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ACCORDEON
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AUTRES INST…
BALALAIKA
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
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VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2766
PIANO & CLAVIERS
Piano seul
4178
Piano, Voix et Guitare
1420
Piano, Voix
755
Piano Facile
548
Orgue
168
Instruments en Do
151
Piano grosses notes
74
Accompagnement Piano
73
1 Piano, 4 mains
73
Piano Trio: piano, violon, violoncelle
39
Piano Quatuor: piano, violon, alto, violoncelle
29
2 Pianos, 4 mains
27
Accordéon
24
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Piano (partie séparée)
10
Orgue, Piano (duo)
3
Clavecin
3
2 Accordéons
2
1 Piano, 6 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ensemble d'Accordéons
1
Clavier
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
445
Guitare
248
Ligne De Mélodie, (Paroles) et Accords
225
Ukulele
172
Paroles et Accords
104
Basse electrique
68
2 Guitares (duo)
27
Guitare (partie séparée)
16
4 Guitares (Quatuor)
12
Dulcimer
11
Banjo
8
Piano, Guitare (duo)
6
Mandoline
3
2 Dulcimers (duo)
2
Basse électrique (partie séparée)
2
Ensemble de guitares
2
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
947
Chorale 3 parties
331
Chorale 2 parties
171
Chorale TTBB
156
Pack Instrumental pour Chorale
146
Chorale Unison
85
Chorale SSAA
83
Voix duo, Piano
32
Chorale
29
Voix seule
25
Voix Soprano, Piano
20
Voix haute
15
Voix duo
10
Voix Alto, Piano
8
Voix Baryton, Piano
7
Voix Tenor, Piano
6
Voix moyenne, Piano
4
Voix, Guitare
3
Voix basse, Piano
3
Voix Soprano
2
Chorale SSAATTBB
2
Voix Soprano, Orchestre
1
Voix Tenor
1
Voix (avec Boîtes d'Accords)
1
Chorale SATTBB, Clavier
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
315
Clarinette et Piano
174
Saxophone (partie séparée)
162
Quatuor de Saxophones: 4 saxophones
161
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
153
Saxophone Alto et Piano
152
Hautbois, Piano (duo)
133
Flûte traversière
129
Clarinette
117
2 Saxophones (duo)
103
Flûte, Hautbois, Clarinette, Basson
100
Clarinette (partie séparée)
89
Saxophone Tenor et Piano
89
Saxophone Alto
86
2 Flûtes traversières (duo)
85
Saxophone Tenor
78
Saxophone Soprano et Piano
76
2 Clarinettes (duo)
70
Quatuor de Clarinettes: 4 clarinettes
60
Saxophone Baryton, Piano
51
Quintette de Saxophone: 5 saxophones
48
Hautbois (partie séparée)
46
Quatuor de Flûtes : 4 flûtes
39
Flute (partie séparée)
36
Ensemble de Flûtes
32
Flûte et Guitare
31
Flûte, Clarinette (duo)
28
Ensemble de Clarinettes
26
Clarinette Basse, Piano
24
Trio de Flûtes: 3 flûtes
24
3 Clarinettes (trio)
23
Cor anglais, Piano
23
Saxophone, Clarinette (duo)
22
3 Saxophones (trio)
21
Clarinette, Violon (duo)
19
Hautbois, Basson (duo)
19
Quintette de Clarinettes: 5 clarinettes
18
Saxophone
18
Hautbois
17
2 Hautbois (duo)
17
Clarinette, Trompette (duo)
17
2 Flûte à bec (duo)
16
Saxophone et Orchestre
15
Clarinette, Guitare (duo)
14
Hautbois, Flûte
14
Flûte, Violon, Piano
13
Ensemble de saxophones
13
Quatuor de Flûtes à bec
13
Hautbois, Clarinette (duo)
12
Flûte, Violon
11
Flûte, Clarinette, Piano (trio)
11
Flûte à Bec
10
Saxophone Soprano
10
Flûte, Alto (duo)
10
Flûte, Saxophone (duo)
9
Flûte, Trompette (duo)
9
3 Flûtes à bec (trio)
8
Clarinette et Alto
8
5 Flûtes à bec
8
Saxophone et Guitare
7
Flûte, Hautbois, Clarinette (trio)
7
Hautbois, Guitare (duo)
6
Clarinette, Violoncelle (duo)
6
Flûte, Clarinette et Basson
6
Quintette de Flûte : 5 flûtes
5
Flûte, Violoncelle, Piano (trio)
5
Saxophone Baryton
5
Flûte, Basson et Piano
5
Clarinette, Harpe (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Piccolo, Piano
4
Flûte à bec Alto, Piano
4
Clarinette, Basson (duo)
4
2 Flûtes traversières, Piano
4
Cor anglais, Guitare (duo)
4
Ocarina
4
Flûte, Hautbois (duo)
4
2 Clarinettes, Piano
4
Instruments en Mib
4
Clarinette, Violoncelle, Piano (trio)
3
Saxophone et Harpe
3
3 Hautbois
3
Flûte, Hautbois, Basson
3
Flûte, Violon et Violoncelle
3
Flûte à bec Soprano
3
Flûte, Hautbois, Piano (trio)
3
Harmonica
3
Cor Anglais
3
Flûte, Violoncelle
3
Hautbois et alto (duo)
2
Hautbois, violon (duo)
2
Hautbois, Violoncelle
2
2 Clarinettes, Basson
2
Flûte à bec Soprano, Piano
2
Flûte traversière, Basse continue
2
Saxophone et Orgue
2
Flûte à Bec, Piano
2
Hautbois, Basson et Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec Tenor
2
Flûte à bec, Guitare (duo)
2
Flûte, Violoncelle, Guitare
2
Flute, harpe et violon
2
Saxophone, Basson (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Guitare, Piano
1
Flûte et Trio à cordes
1
2 Cors Anglais Et Pianoforte
1
Ensemble De Flûte à bec
1
Flûte à bec Alto, Basse continue
1
Flûte à bec Alto
1
Flûte traversière, Orgue (duo)
1
Piccolo
1
Flûte, Violon, Violoncelle et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cornemuse
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
Saxophone et Piano
1
Clarinette, trompette et piano
1
Flûte, Violon, Guitare
1
Flûte, Alto et Piano
1
Saxophone et violoncelle
1
Flute, alto, violoncelle et guitare
1
2 Saxophones, Piano
1
Flûte irlandaise
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Basson, Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
148
Trombone (partie séparée)
131
Trompette (partie séparée)
119
Trompette
118
Trombone et Piano
97
Trombone
89
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Trompette, Piano
87
Cor et Piano
72
Cor
65
Tuba et Piano
43
Cor (partie séparée)
42
Euphonium, Piano (duo)
33
Tuba (partie séparée)
32
2 Trompettes (duo)
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
2 Trombones (duo)
24
Quatuor de Cuivres
24
Tuba
23
Cor anglais, Piano
23
Trompette, Saxophone (duo)
18
Quatuor de cuivres: 4 trombones
16
Trompette, Trombone (duo)
13
Quatuor de cuivres: 4 cors
13
Ensemble de Trombones
12
2 Euphoniums et 2 Tubas
10
2 Cors (duo)
9
Trompette, Cor (duo)
6
Instruments en Sib
4
Trompette, Harpe
4
Bass Clef Instruments
4
Cor anglais, Guitare (duo)
4
Cor et Harpe
3
Trompette, violon (duo)
3
Euphonium
3
Trio de Cuivres
3
Ensemble de Cors
3
Trombone basse et Piano
3
Ensemble de Trompettes
3
Cor Anglais
3
Trombone, Tuba (duo)
3
Trombone, Orgue
2
Trompette, Tuba (duo)
2
Trompette, Violoncelle et Piano
2
Trombone, Cor (duo)
2
Trombone basse
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Trompette et Guitare
1
Trompette, Basson (duo)
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Orchestre
1
Cor, Tuba (duo)
1
Cor, Violoncelle (duo)
1
2 Cors, Piano
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
559
Violon et Piano
395
Violoncelle, Piano
259
Alto, Piano
186
Violon
162
Harpe
144
Violoncelle
122
Violon (partie séparée)
111
Alto seul
110
Violon, Violoncelle (duo)
96
Trio à Cordes: violon, alto, violoncelle
93
2 Violons (duo)
62
Contrebasse (partie séparée)
52
Violoncelle (partie séparée)
39
2 Violoncelles (duo)
39
Alto (partie séparée)
36
Contrebasse, Piano (duo)
36
Trio à Cordes: 2 violons, violoncelle
35
Violon, Alto (duo)
33
2 Altos (duo)
33
Contre Basse
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violon, Guitare (duo)
19
Violoncelle , Guitare (duo)
15
Harpe, Flûte (duo)
13
Trio à cordes: 3 violins
12
Alto, Guitare (duo)
12
Alto, Violoncelle (duo)
10
4 Violoncelles
7
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
7
Piano Trio: Violon, Alto, Piano
6
2 Harpes (duo)
6
Violon, Clarinette, Piano (trio)
5
Trio à cordes
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 2 violons, alto
4
Alto et Harpe
4
Harpe, Violoncelle (duo)
3
Alto et Basson
3
2 Contrebasses (duo)
3
Violoncelle, Orchestre
3
Trio à cordes: 3 altos
3
Ensemble de Violons
2
Quatuor à cordes : 4 altos
2
Violon, Basse continue
2
2 Violons, Piano
1
Violon, Basson (duo)
1
3 Contrebasses
1
Violoncelle, Basse continue
1
2 Violons et Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Voix
1
Alto et orchestre
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1032
Orchestre à Cordes
332
Orchestre
310
Cloches
197
Ensemble Jazz
161
Ensemble de cuivres
131
Fanfare
121
Batterie
100
Orchestre de chambre
75
Percussion (partie séparée)
59
Jazz combo
30
Timbales (partie séparée)
17
Ensemble de Percussions
17
Batterie (partie séparée)
13
Percussion
11
Vibraphone
7
Marimba
6
Xylophone, Piano
4
Orchestre, Violon
2
2 Marimbas
1
Instrumentation Flexible
1
Piano et Orchestre
1
Quintette à Vent
1
Voix Mezzo-Soprano, Orchestre
1
3 Percussions
1
Marimba, Saxophone (duo)
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Turn! Turn! Turn!
Clarinette Basse, Piano
Partitions à imprimer
24 partitions trouvées
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1
Nocturna de Galveston
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.965578 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.965578 Composed by Kevin Price. Contemporary,Latin. Score and individual part. 4 pages. Kevin Price #5742573. Published by Kevin Price (A0.965578). This is a Nocturne (Night Piece) written as a Bass Clarinet Solo with Piano accompaniment. Writing music from the Texas coast, Nocturna de Galveston translates simply to Nocturne of Galveston. It is written primarily in A minor with a short major transition and a Blues feel on the ending. Enjoy! .
$4.75
4.33 €
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Clarinette Basse, Piano
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Kevin Price
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Nocturna de Galveston
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Kevin Price
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SheetMusicPlus
Fauré: Nocturne Op. 104 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.551610 Composed by Gabriel…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.551610 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #5324325. Published by jmsgu3 (A0.551610). Gabriel Fauré: Nocturne, Op. 104, Duration 3:34 Score: 8 pages.Molto moderato.
$32.95
30 €
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Clarinette Basse, Piano
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Nocturne Op. 104 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Notturno Op. 54 No. 4 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550030 Composed by Edvard …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550030 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 13 pages. Jmsgu3 #4580649. Published by jmsgu3 (A0.550030). Score: 7 pages. Duration: ca. 4:20. A very thought-provoking and expressive recital encore.
$32.95
30 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Notturno Op. 54 No. 4 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Nocturne & Scherzo
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 5 - Digital Download SKU: R0.46079 Composed by Vladim…
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Bass Clarinet & Piano - Grade 5 - Digital Download SKU: R0.46079 Composed by Vladimir Peskin. Bass Clarinet & Piano. Score and parts. 16 pages. Duration 7'57. Editions Marc Reift - Digital #46079. Published by Editions Marc Reift - Digital (R0.46079).
$22.95
20.9 €
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Clarinette Basse, Piano
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Vladimir Peskin
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Nocturne & Scherzo
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Editions Marc Reift - Digital
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SheetMusicPlus
I Love You Truly-Bass clarinet/piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Be…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.45 €
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Clarinette Basse, Piano
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Phil Beaman
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I Love You Truly-Bass clarinet/piano
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Phil Beaman
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SheetMusicPlus
Vivaldi: Spring from the Four Seasons for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.551348 Composed by Antonio…
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Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.551348 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #5026565. Published by jmsgu3 (A0.551348). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95
30 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Op
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Vivaldi: Spring from the Four Seasons for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Vivaldi: The Four Seasons Complete for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.551429 Composed by Antonio…
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Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.551429 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 191 pages. Jmsgu3 #5204961. Published by jmsgu3 (A0.551429). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
45.48 €
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Clarinette Basse, Piano
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Antonio Vivaldi
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James M
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Op
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Vivaldi: The Four Seasons Complete for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.54 €
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.27 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
It's Been A Long, Long Time
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule St…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.45 €
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Clarinette Basse, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Rock of Ages for Bass Clarinet
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.968454 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.968454 Composed by Thomas Hastings. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and individual part. 11 pages. Lawrence H Underwood #6566865. Published by Lawrence H Underwood (A0.968454). Arranged by veteran performer and music educator, Lawrence Underwood, as the ninth installment in his 2021 Hymn Song Collection series, this brand-new setting of Rock of Ages begins as with a classical treatment of the tune in 3 before reimagining the piece in 4, moving into a minor setting of the melody, through a waltz-feel, and into 9/8 time. . .all before returning home to the classical setting for this beloved melody. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
5.45 €
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Clarinette Basse, Piano
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Thomas Hastings
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Lawrence H
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Rock of Ages for Bass Clarinet
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Lawrence H Underwood
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.72 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
O Come, All Ye Faithful for Solo Bass Clarinet
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.967644 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.967644 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and individual part. 10 pages. Lawrence H Underwood #6189171. Published by Lawrence H Underwood (A0.967644). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
5.45 €
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Clarinette Basse, Piano
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Attr
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Lawrence H
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O Come, All Ye Faithful for Solo Bass Clarinet
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Lawrence H Underwood
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SheetMusicPlus
This Nearly Was Mine from South Pacific
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.790008 Comp…
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Small Ensemble Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533745. Published by Diamond S Music (A0.790008). THIS NEARLY WAS MINE from South Pacific. For SOLO BASS CLARINET AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
9.11 €
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Clarinette Basse, Piano
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Richard Rodgers
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W
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This Nearly Was Mine from South Pacific
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Diamond S Music
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SheetMusicPlus
My One And Only Love
Clarinette Basse, Piano
B-Flat Clarinet,Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1318416 By…
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B-Flat Clarinet,Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1318416 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 6 pages. Standard Time #907077. Published by Standard Time (A0.1318416). This well-known standard is arranged as a clarinet solo with piano accompaniment, including a brief piano solo. Please note that the audio uses the soprano sax version of this arrangement.
$7.99
7.28 €
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Clarinette Basse, Piano
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Oscar Peterson Trio
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Debra E
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My One And Only Love
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Standard Time
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SheetMusicPlus
Tenderly
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1154589 By Ella Fitzgerald…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1154589 By Ella Fitzgerald & Louis Armstrong. By Jack Lawrence and Walter Gross. Arranged by Debra E. Stempien, Gregory H. Turner. Pop,Standards. Score and part. 6 pages. Standard Time #754869. Published by Standard Time (A0.1154589). This evocative waltz is arranged here for bass clarinet with piano accompaniment in an Impressionistic setting. Please note that the recording is of the soprano sax version.
$9.99
9.1 €
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Clarinette Basse, Piano
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Ella Fitzgerald & Louis Armstrong
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Debra E
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Tenderly
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Standard Time
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SheetMusicPlus
My Favorite Things
Clarinette Basse, Piano
B-Flat Clarinet,Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1318400 By…
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B-Flat Clarinet,Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1318400 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Christmas,Holiday,Jazz,Musical/Show,Standards. Score and part. 9 pages. Standard Time #907061. Published by Standard Time (A0.1318400). This classic song from The Sound of Music is presented here as a jazz waltz for clarinet and piano. Â Please note that the audio file uses the alto sax version of the same arrangement.
$9.99
9.1 €
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Clarinette Basse, Piano
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Chicago
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Debra E
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My Favorite Things
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Standard Time
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SheetMusicPlus
Flowing
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1373960 Composed by Lawren…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1373960 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 8 pages. Lawrence H Underwood #958527. Published by Lawrence H Underwood (A0.1373960). This original composition by veteran performer and music educator, Lawrence Underwood, is the seventh installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Movement is at the heart of Flowing; from the gentle waltz rhythms of the opening strains, to the joyous rush and tumble of the middle section that precedes the return of the subtle pulse of the opening theme. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect additon to any program!
$6.99
6.36 €
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Clarinette Basse, Piano
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Lawrence H Underwood
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Flowing
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Lawrence H Underwood
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SheetMusicPlus
Whimsy
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1374101 Composed by Lawren…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1374101 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958676. Published by Lawrence H Underwood (A0.1374101). This original composition by veteran performer and music educator, Lawrence Underwood, is the ninth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Whimsy begins as a playful, quirky romp in 12/8, transitioning into a (slightly) more serious and (slightly) slower middle section before letting loose with a return to the capricious opening theme again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure will make an excellent addition to any program!
$6.99
6.36 €
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Clarinette Basse, Piano
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Lawrence H Underwood
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Whimsy
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Lawrence H Underwood
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
4 Pieces
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 2+ - Digital Download SKU: R0.53154 1. Nocturne / …
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Bass Clarinet & Piano - Grade 2+ - Digital Download SKU: R0.53154 1. Nocturne / 2. Waltz / 3. Eine kleine Sonatine / 4. Lahr Suite. Composed by Ifor James. Bass Clarinet & Piano. Score and parts. 18 pages. Duration 11'51. Editions Marc Reift - Digital #53154. Published by Editions Marc Reift - Digital (R0.53154).
$18.95
17.26 €
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Clarinette Basse, Piano
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Ifor James
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4 Pieces
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Editions Marc Reift - Digital
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.17 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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