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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Time
Non classifié
10 498
Piano & claviers
Piano seul
31 086
Piano, Voix
4 481
Piano Facile
2 380
Accordéon
2 274
Piano, Voix et Guitare
1 777
Instruments en Do
614
Orgue
345
Accompagnement Piano
342
1 Piano, 4 mains
233
Piano Trio: piano, violon, violoncelle
120
Piano grosses notes
86
2 Pianos, 4 mains
60
Piano (partie séparée)
54
Piano Quatuor: piano, violon, alto, violoncelle
33
Orgue, Piano (duo)
13
Piano Quatuor: piano, 2 violons, violoncelle
12
Clavecin
11
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Trompette (duo)
5
2 Pianos, 8 mains
4
1 Piano, 6 mains
3
Ligne De Mélodie, Piano
2
Clavier
2
Accordéon, Voix
1
Instrument seul et Orgue
1
Accordéon et Orchestre
1
Ensemble de Pianos
1
2 Accordéons
1
Ensemble d'Accordéons
1
+ 24 instrumentations
Retracter
Guitares
Guitare
4 702
Basse electrique
3 419
Guitare notes et tablatures
1 603
Ligne De Mélodie, (Paroles) et Accords
371
Ukulele
324
Guitare (partie séparée)
107
2 Guitares (duo)
107
Mandoline
43
Paroles et Accords
34
4 Guitares (Quatuor)
32
Piano, Guitare (duo)
25
Dulcimer
23
Banjo
23
3 Guitares (trio)
11
Mandoline, Guitare (duo)
8
Ensemble de guitares
6
2 Ukuleles
3
Mandoline, Piano (duo)
2
Guitare, Flûte, Clarinette
2
Dobro
2
Guitare, Violon, Violoncelle (trio)
2
Ukulele Baryton
1
Guitare Tab, Voix, Basse, Batterie
1
Cithare
1
Guitare, Orchestre
1
2 Mandolines (duo)
1
+ 21 instrumentations
Retracter
Voix
Voix seule
5 759
Chorale SATB
3 324
Chorale 3 parties
962
Chorale 2 parties
714
Chorale Unison
612
Chorale TTBB
449
Chorale SSAA
279
Voix duo, Piano
182
Voix Tenor, Piano
125
Voix Soprano, Piano
118
Pack Instrumental pour Chorale
104
Voix Alto, Piano
95
Voix Baryton, Piano
88
Voix duo
57
Voix haute
33
Voix moyenne, Piano
13
Chorale
9
Chorale SSAATTBB
9
Voix Tenor
9
Voix basse, Piano
8
Chorale SSATB
6
Voix, Guitare
5
Soli, choeur mixte et accompagnement
4
Voix Mezzo-Soprano, Piano
3
Voix Soprano, Orchestre
3
Chorale SATTBB A Cappella
2
Male Voice
2
Voix basse
2
Voix Soprano
2
Chorale SSAATB
1
Chorale SSAB a cappella
1
Chorale SATBB
1
+ 27 instrumentations
Retracter
Vents
Saxophone
16 646
Flûte traversière
7 963
Clarinette
7 460
Saxophone Alto
1 621
Saxophone Tenor
1 501
Flûte à Bec
1 219
2 Saxophones (duo)
1 079
Quatuor de Saxophones: 4 saxophones
1 022
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
917
Flûte, Hautbois, Clarinette, Basson
870
Hautbois
850
Flûte traversière et Piano
786
Clarinette et Piano
665
Quintette de Saxophone: 5 saxophones
642
Saxophone Soprano
632
Quatuor de Clarinettes: 4 clarinettes
596
Hautbois, Piano (duo)
565
2 Flûtes traversières (duo)
562
2 Clarinettes (duo)
507
Saxophone (partie séparée)
492
Saxophone Alto et Piano
479
Saxophone, Clarinette (duo)
376
Saxophone Tenor et Piano
353
Saxophone Soprano et Piano
292
Clarinette, Violon (duo)
283
Flûte, Clarinette (duo)
264
2 Hautbois (duo)
251
Clarinette, Trompette (duo)
221
Quatuor de Flûtes : 4 flûtes
205
Hautbois (partie séparée)
203
Hautbois, Clarinette (duo)
203
Saxophone Baryton, Piano
200
Hautbois, Basson (duo)
195
3 Saxophones (trio)
187
Flûte, Violon
158
Clarinette et Alto
143
2 Flûte à bec (duo)
141
Ensemble de Clarinettes
141
3 Clarinettes (trio)
139
Ensemble de saxophones
135
Hautbois, Flûte
133
Flûte, Saxophone (duo)
131
Flûte, Alto (duo)
116
Trio de Flûtes: 3 flûtes
111
Quintette de Clarinettes: 5 clarinettes
107
Flûte, Trompette (duo)
102
Ensemble de Flûtes
94
Cor anglais, Piano
91
Flûte irlandaise
81
Clarinette Basse, Piano
80
Flûte à bec Soprano
78
Quintette de Flûte : 5 flûtes
71
Flûte, Clarinette et Basson
70
Clarinette (partie séparée)
69
Clarinette, Basson (duo)
66
Flute (partie séparée)
60
Saxophone Baryton
60
Flûte et Guitare
56
Hautbois, Violoncelle
55
Flûte, Hautbois, Clarinette (trio)
55
Flûte, Violoncelle
52
Flûte, Hautbois (duo)
51
Clarinette, Violoncelle (duo)
48
Cor Anglais
46
Hautbois, Clarinette, Basson (trio d'anches)
45
Flûte à bec Alto
36
Quatuor de Flûtes à bec
36
Flûte, Hautbois, Basson
35
Flûte, Violon, Piano
32
Ensemble De Flûte à bec
27
Flûte, Violoncelle, Piano (trio)
25
Flûte, Hautbois, Piano (trio)
25
Hautbois, violon (duo)
21
Clarinette, Guitare (duo)
19
Hautbois et alto (duo)
18
3 Flûtes à bec (trio)
18
5 Flûtes à bec
17
Harmonica
17
Flûte, Clarinette, Piano (trio)
15
Flûte, Clarinette, Cor, Basson (Quartet)
15
2 Flûtes traversières, Piano
13
Clarinette, Violoncelle, Piano (trio)
13
2 Clarinettes, Piano
12
Flûte, Violon et Violoncelle
12
Flûte à bec Soprano, Piano
12
Flûte à bec Tenor
10
Flûte à bec Alto, Piano
9
Clarinette, Harpe (duo)
8
Flûte, Alto et Piano
8
Clarinette Basse
8
Flûte, Basson et Piano
7
Piccolo, Piano
7
Clarinette, Basson, Piano (trio)
6
Clarinette, Trombone (duo)
6
Hautbois, Guitare (duo)
6
Ocarina
6
Hautbois, Clarinette et Piano (Trio)
6
Clarinette, Alto et Piano (trio)
5
Flûte, Trombone (duo)
5
2 Saxophones, Piano
5
Piccolo
5
Clarinette, Contrebasse (duo)
4
Saxophone et Guitare
4
Hautbois, Violoncelle et Piano
4
Hautbois, trombone (duo)
4
Flûte, trombone et piano
4
Flûte à bec Alto, Basse continue
4
Hautbois, Basson et Piano
4
Clarinette, Tuba
4
Flûte traversière, Orgue (duo)
4
Flûte, Violon, Violoncelle et Piano
3
Flûte traversière, Basse continue
3
Ensemble à vent
3
Flûte, Tuba (duo)
3
Hautbois, Violon, Piano
3
Flûte, Hautbois, Violon
3
Ensemble de Hautbois
2
Cor anglais et Harpe (duo)
2
Flute, harpe et violon
2
Clarinette, Orchestre
2
Flûte et Trio à cordes
2
2 Hautbois, Piano
2
Instruments en Mib
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Harpe et Violoncelle
2
3 Hautbois
2
Saxophone et Orgue
2
Flûte à Bec, Piano
2
2 Cors Anglais Et Pianoforte
2
4 Hautbois
2
2 Clarinettes, Basson
1
Flûte, Violon, Guitare
1
Flûte, alto et harpe
1
Saxophone et Piano
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Clarinette, trompette et piano
1
Flûte à bec, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orchestre
1
Flûte de Pan
1
Hautbois, Harpe
1
Hautbois, Trompette (duo)
1
+ 138 instrumentations
Retracter
Cuivres
Trompette
6 546
Trombone
6 055
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 127
Cor
762
Quatuor de Cuivres : 2 trompettes, trombone, tuba
535
Tuba
516
Trompette, Piano
516
Trombone et Piano
443
Euphonium
411
Cor et Piano
384
Trombone (partie séparée)
329
Trompette (partie séparée)
309
2 Trompettes (duo)
273
Trompette, Saxophone (duo)
266
2 Trombones (duo)
263
Tuba et Piano
245
Trompette, Trombone (duo)
232
Quatuor de Cuivres: 2 trompettes, Cor, trombone
186
Quatuor de Cuivres
174
2 Cors (duo)
118
Ensemble de Trompettes
102
Euphonium, Piano (duo)
100
Cor anglais, Piano
91
Cor (partie séparée)
59
2 Tubas (duo)
58
Quatuor de cuivres: 4 trombones
57
Ensemble de Trombones
56
Tuba (partie séparée)
52
Cor Anglais
46
Trompette, Cor (duo)
43
Quatuor de cuivres: 4 cors
41
2 Euphoniums et 2 Tubas
27
Quatuor de cuivres: 4 trompettes
27
Trio de Cuivres
24
Ensemble de Cors
21
3 Trombones (trio)
20
3 Trompettes (trio)
19
Tuba et Orgue
19
Cor, Violoncelle (duo)
19
4 Tubas
17
Trompette, Violoncelle (duo)
14
Trombone, Cor (duo)
13
Trombone basse
12
Trombone basse et Piano
12
Trompette, Tuba (duo)
10
Trompette, Basson (duo)
10
Cor et Basson (duo)
9
3 Tubas (trio)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Violoncelle et Piano
5
Cor, Tuba (duo)
5
Euphonium, Tuba (duo)
4
Trompette, Trombone, Piano
4
Bass Clef Instruments
4
Trombone, Tuba (duo)
4
Trompette et Guitare
4
3 Cors (trio)
4
2 Euphoniums (duo)
3
Trompette, violon (duo)
3
Cor anglais et Harpe (duo)
2
Trombone, Orgue
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Instruments en Sib
2
Trombone, Violon (duo)
2
2 Cors, Piano
2
2 Cors Anglais Et Pianoforte
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone et orchestre
1
Trompette, Orchestre
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle et Piano
1
Cor et Harpe
1
+ 68 instrumentations
Retracter
Cordes
Violon
4 914
Violoncelle
3 270
Alto seul
2 626
Quatuor à cordes: 2 violons, alto, violoncelle
1 902
Violon et Piano
1 027
Alto, Piano
694
Violoncelle, Piano
674
Violon, Violoncelle (duo)
457
Contre Basse
407
2 Violons (duo)
401
Harpe
331
2 Violoncelles (duo)
295
Violon, Alto (duo)
293
Quintette à cordes: 2 violons, alto, violoncelle, basse
292
2 Altos (duo)
277
Trio à Cordes: violon, alto, violoncelle
268
Contrebasse, Piano (duo)
211
Trio à Cordes: 2 violons, violoncelle
184
Violon (partie séparée)
116
Contrebasse (partie séparée)
94
Alto (partie séparée)
87
Alto, Violoncelle (duo)
76
2 Harpes (duo)
64
2 Contrebasses (duo)
52
Violon, Basson (duo)
51
Trio à cordes: 3 violins
47
4 Violoncelles
45
Trio à Cordes: 3 violoncelles
44
Piano Trio: Violon, Alto, Piano
33
Quatuor à cordes : 4 altos
30
Violon, Guitare (duo)
27
Harpe, Flûte (duo)
25
Quatuor à cordes: 4 violons
23
Trio à Cordes: 2 violons, alto
22
Ensemble de Violons
21
2 Violons, Piano
21
Alto et Basson
20
Ensemble d'Altos
19
Violoncelle (partie séparée)
18
Trio à cordes: 3 altos
17
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Violoncelle, Contrebasse (duo)
14
Quintette à cordes: 2 violons, 2 altos, violoncelle
13
Violoncelle , Guitare (duo)
12
Harpe, Violon (duo)
9
Violon, Clarinette, Piano (trio)
9
Violoncelle, Orgue
8
Violoncelle, Orchestre
8
Harpe, Voix
6
Flûte, Contrebasse (duo)
5
Alto, Guitare (duo)
5
Alto, Orgue
5
2 Violoncelles, Piano
5
Ensemble de Violoncelles
4
2 Altos, Piano
3
Alto et orchestre
3
Violoncelle, Basse continue
3
Violon, Violoncelle, Clarinette
3
Violon, Tuba (duo)
3
4 Contrebasses
3
Violon, Orgue
3
4 Harpes
3
Alto et Harpe
3
Harpe, Violon, Violoncelle
2
Harpe, Violoncelle (duo)
2
Harpe, Trombone (duo)
2
3 Harpes
1
Harpe et mandoline
1
Harpe et Orgue
1
Autoharp
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Batterie
5 919
Orchestre d'harmonie
3 151
Orchestre
1 666
Orchestre à Cordes
787
Ensemble Jazz
645
Fanfare
493
Ensemble de cuivres
382
Cloches
355
Orchestre de chambre
181
Percussion
144
Jazz combo
121
Ensemble de Percussions
85
Batterie (partie séparée)
68
Percussion (partie séparée)
50
Marimba
42
Xylophone, Piano
27
Xylophone
24
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
16
Vibraphone
13
Orchestre, Violon
7
Ensemble d'École
4
Caisse Claire
4
Piano et Orchestre
4
Instrumentation Flexible
3
Quintette de Cuivres: autres combinaisons
3
Voix Mezzo-Soprano, Orchestre
2
2 Xylophones
2
Bodhran
1
2 Marimbas
1
Timbales (partie séparée)
1
Timbales
1
Vibraphone et Marimba
1
Marimba ou Xylophone et Piano
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
39
Théorie de la musique
1
Instruments
ACCORDEON
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▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
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FANFARE - BAN…
FLUTE
FLUTE A BEC
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HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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TROMBONE
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VIBRAPHONE
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NOUVEAUTÉS
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GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
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Contemporain
Hymnes Nationaux
Jazz
New age
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Ragtime
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ACCUEIL
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PIANO
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Partitions Piano
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Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
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Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
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Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
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Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
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Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
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Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
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20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
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NOUVEAUTÉS
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PVG
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GUITARE
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Tout Guitare
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Crtitères actifs :
This Time
Clarinette Basse, Piano
Partitions à imprimer
80 partitions trouvées
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It's Been A Long, Long Time
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #...
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Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Only Time
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Enya
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Kenneth D
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Only Time
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KFS Publishing
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 3 - SKU: A0.700514 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kenneth D. Friedric...
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 3 - SKU: A0.700514 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kenneth D. Friedrich. Celtic,New Age. Score and parts. 6 pages. KFS Publishing #6266899. Published by KFS Publishing (A0.700514). To quote the artist herself, ‘Only Time’ talks about the fact that time will heal. It won’t get rid of the wound, but time will bring back a sense of normality that is important to your life.' My hope is this arrangement will have the same effect instrumentally.
$14.95
This Little Light of Mine for Bass Clarinet
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Lawrence H
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This Little Light of Mine for
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968346 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Jazz,Praise & Wor...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968346 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Jazz,Praise & Worship,Sacred. Score and individual part. 9 pages. Lawrence H Underwood #6537629. Published by Lawrence H Underwood (A0.968346). Arranged by veteran performer and music educator, Lawrence Underwood, as the third installment in his 2021 Hymn Song Collection series, this brand new setting of This Little Light of Mine is a rollicking good time! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be an audience favorite!About SMP Press
$5.99
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Simulacrum [Transposed for Bb Bass Clarinet]
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nathan C
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Simulacrum [Transposed for Bb
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Nathan C. Curtis Music
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SheetMusicPlus
Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1008608 Composed by Nathan C. Curtis. Contemporary. Score and parts. ...
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Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1008608 Composed by Nathan C. Curtis. Contemporary. Score and parts. 23 pages. Nathan C. Curtis Music #6189907. Published by Nathan C. Curtis Music (A0.1008608). Simulacrum is another entry in Nathan Curtis's Pentatonic Studies Series, this time arranged for Bass instrument and Piano. Any instrument with a range of C2 - Ab4 (octave displacement is acceptable!) will qualify as a Bass instrument in this case. It has been performed in several configurations so far, including cello, bass clarinet, and double bass being used as the bass instrument. Performed at the 2018 SCI Region III Conference.
$2.49
"Lockin TKTN" for clarinet, bass clarinet, piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Tomo Hirayama
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"Lockin TKTN" for cl
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Tomo Hirayama
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - SKU: A0.924712 Composed by Tomo Hirayama. 20th Century,Concert,Contemporary,Hip-Hop,Rock. S...
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - SKU: A0.924712 Composed by Tomo Hirayama. 20th Century,Concert,Contemporary,Hip-Hop,Rock. Score and parts. 35 pages. Tomo Hirayama #6207773. Published by Tomo Hirayama (A0.924712). Lockin TKTN was premiered in Tokyo to New York Moments In This Time Benefit Concert for Covid-19 Musicians Relief​.Thomas Piercy, clarinet
$20.00
Sugar Plum Fairy theme
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Peter Ilyich Tchaikovsky
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Rodrigo Faleiros
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Sugar Plum Fairy theme
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1280684 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christm...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1280684 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #871720. Published by Rodrigo Faleiros (A0.1280684). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy bass clarinet arrangement tailored for beginners. This easy bass clarinet piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the bass clarinet can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy bass clarinet sheet music contains a piano accompaniment with chords markings.
$2.99
Sugar Plum Fairy theme
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Peter Ilyich Tchaikovsky
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Rodrigo Faleiros
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Sugar Plum Fairy theme
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1280704 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christm...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1280704 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #871764. Published by Rodrigo Faleiros (A0.1280704). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy bass clarinet arrangement tailored for beginners. This easy bass clarinet piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the bass clarinet can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy bass clarinet sheet music contains a piano accompaniment.
$2.99
Beau Soir (Debussy) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romant...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077002. Published by SCORE EDITIONS (A0.1501045). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Sicilienne (Maria-Theresia von Paradis) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Maria Theresia von Paradis
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Harry Walker
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Sicilienne
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1502736 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Sc...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1502736 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078405. Published by SCORE EDITIONS (A0.1502736). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Bass Clarinet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
The Elite Syncopations for Solo Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 p...
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Bass Clarinet,Piano - Level 4 - SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694905. Published by David McKeown (A0.1090775). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Bass Clarinet with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Entertainer, by Scott Jopl
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages....
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Bass Clarinet,Piano - Level 3 - SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715119. Published by David McKeown (A0.1113161). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Bass Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easy Winners, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Bass Cla
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709310. Published by David McKeown (A0.1106196). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Bass Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Hors D'Oevures to the Great Feast
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Contemporain
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NTG
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Hors D'Oevures to the Great Fe
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NTG
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.991777 Composed by NTG. Contemporary. Score and individual part. 3 pages. NTG #3079593. Publis...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.991777 Composed by NTG. Contemporary. Score and individual part. 3 pages. NTG #3079593. Published by NTG (A0.991777). Average Duration: 1:42Written in honor of Katherine Wichern.A uniquely beautiful piece written from one high school musician to another, this intermediate bass clarinet solo was created out of a love of the arts and a love of the people who perform them. This solo will challenge a learning soloist looking to get on stage with something atypical.In medieval times, the lord of the land would arrange a feast to be had immediately after some special occasion, like a battleground victory, a wedding, or a coronation. Only the most prestigious were invited, and the feastgoers were expected to dress and behave elegantly, to reflect the culture of the time. The feast would have up to six courses and would last for hours on end; some of the main courses imitated theatrical performances. When listening or performing, imagine being in a large, bustling hall of finely-dressed men and women to a wide variety of colorful and delicious delicacies---and you haven't even reached the main course!Please enjoy!
$3.00
My Heart Will Go On (Love Theme From 'titanic')
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Celine Dion
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Harry Walker
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My Heart Will Go On
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1505026 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/T...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1505026 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/TV,Pop,Wedding. Score and part. 11 pages. SCORE EDITIONS #1080429. Published by SCORE EDITIONS (A0.1505026). My Heart Will Go On, composed by James Horner with lyrics by Will Jennings and famously performed by Céline Dion, is the iconic love theme from the 1997 film Titanic. This powerful ballad, which has become one of the best-selling singles of all time, encapsulates the timeless love story between Jack and Rose, conveying themes of eternal love and remembrance. The song's structure features a haunting flute introduction, expressive verses, a full orchestral chorus, and a dramatic instrumental bridge, concluding with a gentle outro. Winning the Academy Award, Golden Globe, and four Grammy Awards, My Heart Will Go On remains a cultural staple and a key part of Céline Dion's repertoire. Its beautiful melody, poignant lyrics, and emotional depth ensure its enduring popularity in concert programs worldwide. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
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