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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We are First
Non classifié
421
Piano & claviers
Piano, Voix
1 296
Piano seul
138
Piano, Voix et Guitare
50
Piano Facile
45
Piano Trio: piano, violon, violoncelle
12
Orgue
11
Instruments en Do
11
1 Piano, 4 mains
9
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Piano grosses notes
1
Piano (partie séparée)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
34
Ukulele
3
Basse electrique
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Paroles et Accords
1
Dulcimer
1
Ukulele Baryton
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale Unison
35
Chorale 3 parties
24
Chorale 2 parties
19
Chorale TTBB
10
Chorale SSAA
7
Voix duo, Piano
6
Voix duo
5
Voix Soprano, Piano
4
Voix haute
3
Voix Alto, Piano
2
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
2
Voix seule
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Quintette de Saxophone: 5 saxophones
49
2 Saxophones (duo)
40
Flûte, Hautbois, Clarinette, Basson
19
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
18
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
15
Saxophone, Clarinette (duo)
14
Hautbois, Piano (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
12
Clarinette et Piano
10
Ensemble de Clarinettes
10
Clarinette, Trompette (duo)
9
Flûte, Clarinette (duo)
9
Clarinette, Violon (duo)
9
2 Hautbois (duo)
8
Saxophone Tenor et Piano
8
Flûte traversière
8
Flûte à bec Soprano
8
Clarinette
7
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
Saxophone Alto
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Ensemble de saxophones
6
Hautbois, Basson (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Saxophones (trio)
5
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Flûte, Saxophone (duo)
5
3 Clarinettes (trio)
4
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Flûte, Trompette (duo)
4
Saxophone Baryton, Piano
4
Hautbois, Flûte
4
Saxophone Tenor
3
Hautbois, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte, Violon, Piano
2
Ocarina
2
Clarinette, Basson (duo)
2
Saxophone (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Clarinette, Harpe (duo)
2
Ensemble à vent
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Flute (partie séparée)
1
Harmonica
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
+ 62 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trombone et Piano
13
Trompette
12
Trompette, Saxophone (duo)
11
Trompette, Piano
10
Cor et Piano
8
Trompette, Trombone (duo)
8
Tuba
7
Ensemble de Trompettes
6
2 Cors (duo)
5
Cor
5
Trombone
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Tuba et Piano
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
35
2 Violons (duo)
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
21
Violon
18
2 Violoncelles (duo)
15
Harpe
15
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
12
Violon, Alto (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Violoncelle
9
2 Altos (duo)
8
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Violon (partie séparée)
4
Harpe, Voix
3
2 Contrebasses (duo)
3
2 Violons, Piano
3
Contre Basse
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
109
Ensemble de cuivres
68
Orchestre à Cordes
37
Orchestre de chambre
22
Orchestre
19
Cloches
11
Ensemble Jazz
5
Ensemble de Percussions
5
Fanfare
3
Piano et Orchestre
1
2 Marimbas
1
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone
1
Marimba
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
We are First
Clarinette Basse, Piano
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1
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Christmas Carol Selections - Bass Clarinet
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Clarinette Basse, Piano
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FACILE
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Noël
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Traditional
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Andrew Will
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Christmas Carol Selections - B
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Willscore Publishing
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SheetMusicPlus
B-Flat Bass Clarinet,Instrumental Solo,Piano - Level 2 - SKU: A0.1143214 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Relig...
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B-Flat Bass Clarinet,Instrumental Solo,Piano - Level 2 - SKU: A0.1143214 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. Score and individual part. 16 pages. Willscore Publishing #743576. Published by Willscore Publishing (A0.1143214). Christmas Carol Selections for Bass Clarinet with Piano Accompaniment. Available for all Concert Band Instruments. Selections include Away in a Manger, Deck the Halls, Ding Dong Merrily on High, Hark! The Herald Angels Sing, The First Noel, God Rest Ye Merry Gentlemen, Good King Wenceslas, I Saw Three Ships, Jingle Bells, Joy to the World, O Christmas Tree, O Come all Ye Faithful, O Little Town of Bethlehem, Once in Royal David’s City, Silent Night, We Three Kings of Orient Are and While Shepherds Watched. A great collection of 17 well know Christmas classics. Enjoy! The Willscore Publishing Team.
$12.00
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We are First
