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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin Pieces
Non classifié
714
Piano & claviers
Piano seul
94
Piano Trio: piano, violon, violoncelle
24
Piano Facile
18
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano, Voix
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano, Voix et Guitare
2
2 Pianos, 4 mains
2
Instruments en Do
1
+ 8 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
49
Guitare
29
Mandoline
4
2 Mandolines (duo)
3
Guitare, Violon, Violoncelle (trio)
1
Voix
Chorale 2 parties
3
Chorale Unison
3
Chorale SATB
3
Chorale 3 parties
2
Voix Soprano, Piano
2
Voix duo
1
Voix duo, Piano
1
Voix moyenne, Piano
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
96
Hautbois, Piano (duo)
77
Clarinette et Piano
75
Saxophone Alto et Piano
70
Saxophone Tenor et Piano
69
2 Saxophones (duo)
49
2 Clarinettes (duo)
35
Clarinette, Violon (duo)
31
Quatuor de Saxophones: 4 saxophones
25
2 Flûtes traversières (duo)
25
Flûte, Violon
23
Quatuor de Clarinettes: 4 clarinettes
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
3 Saxophones (trio)
16
2 Hautbois (duo)
15
3 Clarinettes (trio)
14
Flûte, Hautbois, Clarinette, Basson
14
Clarinette
13
Quintette de Saxophone: 5 saxophones
11
Flûte, Violon et Violoncelle
10
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes : 4 flûtes
9
Flûte traversière
8
Flûte, Violon, Piano
8
Saxophone Soprano et Piano
8
3 Hautbois
7
4 Hautbois
7
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
Hautbois, violon (duo)
5
Flûte et Trio à cordes
5
Saxophone Tenor
4
Saxophone (partie séparée)
4
Saxophone Alto
4
Flûte et Guitare
4
Cor anglais, Piano
4
Flute, harpe et violon
3
Ensemble de Clarinettes
3
Clarinette Basse, Piano
3
2 Flûte à bec (duo)
3
Flûte à bec Soprano
2
Flûte à bec Alto, Piano
2
Flûte à bec Soprano, Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de Flûtes
1
Cor anglais et Harpe (duo)
1
Ensemble de saxophones
1
Ensemble de Hautbois
1
Flûte traversière, Basse continue
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 56 instrumentations
Retracter
Cuivres
Trombone et Piano
61
Trompette, Piano
32
Trompette
24
2 Trompettes (duo)
19
2 Trombones (duo)
17
2 Cors (duo)
16
2 Tubas (duo)
15
Trombone
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Euphonium, Piano (duo)
6
Cor et Piano
5
Euphonium
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
4
Cor anglais, Piano
4
Tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais et Harpe (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
+ 17 instrumentations
Retracter
Cordes
Violon et Piano
938
Quatuor à cordes: 2 violons, alto, violoncelle
782
Violon
399
Trio à Cordes: violon, alto, violoncelle
140
Violon, Violoncelle (duo)
122
Violoncelle, Piano
101
Alto, Piano
95
2 Violons (duo)
95
Violon, Alto (duo)
67
Trio à Cordes: 2 violons, violoncelle
63
Violon (partie séparée)
59
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Trio à cordes: 3 violins
29
2 Altos (duo)
26
Violon, Guitare (duo)
25
2 Violoncelles (duo)
23
2 Contrebasses (duo)
16
2 Violons, Piano
16
Alto seul
15
Violoncelle
13
Quatuor à cordes: 4 violons
12
Trio à Cordes: 2 violons, alto
10
Piano Trio: Violon, Alto, Piano
9
Harpe, Violon (duo)
9
Trio à Cordes: 3 violoncelles
7
Trio à cordes: 3 altos
6
Contre Basse
6
Harpe
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Basse continue
4
Violon, Orgue
4
Alto (partie séparée)
4
4 Violoncelles
3
Harpe, Flûte (duo)
3
Violon, Basson (duo)
3
Alto, Violoncelle (duo)
3
Ensemble de Violons
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
Violon, Violoncelle, Clarinette
1
2 Violons et Basse continue
1
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Trio à cordes
1
Quatuor à cordes : 4 altos
1
Flûte, Contrebasse (duo)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
143
Orchestre
52
Orchestre d'harmonie
18
Ensemble de Percussions
17
Orchestre de chambre
10
Ensemble d'École
8
Ensemble de cuivres
4
Batterie
2
Ensemble Jazz
2
Cloches
1
Orchestre, Violon
1
+ 6 instrumentations
Retracter
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FLUTE A BEC
FLUTE A DIX…
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HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Violin Pieces
Clarinette Basse, Piano
Partitions à imprimer
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Four Short Pieces for Bass Clarinet
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Spence Bundy
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Spence Bundy
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Four Short Pieces for Bass Cla
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Spencer Bundy
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1227018 By Spence Bundy. By Frank Bridge. Arranged by Spence Bundy. 20th Century. Score and part. 30 pages. Spen...
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Bass Clarinet,Piano - Level 4 - SKU: A0.1227018 By Spence Bundy. By Frank Bridge. Arranged by Spence Bundy. 20th Century. Score and part. 30 pages. Spencer Bundy #823025. Published by Spencer Bundy (A0.1227018). Originally composed for solo violin & piano, these lovely pieces work well for bass clarinet.
$4.50
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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