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PIANO & CLAVIERS
Piano, Voix
1896
Piano, Voix et Guitare
787
Piano seul
741
Piano Facile
355
1 Piano, 4 mains
220
Piano grosses notes
102
Orgue
100
Instruments en Do
52
2 Pianos, 4 mains
38
Accompagnement Piano
22
Accordéon
19
Piano Trio: piano, violon, violoncelle
17
1 Piano, 6 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Instrument seul et Orgue
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
Piano (partie séparée)
2
2 Pianos, 8 mains
2
Accordéon, Voix
2
Ligne De Mélodie, Piano
2
Orgue, Voix
1
2 Accordéons
1
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GUITARES
Guitare notes et tablatures
176
Ligne De Mélodie, (Paroles) et Accords
168
Guitare
60
Ukulele
41
Mandoline
38
Basse electrique
17
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9
Paroles et Accords
8
Banjo
8
Dulcimer
6
2 Guitares (duo)
5
4 Guitares (Quatuor)
4
2 Ukuleles
3
Guitare (partie séparée)
3
2 Mandolines (duo)
2
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Basse électrique (partie séparée)
1
Mandoline, Guitare (duo)
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3 Guitares (trio)
1
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VOIX
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Chorale 2 parties
107
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Chorale TTBB
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Voix duo, Piano
33
Chorale SSAA
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Chorale
16
Voix duo
12
Voix seule
10
Voix Alto, Piano
9
Voix Soprano, Piano
9
Voix Tenor
3
Voix, Guitare
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Chorale SSATTB
2
Voix haute
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Voix moyenne, Piano
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Voix Tenor, Piano
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Voix Mezzo-Soprano, Piano
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Chorale SSAATTBB
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Voix Baryton, Piano
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Chorale SSAB, Piano
1
Chorale SSATB
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VENTS
Harmonica
110
Flûte à bec Alto
103
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Flûte à bec Soprano
94
Quintette de Saxophone: 5 saxophones
88
2 Saxophones (duo)
86
Flûte traversière et Piano
85
Quatuor de Saxophones: 4 saxophones
79
Flûte traversière
73
Hautbois, Piano (duo)
71
Clarinette
70
Flûte, Hautbois, Clarinette, Basson
67
Clarinette et Piano
64
Saxophone Alto et Piano
57
Quatuor de Clarinettes: 4 clarinettes
50
Saxophone Tenor et Piano
47
Saxophone Alto
44
2 Flûte à bec (duo)
39
2 Flûtes traversières (duo)
38
Saxophone (partie séparée)
38
2 Clarinettes (duo)
37
Saxophone Soprano et Piano
30
Quatuor de Flûtes : 4 flûtes
27
Ensemble de Clarinettes
26
3 Saxophones (trio)
25
Saxophone Tenor
24
Saxophone Baryton, Piano
24
Hautbois (partie séparée)
21
Flûte, Clarinette (duo)
19
Clarinette (partie séparée)
18
Flûte à Bec
17
Cor anglais, Piano
16
Saxophone
15
2 Hautbois (duo)
15
Hautbois
15
Ensemble de Flûtes
14
Saxophone, Clarinette (duo)
13
Clarinette, Violon (duo)
12
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
11
Hautbois, Basson (duo)
11
Flûte et Guitare
11
Flute (partie séparée)
11
Clarinette, Basson (duo)
10
Ensemble de saxophones
10
Clarinette, Trompette (duo)
7
Clarinette, Violoncelle (duo)
7
Hautbois, Clarinette (duo)
7
Quatuor de Flûtes à bec
7
Flûte à bec Soprano, Piano
6
Flûte à bec Alto, Piano
6
Flûte, Hautbois, Basson
6
Flûte, Violon, Piano
6
Piccolo, Piano
6
Clarinette, Guitare (duo)
6
Clarinette et Alto
6
Quintette de Flûte : 5 flûtes
6
Flûte, Hautbois, Clarinette (trio)
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Soprano
6
Clarinette Basse, Piano
6
Saxophone Baryton
6
Ensemble De Flûte à bec
5
5 Flûtes à bec
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Flûte, Violon et Violoncelle
5
Flûte, Alto (duo)
5
Flûte, Clarinette et Basson
5
Flûte à bec Tenor
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Flûte, Violon
4
3 Flûtes à bec (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Flûte
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Flûte, Hautbois (duo)
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Flûte, Trompette (duo)
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Instruments en Mib
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2 Flûtes traversières, Piano
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Hautbois, Violoncelle
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Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette, Harpe (duo)
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Flûte, Violoncelle
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Hautbois, Guitare (duo)
3
Flûte, trombone et piano
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4 Hautbois
2
Saxophone et Harpe
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
Cor Anglais
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Tuba (duo)
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Flûte irlandaise
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Flûte, Hautbois, Violon
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Flûte, Trombone (duo)
1
Clarinette, trompette et piano
1
Flûte, Hautbois, Piano (trio)
1
Flute, harpe et violon
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Hautbois, Harpe
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Clarinette Basse
1
Flûte, Violoncelle, Guitare
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, trombone (duo)
1
Clarinette, Tuba
1
2 Clarinettes, Piano
1
Cor anglais et Harpe (duo)
1
Ensemble à vent
1
Flûte, Basson et Piano
1
Hautbois et alto (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Trompette
67
Trompette, Piano
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trombone
48
Trombone et Piano
43
Cor et Piano
43
Cor
42
Tuba et Piano
29
Tuba
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
2 Trombones (duo)
27
Trompette (partie séparée)
27
2 Trompettes (duo)
22
Trombone (partie séparée)
22
Quatuor de Cuivres
21
Trompette, Trombone (duo)
18
2 Cors (duo)
18
Cor anglais, Piano
16
Cor (partie séparée)
13
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
11
Quatuor de cuivres: 4 trombones
10
Ensemble de Trombones
9
Ensemble de Trompettes
9
Bass Clef Instruments
8
2 Tubas (duo)
8
Tuba (partie séparée)
6
Trompette, Cor (duo)
6
Trombone, Tuba (duo)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 cors
5
Euphonium
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Quatuor de cuivres: 4 trompettes
4
Euphonium, Tuba (duo)
3
3 Trombones (trio)
3
Instruments en Sib
3
Trompette, violon (duo)
3
Trompette, Tuba (duo)
3
Trombone, Cor (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trio de Cuivres
2
Cor Anglais
2
Cor et Harpe
1
Trombone, Violon (duo)
1
Cor, Violoncelle (duo)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
1
Trombone basse
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
Trompette, Basson (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
222
Violon et Piano
96
Violon
77
Alto, Piano
68
Violoncelle, Piano
68
2 Violons (duo)
60
Violon, Violoncelle (duo)
52
Alto seul
52
Harpe
51
2 Violoncelles (duo)
37
Violoncelle
34
Violon, Alto (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Trio à Cordes: violon, alto, violoncelle
32
Violoncelle (partie séparée)
31
2 Altos (duo)
30
Alto (partie séparée)
22
Violon (partie séparée)
21
Contrebasse, Piano (duo)
20
Contre Basse
18
Alto, Violoncelle (duo)
16
4 Violoncelles
13
2 Harpes (duo)
12
Violoncelle, Contrebasse (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
Quatuor à cordes: 4 violons
8
Trio à cordes: 3 violins
8
2 Contrebasses (duo)
7
Trio à Cordes: 3 violoncelles
7
Piano Trio: Violon, Alto, Piano
6
Contrebasse (partie séparée)
6
Violon, Guitare (duo)
5
Harpe, Voix
5
Violoncelle , Guitare (duo)
4
Ensemble d'Altos
4
Trio à cordes: 3 altos
4
Ensemble de Violons
4
Quatuor à cordes : 4 altos
4
Harpe, Flûte (duo)
3
Harpe, Violoncelle (duo)
3
Harpe, Violon (duo)
2
2 Violons, Piano
2
Trio à cordes
2
Violon, Basson (duo)
2
Violoncelle, Orgue
1
Violon, Tuba (duo)
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
398
Orchestre à Cordes
107
Orchestre
101
Ensemble de cuivres
85
Cloches
35
Ensemble Jazz
29
Orchestre de chambre
23
Batterie
23
Jazz combo
13
Fanfare
12
Percussion (partie séparée)
10
Ensemble de Percussions
9
Batterie (partie séparée)
6
Quatuor à Vent : 4 instruments à vents
2
Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
Percussion
1
Instrumentation Flexible
1
Xylophone, Piano
1
Xylophone
1
2 Marimbas
1
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.44 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.46 €
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Clarinette Basse, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.46 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
15 Favourite Hymns for Thanksgiving and Harvest for Bass Clarinet and Piano
Clarinette Basse, Piano
Composed by Various. Arranged by David McKeown. Holiday, Praise & Worship, Sacred.…
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Composed by Various. Arranged by David McKeown. Holiday, Praise & Worship, Sacred. Score and part. 27 pages. David McKeown #6204531. Published by David McKeown
15 Favourite Hymns for Thanksgiving and Harvest for Bass Clarinet and Piano is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year with music. Each hymn is arranged for solo Bass Clarinet and Piano. The file contains both the piano score and a separate part for the solo instrument.<br> <br> 15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building reading, rhythmic and expressive skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Things Bright and Beautiful, (The 29thMay)<br> <br> · Come Thou Fount of Every Blessing, (Nettleton)<br> <br> · Come, Ye Thankful People Come, (St George’s, Windsor)<br> <br> · Count Your Blessings, (Blessings)<br> <br> · For All the Blessings of the Year, (Oldbridge)<br> <br> · For the Beauty of the Earth, (Dix)<br> <br> · Now Thank We All Our God, (Nun Danket)<br> <br> · O Store Gud, (Trad. Swedish, also used for How Great Thou Art)<br> <br> · Praise God from Whom All Blessings Flow, (Old Hundredth)<br> <br> · Praise My Soul, the King of Heaven, (Laude Anima)<br> <br> · Praise to the Lord, the Almighty, (Lobe den Herren)<br> <br> . Rejoice Today with One Accord, (Ein Feste Burg)<br> <br> · We Gather Together, (Kremser)<br> <br> · We Plough the Fields and Scatter, (Wir Pflügen)<br> <br> · When Morning Gilds the Skies, (Laudes Domini)<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
7.03 €
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Clarinette Basse, Piano
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Various
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Worship, Sacred
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15 Favourite Hymns for Thanksgiving and Harvest for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
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