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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There There
Sheetmusicplus
Non classifié
6 977
Piano & claviers
Piano seul
3 611
Piano grosses notes
3 321
Orgue
1 828
Piano, Voix
1 249
Piano, Voix et Guitare
922
Piano Facile
906
Instruments en Do
290
Accompagnement Piano
159
1 Piano, 4 mains
108
Piano Trio: piano, violon, violoncelle
83
Clavier
65
2 Pianos, 4 mains
60
Piano (partie séparée)
46
Accordéon
22
Orgue, Piano (duo)
16
Piano Quatuor: piano, violon, alto, violoncelle
15
Orgue, Trompette (duo)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavecin
6
2 Pianos, 8 mains
4
1 Piano, 6 mains
4
2 Accordéons
2
Fake Book
1
Ensemble d'Accordéons
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
504
Guitare
454
Basse electrique
351
Ligne De Mélodie, (Paroles) et Accords
233
Ukulele
130
Guitare (partie séparée)
91
Paroles et Accords
81
2 Guitares (duo)
61
Mandoline
29
4 Guitares (Quatuor)
29
Dulcimer
21
Banjo
19
3 Guitares (trio)
11
Piano, Guitare (duo)
11
Ensemble de guitares
9
2 Dulcimers (duo)
3
Guitare, Orchestre
2
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
Ukulele Baryton
1
Ensemble de Ukulélés
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
2 154
Chorale 3 parties
675
Chorale Unison
482
Pack Instrumental pour Chorale
469
Chorale 2 parties
467
Chorale TTBB
349
Chorale SSAA
225
Voix duo, Piano
129
Voix Alto, Piano
112
Voix Soprano, Piano
102
Voix Tenor, Piano
78
Chorale
53
Voix duo
51
Voix Baryton, Piano
51
Voix seule
37
Voix Tenor
30
Voix haute
28
Voix Soprano
26
Voix moyenne, Piano
18
Voix basse, Piano
8
Chorale SSAATTBB
8
Chorale SSATB
4
Chorale SSATTB
3
Chorale SSAB, Piano
2
Soli, choeur mixte et accompagnement
2
Voix basse
2
Chorale SAATB A Cappella
2
Voix Mezzo-Soprano, Piano
2
Voix haute, Piano
1
Chorale SSAB a cappella
1
+ 25 instrumentations
Retracter
Vents
2 Saxophones (duo)
979
Flûte traversière et Piano
717
2 Clarinettes (duo)
468
Hautbois, Piano (duo)
457
Saxophone, Clarinette (duo)
439
2 Flûtes traversières (duo)
425
Clarinette et Piano
386
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
331
Saxophone (partie séparée)
330
Clarinette, Violon (duo)
316
Saxophone Alto et Piano
297
Quatuor de Saxophones: 4 saxophones
267
Clarinette, Trompette (duo)
264
Flûte traversière
244
Flûte, Clarinette (duo)
214
Flûte, Hautbois, Clarinette, Basson
211
Clarinette
198
Saxophone Tenor et Piano
197
2 Hautbois (duo)
186
Saxophone Alto
167
Flûte, Violon
167
Hautbois, Basson (duo)
166
Quatuor de Clarinettes: 4 clarinettes
165
Hautbois, Clarinette (duo)
165
Clarinette et Alto
161
Flûte, Saxophone (duo)
151
Quintette de Saxophone: 5 saxophones
150
Hautbois, Flûte
133
Flûte, Alto (duo)
131
Flûte, Trompette (duo)
122
Ensemble de Clarinettes
120
Saxophone Soprano et Piano
119
Cor anglais, Piano
113
Saxophone Tenor
111
Ensemble de Flûtes
110
Ensemble de saxophones
108
Quatuor de Flûtes : 4 flûtes
108
Flûte irlandaise
84
Saxophone Baryton, Piano
75
Hautbois (partie séparée)
66
Flute (partie séparée)
65
Quintette de Clarinettes: 5 clarinettes
59
Flûte, Violon, Piano
58
Hautbois
58
Flûte et Guitare
57
3 Clarinettes (trio)
54
Quintette de Flûte : 5 flûtes
53
2 Flûte à bec (duo)
49
3 Saxophones (trio)
45
Clarinette (partie séparée)
43
Clarinette Basse, Piano
43
Flûte, Harpe et Violoncelle
42
Flûte à Bec
41
2 Flûtes traversières, Piano
39
Trio de Flûtes: 3 flûtes
38
Flûte, Hautbois (duo)
26
Flûte à bec Soprano
25
Flûte, Clarinette, Piano (trio)
25
Clarinette, Guitare (duo)
24
Saxophone Soprano
22
Flûte, Hautbois, Clarinette (trio)
18
Quatuor de Flûtes à bec
18
Clarinette, Basson (duo)
17
Hautbois, violon (duo)
16
Hautbois, Clarinette, Basson (trio d'anches)
15
Clarinette, Harpe (duo)
14
Harmonica
13
2 Clarinettes, Piano
13
Flute, harpe et violon
13
Flûte, Violoncelle
13
3 Flûtes à bec (trio)
11
Flûte, Hautbois, Piano (trio)
11
Flûte à bec Soprano, Piano
10
Clarinette, Trombone (duo)
10
Flûte, Clarinette et Basson
9
Flûte à bec Tenor
9
Clarinette, Violoncelle (duo)
9
Cor Anglais
8
Flûte à bec Alto
8
Flûte, Hautbois, Basson
8
Cor anglais, Guitare (duo)
7
Hautbois, Guitare (duo)
7
Flûte à bec Alto, Piano
7
2 Saxophones, Piano
6
Ocarina
6
Ensemble De Flûte à bec
6
Saxophone et Guitare
6
Flûte, Alto et Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Instruments en Mib
4
Flûte, Violon et Violoncelle
4
2 Hautbois, Piano
4
Saxophone Baryton
4
Flûte, trombone et piano
4
Saxophone et Harpe
3
Piccolo, Piano
3
3 Hautbois
3
Saxophone
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Harpe
3
Flûte à Bec, Piano
2
Flûte, Clarinette, Violon (trio)
2
2 Clarinettes, Basson
2
Saxophone et Orgue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Basson et Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, Basson et Piano
2
2 Cors Anglais Et Pianoforte
2
Clarinette Basse
2
Flûte, Violoncelle, Guitare
2
Flûte, Violon, Violoncelle et Piano
1
5 Flûtes à bec
1
Clarinette, Basson, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, trompette et piano
1
2 Flûtes traversières, Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violoncelle
1
Ensemble de Hautbois
1
Piccolo
1
Ensemble à vent
1
Flûte, Hautbois, Violon
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violon, Piano
1
Hautbois et alto (duo)
1
+ 121 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
390
Trompette, Saxophone (duo)
313
Trombone (partie séparée)
269
Trombone et Piano
254
Quatuor de Cuivres : 2 trompettes, trombone, tuba
252
Trompette
242
Trompette (partie séparée)
229
Trompette, Piano
224
Cor et Piano
200
2 Trombones (duo)
197
2 Trompettes (duo)
190
Trompette, Trombone (duo)
187
Trombone
165
Cor anglais, Piano
113
Cor
98
Tuba et Piano
78
Euphonium, Piano (duo)
77
Quatuor de Cuivres
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
Tuba
60
Ensemble de Trombones
59
Ensemble de Trompettes
52
Quatuor de cuivres: 4 trombones
49
Cor (partie séparée)
43
2 Cors (duo)
40
Tuba (partie séparée)
36
Quatuor de cuivres: 4 cors
26
3 Trompettes (trio)
16
2 Tubas (duo)
14
3 Trombones (trio)
14
Trio de Cuivres
12
Quatuor de cuivres: 4 trompettes
11
2 Euphoniums et 2 Tubas
11
Bass Clef Instruments
11
Ensemble de Cors
10
Trompette, Cor (duo)
9
Cor Anglais
8
2 Euphoniums (duo)
8
4 Tubas
8
Euphonium
7
Cor anglais, Guitare (duo)
7
2 Trompettes, Clavier (piano ou orgue)
7
Trompette, Tuba (duo)
6
Trombone, Cor (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Instruments en Sib
5
Trombone, Tuba (duo)
4
2 Cors, Piano
4
3 Cors (trio)
4
Cor, Tuba (duo)
4
Cor et Harpe
3
Euphonium, Tuba (duo)
3
Trompette, Trombone, Piano
3
3 Euphoniums
2
Trombone basse
2
3 Tubas (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Harpe
2
Tuba et Orgue
2
2 Cors Anglais Et Pianoforte
2
Trombone, Orgue
2
Clarinette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Trompette, Euphonium (duo)
1
Trombone, Violon (duo)
1
Trombone basse et Piano
1
+ 61 instrumentations
Retracter
Cordes
Harpe
1 229
Quatuor à cordes: 2 violons, alto, violoncelle
989
Violon et Piano
871
Violon, Violoncelle (duo)
438
Violon
389
Violoncelle, Piano
366
Alto, Piano
331
2 Violons (duo)
287
Trio à Cordes: violon, alto, violoncelle
285
Violon, Alto (duo)
241
Violoncelle
230
2 Altos (duo)
226
2 Violoncelles (duo)
224
Alto seul
139
Quintette à cordes: 2 violons, alto, violoncelle, basse
105
Contrebasse (partie séparée)
76
2 Harpes (duo)
62
Trio à Cordes: 2 violons, violoncelle
58
Violon (partie séparée)
50
Contrebasse, Piano (duo)
45
Contre Basse
44
Harpe, Flûte (duo)
44
Alto, Violoncelle (duo)
42
Alto (partie séparée)
34
Harpe, Violon (duo)
33
Trio à cordes: 3 violins
28
4 Violoncelles
21
Piano Trio: Violon, Alto, Piano
18
Ensemble de Violons
17
Violon, Guitare (duo)
16
Ensemble d'Altos
16
Violoncelle (partie séparée)
14
Violoncelle , Guitare (duo)
13
Violoncelle, Contrebasse (duo)
13
2 Violons, Piano
12
Harpe, Voix
11
Trio à Cordes: 3 violoncelles
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Trio à Cordes: 2 violons, alto
8
Quatuor à cordes: 4 violons
8
2 Contrebasses (duo)
7
Trio à cordes: 3 altos
7
Quatuor à cordes : 4 altos
6
Flûte, Contrebasse (duo)
5
Alto et Harpe
4
Violon, Clarinette, Piano (trio)
4
Violoncelle, Orgue
3
Harpe, Violoncelle (duo)
3
Ensemble de Violoncelles
3
2 Altos, Piano
3
Trio à cordes
3
2 Violoncelles, Piano
3
4 Contrebasses
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Guitare (duo)
2
3 Contrebasses
2
Harpe, Trombone (duo)
1
Violoncelle, Basse continue
1
Alto et Basson
1
Violon, Basson (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
3 Harpes
1
Violoncelle, Orchestre
1
Harpe et Piano
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 746
Orchestre à Cordes
639
Ensemble Jazz
540
Orchestre
458
Cloches
311
Ensemble de cuivres
277
Orchestre de chambre
163
Fanfare
135
Jazz combo
102
Ensemble de Percussions
61
Batterie (partie séparée)
55
Batterie
50
Percussion (partie séparée)
31
Marimba
10
Vibraphone
7
Percussion
7
2 Xylophones
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone
2
Timbales
2
Ensemble d'École
1
Quintette à Vent
1
Bodhran
1
Conga
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Xylophone, Piano
1
Bongos
1
Timbales (partie séparée)
1
2 Marimbas
1
+ 27 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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difficulté (tous)
débutant
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expert
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avec vidéo
avec play-along
Crtitères actifs :
There There
SheetMusicPlus
Partitions à imprimer
43 partitions trouvées
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1
26
Sicilienne (Maria-Theresia von Paradis) for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Maria Theresia von Paradis
#
Harry Walker
#
Sicilienne
#
SCORE EDITIONS
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1502736 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Sc...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1502736 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078405. Published by SCORE EDITIONS (A0.1502736). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Were You There, Gospel Hymn for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Were You There, Gospel Hymn fo
#
David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593410 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593410 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6419015. Published by David McKeown (A0.593410). Were You There is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.Were You There was first published in 1899 but its origins stretch back into the nineteenth century. Like many spirituals there are coded references to the Afro-American experience. The mention of crucifixion in such songs was often associated with the lynchings that were a common occurrence right into the late twentieth century.
$2.49
There is Power in the Blood, Gospel Hymn for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
Lewis Edgar Jones
#
David McKeown
#
There is Power in the Blood, G
#
David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593335 Composed by Lewis Edgar Jones. Arranged by David McKeown. Praise & Worship,Sacred,Spiritua...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593335 Composed by Lewis Edgar Jones. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418413. Published by David McKeown (A0.593335). There is Power in the Blood is a beautiful hymn arranged here for Solo Bass Clarinet and Piano.There is Power in the Blood was written by Lewis Edgar Jones in 1899, one of 200 published hymns by this prolific writer.
$2.49
There is a Fountain Filled with Blood, Gospel Hymn for Bass Clarinet and Piano
#
Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
William Cowper
#
David McKeown
#
There is a Fountain Filled wit
#
David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593310 Composed by William Cowper. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. ...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593310 Composed by William Cowper. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418305. Published by David McKeown (A0.593310). There is a Fountain Filled with Blood is a beautiful hymn arranged here for Solo Bass Clarinet and Piano.The words of There is a Fountain Filled with Blood were written by William Cowper in 1772 after a major bout of depression.
$2.49
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part....
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Bass Clarinet,Piano - Level 2 - SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part. 26 pages. David McKeown #5037721. Published by David McKeown (A0.587870). 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Bass Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Bass Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
This Nearly Was Mine from South Pacific
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Richard Rodgers
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W
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This Nearly Was Mine from Sout
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Diamond S Music
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 4 - SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and...
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Small Ensemble Bass Clarinet,Piano - Level 4 - SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533745. Published by Diamond S Music (A0.790008). THIS NEARLY WAS MINE from South Pacific. For SOLO BASS CLARINET AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
Wade in the Water, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Wade in the Water, Gospel Song
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593385 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593385 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418723. Published by David McKeown (A0.593385). Wade in the Water is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.Wade in the Water was first published in 1901 but its origins stretch back into the nineteenth century. It is often associated with the Underground Railway. It is said that the song made a coded reference to the advice escaped slaves received to wade in the water, thereby putting the slavers’ dogs off their scent.
$2.49
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Clair de Lune (Debussy) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1469399 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Ro...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1469399 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047419. Published by SCORE EDITIONS (A0.1469399). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
"furusato" (Fdur) buss clarinet & piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Teiichi OkanoÂ
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pfkaori
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"furusato"
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pfkaorimusic
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1393363 By Teiichi Okano . By Teiichi Okano . Arranged by pfkaori. Children,Folk,Traditional. Score and pa...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1393363 By Teiichi Okano . By Teiichi Okano . Arranged by pfkaori. Children,Folk,Traditional. Score and part. 4 pages. Pfkaorimusic #976850. Published by pfkaorimusic (A0.1393363). Composer: Teiichi Okano Song: Furusato Hometown Key:Fdur (clarinet inBâ™) Orchestration: buss clarinet & Piano Level: Beginner buss clarinet/Intermediate piano accompaniment (There are individual differences in level) *Part score included.
$7.00
Roadside Inn - Schumann- Bass Clarinet-Piano
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Clarinette Basse, Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Bass
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Phil Beaman
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Sco...
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B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489041. Published by Phil Beaman (A0.844508). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
Go Down Moses, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592735 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.592735 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411893. Published by David McKeown (A0.592735). Go Down Moses is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549759 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Pe...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549759 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533261. Published by jmsgu3 (A0.549759). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Bass Clarinet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easy Winners, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Bass Cla
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709310. Published by David McKeown (A0.1106196). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Bass Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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