone Soprano
22
Flûte à bec Soprano
22
Saxophone
21
Flûte, Violon, Piano
20
Flûte, Clarinette, Piano (trio)
19
Clarinette (partie séparée)
18
Clarinette, Guitare (duo)
17
Flûte, Hautbois, Clarinette (trio)
17
Hautbois, violon (duo)
14
Clarinette, Harpe (duo)
13
Flute, harpe et violon
13
Clarinette, Basson (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Violoncelle
12
Quatuor de Flûtes à bec
12
2 Clarinettes, Piano
11
Harmonica
10
3 Flûtes à bec (trio)
10
Clarinette, Trombone (duo)
9
Flûte, Clarinette et Basson
9
Flûte à bec Soprano, Piano
9
Flûte, Hautbois, Piano (trio)
8
Flûte à bec Tenor
8
Flûte à bec Alto
7
Flûte à bec Alto, Piano
7
Clarinette, Violoncelle (duo)
7
Cor Anglais
6
Saxophone et Guitare
6
Hautbois, Guitare (duo)
6
Cor anglais, Guitare (duo)
6
Ensemble De Flûte à bec
5
Ocarina
4
2 Saxophones, Piano
4
2 Hautbois, Piano
4
Flûte, Alto et Piano
4
Saxophone Baryton
4
Flûte, Hautbois, Basson
4
Hautbois, Harpe
3
3 Hautbois
3
Piccolo, Piano
3
Saxophone et Harpe
3
Flûte à Bec, Piano
2
Hautbois, Basson et Piano
2
Instruments en Mib
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Basson et Piano
2
Flûte, trombone et piano
2
Saxophone et Orgue
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Violoncelle, Piano (trio)
2
2 Clarinettes, Basson
2
Flûte, Violoncelle, Piano (trio)
2
Flûte traversière, Orgue (duo)
1
Clarinette, Basson, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Hautbois, Violon, Piano
1
5 Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo
1
Flûte, Hautbois, Violon
1
Flûte, Violoncelle, Guitare
1
2 Flûtes traversières, Harpe
1
Ensemble de Hautbois
1
Clarinette Basse
1
Ensemble à vent
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
324
Trompette, Saxophone (duo)
301
Quatuor de Cuivres : 2 trompettes, trombone, tuba
231
Trombone et Piano
223
Trombone (partie séparée)
219
Trompette
210
Trompette, Piano
180
2 Trombones (duo)
178
Trompette, Trombone (duo)
177
Cor et Piano
175
2 Trompettes (duo)
172
Trompette (partie séparée)
165
Trombone
139
Cor anglais, Piano
106
Cor
72
Euphonium, Piano (duo)
71
Tuba et Piano
69
Quatuor de Cuivres
67
Ensemble de Trombones
57
Quatuor de Cuivres: 2 trompettes, Cor, trombone
57
Ensemble de Trompettes
52
Tuba
52
Quatuor de cuivres: 4 trombones
39
Cor (partie séparée)
37
2 Cors (duo)
32
Tuba (partie séparée)
27
Quatuor de cuivres: 4 cors
17
3 Trompettes (trio)
14
3 Trombones (trio)
13
2 Tubas (duo)
12
Trio de Cuivres
10
Ensemble de Cors
9
Quatuor de cuivres: 4 trompettes
9
2 Euphoniums (duo)
8
2 Euphoniums et 2 Tubas
8
4 Tubas
7
Bass Clef Instruments
6
Cor Anglais
6
Euphonium
6
Trompette, Tuba (duo)
6
2 Trompettes, Clavier (piano ou orgue)
6
Cor anglais, Guitare (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trombone, Cor (duo)
5
Trompette, Cor (duo)
5
Cor, Tuba (duo)
4
3 Cors (trio)
4
Trombone, Tuba (duo)
4
2 Cors, Piano
4
Euphonium, Tuba (duo)
3
Instruments en Sib
3
Trompette, Harpe
2
Tuba et Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse
2
2 Cors Anglais Et Pianoforte
2
Trompette, Trombone, Piano
2
3 Euphoniums
2
Trombone, Orgue
2
3 Tubas (trio)
2
Trompette, Euphonium (duo)
1
Trombone basse et Piano
1
Clarinette, Cor (duo)
1
Cor et Harpe
1
Trombone, Violon (duo)
1
+ 60 instrumentations
Retracter
Cordes
Harpe
1 131
Quatuor à cordes: 2 violons, alto, violoncelle
821
Violon et Piano
779
Violon, Violoncelle (duo)
384
Violon
343
Violoncelle, Piano
313
Alto, Piano
284
Trio à Cordes: violon, alto, violoncelle
265
2 Violons (duo)
234
Violon, Alto (duo)
211
Violoncelle
191
2 Altos (duo)
189
2 Violoncelles (duo)
188
Alto seul
110
Quintette à cordes: 2 violons, alto, violoncelle, basse
99
Contrebasse (partie séparée)
58
Trio à Cordes: 2 violons, violoncelle
56
2 Harpes (duo)
56
Contrebasse, Piano (duo)
42
Harpe, Flûte (duo)
42
Contre Basse
40
Harpe, Violon (duo)
32
Violon (partie séparée)
29
Alto (partie séparée)
27
Trio à cordes: 3 violins
25
Alto, Violoncelle (duo)
22
Ensemble de Violons
17
Ensemble d'Altos
16
4 Violoncelles
15
Violoncelle, Contrebasse (duo)
13
Violon, Guitare (duo)
13
2 Violons, Piano
11
Piano Trio: Violon, Alto, Piano
11
Harpe, Voix
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Trio à Cordes: 3 violoncelles
10
Violoncelle , Guitare (duo)
7
2 Contrebasses (duo)
7
Trio à Cordes: 2 violons, alto
7
Violoncelle (partie séparée)
7
Trio à cordes: 3 altos
7
Quatuor à cordes: 4 violons
6
Flûte, Contrebasse (duo)
5
Violon, Clarinette, Piano (trio)
4
Quatuor à cordes : 4 altos
4
Alto et Harpe
3
4 Contrebasses
3
2 Altos, Piano
3
2 Violoncelles, Piano
3
Ensemble de Violoncelles
3
3 Contrebasses
2
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Orgue
2
Harpe, Trombone (duo)
1
Harpe, Violon, Violoncelle
1
Harpe et Piano
1
Alto et Basson
1
Violoncelle, Orchestre
1
Violoncelle, Basse continue
1
Alto, Guitare (duo)
1
Violon, Orgue
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 391
Orchestre à Cordes
554
Ensemble Jazz
444
Orchestre
364
Cloches
240
Ensemble de cuivres
232
Orchestre de chambre
144
Jazz combo
92
Fanfare
51
Ensemble de Percussions
50
Batterie (partie séparée)
44
Batterie
34
Percussion (partie séparée)
16
Marimba
9
Vibraphone
5
2 Xylophones
4
Percussion
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
1
Bodhran
1
Conga
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Xylophone, Piano
1
Quintette à Vent
1
Bongos
1
Vibraphone et Marimba
1
Xylophone
1
Ensemble d'École
1
Orchestre, Violon
1
+ 25 instrumentations
Retracter
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Instruments
ACCORDEON
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AUTRES INST…
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BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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Vous avez sélectionné:
There Is
Clarinette Basse, Piano
Partitions à imprimer
42 partitions trouvées
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1
26
There is Power in the Blood, Gospel Hymn for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
Lewis Edgar Jones
#
David McKeown
#
There is Power in the Blood, G
#
David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593335 Composed by Lewis Edgar Jones. Arranged by David McKeown. Praise & Worship,Sacred,Spiritua...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593335 Composed by Lewis Edgar Jones. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418413. Published by David McKeown (A0.593335). There is Power in the Blood is a beautiful hymn arranged here for Solo Bass Clarinet and Piano.There is Power in the Blood was written by Lewis Edgar Jones in 1899, one of 200 published hymns by this prolific writer.
$2.49
There is a Fountain Filled with Blood, Gospel Hymn for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
William Cowper
#
David McKeown
#
There is a Fountain Filled wit
#
David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593310 Composed by William Cowper. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. ...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593310 Composed by William Cowper. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418305. Published by David McKeown (A0.593310). There is a Fountain Filled with Blood is a beautiful hymn arranged here for Solo Bass Clarinet and Piano.The words of There is a Fountain Filled with Blood were written by William Cowper in 1772 after a major bout of depression.
$2.49
Were You There, Gospel Hymn for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Were You There, Gospel Hymn fo
#
David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593410 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
(+)
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593410 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6419015. Published by David McKeown (A0.593410). Were You There is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.Were You There was first published in 1899 but its origins stretch back into the nineteenth century. Like many spirituals there are coded references to the Afro-American experience. The mention of crucifixion in such songs was often associated with the lynchings that were a common occurrence right into the late twentieth century.
$2.49
Sicilienne (Maria-Theresia von Paradis) for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Maria Theresia von Paradis
#
Harry Walker
#
Sicilienne
#
SCORE EDITIONS
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1502736 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Sc...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1502736 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078405. Published by SCORE EDITIONS (A0.1502736). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part....
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Bass Clarinet,Piano - Level 2 - SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part. 26 pages. David McKeown #5037721. Published by David McKeown (A0.587870). 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Bass Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Bass Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
This Nearly Was Mine from South Pacific
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Richard Rodgers
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W
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This Nearly Was Mine from Sout
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Diamond S Music
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 4 - SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and...
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Small Ensemble Bass Clarinet,Piano - Level 4 - SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533745. Published by Diamond S Music (A0.790008). THIS NEARLY WAS MINE from South Pacific. For SOLO BASS CLARINET AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
Godard - Allegretto - No.1 from Op. 116 Suite de 3 Morceaux - Bass Clarinet
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Clarinette Basse, Piano
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AVANCÉ
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Godard, Benjamin
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Godard - Allegretto - No.1 fro
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Piano - Level 5 - SKU: A0.722518 Composed by Godard, Benjamin. Arranged by Anne L Christopherson GRSM ARCM. Contest,Festival,Holiday,Roman...
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Bass Clarinet,Piano - Level 5 - SKU: A0.722518 Composed by Godard, Benjamin. Arranged by Anne L Christopherson GRSM ARCM. Contest,Festival,Holiday,Romantic Period,Wedding. Score and part. 10 pages. Music-Scores.com #6753099. Published by Music-Scores.com (A0.722518). This is the first piece from 'Suite de 3 morceaux', and has been transcribed for the Bass Clarinet from the Flute part. This is a challenging piece for the Bass Clarinet player as it goes like the wind. There is a choice of parts for instruments to Eb, or to low C.Duration about 1 minute, 45Â seconds.Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com
$3.95
Go Down Moses, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592735 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592735 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411893. Published by David McKeown (A0.592735). Go Down Moses is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
David Warin Solomons: Rose Fantasy for Bb bass clarinet and piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Paul Wehage
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David Warin Solomons: Rose Fan
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.533931 Composed by David Warin Solomons. Arranged by Paul Wehage. Concert,Contemporary,Folk,Standards. Score and...
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Bass Clarinet,Piano - Level 4 - SKU: A0.533931 Composed by David Warin Solomons. Arranged by Paul Wehage. Concert,Contemporary,Folk,Standards. Score and part. 17 pages. Musik Fabrik Music Publishing #3077911. Published by Musik Fabrik Music Publishing (A0.533931). A work inspried by a Kurdish poem. The piano reduction is by Paul Wehage. There is a version for bass clarinet and string quartet which may be found elsewhere on this site.
$12.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Wade in the Water, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Wade in the Water, Gospel Song
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593385 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593385 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418723. Published by David McKeown (A0.593385). Wade in the Water is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.Wade in the Water was first published in 1901 but its origins stretch back into the nineteenth century. It is often associated with the Underground Railway. It is said that the song made a coded reference to the advice escaped slaves received to wade in the water, thereby putting the slavers’ dogs off their scent.
$2.49
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
It's Been A Long, Long Time
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #...
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Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Tchaikovsky: Arabian Dance from Nutcracker Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549759 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Pe...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549759 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533261. Published by jmsgu3 (A0.549759). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549829 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Pe...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549829 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3549769. Published by jmsgu3 (A0.549829). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
The Brass Clarinet-bass clarinet/piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Phil Beaman
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The Brass Clarinet-bass clarin
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Phil Beaman
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman ...
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B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986457. Published by Phil Beaman (A0.844892). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
Tchaikovsky: March from Nutcracker Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: March from Nutcra
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549669 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Pe...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549669 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3519023. Published by jmsgu3 (A0.549669). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95
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