Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Turn Into
Non classifié
373
Piano & claviers
Piano seul
354
Piano, Voix
46
Piano Facile
40
Piano, Voix et Guitare
35
Orgue
34
1 Piano, 4 mains
8
Instruments en Do
8
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
2
Piano grosses notes
2
1 Piano, 6 mains
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
21
Guitare notes et tablatures
18
Ukulele
14
Ligne De Mélodie, (Paroles) et Accords
6
Guitare (partie séparée)
5
2 Guitares (duo)
3
Paroles et Accords
2
Mandoline
1
Basse electrique
1
Piano, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
152
Chorale 3 parties
52
Chorale TTBB
31
Chorale 2 parties
24
Chorale SSAA
18
Chorale Unison
16
Voix haute
4
Voix duo, Piano
4
Voix duo
3
Voix seule
1
Voix Soprano
1
Voix, Guitare
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Flûte traversière et Piano
37
Quatuor de Saxophones: 4 saxophones
29
Flûte, Hautbois, Clarinette, Basson
29
Hautbois, Piano (duo)
29
Saxophone (partie séparée)
24
Saxophone Alto et Piano
24
Quintette de Saxophone: 5 saxophones
23
Flûte traversière
22
Clarinette
21
Saxophone Tenor et Piano
21
Clarinette et Piano
20
Saxophone Baryton, Piano
17
Saxophone Soprano et Piano
15
Saxophone Alto
14
Saxophone Tenor
11
Quatuor de Clarinettes: 4 clarinettes
10
2 Saxophones (duo)
8
Ensemble de Flûtes
7
2 Flûtes traversières (duo)
7
Clarinette (partie séparée)
7
Clarinette Basse, Piano
7
Flute (partie séparée)
6
Hautbois (partie séparée)
6
Flûte et Guitare
5
Ensemble de Clarinettes
5
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
4
Saxophone Soprano
4
Saxophone Baryton
4
Flûte, Clarinette (duo)
4
Hautbois
4
2 Clarinettes (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
3
Cor anglais, Guitare (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Flûte
3
Quintette de Flûte : 5 flûtes
2
Clarinette, Trompette (duo)
2
Saxophone, Clarinette (duo)
2
Hautbois, Basson (duo)
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Clarinette, Violon (duo)
2
Quatuor de Flûtes à bec
2
Clarinette et Alto
1
Saxophone et Guitare
1
2 Cors Anglais Et Pianoforte
1
3 Saxophones (trio)
1
Hautbois, Guitare (duo)
1
Piccolo, Piano
1
Saxophone
1
3 Flûtes à bec (trio)
1
Hautbois, Basson et Piano
1
Ensemble de saxophones
1
Flûte, Trompette (duo)
1
2 Clarinettes, Basson
1
Flûte, Alto (duo)
1
Flûte, Violon
1
Flûte traversière, Orgue (duo)
1
+ 57 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor
21
Trombone et Piano
21
Cor et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette, Piano
16
Trompette
15
Tuba et Piano
15
Trombone
12
Euphonium, Piano (duo)
12
Trombone (partie séparée)
11
Tuba
10
Trompette (partie séparée)
9
Quatuor de Cuivres
4
Trompette, violon (duo)
3
2 Trompettes (duo)
3
Cor (partie séparée)
3
Cor anglais, Piano
3
Cor anglais, Guitare (duo)
3
Ensemble de Trombones
3
Quatuor de cuivres: 4 cors
3
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
2
Trompette, Cor (duo)
2
Tuba (partie séparée)
2
Ensemble de Trompettes
2
2 Euphoniums et 2 Tubas
2
Ensemble de Cors
1
2 Cors Anglais Et Pianoforte
1
2 Cors (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
163
Violoncelle, Piano
33
Violon
32
Violon et Piano
29
Alto, Piano
24
Alto seul
22
Violoncelle
19
Trio à Cordes: violon, alto, violoncelle
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Harpe
14
Contrebasse, Piano (duo)
11
Trio à Cordes: 2 violons, violoncelle
7
Contre Basse
6
Violon, Alto (duo)
4
Contrebasse (partie séparée)
4
Alto (partie séparée)
4
Trio à cordes: 3 violins
3
2 Violons (duo)
3
Violon (partie séparée)
3
2 Violoncelles (duo)
2
Violon, Violoncelle (duo)
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Ensemble de Violons
2
Alto et Basson
1
2 Altos (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Basse continue
1
Violoncelle, Contrebasse (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
94
Orchestre
68
Ensemble Jazz
37
Orchestre à Cordes
31
Cloches
27
Fanfare
26
Ensemble de cuivres
22
Orchestre de chambre
14
Ensemble de Percussions
7
Jazz combo
7
Percussion (partie séparée)
2
Batterie
2
Batterie (partie séparée)
2
Orchestre, Violon
2
Piano et Orchestre
1
Quintette à Vent
1
3 Percussions
1
Timbales (partie séparée)
1
Xylophone, Piano
1
Percussion
1
Marimba
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
7
Librairie Musicale
1
Matériel de Musique
478
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Turn Into
Clarinette Basse, Piano
Partitions à imprimer
7 partitions trouvées
<
1
This Nearly Was Mine from South Pacific
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Richard Rodgers
#
W
#
This Nearly Was Mine from Sout
#
Diamond S Music
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 4 - SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and...
(+)
Small Ensemble Bass Clarinet,Piano - Level 4 - SKU: A0.790008 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533745. Published by Diamond S Music (A0.790008). THIS NEARLY WAS MINE from South Pacific. For SOLO BASS CLARINET AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
Rock of Ages for Bass Clarinet
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Christian contemporain
#
Thomas Hastings
#
Lawrence H
#
Rock of Ages for Bass Clarinet
#
Lawrence H Underwood
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968454 Composed by Thomas Hastings. Arranged by Lawrence H. Underwood. Christian,Contemporary,...
(+)
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968454 Composed by Thomas Hastings. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and individual part. 11 pages. Lawrence H Underwood #6566865. Published by Lawrence H Underwood (A0.968454). Arranged by veteran performer and music educator, Lawrence Underwood, as the ninth installment in his 2021 Hymn Song Collection series, this brand-new setting of Rock of Ages begins as with a classical treatment of the tune in 3 before reimagining the piece in 4, moving into a minor setting of the melody, through a waltz-feel, and into 9/8 time. . .all before returning home to the classical setting for this beloved melody. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Bas
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
(+)
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Whimsy
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Lawrence H Underwood
#
Whimsy
#
Lawrence H Underwood
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1374101 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. ...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.1374101 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958676. Published by Lawrence H Underwood (A0.1374101). This original composition by veteran performer and music educator, Lawrence Underwood, is the ninth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Whimsy begins as a playful, quirky romp in 12/8, transitioning into a (slightly) more serious and (slightly) slower middle section before letting loose with a return to the capricious opening theme again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure will make an excellent addition to any program!
$6.99
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Turn Into
